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A Bow model of Flora, c.1755-60, also personifying Smell, raising a small posy of flowers to her nose, her other hand resting on a vase which sits atop a marble plinth to her left, her arm broken at the shoulder and restuck, 25.5cm. Old paper collection label for W T Deacon, St Louis, no. 176.
An early Bow blue and white teabowl, c.1752, painted with a crane in an Oriental landscape, and a Chinese porcelain bowl in the Chantilly manner, painted with blue European flowers and insects, incised and painted horn marks, cracks, 11.5cm max. (2) The Bow teabowl with a paper label for Klaber & Klaber `Oriental Influences Exhibition April 1978`. The bowl with a label for the Watney Collection.
A Bow white-glazed prunus coffee cup, c.1752-55, applied with three sprigs of prunus, a Lowestoft coffee cup painted with flowers, the interior with a puce diaper band, and a tall English porcelain coffee cup printed and coloured with English flowers including a divergent tulip, small rim chips, 7.5cm max. (3)
A Bow model of a sphinx, c.1752-3, modelled reclining on a tall scrolling base, her head turned to dexter and paws crossed in front of her, wearing a mob cap, beaded necklace and lace-edged cuffs, the details picked out in polychrome enamels, a little wear and nibbling to the edges, 12.5cm high. This model is traditionally believed to represent the actress Margaret `Peg` Woffington (1717-60), who lived for many years with David Garrick but repeatedly refused his offers of marriage. Cf. Raymond C. Yarbrough, Bow Porcelain and the London Theatre, col. pl. III for an enamelled pair, which are discussed on pages 49-52.
A George III 1803 Pattern Infantry Officer`s Sword, the 70cm single edge curved steel blade bearing traces of engraved decoration, the copper gilt hilt with scroll pierced guard, the knuckle bow pierced with crowned GR cypher with lion head pommel and wire bound fish skin grip, lacks scabbard
A German 1796 Pattern Light Cavalry Troopers Sword, the 82cm single edge broad fullered curved steel blade stamped 337 on the back edge, the steel stirrup hilt stamped 377 R1 on the knuckle bow, the langet stamped R.L.44.2, with ribbed leather grip, lacks wire binding, the steel two ring scabbard stamped R.L.44.2 at the throat and 337 R1 to the top suspension band
A 19th Century Austrian Infantry Officer`s Sword, the 74.5cm single edge fullered epee steel blade bearing traces of foliate etching, stamped with maker`s logo of a visored helmet, the brass hilt with hinged double shell guard, stirrup knuckle bow with foliate sheathed quillon, wire bound grip and foliate sheathed urn pommel, the leather scabbard with nickel mounts
A Third Reich Officer’s Sabre by E.F. Horster, Solingen, with a fine polished blade, bearing the makers mark at the ricasso, brass knuckle-bow hilt with engraved oak leaf decoration, the obverse langet bearing an army eagle, the reverse a blank monogram cartouche, wire-bound plastic grip,in its laquered black steel scabbard.View on dnfa.com
A Third Reich Army Officer’s Sabre by Eickhorn, with nickel-plated blade, bearing the etched maker’s mark at the ricasso, gilt brass knuckle-bow hilt, the under-side of the cross-guard stamped ‘C.E./G - ‘10133’ with wire-bound leather grip, in its black painted steel scabbard, also marked ‘C.E./G’ at the throat.View on dnfa.com
A Third Reich Army Officer’s Sabre by Eickhorn, Solingen, with nickel-plated blade, bearing the etched maker’s mark at the ricasso, gilt brass knuclebow-hilt with wire-bound black plastic grip, in its black painted steel scabbard, with hanger. A Third Reich Police NCO’s Sword and Portepee by Alcosa, Solingen, with nickel-plated blade [pitted], bearing the etched maker’s mark at the ricasso, plated knuckle-bow hilt, the black hilt with police emblem, lacking scabbard, [2].View on dnfa.com
19TH CENTURY INLAID OAK AND MAHOGANY BOW FRONT CORNER CUPBOARD, THE MOULDED CORNICE ABOVE A BOXWOOD LINE INLAID FRIEZE, conforming uprights and a pair of crossbanded cupboard doors with central oval shell inlays and quadrant fans to the corners enclosing three fixed shelves and a pair of spice drawers to the green painted interior
POST WAR FRENCH MAHOGANY AND GILT METAL MOUNTED `VERNIS MARTIN` BOW FRONTED VITRINE, the part galleried variegated marble top above a long part glazed door with romantic scene to the panelled base and landscapes to the conforming side panels, enclosing two glass shelves to the red plush lined interior and raised on scroll mounted short cabriole supports with sabots, 44 1/4" (112.4cm) high, 26 3/4" (68cm) wide EST 400-500
PAIR OF EARLY NINETEENTH CENTURY LIBERTY STYLE MAHOGANY SINGLE BEDROOM CHAIRS, in the Japanesque taste, each with a pair of transfer printed stylised circular motifs to the top rail above square section splats and turned tapering uprights, padded bow front seats and raised on turned forelegs tied by stretchers (2) EST
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117845 item(s)/page