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A French Porcelain Coffee Pot, circa 1880, cylindrical, decorated with circular panels depicting lovers in garden landscapes within frames of leaf fronds and ribbon bow tied swags of roses, against a midnight blue ground with, angular handles, short swept spout, the slightly domed cover with acorn finial, spurious Meissen crossed swords mark in underglaze blue, {19.5cm high} (gilding rubbed on edges of cover and handle)
A Good 18ct Gold Pair Cased Lever Pocket Watch, signed INo Moncas, Liverpool, patent lever, No.839, 1837, fusee movement with English lever escapement, 'Liverpool windows' screwed in jewelling, plain three armed steel balance, diamond endstone, dust cover stamped PB to the inside, gold dial with applied Roman numerals, subsidiary seconds, gold serpentine hands, inner case with plain polished finish, outer case back with engine turning, the band, pendant and bow with cast decoration of sea shells, {case with maker's mark THJH and numbered 839, both cases Chester 1837, 57mm diameter}; together with outer brass travelling case
A Glasgow Style mahogany fire surround, probably supplied by Wylie & Lochhead, Glasgow, the moulded surmount over an open shelf with bracket supports and a rectangular mirrored plate, with bow fronted mantle shelf below and frieze of bas relief stylised buds above, the whole enclosed by square uprights with bas relief-carved panels, the fireplace of cast iron with panels of stylised flowers and with tapered hood above upright cast with whiplash foliage enclosing a grate (damaged) surround, 173cm wide x 211cm high, fireplace, 59cm wide x 97cm high (2)
Cruikshank (George). Prince of Shuma,illustrated by the designs of George Cruikshank, 2 parts [all pub.] bound in 1, 1823-24, ten etched plts. to each, some spotting, lacks orig. wrappers to Part 1, orig. printed wrappers to Part 2. retained (soiled and relaid), two pencil sketches mounted to inner wrappers, one showing a broom seller and the other of a man's head with old pencil attribution to Cruikshank or Robert Seymour, contemp. polished calf, rebacked, rubbed, together with Cruikshank (George, Illust.), Mornings at Bow Street., by J. Wight, 3rd ed., 1825, twenty-two woodcuts, incl. frontis, a.e.g., bound without orig. wrappers in contemp. half morocco gilt by Zaehnsdorf, rubbed on spine and joints, both 8vo, plus My Sketch Book, No.9 only (of 9), 1836, four hand-col. etched plts., a little soiled at margins, orig. printed wrappers, slightly frayed, torn on spine, slim oblong folio, plus other George Cruikshank interest (20)
*Johnson (Jack, 1878-1946). Signed postcard black and white photograph, c. 1914, showing Johnson full length in boxing pose in the ring, with inset portrait of him in hat and bow tie, signed across the image 'yours truly Champion Jack Johnson', printed caption to lower foot, written message to verso [not by Johnson], franked and dated 'Paddington, 21 Oct ?14', trivial marks, overall VG. A very scarce signature. Johnson defeated Tommy Burns in 1908 to become the world's first African-American heavyweight champion. After an interracial marriage and his defeat of several white hopefuls, Johnson was convicted in 1913 under contrived circumstances for violation of a federal law. He fled to Europe and remained a champion in exile until he lost in 1915 to Jess Willard in Cuba. (1)
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