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Click here to subscribeA Bow figure of a female lutenist c.1753-55, after a Meissen figure by J F Eberlein, standing and holding her instrument close to her chest, her skirts swaying, raised on a low pad base applied with a single flower, a black painter's mark to the reverse, a little good restoration to the lute handle, her right arm restuck, 16.5cm. Provenance: the Roy Hogarth Collection.
Two Bow religious figures c.1755-60, one of a novice nun standing with hands together in prayer or supplication, raised on a low pad base applied with leaves, the other of a tonsured monk reading from a bible or prayer book, raised on a tall pierced base picked out in puce and turquoise, some restoration, 14.8cm max. (2)
A rare Bow candlestick figure group c.1760, emblematic of Summer, of Venus and Cupid, the goddess holding a sheaf of corn and wearing a patterned robe, the putto reclining before her and resting his head on a further sheaf, standing before a candle sconce and drip pan raised on a scrolled stem, above a footed base picked out in gilt and turquoise, rare blue crescent mark, 29.5cm.
A Bow figure of a blackamoor Levantine lady c.1760, standing and holding a basket of fruit, her left hand sweeping her veil away from her face, raised on a footed base, some chips and losses, 18.9cm. This figure copies a Meissen model by Kändler and Reinicke, and derived from plates in the Comte de Ferriol and Le Hay's 'Receuil de cent estampes représentant différentes nations du Levant', published in Paris in 1714 with a smaller German edition published by Christoph Weigel at Nüremberg in 1719 and 1721. This figure was based on pl. 43 of Vol. II of the German edition or pl. 91 of the first edition of 1714. It was widely copied at both Bow and Chelsea.
A pair of Bow figures of Harlequin and Columbine c.1758, modelled in typical extravagant poses and wearing bright chequered costumes, each holding a slapstick, raised on low bases applied with flowers and leaves, impressed To marks to the bases, 16.3cm. (2) Exhibited: Ceramics and Glass Circle of Australia, 7th August 2000 - 8th April 2001, The Gold Treasury, Melbourne, Ballarat and Hamilton Art Galleries.
A Japanese Satsuma pottery bowl, of squared form, decorated with immortals, together with a cloisonne pot and cover, each on a hard wood pierced stand, a collection of silver plated items, to include a pair of candlesticks, a moulded glass bowl, a cruet set, and other examples, a mid 20th century T G Green pottery wall clock, with Smiths mechanism, yellow ground, with black batons, together with a Pilkington bow (Qty.)
A 19th century Continental gilt metal mounted kingwood tambour front side cabinetThe three quarter galleried top above the tambour fronted cupboard over a crossbanded drawer with cast brass loop handles, standing on inlaid tapering square section legs with brass ball feet. 51 cm wide; 73.5 cm high. CONDITION REPORTS: Some scuffing and scratching, slight bow to drawer, some veneer lifting, some small patched repairs, general wear.
BRUCE JAMES TALBERT (1838-1881) FOR COX & SONSGILT BRASS NEF, CIRCA 1870 in the form of a boat, mounted on four wheels, the bow surmounted by a dragon, the ribbed sides with a lunette-cast frieze, with later engraving HENRY HARRIS J. P. TO DAN ROLF ESQ IN APPRECIATION & TO COMMEMORATE THE LAUNCH OF THE HENRY HARRIS 16TH OCTOBER 1919, the stem engraved DANIEL ROLF19.5cm longNote: This design appears in Cox & Sons catalogues of 1873 and 1876. Talbert drew similar nefs on furniture in his publications.
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