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Lot 767
FOUR ROYAL DOULTON 'MILLENNIUM FOUR SEASONS' FIGURINES, limited edition with certificate, all numbered 330/2000, comprising Spring HN4720 (unglazed area to brim of hat), Summer HN4271 (unglazed area to fingers of right hand and flower bow, finger tips feel rough, small fault to top of hat), Autumn HN4272, and Winter HN4873 (4 + certificate) (Condition Report: good condition with no obvious damage, manufacturing faults as stated in description)
Lot 104
AN EARLY 20TH CENTURY, 18CT GOLD OPEN FACE POCKET WATCH, manual wind, round white dial, Roman numerals, subsidiary seconds dial at the six o'clock position, blue steel hands, in a polished case with engraved monogram to the case back, inside case back hallmarked 18ct Birmingham 1901, Sponsors mark JR, movement signed 'Robert Sutton, Whitehaven, 146520', bow stamped 18, approximate case width 50.9mm, approximate gross weight 119.3 grams (condition report: working at time of cataloguing although time keeping is untested, winding is stiff and may require some attention, crown has wear, light surface wear, overall condition good)
Lot 105
AN 18CT GOLD OPEN FACE POCKET WATCH, key wound, round cream dial, Roman numerals, subsidiary seconds dial at the six o'clock position, white metal hands, in a polished case, bow stamped 18c, inside case back hallmarked 18ct London possibly 'Joseph Hirst', stamped 39514, movement signed 'W.B Clarke ' No.39514, approximate case width 48.8mm, approximate gross weight 105.8 grams, together with a yellow metal fancy link albert chain with T-bar and lobster clasp, stamped tag for 10c fitted to one link, suspending a gold plated watch key with compass detail, length 360mm, approximate gross weight including key 23.8 grams (condition report: watch winds, sets and runs at time of cataloguing although time keeping is untested, general light wear, some wear to the bows suspensions ring from rubbing, would benefit from a gentle clean and polish overall condition good)
Lot 1109A
AN EARLY 20TH CENTURY VIOLIN BY JEAN-BAPTISTE COLIN WITH TWO PIECE BACK, bears paper label to the interior 'Lutherie Artistique Jean-Baptiste Colin annee 1906 JB-C', overall length 59cm approx., length of back to base of button 36cm, together with a bow and housed in an ebonised coffin style case (Condition Report: violin needs restringing, a few scuffs to the side high points, no sign of splits)
Lot 191
ASSORTED SILVER AND COSTUME JEWELLERY, to include a silver wavy bangle hallmarked Sheffield, a yellow metal gem set line bracelet fitted with an integrated box clasp with two additional figure of eight safety clasps, stamped 925, a white metal cubic zirconia hinged bangle stamped 925, a cubic zirconia pendant necklace, stamped 925, a white metal and blue enamel flower pendant necklace stamped 925, a white metal mesh necklace and matching bracelet each stamped 925 Italy, a white metal chain stamped 925 Italy, a silver marcasite salamander brooch hallmarked London, a white metal filigree flower brooch stamped 925, a white metal and enamel bow brooch stamped 800, together with a rose quartz bead bracelet with toggle clasp, imitation pearl bracelets, paste set necklaces, bangles, bracelets, brooches, beaded necklaces, cufflinks, tie clips etc
Lot 2
A CULTURED PEARL NECKLACE, designed with three strands of individually knotted cream pearls with a pink hue, each pearl measuring approximately 7.0mm, fitted with a yellow metal push piece clasp in the form of a bow set with round brilliant cut diamonds, stamped 585, with additional figure of eight safety clasp, length 460mm, approximate gross weight 97.7 grams (condition report: general light wear, some pearls with natural blemishes, clasp in working order, overall condition good)
Lot 3
▴ Mary Fedden RA (1915-2012)'Cat on a Cornish Beach',1991;'The Orange Mug',1996;'Red Sunset', 1994three offset lithographs in colour, all signed in pencil and numbered '422/500', '504/550' and '342/500' respectively, published by Bow Art with blind stamp to each l.l.sheet 35 x 49.5cm, 32 x 40.5cm and 35.5 x 49.5cm respectively, unframed (3)Condition ReportPreviously rolled, but in otherwise good condition.
Lot 1251
An Edwardian Mahogany Bow and Break Front Display Cabinet, the whole inlaid with stringings, satinwood bandings and floral marquetry, with moulded cornice to top, the central bow front section fitted two glass shelves enclosed by a single glazed door flanked by two smaller shelves enclosed by a pair of glazed doors, on square tapered legs with spade toes, 56ins wide x 17.5ins deep x 67ins high
Lot 142
A FINE LIMESTONE HEAD OF BUDDHA, NORTHERN QI DYNASTYChina, late 6th century. Rendered with a gently smiling expression, the round face carved with well-defined features, heavy-lidded eyes, aquiline nose, bow-shaped lips, and incised, prominent chin, flanked by elongated earlobes, and surmounted by an ushnisha covered in tight whorls. The stone of a creamy beige tone.Provenance: Piasa, Hotel Drouot, Paris, 9 December 2009, lot 369 (according to label). A French private collection, built between ca. 1980 and 2012, acquired from the above. Thence by descent. Two labels to the base, 'Piasa 20063/6' and '369'. Condition: Very good condition, commensurate with age, signs of weathering and erosion, encrustations, minor losses, small cracks, and minuscule chips.Weight: 3,598 g Dimensions: Height 16 cm (excl. stand) and 23.5 cm (incl. stand)Mounted to an associated metal stand. (2)Literature comparison:Compare a related limestone head of Buddha, 39.4 cm high, dated to the Northern Qi dynasty, in the Metropolitan Museum of Art, accession number 57.176. Compare a related limestone head of Buddha, 24.1 cm high, dated to the Northern Qi dynasty, in the Metropolitan Museum of Art, accession number 2001.422.Auction result comparison:Type: Closely relatedAuction: Christie's Amsterdam, 8 May 2002, lot 569Price: EUR 4,780 or approx. EUR 7,400 adjusted for inflation at the time of writingDescription: A Chinese, northern qi dynasty, stone head of buddha Shakyamuni, late 6th centuryExpert remark: Compare the related form, facial expression, and hair. Note the size (23 cm).北齊石灰石佛頭中國，六世紀末。細眉長目，雙眉之間有白毫，鼻樑筆挺，表情寧靜慈祥；側面長耳垂，波浪形頭髮整齊地在頭上梳成螺髻。 來源：巴黎Piasa，Hotel Drouot拍賣，2009年12月9日，lot 369 (根據標籤)；法國私人收藏，建立於1980至2012年間，購於上述拍賣，保存至今。底部兩個標籤 'Piasa 2006年3/6' 與 '369'。 品相：狀況極好，有風化和侵蝕、結殼、輕微損失和小刻痕。 重量：3,598 克 尺寸：高16 厘米 (不含底座) 與23.5 厘米 (含底座) 配套金屬支架。 (2) 文獻比較： 比較一件相近的北齊石灰石佛頭，39.4 厘米高，收藏於大都會藝術博物館，館藏編號 57.176。比較一件相近的北齊石灰石佛頭，24.1 厘米高 ，收藏於大都會藝術博物館，館藏編號 2001.422。 拍賣結果比較： 形制：非常相近 拍賣：阿姆斯特丹佳士得，2002年5月8日，lot 569 價格：EUR 4,780（相當於今日EUR 7,400） 描述：六世紀晚期北齊釋迦牟尼佛頭 專家評論：比較相近的外形，面部表情和髮型。請注意尺寸 (23 厘米)。
Lot 154
A CAST AND REPOUSSE GILT COPPER ALLOY FIGURE OF TARA, NEPAL, 18TH-19TH CENTURYThe four-armed deity seated in lalitasana on a double-lotus base with beaded upper rim, the main left hand held in vitarka mudra and the main right lowered in varada mudra, the other two hands holding a short staff and sutra. The palm of one hand and sole of one foot each incised with a stylized flowerhead. She is dressed in a diaphanous robe and billowing scarves, and richly adorned with beaded jewelry.Provenance: From the Folker Collection, Denmark. Mr. Folker, an industrialist and well-known collector of Himalayan art, bought from Danish dealers and noted auctioneers such as Lau Sunde and Bruun Rasmussen. Condition: Good condition with minor wear and casting irregularities, small dents, minuscule nicks, minor losses, rubbing to gilt, the base unsealed.Weight: 903 g Dimensions: Height 17 cmHer serene face with sinuously lidded eyes, gently arched brows, a raised urna, and bow-shaped lips forming a calm smile, flanked by elongated earlobes with large circular earrings, the hair arranged in a topknot with a vajra finial behind the foliate tiara, the head backed by a mandorla.Auction result comparison: Type: Related Auction: Christie's New York, 13 September 2011, lot 326 Price: USD 10,625 or approx. EUR 12,500 converted and adjusted for inflation at the time of writing Description: A gilt bronze figure of White Tara, Nepal, 18th centuryExpert remark: Compare the closely related base, mandorla, and repousse elements, as well as the related size (18.7 cm). Note the different pose and number of arms.十八至十九世紀尼泊爾錘鍱鎏金銅度母像四臂度母結右舒遊戲姿坐於蓮台之上，左手當胸結三寶印，右手撫膝施五羅陀手印，另兩手執短杖和經卷。其面容慈悲安詳，雙眉之間有白毫，面帶微笑，神情恬淡怡然；長耳垂，佩戴大耳環；頭髮梳成高髻；葉狀王冠後有一個金剛杵頂飾，有光背。緊貼肢體的天衣帛帶，佩戴著華麗的串珠首飾。 來源：丹麥Folker私人收藏。Folker先生是一位實業家和著名的喜馬拉雅藝術收藏家，從丹麥經銷商和著名拍賣商如 Lau Sunde 和 Bruun-Rasmussen 處購買。 品相：狀況良好，有輕微磨損和鑄造不規則、小凹痕、微小刻痕、輕微缺損、鍍金摩擦、底座未密封。 重量：903 克 尺寸：高17 厘米 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2011年9月13日，lot 326 價格：USD 10,625（相當於今日EUR 12,500） 描述：十八世紀尼泊爾鎏金銅白度母像 專家評論：比較非常相近的底座、光背和、錘鍱元素，以及相近尺寸 (18.7 厘米)。請注意不同的姿勢和只有一對手臂。
Lot 181
A GRAY SCHIST FIGURE OF A WINGED ATLAS, ANCIENT REGION OF GANDHARA, 3RD - 4TH CENTURYThe atlant squats with his right leg raised, his toes outstretched, his right hand resting on his knee and his left still holding part of the superstructure which was originally located above him. His face superbly carved with almond-shaped eyes below bushy furrowed brows and full bow-shaped lips, framed by thick tufts of hair, flanked by his large wings.Provenance: An old private collection in France. Acher Eskenasy, Paris, France, acquired from the above in 2001. LP Collection Paris, France, acquired from the above. Acher Eskenasy is a noted French scholar and collector of Asian and tribal art. Major works previously owned by him are now in important collections and museums, such as the Metropolitan Museum of Art in New York and the Musee du Quai Branly in Paris. Condition: Good condition, commensurate with age. Extensive wear, losses, nicks, scratches, structural cracks, signs of weathering and erosion, encrustations. With an old sand-colored pigment coating.Weight: 8,241 g (incl. stand) Dimensions: Height 30.5 cm (excl. stand) and 35.5 cm (incl. stand)With a fitted wood stand. (2)Only a few sculptures communicate so clearly the classical legacy in Gandharan art. His mature, bushy face recalls the portraits of Greek and Roman gods and leaders, while his Herculean musculature evokes the athletic ideal. Furthermore, the atlant type stems from a tradition in classical architecture of depicting male and female figures supporting architectural superstructures best known from The Ten Books on Architecture by Vitruvius, dedicated to Emperor Augustus (see Rowland, Vitruvius: Ten Books on Architecture, Cambridge, 1999, pages 83 and 135).In the Gandharan context, similar examples in stucco surviving in situ line the veneer of stupa bases at Taxila and Hadda, recording the placement of such figures at Buddhist sites. Whilst maintaining a similar function and a clearly Western look, the Gandharan version differs from the classical prototype in the common inclusion of wings and the primarily ornamental rather than architectural function of the figure. Moreover, while we have evidence from which to understand his context at Buddhist sites, his precise identity remains a mystery. He has been called a disguised yaksha, a lesser Greek god, and a Garuda, yet there is no archaeological or textual foundation to underpin any of these claims (see Foucher, L'art Greco-Bouddhique du Gandhara, 1905, page 208, and Errington, The Western Discovery of the Art of Gandhara and the Finds of Jamalgarhi, London, 1987, page 67). Perhaps, the term “Atlas” ties him too closely to the classical prototypes, at the risk of obscuring added layers of meaning in the unique Gandharan context.Literature comparison: For a further discussion of winged Atlas figures from Gandhara, see P. Pal, Asian Art at the Norton Simon Museum, vol. 1, fig. 35, p. 68. For similar examples of winged “Atlas” figures, see W. Zwalf, A Catalogue of the Gandhara Sculpture at the British Museum, 1996, pp. 206-211, fig. 355-368. Two other examples survive in the Claude de Marteau collection in Brussels and the Peshawar Museum (see Kurita, Gandharan Art, vol. II, Tokyo, 1990, figs. 448 & 453, pp. 155 & 157).Auction result comparison: Type: Closely related Auction: Bonhams New York, 17 March 2014, lot 66 Price: USD 245,000 or approx. EUR 280,000 converted and adjusted for inflation at the time of writing Description: A schist figure of a winged atlas, Ancient region of Gandhara, 3rd/4th centuryExpert remark: Note the larger size (40 cm).Auction result comparison:Type: Closely relatedAuction: Christie's New York, 21 March 2007, lot 238Price: USD 12,000 or approx. EUR 15,500 converted and adjusted for inflation at the time of writing Description: A Gray Schist Figure of Atlas, Gandhara, 2nd/3rd Century Expert remark: Compare the subject, style of carving and material. Note the slightly smaller size (28.5 cm).西元三至四世紀犍陀羅灰色片岩阿特拉斯像阿特拉斯像雕刻逼真、雄偉有力，呈坐姿，右腿半力，右手撐在膝蓋上，左腿彎曲，肩膀後面張開翅膀；臉龐刻畫細緻，雙眉濃密，大眼圓睜，嘴唇豐滿，長髮披肩。 來源：法國私人舊藏；巴黎Acher Eskenasy收藏，2001年購於上述收藏；法國巴黎LP Collection 收藏，購於上述收藏。Acher Eskenasy是一位著名的法國學者和亞洲及部落藝術收藏家。他以前擁有的主要藏品現在被重要的收藏和博物館收藏，例如紐約的大都會藝術博物館和巴黎凱布朗利博物館。 品相：條件良好，大面積磨損、缺損、刻痕、劃痕、結構裂縫、風化和結殼，帶有沙色顏料塗層。 重量：8,241 克 (含底座) 尺寸：高 30.5 厘米 (不含底座) 與35.5 厘米 (含底座) 木底座。(2) 很少有雕塑能如此清晰地傳達出犍陀羅藝術中的古典意義。他成熟的臉讓人想起希臘和羅馬的神靈和領袖的肖像，而他強壯的肌肉則喚起了運動員的理想。此外，阿特拉斯類型雕塑源於古典建築中支持建築上層建築。最著名的是維特魯威獻給奧古斯都皇帝的十本建築書籍 (見Rowland，Vitruvius: Ten Books on Architecture，康橋，1999年，第83和135頁)。 在犍陀羅時期，在塔西拉和哈達的佛塔基地的飾面上，在原地倖存的灰泥中有類似的例子，記錄了這些人物在佛教遺址中的位置。雖然保持了相似的功能和明顯的西方外觀，但犍陀羅版本與經典原型的不同之處在於翅膀以及人物的主要裝飾功能而非建築功能。 此外，雖然我們有證據可以瞭解他在佛教遺址的背景，但他的確切身份仍然是個謎。 他被稱為夜叉、小希臘神和迦樓羅，但沒有考古學或文字基礎支持任何這些說法（參見 Foucher，L'art Greco-Bouddhique du Gandhara，1905年，第208頁；見Errington，The Western Discovery of the Art of Gandhara和the Finds of Jamalgarhi，倫敦，1987 年，第 67 頁）。 或許，“阿特拉斯”一詞將他與經典原型聯繫得太緊密，有可能在獨特的犍陀羅語境中會掩蓋附加意義。 文獻比較： 關於犍陀羅阿特拉斯像進階討論，見P. Pal, ，《Asian Art at the Norton Simon Museum》，卷1，圖35，頁68。一件相似的阿特拉斯像，見W. Zwalf，《A Catalogue of the Gandhara Sculpture at the British Museum》，1996年，頁206-211，圖355-368。兩件例子現存於布魯塞爾的Claude de Marteau collection和白沙瓦博物館(見Kurita，Gandharan Art，卷II，東京，1990年，圖448和453，頁155和157)。 拍賣結果比較： 形制：非常相近 拍賣：紐約邦瀚斯，2014年3月17日，lot 66 價格：USD 245,000（相當於今日EUR 280,000） 描述：西元三至四世紀犍陀羅灰色片岩阿特拉斯像 專家評論：請注意尺寸較大(40 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2007年3月21日，lot 238 價格：USD 12,000（相當於今日EUR 15,500） 描述：西元二至三世紀犍陀羅灰色片岩阿特拉斯像 專家評論：比較主題、雕刻風格和材料。請注意尺寸稍小(28.5 厘米)。
Lot 93
A VERY LARGE 'ROBIN'S EGG' ENAMELED AND GILT PORCELAIN FIGURE OF AMITAYUS, QIANLONG TO JIAQING PERIODChina, 1736-1820. Heavily potted, seated in dhyanasana on a cloth draped over a rectangular plinth with a shaped recessed gilt panel above a dragon emerging from crashing waves. His hands are lowered in dhyana mudra and holding an alms bowl. He is wearing long flowing robes opening at the chest adorned with a beaded jeweled necklace. His serene face with heavy-lidded eyes, gently arched brows, a circular urna, and bow-shaped lips. His hair elegantly falling in tresses over the shoulders and piled up into a topknot surmounted by a jewel behind the foliate tiara. The cloth, base, robe, hair, and jewels enameled in robin's egg with details picked out in turquoise and blue. The face, torso, hands, feet, tiara, and dragon gilt. Provenance: From an old German private collection, acquired in the 1970s and 80s. Thence by descent. Condition: As expected, the tips of the tiara, topknot, fingers, earrings and dragon's horns are restored to perfection. Further with glaze recesses, flaking and abrasions. Microscopic remnants of pigment which indicate that the figure was painted at some stage. Gilt porcelain figures of such a large size are usually restored to a much wider extent, due to their fragility, and it is therefore exceedingly rare to find one in such a well-preserved state overall.Weight: 5,156 g Dimensions: Height 43.5 cmExpert's note: Gilt porcelain figures of bodhisattva were produced from the Qianlong period onwards. The inspiration for such figures may have come from Ming dynasty bronze prototypes, such as the Xuande period gilt-bronze figure currently in the Berti Aschmann Foundation, Museum Rietberg, illustrated in On the Path to Enlightenment, Zurich, 1995, no. 72. An unmarked example, dated to the Xuande period, is in the V&A collection, no. 275&A-1898.Literature comparison: For a related example from the Malcolm MacDonald collection, no. DUROM.1969.358, and now in the Oriental Museum, University of Durham, United Kingdom, see Ireneus Legeza, A Descriptive and Illustrated Catalogue of the Malcolm MacDonald Collection of Chinese Ceramics, London, 1972, p. 122, no. 72. Another enameled porcelain figure of a bodhisattva is illustrated by Lou Pin-heng, Precious Treasures of My Humble House, Taipei, 1988, pg. 54, no. 12Auction result comparison: Type: Related Auction: Sotheby's New York, 17 September 2013, lot 52 Price: USD 68,750 or approx. EUR 80,000 converted and adjusted for inflation at the time of writing Description: An unusual enameled and gilt-decorated figure of a bodhisattva, Qing dynasty, 18th / 19th centuryExpert remark: Compare the closely related robin's egg enamels, gilt decoration, and face. Note the related size (40 cm). Note the different pose and base. Auction result comparison: Type: Related Auction: Bonhams Hong Kong, 29 May 2008, lot 578 Price: HKD 960,000 or approx. EUR 169,000 converted and adjusted for inflation at the time of writing Description: A rare enameled figure of a kneeling bodhisattva, QianlongExpert remark: Compare the closely related robin's egg enamels, gilt decoration, and face. Note the much smaller size (29 cm) as well as the different pose and base.乾隆至嘉慶時期爐鈞釉描金無量壽佛坐蓮像中國，1736-1820年。此尊無量壽佛結跏趺坐穩坐於波濤之上，一條金龍從水中探出；雙手施禪定印，托缽；高螺發，面龐圓潤，耳大垂肩，額際寬廣，慈眉善目，表情溫和慈祥；頭戴五葉佛冠，項配瓔珞，更顯法相尊嚴。其面部及身體露膚處均施金釉，佛冠、瓔珞及綬帶等則以金釉和爐鈞釉搭配裝飾，瓔珞處採用爐鈞釉以仿松石、青金石的效果，絢爛多姿，富麗堂皇。 來源：德國私人舊藏，購於上世紀七十至八十年代，保存至今。 品相：頭飾、高髻、手指、耳環和龍角的尖端都已恢復。有釉面凹陷、剝落和擦傷。輕微的顏料殘留表明該造像曾經經過彩繪。如此巨型的鎏金瓷像，由於其易碎性，修復範圍通常要大得多，因此，整體保存如此好的造像極為罕見。 重量：5,156 克 尺寸：高43.5 厘米 專家注釋：清乾隆時期，在宮廷的要求下燒製了許多瓷質佛像，供奉於內府寺朝及佛事場所。爐鈞釉瓷塑佛像即始創於清乾隆時期，流行於清代中晚期。這些造像的靈感可能來自於明代青銅原型，例如現存的宣德時期的銅鎏金人物。可對比 Berti Aschmann Foundation，Museum Rietberg，見目錄On the Path to Enlightenment，蘇黎世，1995年，圖 72；一件無款造像，宣德時期，見 V&A collection，編號275&A-1898。 文獻比較： 一件相近的例子，曾藏於Malcolm MacDonald collection，編號DUROM.1969.358，現藏於Oriental Museum，University of Durham，英國，見Ireneus Legeza，《A Descriptive and Illustrated Catalogue of the Malcolm MacDonald Collection of Chinese Ceramics》，倫敦，1972年，頁122，編號72。另一件琺瑯菩薩慈像， 見《Precious Treasures of My Humble House》，臺北，1988年，圖54，編號12。 拍賣結果比較： 形制：相近 拍賣：紐約蘇富比，2013年9月17日，lot 52 價格：USD 68,750（相當於今日EUR 80,000） 描述：清十八 / 十九世紀瓷胎金彩彩繪供養菩薩像 專家評論：比較非常相近的知更鳥蛋藍、鎏金裝飾和面部。請注意相近尺寸 (40 厘米)、不同姿勢和底座。 拍賣結果比較： 形制：相近 拍賣：香港邦瀚斯，2008年5月29日，lot 578 價格：HKD 960,000（相當於今日EUR 169,000） 描述：清乾隆彩釉描金供佛菩薩瓷像 專家評論：比較非常相近的知更鳥蛋藍、鎏金裝飾和面部。請注意尺寸 (29 厘米) 小很多，以及不同姿勢和底座。
Lot 476
An impressive yew high-back Windsor armchair, Nottinghamshire, circa 1830-70The hooped back with scribed edge, and four long tapering spindles either side of a fretwork splat, the arm bow terminating in a notch to the underside, and supported on peg-baluster supports, the extremely broad elm seat on ring-turned legs with ball-turned feet, joined by a crinoline stretcher, possible traces of a trade card to the underside of the seat, 73.5cm wide, 118cm high, seat height 47cmLiterature: See B. Cotton, 'The English Regional Chair' (2000), p. 177, fig. NE272, for a Windsor armchair with comparable front arm supports and legs, attributed to the Allsop & Son, Worksop; and p. 183, fig. NE313, for a Windsor chair with the distinctive notch to the end of the arm, attributed to the Walker family workshop.Provenance: James Brett private collection, Norwich. Purchased 1980s.
Lot 312
Peridot, pink tourmaline and seed pearl pendant necklace, the scroll work pendant with ribbon bow surmount, unmarked with threaded and locating holes for a detachable fitting, detachable bale to a necklace with a graduated alternating peridot and pink tourmaline frontispiece, with seed pearls between, all pearls untested and unwarranted, pendant approximately 6cm long, and necklace 44cm long, 29.9g gross approx
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