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A delightful 19th century bow fronted mahogany cabinet makers specimen chest, the top inlaid with quality veneer cuts and bandings. The two short and three long graduated cock beaded drawers with wooden knobs inlaid with veneers. The shaped frieze plinth with a harlequin boxwood and ebony banding. 23 x 12 x 22" .
A late 19th century Art Nouveau inlaid mahogany display cabinet, in two sections, the top half having a shaped inlaid pediment above a glazed cupboard with open galleried shelves to either side and with a series of three bevelled mirrors beneath with pierced supports, the base having a centre bow fronted recess and fitted with a series of short drawers and panelled cupboard doors, each profusely inlaid with Art Nouveau inspired designs and with pierced frieze beneath and standing on short spade feet. Width 55ins.
A George III mahogany hanging corner cupboard, having a moulded breakfront dentil cornice with blind fretwork frieze beneath in turn above a pair of bow fronted doors with brass lock escutcheon and cockbeading to the door fronts enclosing a series of shelves and flanked on either side by fluted canted corners. Width 30ins.
Cruikshank (George, 1792-1878). Autograph letter signed on letterhead, 263, Hampstead Road, [London], N.W., 13th November 1874, to George Routledge & Sons, concerning the publishing history of "More Mornings at Bow Street" and "Mornings at Bow Street", with a PS saying 'Neither of these works have the frontispiece described by our friend G.A. Sala, and a further note observing that Septimus Prowett was the publisher of his illustrated edition of "Punch and Judy", 2 pages on integral leaves with inner pages blank, 8vo, together with Weir (Harrison, 1824-1906), Autograph letter signed on letterhead, Hinwick, Lansdowne Road, Tonbridge Wells, 6th January 1888, to J. Harwood and enclosing a cheque for .11s.6d. for a ticket, 1 page, 8vo
Soane (George, translator). Specimens of German Romance. Selected and Translated from Various Authors, 3 vols., 1826, 3 etched frontispieces by George Cruikshank (foxed), contemp. half russia, gilt, a little rubbed, marbled board sides, together with Wight (J.), Mornings at Bow Street. A Selection of the Most Humorous and Entertaining Reports which have Appeared in the Morning Herald, printed for Charles Baldwyn, 1824, twenty-one wood engr. vignettes by George Cruikshank, half calf, gilt, slightly rubbed, marbled board sides, all small 8vo.. Cohn 760, Wolff 6476; and Cohn 844 respectively. (4)
Arts & Crafts oak dresser, the raised back with rectangular mirror section supporting two cupboards with rectangular convex glazed panel doors and central carved Art Nouveau foliate detail, above bow front top over two short drawers and two panelled cupboard doors, with carved Art Nouveau detail and raised on bracket feet, 60in (152cm) wide
Good Edwardian inlaid mahogany bedroom suite, comprising of a Princess wardrobe, dressing table, three chairs and a bedside cupboard, the wardrobe with stepped cornice above central cupboard door over three short drawers flanked by a pair of mirror doors and raised on bracket feet, 79in (200.5cm) wide, the dressing table with shield shaped mirror on brass supports over bow front top with side jewellery drawers above central frieze drawer and raised on square tapered legs ending in brass castors (6)
A GEORGE IV MAHOGANY AND INLAID BOW-FRONTED CORNER WASHSTAND bordered with ebony lines, the superstructure with a curved splash back having a circular aperture for a basin enclosed by a later detachable cover, fitted with a drawer in the central platform, on square splayed legs, united by a shaped stretcher, 66cm (2ft 2in) across.
A REGENCE ROSEWOOD, CROSSBANDED AND BRONZE MOUNTED BOW FRONTED COMMODE surmounted by a panel of green, rouge and variegated fossilised marble with a moulded edge, containing four short drawers and a single long crossbanded drawer with acanthus drop handles and shaped circular acanthus back plates with cartouche key plates, the centre applied with mask and open scroll foliate cartouche key plates, the rounded corners headed with female masks and applied pendant hung floral foliage, the sides with wide crossbanded lozenge and quarter veneered panels, the shaped apron base centred by a shell and foliate motif on rounded bracket feet with applied sabots, 109cm (3ft 7in) wide.
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117861 item(s)/page