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Lot 250
A peridot bar brooch, stamped '9CT', length 4.1cm (a.f.); a 9 carat gold diamond and enamel regimental bar brooch, length 5.2cm; an enamel bow brooch, stamped '9CT' (a.f.); a 9 carat gold split pearl brooch (a.f.); together with a quantity of costume jewellery including a silver hinged watch, plated chains, marcasite and paste brooches etcCondition report: Peridot brooch - 1.6 grams. Regimental brooch - 4.3 grams. Enamel brooch - 4.0 grams. Split pearl brooch - 2.3 grams.
Lot 73
A Set of Four Bow Porcelain Plates, circa 1755, painted in colours with bamboo and peony amongst rockwork, painter's number 47 in red, 23cm diameter; A Pair of Chinese Porcelain Octagonal Soup Plates, similarly decorated with finger citroen and peony amongst rockwork, 21.5cm wide; and A Chinese Imari Porcelain Side Plate, painted with flowersprays, 16.5cm diameter (7)Condition report: Bow plates, one with a section of the rim detached but retained and having rim frits, another fritted to the rim and the other two with small rim chips. Chinese octagonal plates, one badly broken and re-stuck, both with rim frits.Chinese side plate, cracked.
Lot 1324
A good quality Edwardian satinwood inlaid mahogany dressing table, the large swiveling mirror plate surmounted by a dentil and molded pediment between two fluted slender supports, mounted with acorn carved finials over a superstructure, fitted with drawers above a part bow-fronted low section, moving on castors, 138cm by 65cm by 180cm
Lot 71
Andalusian school of the second half of the 17th century."The Adoration of the Shepherds".Oil on canvas. Re-coloured.With repainting and restorations.Measurements: 137 x 151 cm; 158 x 171 cm (frame).The painter of this canvas is interested in approaching the theme of the adoration in a naturalistic way, emphasising the humble environment that welcomes the birth of the Child Jesus in its bosom. It is a painting indirectly influenced by the soft, delicate style of Bartolomé Esteban Murillo. The shepherds, devoid of any eloquent or ornate gestures, kneel or bow silently around the infant, whose small body rests on a bed of straw. The Virgin wraps the child in white cloths, and Saint Joseph, at her side, holds the lily wand, a characteristic attribute of his iconography. Jesus thus occupies the centre of the composition, and the contrasting light helps to arrange the figures and direct the viewer's gaze to each corner of the crib. In this canvas we see a theme that has been repeated many times throughout the history of art, and which experienced a notable boom during the Andalusian Baroque period. The humanity that pervades the scene made the faithful identify with it, an intention that would characterise Spanish religious art from the Counter-Reformation onwards.
Lot 197
A group of three 19th century cow creamers, one sponge ware and one luster ware; together with and a Bow pottery cow, circa 1820 and a 20th century pottery model of a bullsome damage and lossesCondition report: Minor discolouration throughout. Missing or broken horns on three seperate cows. One with large part of the base missing. One with repaired legs, visible glue.
Lot 50U
Suite of George V silver flatware including six table spoons, twelve table forks, twelve soup spoons, twelve dessert spoons, twelve dessert forks, pickle spoon, two sauce ladles, twelve tea spoons, six egg spoons, the fish knives and forks with silver blades and tines, etc. by William Hutton & Sons Ltd, Sheffield, various dates circa 1927, 4340g+ (fish knives and forks not weighed), contained within a mahogany bow fronted two drawer canteen raised on cabriole supports terminating in ball and claw feet, 84cm wide.
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117861 item(s)/page