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Click here to subscribeA late 19th century satinwood, tulipwood and ebony inlaid dressing table, the oval mirror raised on brackets incorporating an open well and short drawer, the base with bow front centre drawer flanked by two drawers to each side, the whole raised on tapering square section supports term in brass cap castors united by a shaped stretcher, bears makers stamp of A & H Barlow & Co, Wigan (matches lot 759)
* A photograph frame, Henry Matthews, Birmingham 1903; rectangular with ribbon bow surmount, 18.5cm tall, offered with a napkin ring, Birmingham 1956, a plated entree dish with detachable handle, a pair of cockerel table ornaments, and a chrome cigarette case. Sold on behalf of The Metropolitan Police (11DS15048) and subject to VAT on the hammer price. Best Bid
a Classical Style Diamond and Ruby Set Pendant on a Figaro Chain, fine white bars within a circular diamond set surround, a diamond set double bow motif surmounting, and a suspended ruby set cinquefoil motif over the centre of the bars, the base of the circle suspends a diamond and seed pearl set pendant, total diamond weight 0.33 carat approximately, chain length 60cm, drop measures 5cm. See illustration
an 18ct Gold Open Faced Lever Pocket Watch with Power Reserve Indication, signed Charles Frodsham, 84 Strand, London, No.04897, ADFmsz, 1874, frosted gilt finished lever movement, bimetallic compensation balance with blued overcoil hairspring (balance staff broken), white enamel dial with Roman numerals, Up/Down sector dial at 12, subsidiary seconds, plain polished case, "later" bow, case with maker's mark "GAP", London 1874, 48mm wide
a Lady's 18ct Gold, Enamel and Diamond Set Fob Watch, circa 1900, frosted gilt finished lever movement, bimetallic balance, white enamel dial with Arabic numerals, case nicely decorated with green guilloche enamel and gilded with leaf work borders, case back with a spray of pearls and a central diamond set, 25mm wide, together with associated bow brooch See illustration
a French Carved Ivory Figure of a Fairy, circa 1880, the scantily clad young girl seated on a tree stump flanked by flowers, on a cylindrical socle, 16.3cm high; A Similar Figure, of Cupid in beckoning standing pose, on similar socle, 15.5cm; Another Small Figure of Cupid, standing holding his bow in one hand, upholding a heart in the other, on a turned capstan base, 10cm high; and A Japanese Carved Ivory Netsuke as a Clam Shell, late 19th century, the partly opened mollusc revealing a scene of a figure a amongst buildings, 5.7cm wide (4) (all a/f) See illustration
a Royal Worcester Porcelain Two-Handled Pedestal Ovoid Vase, Ernest Phillips, 1912, with sloping shoulders and acanthus moulded neck with two loop handles, painted with two panels of summer flowers pendant from a pink ribbon bow within blue and gilt striped bands, signed, printed mark in puce, shape number "2277", date cypher, 18.5cm high See illustration
A ladies full length blue coat made of fine corded wool, the turned down collar with lapel detail and one button fastening to the neck; together with a tobacco brown moquette swing style jacket, a 1960's black and clear checked plastic rain coat, a pea green full length evening coat; together with further ladies evening wear dating from the 1950's onwards to include a full-length blue velvet dress by Frank Usher with faux pearl decoration and a black velvet dress with satin bow detail by Valentino (qty).
An amethyst set brooch/pendant late 19th/early 20th century, the central circular amethyst (measuring 13mm diameter) within a split seed pearl set, bow design surround and suspending a mother of pearl set drop, stamped ‘9ct’, with detachable brooch fitting and safety chain, total weight 7.5gms
A 19th Century Staffordshire pearlware figure, of a man wearing fur trimmed coat and ice skates representing Winter, square base, 17.5cm high, another of a lady archer with arrow, bow, quiver and target at her side, 17.5cm high and another of girl with lamb in box, the square base inscribed ÔMate’, 20cm high, a/f.(3) N.B. For similar figure to latter in this lot see p.170 ‘English Earthenware Figures 1740-1840’ by Pat Halfpenny
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