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Click here to subscribeSwarovski Crystal Figure 'Cheerful Times' Theme Group 'Ballerina' Young Girl Sitting. Designer Edith Mair. Code number 7500 NR000 007. Issued 2000. Retired 2009+. 3 inches long. Clear faceted crystal with rosaline crystal bow in her hair blue eyes. First Quality mint condition. Never been on display with box and certificate. Never been on display.
A pure wool dark grey with faint blue pin stripe men's suit, double breasted in good condition (no exact measurements on label but chest measures approx 54 inches) together with a men's black dinner suit by Daks, size 38R with burgundy bow tie and matching cumberband, along with a black pin striped suit, 38 R, by Mareno of Italy, all in good condition (3)
Anglo-Saxon Brooch Group (5): Two small long brooches with abraded head plates, good patina, a head plate of another small long brooch, a side plate from a florid cruciform brooch with two ravens flanking a human head. Two fixing lugs on the reverse, a larger cruciform type brooch, the head plate has been broken and repaired, but it has a marvellous patina and two decorated side lappets with stylised eyes on either lappet, largest 104mm x 35mm. together with an Anglo-Saxon Small Long Brooch, 6th Century AD: a copper alloy square headed small long brooch of the Saxon period, 6th Century. The head plate, bow and tapering foot are decorated with punched lines and cusps. On the reverse, the catch plate and pin lug are intact, Good condition, 17.4g, 75mm x 19mm.
Six Original Star Wars Return of the Jedi Ewok Figures, 1983/84 era, including Chief Chirpa in standard light grey plastic with hood and staff, Logray-Ewok Medicine Man, light brown striped lines with headdress, pouch, staff, Paploo with plastic hood and battle staff with B code, plus torn 77 backing card, Lumat, purses grey lips, bow, Quiver with painted arrows, hood, some small parts may be missing, playworn.
Britains post WW2 charging Black Watch from set 11, a total of 16 men and 3 pipers, and Royal Company of Archers from set 2079, 12 archers with officer, all restrung onto original Britains single backing cards, but without boxes, generally G, 4 P, a couple with faults , (5 cards) Black Watch, 2 rifles and 1 bayonet missing. Archers, 1 loose head. 1 plume and 1 bow bent
Useful used balance on two 'New Ideal' pages, most spaces filled with better items including 1860-70 wmk pineapple to 1s, 1870-83 crown CC to 5s lilac, the 5s wmk inv, 1883-97 crown CA to 5s lilac, 1890-91 2½d on 4d red-brown incl two 'PFNNY' and broken 'K' for 'Y' var (SG 30ca), both with RPS certs, 1903-04 crown CA ½d pair incl 'SER.ET' var, 1905-11 MCA incl ½d pair incl 'SER.ET' var, 5d grey & orange-yellow, 5s, 4d red-brown, 2s Venetian red, 1912-20 MCA to 5s, 1919-21 MCA to 10s myrtle-green, 1921-27 ½d green with 'bow' flaw,1921-29 script to 10s, incl 2½d wmk rev, 1923 Child Welfare and 1935 Jubilee, also a few postal fiscals, condition typically mixed, a few with BPA or RPS certs (130+) (Plate )
A Bow white-glazed figure of a female hunter, c.1752, seated and leaning on a water fountain, her gun held in her left hand, a small dog jumping up beside her, raised on a square base, small damages, 13cm. Cf. Peter Bradshaw, Bow Porcelain Figures, p.74, pl.39 for the biscuit version of this figure.
A Chelsea chinoiserie flower holder figure, c.1762, modelled as a Chinaman wearing Eastern dress and seated beside a large white vase, the top of which is pierced with an arrangement of holes, raised on a scrolling rococo base picked out in gilt, gold anchor mark to the reverse, some good restoration, 20cm. Cf. Frank Stoner, Chelsea, Bow and Derby Porcelain Figures, pl.33.
Two Bow coffee cups and a Pennington's (Liverpool) teabowl, c.1760-90, one cup painted in underglaze blue with a version of the Two Quail pattern, the birds strutting beneath large millet sprays, the other painted in the Imari palette with two further birds, the teabowl printed with a different version of the Two Quail pattern, together with two Chinese saucers with quail beneath bamboo and chrysanthemum sprays, 12.1cm max. (5) Provenance: the underglaze blue Bow cup with paper labels for the Watney Collection, and for the Girton Two Quail Collection, 2004 Loan Exhibition, no. 42.
Two pearlware figures, early 19th century, one Walton of a female archer, holding a bow and a feather and standing before a rope target and flowering bocage, the other of a shepherdess and a lamb, decorated in Pratt ware colours, raised on a square base with a band of moulded stiff leaves, some restoration to both, 27cm max. (2)
A rare Bow blue and white cream jug, c.1753, the squat rounded body painted with a large peony spray, and with a willow tree before an ornamental fence, the handle applied to one side and decorated with a simple foliate motif, the spout restored, 5cm high. Cf. Bernard Watney, English Blue and White Porcelain of the 18th Century, pl.5B for a jug of the same shape in the Victoria and Albert Museum.
Seven English porcelain coffee cups, c.1755-65, two Bristol and painted with sprays of flowers in polychrome enamels, two Bow with floral decoration in the famille rose and Imari palettes, two Worcester, one with dry blue painting on Warmstry fluting, the last Lowestoft and painted with an Imari landscape, some faults, 7cm max. (7)
A set of Bow figures of the Adolescent Seasons, c.1765, each modelled as a youth standing between flowering branches and holding attributes, Spring with a nest containing two birds, Summer with a sickle and a corn sheaf, Autumn with grapes and a goblet, Winter with a flaming brazier and a fur muff, raised on reticulated scroll bases, some restorations, 17.5cm. (4)
A small collection of English porcelain teawares, 2nd half 18th century, including a Vauxhall blue and white teabowl painted with a tree, a Bow teabowl applied with prunus, a Liverpool small mug with flowers, a saucer with a Chinese figure in a garden, a Derby polychrome milk jug, a Japanese teabowl painted in blue with a pattern copied by Bow, and a tea canister cover painted with flowers and butterflies, damages, 12.4cm max. (7)
A near pair of Bow figures of Summer and Autumn, c.1755-60, from the Seated Rustic Seasons series, Summer depicted as a lady seated on a corn stook and wearing a wide-brimmed hat trimmed with further ears of corn, Autumn as a gentleman seated on a basket of grapes, raised on pad bases, some losses, 13.5cm. (2)
A rare Bow slop bowl, c.1760, printed in purple with Le Negligé ou Toilette du Matin to two sides with The Toys split into two prints between, the interior with a bird perched on a branch, a rim crack, 15.5cm dia. Illustrated: Gordon and Sue Guy-Jones, Bow Porcelain - On-Glaze Prints and Their Sources, pls. 38B, 57B and 57C. The print of the lady adjusting the child's headdress copies an engraving by Jacques Philippe le Bas, after a painting by Jean Baptiste Chardin.
A pair of Staffordshire figures of a huntsman and a lady archer, c.1830-40, he carrying a gun and with his dog at his side, she standing before a target and holding a bow and arrow, both standing before flowering bocage, and a similar pearlware figure of a girl holding a basket of flowers, all raised on rocky bases with scroll motifs picked out in blue, some damages, 14.3cm max. (3)
A rare Bow duck tureen base, c.1755-58, naturalistically modelled as a mallard duck with head turned to dexter, the plumage finely painted, 11.6cm across. Cf. Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, no 264 for a similar tureen with cover. The form derives from George Edwards, Natural History of Uncommon Birds (1743-47), Vol III, pl 157.
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