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Lot 541
A Circa 1930's Wood Constructed Bow Fronted Detached Dolls House, 'York Villa'. Opening back to reveal hallway with stairs to landing, with four rooms in period decor and opening front and rear doors, some electric lighting fitted but needs attention. Approximately 55cms wide and 70cms to top of roof.
Lot 325
§ Mary Fedden (British, 1915-2012) The Matisse Jug (no.1), limited edition no. 363/550, published by Bow Art 1995; together with an original letter from Fedden to Joan Stevens, dated February 13th, regarding her show opening at the Beaux Arts in Cork Street (2) signed in pencil "Fedden 363/550" colour reproduction print 56 x 44cm (22 x 17in) Provenance: Acquired by the vendor's parents directly from the artist. A large stain to the top right-hand corner. Slight creasing along the edges. Few light stains in the margins. Unframed.
Lot 272
§ Henry Silk (British, 1883-1947) Lakeland Landscape, 1920s signed lower right "H Silk" watercolour 17 x 22cm (7 x 9in) Provenance: By descent within the family of the artist Other Notes: Henry Silk’s early life is obscure. He was an East Ender, born on Christmas Day, 1883, who worked as a basket maker for an uncle, Abraham Silk, at his workshop and shop in the Bow Rd. Fruit baskets were in great demand then and men making baskets became features of Silk’s pictures. “He used to work for three weeks at basket-making and spend the fourth in the pub,” Group member, Walter Steggles, remembered, describing Silk’s erratic work and drinking habits. Yet Steggles also spoke of Silk with affection, admitting “He was a kind-hearted man who always looked older than his years.” Silk was the uncle of Elwin Hawthorne, one of the leading members of the East London Group, and lived for a time with that family at 11, Rounton Rd in Bow. Elwin’s widow Lilian – who, as Lilian Leahy, also showed with the group – remembered Silk as “generous to others but mean to himself. He would use an old canvas if someone gave it to him rather than buy a new one.” This make-do-and-mend ethos was common among the often-hard-up Group members when it came to framing, too. Cooper directed them to E. R. Skillen & Co, in Lamb’s Conduit St, where Walter Steggles used to buy old frames that could be cut to size. A little fading, one old tape mark to the glass, otherwise fine
Lot 71
An early 19th century style mahogany bow fronted chest, of two short drawers and three graduated long drawers, flanked by columns, width 48ins Condition report: Various cross beading missing. One drawer split. Damage to veneer on sides. Veneer missing from columns. 48ins wide x 47ins high x 22.75ins deep. No woodworm evident.
Lot 889
A late 18th/ early 19th century English porcelain figure, of a lady holding a bow, an arrow and a quiver, standing by a stramit, height 7.5ins, together with another figure of a gentleman playing the violin, height 8ins, and a Staffordshire figure of a harvester within an arbour Condition report: Gentleman playing the violin is missing his little finger, the end of the violin is restored, crazing to the whole, the female has lost the end of her bow, chips to arrows, chip to nose, chip to hat and rubbing to the paint, arbour has broken off entirely on third figure
Lot 784
A diamond and calibre onyx bow brooch, unmarked, the central brilliant of approximately 0.4 carats, set throughout with single cuts and a line of calibre onyx, 7.9cm long, 12.7g gross Condition report: Some suggestion some onyx glued. Principal stone with slight chips from table to star facet. No other issues detected.
Lot 785
A diamond and calibre sapphire bow brooch, unmarked, circa 1920, the central old brilliant out of approximately 0.45 carats, the remaining diamonds totalling approximately 1.95 carats, with calibre sapphire detail, 4.7cm long, 6.4g gross Condition report: Five stones chipped, central brilliant with a Trigon natural face as a kite facet. Stones are variable colour and clarity.
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