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A Christian Dior London ivory faille ball gown, late 1950s, labelled and numbered 12943, size 12, with bow to cross-over bodice panels, full skirt, integral tulle corset and layered petticoats, bust 86-92cm, 34-36in CONDITION REPORT: 2 faint brown droplet stains and 3 larger stains in lower part of skirt front but these are faint and very hard to see and photograph. Interior is clean and good.
A Jacques Fath couture navy wool day suit, circa 1950, labelled to the jacket, with white organza neckline edging with bow, ruched side panels with double row of buttons; the skirt with similar button adornments and concealed zip, bust 92cm, 36in, waist 71cm, 28in (2) CONDITION REPORT: scattering of moth damage and tiny darned repairs to the jacket - mainly around the right armhole and sleeve top area. The large label is in a strange place - the rear neck. The internal finishes are couture so it may have been moved from the skirt?
An Yves Saint Laurent for Christian Dior charcoal-grey organza satin cocktail dress, Autumn-Winter, 1960, labelled and numbered 107567, with boned bodice, narrow straps, princess line with bouffant, weighted hem, the rear hem with multiple organza ruffles and bow; with integral tulle petticoat and suspenders, bust 86cm, 34in CONDITION REPORT: Good condition, slight soiling at rear hem (minor). Looks little worn.
Two Maggy Rouff sketches of evening gowns, mid-late 1950s, the first 'Cornaline', orange chiffon with green satin waistband and bow, the second 'La Perle', draped white satin with sequined shoulder strap, 21 by 30cm, 8 by 12in; together with a fabric swatch for 'Cristal' (3) CONDITION REPORT: good.
A rare Francis Wilson for John Galliano tartan cotton bonnet, 'Rose' collection, Autumn-Winter, 1987-88, 'John Galliano London' label, the low topper with double brim petersham edgings and swallow tail bow, 20.5cm, 8inThis bonnet formed part of the ensemble chosen by the Gallery of Costume, Bath, as their dress of the year in 1987. CONDITION REPORT: Good condition, no problems
Princess Margaret's Horrockses Fashions printed cotton summer dress, 1967, with 'By Royal Appointment' label, comprising: short strapless sundress with boned bodice and matching button-backed overbodice with bow to neck, bust 86cm, 34in, waist 61cm, 24in; together with a newspaper clipping and a Daily Mail supplement showing the Princess wearing the ensemble with Lord Snowdon on a visit to the Bahamas in 1967 (4)Provenance: Between 1990 and 2001 the vendor's father was head gardener at Alanbay Park when it was owned by The Hon Mrs Jean Wills (née Bowes-Lyon) and Major John Wills (of Wills tobacco fame). Mrs Wills was first cousin to HM the Queen and a Lady in Waiting to HRH Princess Margaret and they regularly played host to the royal family. This dress was included in a bundle of old clothes belonging to Princess Margaret that Mrs Wills had been asked to sort through and either to donate to charity or burn. The vendor's mother picked out this particular dress thinking her daughter (who would have been a teenager at the time) might like it. Suffice to say the young girl declared she 'wouldn't be seen dead in it' and it has remained in a drawer wrapped in tissue paper ever since. CONDITION REPORT: Good condition, no problems
A green satin and whitework ensemble, circa 1820, the spencer bodice in two shades of green satin, with puffed mancherons, trimmed in blonde silk lace, with matching waist belt, reticule with cut steel button closure and chain; pumps labelled 'Rimmevaux, Rue de la Ferme des Mathurins, Paris'; assorted satin bows and a band (possibly for a cap); the muslin skirt with deep bands of whitework and ruffled bands to hem, bust 81cm, 32in, high waist 74cm, 29in (qty)A similar spencer and muslin skirt ensemble is illustrated in 'Costume Parisien', dated 1817. CONDITION REPORT: ·Bodice: satin is clean and fresh in appearance. 3 faint yellow discolourations in satin above left cuff area. Small yellow stain to bound edge of mancheron. Faint perspiration stains at underarms showing inside, barely visible outside due to mancherons and they are faint anyway. Sleeves may have been narrowed at some point but seams are all hand-sewn. Very faint discolourations on right sleeve above cuff area also but very hard to see and impossible to photograph from the outside, but visible on the inside. Blonde edging lace I feel is later added as more typical of 1850s. ·Belt: good condition, no problems·Fichu: initialled in fine cross-stitch 'AB'. Overall good condition. A couple of finely done, small darned repairs. 12cm panel of near matching embroidered edging has been introduced. Embroidered edge has 2 breaks, 2cm and 1cm, and the occasional hole.·Purse: good condition, very fresh, no problems. ·3 dark green miscellaneous bows: good condition·1 bright green bow attached to satin band: good condition·Muslin skirt: holes in a line at upper drawstring waist where waistband was altered (minor). Overall clean, white, nicely starched. 3 darned repairs in plain muslin to centre back of skirt. ·Shoes: both have signs of having been lightly used. Ribbons are frayed at edges. Left shoe - ribbon binding at upper inside edge near heel has separated from the satin approx. 1cm (minor).
An unusual white beaver top hat for a boy or a woman, 1820s, of slightly fluted shape with gently curved sides to the brim, bow to one side and double ribbon bands with trails behind, lined in printed pink and black striped paper, leather head band, 13cm, 5in highA similar shaped hat is illustrated in 'Modes de Paris' from 1828, engraving 557. CONDITION REPORT: Overall good condition. Slight rubbing to beaver plush on edges generally but more rubbed/bare on underside of rim, mainly to front and left side. Slight discolouration to front side (minor). 2 small pinholes to rear ribbons. Lining is good and fresh, light grease spots to headband. Overview - good condition, external plush is good, with wear to underside of brim from handling.
A Charles Frederick Worth visiting dress, circa 1875, the jacket-like bodice with ivory waist stay printed in gold 'Worth, 7 Rue de la Paix, Paris', of puce silk faille trimmed with pale blue silk with gold satin stripes, the lapel bands and cuffs inset with ivory lace, the sleeves with slash-effects at the cuffs revealing striped silk, the rear basque tails with off-centre bow and ribbons; the skirt with draped striped ribbon bands, with rich tasselled gold passementerie to the puce side panel, the exposed inner skirt of tiered pleats of striped silk, bust 92cm, 36in, waist 69cm, 27in (2)Provenance: From the collection of Rosina Rossellini. CONDITION REPORT: The fabric is in remarkably fresh condition. Slight wear to silk lining on inside rear collar. The basque bodice is fastened by a replaced hook and eye - there would have been something more substantial originally in terms of a fastening. I suspect there was a corseted under-bodice perhaps with a lace infill that would have been shown at the front. I think the waiststay would have been attached to that originally? Skirt with wear to narrow satin waistband edge and at closure area. The waistband and corresponding rear pleats area have been let out to widen. Slight moth damage to inside hem dust ruffle. Passementerie, fringing and pleats are all good.
A pink-gold shot taffeta cocktail gown, probably Lanvin, circa 1927-29, un-labelled, the skirt falling in complex curved and pointed godets, some with weights, low back with bow, bust 92cm, 36inProvenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Bad perspiration stains at underarms with splits forming, seams very slightly taken in at underarms, approx. 4cm long (minor). Rear bow needs re-stitching.
EDWARDIAN SHERATON REVIVAL INLAID MAHOGANY DISPLAY CABINET, the moulded cornice above a bow fronted panelled centre section inlaid with a vase and scrollwork, flanked by a pair of glaze cupboard doors, enclosing two fixed shelves to the green fabric lined interior and raised on straight cabriole legs tiled by an undertier, 66 3/8" (168.6cm) high, 41" x 16 1/4" (104.1cm) x 41.3cm)
GOOD QUALITY MAHOGANY GEORGIAN STYLE DINING ROOM SUITE OF 10 PIECES, INCLUDING A SIDEBOARD WITH SHAPED BOW FRONT, SET OF EIGHT SHIELD BACK CHAIRS WITH WHEAT EAR CARVED PIERCED SPLAT BACKS, ALL ON WAVY MOULDED SQUARE TAPERING LEGS AND A TWIN PILLAR DINING TABLE, OBLONG AND 'D' ENDED WITH EXTRA LEAF
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117861 item(s)/page