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Lot 96
Victorian paste set unmarked silver horseshoe brooch, graduated paste stones, hinged pin and simple loop brooch fittings, length approx 6.5cm (one small stone deficient); Victorian Bohemian garnet white metal cluster brooch, hinged pin and simple loop brooch fittings, diameter approx 3.5cm, (two small garnet deficient); an enamelled ribbon and bow brooch with toggle; paste and marcasite white metal ribbon and bow brooch; Victorian paste and white metal horseshoe brooch, late 19th century shell cameo brooch (af) and a Victorian paste bar brooch, etc (q)
Lot 321
A Small Quantity of Jewellery Including, an 18 carat gold bow brooch, length 6.1cm; a 9 carat gold amethyst pendant on an 18 carat gold chain, pendant length 1.9cm, chain length 46cm; and a 9 carat white gold necklace, length 46cmBrooch - 5.8 grams. Pendant on chain - 4.0 grams. White gold necklace - 5.8 grams.
Lot 35
Flemish school, second half of the 17th century. "Allegory of Abundance". Oil on canvas. Re-lined Presents restorations and repainting. Size: 113 x 136 cm; 145 x 168 cm (frame). In this Flemish painting of the Baroque period, the mythological figures occupy an idyllic place, resolved with great scenographic sense. Venus is seated in a forest clearing next to a woman with her hair covered by a white veil. The humble woman points to the abundant fruits scattered at her feet that make up a juicy still life in which each fruit. Venus carries a sickle, an element linked to the harvesting of the field, and therefore to the fecundity of the earth. She herself, as the goddess of carnal love, reinforces the meaning of the painting. Animals are also imbued with semantic intention: the monkey, which usually symbolizes gluttony and lust in Flemish paintings, and guinea pigs or rabbits, for their known fertility. Flemish painters contemporary to the author of this painting, such as Brueghel, often introduced these animals in their allegories of abundance and the seasons. The lightness of Venus's drapery contrasts with the draped figure that accompanies her. A skillful work of glazes reproduces the fine gauze hanging from one of the plump arms of the goddess, whose carnal sensuality and silky hair reproduces a feminine canon close to the women of Rubens. The nude figure of Cupid, with his bow of accurate arrows, occupies the background. His kinky hair covers a head of soft cheeks and fleshy lips. A solemn palatial architecture is silhouetted against a twilight sky, and before it unfolds a garden of flowerbeds trimmed in perfect geometry, welcoming fountains and beautiful paths.
Lot 72
Y A MAHOGANY AND SATINWOOD BANDED BOW FRONT HANGING CORNER CABINETLATE 19TH CENTURY, IN SHERATON REVIVAL STYLE109cm high, 66cm wide, 43cm deepProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and lossesNew lock and with key, some marks where this has rubbed to the door interiorsInterior with a wash to the surfaceCleaned and polished appearance overall, would appear to have gone through a restorer fairly recentlyPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 109
20th century taxidermy cased ‘Perch’ (Perca fluviatilis) Possibly Plaster cast/carved. Caught in the Avon by J. Watkins on the 1st October 1948. Weighing 4lb 3oz in bow fronted case in naturalistic setting. Case dimensions: length: approx. 59cm, depth: approx. 14cm, height: approx. 34cm.
Lot 75
A French 18ct yellow gold, blue enamel, diamond and ruby heart shaped pendant, together with matching drop earrings (unmarked yellow metal), the pendant with central oval cut bezel set ruby within a floral cluster of seven rub-over set diamonds, with bow detail to the top, the earrings with same bow and three line diamonds to the centre of the drop
Lot 109
Four large 17th century and later iron keyscomprising a 17th century 'Armada' chest key, 19cm long, a very large Greek or Turkish ecclesiastical key, 40cm long, a large Flemish key, circa 1600, 21.9cm long and a large 18th century door key with baluster shaft and plain bow, probably English, 18.25cm long (4)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 143
A late 19th century Minton majolica trompe l'oeil bamboo garden seatof cylindrical form, the sides moulded as a bundle of vertical bamboo canes, naturalistically coloured, tied with blue and floral decorated ribbons, one with an elaborate bow, impressed date codes, marks and shape number, 48cm high, 34.4cm wide, 34.5cm deepThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 232
A good late 19th century French gilt bronze and marble figural mantel clockthe dial signed Hartingue, a Paris, the movement stamped Etienne Maxant, Paristhe signed 4.25' enamel dial with outer Arabic numerals framing the Roman hours, signed in red enamel and with good pierced and engraved gilt hands, set in a bow fronted column flanked by a standing classical woman draping a garland of flowers holding a putto, on a bow-fronted ormolu-mounted base and cast feet, the twin train movement striking on a bell, 34cms highFor further information on this lot please visit Bonhams.com
Lot 324
A late 19th century French patinated bronze figure of a Classical maidenin the manner of Jean Jacques (called James) Pradier (French, 1790-1852)the figure clad in classical drapery and headdress, leaning against an ivy entwined rustic wall, on bow-fronted moulded base, and corresponding black marble shallow plinth, 47.5cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 369
Emile Laporte (1858-1907): A patinated bronze figure of Actaeonthe semi-clad male figure holding a bow in one hand, a quiver at his feet, on naturalistic circular base, signed within the cast E.LAPORTE and with Siot-Decauville Fondeur PARIS foundry mark, 84cm highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 426
John Simpson (British, 1811-after 1871): An oval enamelled copper self portrait miniature together with a rectangular enamelled copper portrait miniature of Mrs Simpson (probably Mrs William Page Simpson)the first miniature with the sitter looking to dexter with mutton chop whiskers, wearing a black silk bow tie, the rear inscribed and dated Painted by J. Simpson for his son W. P. Simpson, Jan 1865, the second miniature of canted topped rectangular form, the sitter looking to dexter, her hair dressed with long ringlets, her black silk dress with laced collar, the rear signed dated Mrs Simpson 1855., by J. Simpson', the first miniature, 4cm x 3.3cm, the second miniature, 5cm x 4cm (2)Footnotes:John Simpson (1811-after 1871) was trained as a porcelain painter at the Derby porcelain factory before moving to London in 1845. He soon established a practice as a miniature painter specialising in works on enamel, and fulfilled the first of many commissions for Queen Victoria in that year. He is last recorded describing himself at the end of his career as a 'photographic artist' (1871 census return); the date of his death is not known.For further information on this lot please visit Bonhams.com
Lot 259
Ascham (Roger). Toxophilus, the Schole, or Partitions, of Shooting. Contayned in II bookes. Written by Roger Ascham. 1544... To which is added a dedication and preface by the Reverend John Walters, Wrexham: reprinted by R. March, 1788, slight soiling to title and dedication, bookplates, contemporary half calf gilt, joints a little rubbed, 8vo (ESTC T139768, noting that 2 of 20 listed copies recorded a frontispiece, not present here), together with Roberts (Thomas). The English Bowman, or Tracts on Archery: To which is added the second part of the Bowman's Glory, 1st edition, London: printed for the author by C. Roworth, 1801, engraved frontispiece and dedication, errata leaf at end, front hinge reinforced, contemporary calf, rebacked, rubbed with some edge wear, 8vo, with three others: Thomas Waring's A Treatise on Archery, or the art of shooting with the English Bow, 9th edition, 1832, George Agar Hansard's The Book of Archery, 1840, and The Archer's Register: A year book of facts for 1884-85, edited by J. Sharpe, Shrewsbury, 1885 QTY: (5)
Lot 577
A George III scottish mahogany sideboard, the pair of sliding tambour doors, cross-banded and line inlaid panels, with two long and one flushing fitting drawer below, flanked by two bow front cellerette drawers, each faced as two with brass drop handles, all with cross-banding and line-inlay on square tapering legs to spade feet, 217 cm wide x 81 cm deep x 113 cm high
Lot 580
A modern yew wood bow front chest of four drawers, 88 cm wide x 50.5 cm deep x 92.5 cm high, together with a modern yew wood chest of drawers, the plain top above two short and two long drawers with swan neck handles, raised on bracket feet, 62 cm wide x 49 cm deep x 73 cm high, a pair of modern yew wood bedside cabinets as miniature chests of drawers, the plain tops above two short and three long drawers with swan neck handles, raised on bracket feet, 47 cm wide x 32.5 cm deep x 62 cm high and a modern yew wood pedestal desk, the plain top with leather insert above three drawers to two banks of three drawers with brass swan neck handles, raised on bracket feet, 122 cm wide x 61 cm deep x 77 cm high
Lot 475
SASHA; three original dolls comprising a girl with long dark brown wavy hair, wearing a cream cotton dress with frilled sleeves, length 43cm, a Gregor red hair boy doll with short hair, wearing a black and white striped sailor dress with red bow, length 40cm and a girl with long blond hair, yellow pinafore dress with green floral blouse, length 40cm (3). CONDITION REPORT: The arm and leg elastics on the red hair boy doll are cream/ivory colour.
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117845 item(s)/page