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Lot 109
This two-part box features a frosted bow and sparkling crystal with which to show off your gift. Elevate your gift card or special piece of jewelry with this forever keepsake. Waterford backstamp. This item has its original box which measures 3.5"L x 4"W x 4.5"H. Dimensions: 3"L x 3"W x 2.5"HManufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear.
Lot 156
2018 Swarovski Crystal Society Loyalty Gift. Adorable faceted topaz-colored crystal giraffe wearing a green crystal bow tie. Swarovski acid mark on the bottom. Made in Liechtenstein. Item has original box that measures 4"L x 4"W x 1.25"H. Issued: 2018Dimensions: 1"L x 1"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 160
2019 Swarovski Crystal Society Loyalty Gift. Adorable faceted clear crystal fox wearing a green crystal bow tie. Swarovski acid mark on the bottom. Made in Liechtenstein. Item has original box that measures 3.75"L x 4"W x 1.25"H. Issued: 2019Dimensions: 1.25"L x 1"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 292
Hand painted exclusive edition figure of a young boy hiding a bow behind his back. Goebel backstamp. This item has its original box: 5"L x 3.75"W x 7.5"H. Artist: M.I. HummelIssued: 1993-1994Dimensions: 2.25"L x 2.25"W x 5.25"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Lot 98
Delicate glass serving bowl with a wedge and fan cut bow design, elegantly footed for a touch of sophistication. Marked Marquis/Waterford on bottom. This item has its original box which measures 12"L x 12"W x 11"H. Dimensions: 7.25"H x 9"diaManufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear.
Lot 214
PLAYING AROUNDOne-Sheet (27.25" x 41")Fine+ on Linen Warner Bros., 1930Benefitting from partial touchup to the folds, pinholes, creases along the borders, very minor chips, and a couple of tears. There is some faint foxing still visible and the borders have been partially airbrushed.One of the Pre-Code highlights available in this auction is the movie Playing Around, based on a short story by Viña Delmar and directed by Mervyn LeRoy. The film portrays the story of a flirtatious young woman named Sheba (played by Alice White) who rejects Jack (played by William Bakewell), her steady but low-paid suitor, in favor of the flashy gangster Nicky (played by Chester Morris). Alice White, often compared to the vivacious "It" girl Clara Bow, had a promising career ahead of her when this movie was released. She was one of the few stars who successfully made the difficult transition from silent films to sound pictures.This lot will be auctioned on Thursday, December 7th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 8th.
Lot 46
CALL HER SAVAGEOne-Sheet (27" x 42")Very Fine- on Linen Fox, 1932The beautiful Pre-Code stone litho one sheet on linen offered here pictures, Bow in all her red-headed glory, a marvelous image of a legendary actress. This is an extremely rare alternate style poster, one far lovelier and more striking than the one sheet more commonly available. It is, therefore, a highly desirable piece celebrating the career of this iconic actress, the ultimate Jazz Age flapper.This poster has been restored to fix previous issues, including tears and fold wear. There have been touchups to cross-fold center points and to sporadic tears, especially in the lower border. The image is clean, and the poster presents well.Clara Bow, known as the "It" girl of the silent era, was a top actress during the 1920s. She was the first female cinema sex symbol and represented the lively Jazz Age. Bow was one of the few Hollywood stars who successfully transitioned from silent to sound films. However, her talking career was short-lived due to the pressures of working with the new technology, and the increasing number of scandals associated with her, both real and imagined. This film was her second-to-last picture, marking the end of an era and a legendary career.This lot will be auctioned on Thursday, December 7th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 8th.
Lot 121
WILLIAM STRANG R.A., R.P.E. (SCOTTISH 1859-1921) GIRL WITH FAN Signed and dated 1912, oil on canvas Dimensions:76cm x 63.5cm (30in x 25in) Note: William Strang was an artist of many facets. He was both a pre-eminent etcher, pivotal in the medium’s revival at the start of the 20th century, and a popular society portraitist, regularly commissioned to depict key figures of the day. Strang’s diverse frame of artistic reference made it hard for critics to place him canonically. One minute he appeared a Realist, touching on contemporary social issues, the next he seemed more akin to a Symbolist, mining Classical, Biblical and allegorical subjects. He encompassed these multitudes with much skill and integrity, earning himself a respected position in the turn-of-the-century London art world. The portrait offered here illustrates how these seemingly disparate threads manage to interlace within his work to unique and impactful effect: concurrently truthful to its subject, decoratively appealing and enigmatic in atmosphere.Strang was born in Dumbarton, Scotland in 1859. The son of a builder, his working-class roots were an important part of his identity, including artistically. Much of his oeuvre (notably his etched works) were Socialist in sympathy and alluded to the struggles of the working and impoverished classes. This, combined with his training at the Slade under the French Realist Alphonse Legros, naturally aligned him with the ideologies of the Arts and Crafts movement with whom he also shared a commitment to the rigour of Life Drawing and a reverence for the Old Masters. The prominent designer and architect C. R. Ashbee became a major patron.This focus on draughtsmanship is very much evident in Strang’s work within the genre of portraiture. He produced over 500 portrait sketches in the early 1900s, drawn in black and red chalk. This choice of materials was a deliberate and characteristic referential nod to an earlier Master; in this instance Hans Holbein. The technical prowess and incisive ‘truth’ of these sketches proved so popular that Strang was able to make two consecutive trips to New York in 1904 and 1905 to execute drawings of his many American patrons.Strang also painted many important commissions in oil, notably those with literary connections including Thomas Hardy, Vita Sackville-West and the poet John Masefield. He exhibited oils regularly at the Royal Academy and the International Society, of which he became Vice-President in 1908. In the manner of Whistler, Strang rarely titled his works under the sitter’s names, rather in the guise of subject paintings. An example of this is 1913’s The Opera Cloak, which in fact depicts his beloved daughter Nancy, her cloak held by one of her brothers in the left of the composition.We believe that the highly attractive portrait offered here for sale, Girl with Fan, also potentially depicts Nancy Strang. Dated 1912, it was executed just one year earlier than The Opera Cloak. The sitter shares the same physical characteristics: the assertive jut of the chin, dark brows and pronounced cupid’s bow of the top lip. Strang clearly revelled in the depiction of women. His female sitters are invariably afforded an elegant sensuality and contemplative demeanour. As the artist once remarked to his patron Ashbee, “I’ve tried all my life to do the pretty-pretty but it’s no good…I can’t”. Instead, his likenesses evoke character, modernity and intellect.Leaning away from the overt, painterly glamour of his peers Sargent and Lavery, Strang’s portraiture was not, as one critic of the day described, “polite”. As we have seen, he was neither categorizable as purely a Traditionalist nor a Modernist; his style referenced broadly from both spheres, resulting in a manner entirely his own. Strang’s focus was on objective truth married subtly with a decorative aspect, producing an effect that was both distinctive and widely admired. He was critically revered for his exceptional, considered compositions and the way he eschewed anything extraneous in terms of detail or technique. His use of colour too, was praised for being confident and spare. We see that here with the striking choice of gold, purple, pink and green, linked subtly and balanced precisely, the fundamentally discordant hues somehow attaining harmony.William Strang’s work was featured in prominent exhibitions across many of London’s most respected galleries, including the Grosvenor Gallery, Whitechapel Gallery, Agnews and the Fine Art Society. In 1918 he became President of the International Society of Sculptors, Painters and Gravers and in 1921 was elected an Engraver Member of the Royal Academy. He died suddenly in 1921, shortly after his election as Royal Academician.
Lot 232
A Meissen porcelain rococo clock-case and a stand, 19th century, traces of blue crossed swords mark to clock, blue crossed swords mark to stand, the central part modelled as a waisted rocaille-moulded plinth edged with scrolls, the fielded panels painted with hunting scenes, a dog seated at the front, the upper right-hand corner with a winged head of Time, Diana seated on the left with a bow and a quiver, her left arm supporting a scroll-moulded case fitted with a movement, the enamel dial with Arabic numerals and outer minute track, with timepiece movement, signed Terond & Delorme No.1170? signed to reverse, a hinged pierced circular gilt-metal door at the reverse, a pierced aperture above, the shaped rectangular spreading stand with shells at the canted corners, the moulded panels painted with further vignettes, 49.7 cm high, (2)Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 270
After Jacques Bousseau, French, 1681-1740, a bronze figure of Ulysses stringing his bow, late 19th century, depicted semi-nude with flowing robe draped over him as he strings his bow while leaning on a tree stump with his plumed helmet by his feet, on a siena marble base, the bronze - 34.5cm high, 37cm high overall
Lot 400
A George III mahogany bow front serving table, last quarter 18th century, the crossbanded top above plain frieze, on reeded tapering legs, 90cm high, 198cm wide, 71cm deepCondition Report: scratches, stains and old gouges throughout, splits to veneer on top, some beading and veneer missing, some lifting to veneer, top slightly warped, structurally sound
Lot 64
Attributed to G. & J. Lines - Victorian painted wooden rocking horse with dapple-grey decoration and leather saddle, on pine trestle base stamped 'Patented Jan. 29th, 1880', 116cm long x 113cm highThe first rocking horses to be produced would have been on bow rockers, followed by early Lines rocking horses on safety stands bearing the patent stamp '29 Jan 1880' on their base boards. This stencilled mark refers to the British patent for a swing or safety stand by an American Philip Marqua. The base boards of all rocking horses using this design were required to have the '29 Jan 1880' stencil for the three year life of the patent.
Lot 70
Late 19th century French brass and champlevé enamel mantel clock, retailed by Finnegans, Manchester, with inscribed gilt 2.25-inch / 5.7cm Arabic chapter ring and enamel rosette centre, the unmarked timepiece movement, numbered 1373, now with verticallly-mounted lever platform escapement, the arched case with free-standing columns on a bow-breakfront base and button feet, 18.5cm high
Lot 425
TWO MEISSEN PUG DOGS (2)Circa 1745-50 Modelled by J.J. Kaendler, each modelled seated with tails curled, wearing puce and gilt collars with gilt bells, the bitch with blue bow and with a puppy suckling below, each seated on an oval base applied with flowers and leaves, faint blue crossed swords mark to underside of bases, 15.5cm highProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCONDITION REPORTMale- Very minor shallow chip to left ear.Lacking bow on collarBitch- some restoration and a chip to blue bow on collar. Minor chips to the leaves on the base.
Lot 426
A MEISSEN FIGURE OF A PUG DOGMid 18th century Modelled by J.J.Kaendler, facing to the right, wearing a red collar with yellow bow and gilt bells, seated on a rectangular turquoise cushion with gilt lines and tassels, 11.5cm highProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCONDITION REPORTRestoration to right ear. Restoration and chip to left ear. Some restoration to the yellow bow. Small loss of black enamel around mouth.Restoration to one corner of the base. Minor chip to base. Some wear to the gilding
Lot 427
A MEISSEN FIGURE OF A PUG DOGMid 18th century Modelled by J.J. Kaendler, facing to the right, wearing a puce collar with blue bow and gilt bells, seated on a rectangular cushion with puce foliate scrolls and gilt tassels, 11.5cm highProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCONDITION REPORTMinor loss to black enamel around the mouth.Tail lacking. Restoration to right foreleg. Restoration to the cushion. Minor wear to the gilding.Minor nick to one of the tassels
Lot 428
A MEISSEN MINIATURE FIGURE OF A STANDING PUG DOGMid 18th century Wearing a puce collar with gilt bow and fixed to a later ormolu base cast with flowers and leaves, pug 5cm high, overall height 7.5cmProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCONDITION REPORTMinor nick to bow. Some restoration to both front legs. Haircrack to side of left front leg.
Lot 485
A MEISSEN PORCELAIN PASTORAL GROUPCirca 1745-50 Modelled by J.J.Kaendler, as a young woman seated playing the lute, a gallant standing beside holding a flower posy in each hand, a recumbent lamb on the flower encrusted base, 13.75cm high, with later gilt-metal stand with porcelain flowers, overall height 27.5cm (2)Chip to the man's black bow in his hair. Restoration to fingers of right hand. Small chip to her puce bow on bonnet. Some restoration to branch of tree an to the leaves, Small restoration to the tips of her fingers of right hand. Some restoration and chips to applied flowers and leaves around the base. Some small losses to the flowers on the gilt-metal standProvenance: The Late Lady Williams of Elvel (1929-2023) See Bellmans website article for further details
Lot 552
A MEISSEN FIGURE OF A PIPING SHEPHERDMid 18th century Modelled standing against a tree stump with legs crossed, a recumbent dog at his feet, blue crossed swords mark to rear of base, 17.5cm high; also a Bow porcelain frill vase and cover, red anchor and dagger mark, 32cm high (3)Piping Shepherd- Restoration to hat. Restored through neck. Restoration and chip to black bow in hair. Restoration to nose. Restoration to each hand. Restoration and loos to dog's front left legBow frill vase and cover- extensive restoration and some losses
Lot 127
A QUANTIY OF 9CT GOLD JEWELLERY To include a modern, oval belcher link chain, 74cm long, an antique round belcher link chain with chenier and bayonet clasp, 45cm long, a fancy link, tri-colour gold bracelet with bolt ring clasp, 18cm long. Also a 3.5cm wide, ribbon bow brooch with roller clasp. Total weight 24.1 grams.
Lot 7837
JEAN ALLEN: A superb vintage late 1950's early 1960's silk chiffon evening dress in chartreuse. The dress has shoulder straps with a wonderful softly ruched bodice which has a bow off centre to the right which features cascading chiffon pleats, the dress is secured by zip fastening at the back, the dress is also supported by a full length underskirt
Lot 530
A Chanel CC heart and bow applied, white and black resin cuff hinged bangle, circa 2006. From the Spring collection, the applied oval plaque stamped 06 P.Some light scratches to the heart applied front. The bangle has light scratches. Tarnishing to the silvered hinge.This doesn't come with box or bag. Provenance - from a private collector who has collected Chanel for nearly 30 years. We have been selling her collection for over 2 years. doesn't come with box.
Lot 77
A Victorian gold white opal and split pearl heart and red enamel bow pendant. The gold backed heart silver set with five circular split white opals surrounded by 12 split pearls, the enamel bow bale set with a pair of navette and circular opals, the heart measures 25 x 20mm, length including suspension ring 38mm, 9.7g.One pearl has the surface skin chipped/worn off. The opals have slight surface scratches but not visible to the naked eye. Some light scratches and dents to the gold on the back.
Lot 817
Thomas Wolfe, a Stafforshire part tea set, circa 1800, made by Factory Z (Thomas Wolfe), including teapot, jug, sugar bowl, slop bow, three tea cups and seven saucers, the teapot of New Oval form with bridged spout, painted with silver lustre ermine ground, red and blue foliate sprigs and floral roundels, 26cm long (14)
Lot 385
Charles Sillem Lidderdale (British, 1831-1895), portrait of a young lady, bust-length wearing a red bow in her hair, blue dress and white scarf, signed with monogram l.r., oil on panel, 50 by 40cm, gilt frame. Provenance: No.77, Richard Lukeman Exhibition of Victorian Paintings at Knowle Gallery, Solihull, 2nd and 3rd December, 1989, with brochure
Lot 115
An early 20th Century silver mounted oak easel-back 'Valkyrie' photograph frame, embossed figure of Valkyrie in full battle dress standing on the left side of the aperture, 'Valkyrie' above, a bow and other weapons to the right and a Viking long ship beneath, Rd. No. 441066, height 23cm, Birmingham 1904, J Bushnell & Co.
Lot 228
A large Meissen porcelain ewer emblematic of 'Earth', circa 1880After the model by Johann Joachim Kändler, of flattened baluster form with a scroll handle modelled as a sheaf of corn entwined with pink ribbon and surmounted by a putto holding a basket of fruit, the body with a high relief hunting scene depicting hounds attacking wild boar, deer and bear flanked by figures of Diana holding a gilt bow and a satyr playing pipes, the obverse painted with a mountainous lakeside scene, all raised on circular foot applied with putto digging with a spade, 68cm high, crossed swords in underglaze-blue with a single cancellation mark, incised 309., impressed 66 or 99 (chips and losses, firing crack along the neck)For further information on this lot please visit Bonhams.com
Lot 233
A Meissen group of a Nereid and Cupid, second half 19th centuryModelled by Otto König, with the nereid reclining in a seashell, Cupid seated on the side playing a lyre, a bow and quiver beside him, the octagonal base moulded with a gilt-edged classical frieze, 17cm high, crossed swords mark in underglaze-blue, incised model number G.148 and impressed numeral (minor chips to the lyre)For further information on this lot please visit Bonhams.com
Lot 106
A Meissen allegorical group of three putti, circa 1755One holding a bow and arrow, another a burning heart and letter and the third sheet music for a minuet, on a high base moulded with gilt-edged rocailles, 25.5cm high, crossed swords mark in underglaze-blue to the rear of the base (minor restoration)For further information on this lot please visit Bonhams.com
Lot 101
A NORTHWEST INDIAN RECURVED COMPOSITE BOW, 18TH CENTURY formed of wood, bone and sinew, with carved nocks (one chipped, small losses), lacquered over its surface with a green background decorated with traditional ornament in gilt polychrome, reinforced with bands of sinew on the inner face, and a brief inscription on each side of one nock, 97.0 cm overall Roy Elvis Catalogue Number G16.
Lot 102
A SOUTH INDIAN DECORATED BOW, 18TH/19TH CENTURY, PROBABLY KARNATAKA of bamboo, with carved nocks, painted in gold with scrolling foliage against a green ground, with grip decorated with gold en suite against a red ground (small chips, fitted with a later string), 130.8 cm overall Roy Elvis Catalogue Number G06.
Lot 103
A SOUTH INDIAN CEREMONIAL COPPER ALLOY BOW, POSSIBLY 19TH CENTURY MYSORE, KARNATAKA formed in one piece, cast and chased with a Yali head at the terminals and a pair of Yali heads at the grip, and with beadwork borders along its length (restorations), 98.4 cm overall Roy Elvis Catalogue Number L06.
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