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Lot 542
Kuniyoshi (1797-1861) and Toyokuni III (1786-1865), a triptych and two diptychs respectively, all the oban sized sheets depicting figures in boats, the triptych with a warship heavily adorned with the family mon, the first diptych of a man pulling a woman's obi as she tries to escape towards the bow by a pier head and the second of a man smoking his pipe amidships while another stands at the tiller, unframed
Lot 1109
George Pyne Violin, London, Early 20thC. 1 Piece Back, Length 13¾ Inches Apparently Unmarked And Without Paper Label. Together With A Nickel Mounted Bow And Mahogany Case. Violin Comes With Original Reciept Dated 14/6/1947 From Clifford A Hoing, High Wycombe Specialist in Fine Violins. Stating ''Violin Made By George Pyne'' £7 10 Shillings
Lot 1856
A collection of twelve drawing instrument cases and instruments Including a wood (late Abraham Liverpool) cased set of three ivory handled instruments, a cased 'GPO' instrument case including three spring bow compasses, large dividers, a Morocco leather covered instrument case including spring bow compasses, large dividers, a mahogany case 'The Empire Linometer' a WH Harling drawing instrument set contained within a hinged Morocco leather folding case, including three spring bow compasses, ivory handled pens, dividers, a rosewood and brass inlaid drawing instrument set, three other boxes incomplete, a Jay West instrument set and two others (12).
Lot 1756
A Collection of ten Irish silver serving spoons The ten matched spoon all assayed Dublin, date marks ranging from 1776-1790, various makers including three by Alexander Richards, total weight 23 oz. (10) CONDITION REPORT: Lot 1756 - the four makers mark DP, each bow with good flat tops to bowls, not sharp, some discolouration surface scratching, one with hallmarks slightly rubbed and makers mark worn, two catalogued as by Alexander Richards, bowls flat, not sharp good condition., some discolouration, minor rubbing, the 7th makers mark IC bowl in good condition, surface scratching, hallmarks rubbed, the remaining three wear to edge of bowls, surface scratching, rubbing to hallmarks.
Lot 2133
A gilt brass French four glass library striking carriage clock. With an 8.5cm white dial with Roman numerals, blued steel hands with a slow/fast aperture, the two-train movement no.1808 with platform lever escapement striking on a blued gong, the gilt brass anglaise case with a substantial handle, bow-front angles enclosing bevelled glass panels raised upon a plinth base and bracket feet. 18x14x11.5cm excluding handle (illustrated).
Lot 1878
A walnut and brass inlaid Stanley drawing instrument case With a detachable tray to include two signed Stanley dividers, the largest 16.5cm, three spring bow compasses, three ivory handled gauges, signed Thornton, a boxwood rule and other related items, the case measures 5x16cm, a burr walnut instrument box printed J & WE Archbutt, Lambeth, with a detachable tray including compasses, large dividers, a boxwood rule signed Jackson Brothers Leeds, a third brass inlaid box, in two layers including large dividers, protractors and other instruments, some signed Harling London 1928, rulers, a quantity, two rosewood inlaid instrument boxes (incomplete) (5).
Lot 2249
An early 19th Century mahogany bow front chest of drawers With a reeded top above two short and two long cock beaded drawers, replaced oval escutcheons and handles above a shaped apron raised upon splay feet, 90 x 83 x 47cm CONDITION REPORT: Lot 2249 - The bowfront top some ink staining, minor water staining, surface scratching, reeded border in good condition, each oval brass handle replaced, pieces of veneer replaced in between left and right short drawer measures approx. 7x2cms, and 5x2cms, pieces of veneer missing on the crossbanded frieze beneath the two short drawers measures approx. 4x2cms, minor scratching to cockbeading, cockbeading beneath the 1st long drawer requires re-gluing and fixing, one lock plate loose, drawer linings good condition each side - right hand side shrinkage crack running approx. 50cms raised to finger touch but not seriously divided and a shrinkage crack in front measures approx. 50cms in length. Pine back good condition
Lot 93
A VIRABHADRA SHRINE Western Deccan, India, circa 18th century cast brass in five sections, the central figure of Virabhadra holding sword, shield, bow and trident, flanked by the goat headed Daksha and his daughter Sati, the elaborate aureole behind with makaratorana surmounted by a kirtimukha 31.5cm high Provenance Formerly in the collection of the late Peter Cochrane, inv.JPC 67/38 Daksha offended Siva by not inviting him to attend a sacrifice following an earlier occasion when Siva had slighted him. Sati who was Daksha's daughter as well as being Siva s wife was present and felt so insulted that she threw herself on the pyre. Then Siva appeared as Virabhadra and cut off Daksha s head to avenge his wife. Other gods pleaded for Daksha's life but although Siva decided to spare him, his severed head could not be found so the head of a goat was substituted instead. Daksha is depicted with hands in namaskara mudra humbly paying respects. Condition: General wear
Lot 413
A late 19thC violin, with a figured two piece back and bearing a label inscribed Antonius Stradavarius BB & Co Deutidje Urbeit, and dated 1886, with ebony pegs in a fitted case with accessories including a string gauge and tuning fork, and a violin bow by Dodd, signed and also inscribed Made in Saxony, 73cm.
Lot 41
A George III mahogany breakfront sideboard, circa 1800, in the manner of Thomas Hope, the crossbanded top above a pair of drawersand a pair of bow shaped panelled cupboard doors, the frieze divided by carved lion mask terminals above turned tapering stop fluted pilasters, on carved lion paw feet, 88cm high, 247cm wide, 78cm deep
Lot 115
Lucie Signoret-Ledieu (French 1858-1904), a patinated bronze model of Diana, late 19th century, portrayed nude and seated on a plinth of rocks, looking down to sinister, her right arm raised above her, a flower head held in her right hand over a fish in water beneath her, her bow held lightly in her left hand against the rocks, her quiver of arrows slung over the plinth, the circular base inscribed 'Mme Signoret Ledieu' in the maquette, above a secondary circular socle with cavetto sides, 66cm high overall Provenance; Private Collection, Somerset
Lot 67
A George III marquetry work table , circa 1760 and later , in the manner of Pierre Langlois , the serpentine shaped hinged top inlaid with with a wreath and bow motif opening to a fitted teapoy interior above conforming frieze, and cabriole supports united by a breakfront undertier, the whole on brass caps and castors, 66cm high, 51cm wide, 39cm deep Provenance: Private Collection, Oxfordshire The design of this work table reflects the French fashion promoted from the 1750s by the Tottenham Court Road ebeniste or cabinet-maker Pierre Langlois (d. 1767). The bold use of swags of marquetry bellflowers alongside exotic timbers also demonstrates similarities to the work of John Cobb. Thomas Chippendale supplied a related table, veneered in tulip and rose woods, for Nostell Priory, Yorkshire and invoiced it in 1766 as: A Lady s commode writing table made of tulip and rosewood with a slider cover d with Green Cloth 5.14.0 (C. Gilbert, The Life and Work of Thomas Chippendale London, 1978, fig.436).
Lot 22
Selection of Imperial German and Third Reich Medals consisting of 2x Oldenburg War Service medals on bow ribbons, WW1 Imperial German Iron Cross 2nd class, 1914-18 honour cross with swords, Third Reich War Service Cross 2nd class without swords, Third Reich Eastern Front medal and an old reproduction Iron Cross 2nd class. All remain in generally good condition. (7 items)
Lot 238
A 1960's Edward Black of Nottingham ivory silk wedding dress fitted to the waist and with stiffened skirt and train; a Mandell pink bridesmaid dress fitted to the waist and with bow detail to back, with matching pink floral headband; a brown fur cape and jersey dress ++wedding dress good condition, bridesmaids dress with wear and broken zip
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