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Lot 128
Ca. 600–400 BC. Scythian / Hellenistic. A well preserved short iron sword of the akinakes type (Greek '????????') with a pointed bevelled blade, bow-shaped guard, rectangular grip, and openwork pommel; custom-made stand included. The sword has been profesionally restored and conserved.The akinakes, a short straight sword, became very well known to fifth-century BC Greeks, who recognised it as 'the Persian sword' (Herodotus 7.54.2), and collected them as part of their war booty (Herodotus 9.80.2) — inventories show that a good number of akikanes swords were dedicated on the Athenian Acropolis as a votive offering to Athena (Miller 1997, 47). Akinakes swords can be identified on the reliefs at Persepolis, the capital of the Achaemenid Empire, where men in Persian dress can be seen wearing it thrust through the knot of their robes. Akinakes were also used by the Medes, Scythians, the Caspii, and later by the Greeks themselves. Akinakes were made most commonly of iron, but some examples survive in gold, which Herodotus (8.120) tells us were a standard royal gift: Xerxes, for instance, gave a gold akinakes to the Hellespont along with a gold phiale and a bowl (Herodotus 7.54.2). To find out more about akinakes swords, see Miller, M. C. (1997). Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge: Cambridge University Press, 46–48. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections. Size: L:490mm / W:80mm ; 420g
Lot 127
Ca. 600–400 BC. Scythian / Hellenistic. A well preserved short iron sword of the akinakes type (Greek '????????') with a pointed bevelled blade, bow-shaped guard with lateral flanges, rectangular grip, and flat pommel; custom-made stand included. The sword has been profesionally restored and conserved. The akinakes, a short straight sword, became very well known to fifth-century BC Greeks, who recognised it as 'the Persian sword' (Herodotus 7.54.2), and collected them as part of their war booty (Herodotus 9.80.2) — inventories show that a good number of akikanes swords were dedicated on the Athenian Acropolis as a votive offering to Athena (Miller 1997, 47). Akinakes swords can be identified on the reliefs at Persepolis, the capital of the Achaemenid Empire, where men in Persian dress can be seen wearing it thrust through the knot of their robes. Akinakes were also used by the Medes, Scythians, the Caspii, and later by the Greeks themselves. Akinakes were made most commonly of iron, but some examples survive in gold, which Herodotus (8.120) tells us were a standard royal gift: Xerxes, for instance, gave a gold akinakes to the Hellespont along with a gold phiale and a bowl (Herodotus 7.54.2). To find out more about akinakes swords, see Miller, M. C. (1997). Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge: Cambridge University Press, 46–48. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections. Size: L:498mm / W:57mm ; 410g
Lot 173
Ca. 600–400 BC. Scythian / Hellenistic. A well preserved short iron sword of the akinakes type (Greek ????????') with a pointed blade, bow-shaped guard, rectangular grip, and a crescent moon-shaped pommel; custom-made stand included. The sword has been profesionally restored and conserved. The akinakes, a short straight sword, became very well known to fifth-century BC Greeks, who recognised it as 'the Persian sword' (Herodotus 7.54.2), and collected them as part of their war booty (Herodotus 9.80.2) – inventories show that a good number of akikanes swords were dedicated on the Athenian Acropolis as a votive offering to Athena (Miller 1997, 47). Akinakes swords can be identified on the reliefs at Persepolis, the capital of the Achaemenid Empire, where men in Persian dress can be seen wearing it thrust through the knot of their robes. Akinakes were also used by the Medes, Scythians, the Caspii, and later by the Greeks themselves. Akinakes were made most commonly of iron, but some examples survive in gold, which Herodotus (8.120) tells us were a standard royal gift: Xerxes, for instance, gave a gold akinakes to the Hellespont along with a gold phiale and a bowl (Herodotus 7.54.2). To find out more about akinakes swords, see Miller, M. C. (1997). Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge: Cambridge University Press, 46–48. Provenance: Private Oxfordshire collection; Formerly acquired on the European art market from pre-2000 collections. Size: L:444mm / W:60mm ; 460g
Lot 2016
Late 19th Century Ladies' Costume, comprising a brown silk full skirt with gathered waist; a royal blue jacket with multi-button fastening to the front, ribbon applique trim to bodice and sleeves, wide flared sleeves, pleated detail to the reverse and bow, together with matching full skirt; purple shot silk dress with long sleeves, scallop and button detail to the bodice, full skirt (3)
Lot 2017
A Late 19th Century Ladies' Evening Dress, in cream silk with short net and lace pleated sleeves, floral appliqués in silk and metallic threads to the bodice, a faux bow to the waist incorporating metallic and silk threads, the front of the skirt has pink and other coloured flowerheads applied to the centre opening and along the hem, net insert to the centre of the skirt, labelled 'Julia de Pomeroy Court Dressmaker 18 Conduit Street', pink silk lining to the skirtCondition report: . It is split and stained underneath each arm, the lace is slightly discoloured and shows wear, some of the flowers to the front are peeling at the corners, the lace to the reverse is very worn and some splits, the cream silk skirt appears to be in good orderBust 34"Waist 25"Length 59"
Lot 2022
Circa 1930/40s Costume, comprising a black velvet dress with elbow-length sleeves and floral applique; a similar dress in blue velvet with short sleeves, bow to the neck and paste-set buckle; a navy chiffon short sleeve dress with smocked detail to the waist and contrast over-stitching; plum coloured velvet coat with buttons to the front, collar and waist tie; a black velvet Eastern capelet with gilt embroidery (5)
Lot 2026
Assorted Early 20th Century Dressing Gowns and Robes, comprising blue cotton robe printed with flower heads and fabric belt; Kurmaly's Ltd Mombasa green robe woven with flower heads with belt; black robe with circles in green, yellow and orange with belt; pale blue robe with floral sprigs and belt; Chinese purple brocade robe with quilted collar, another in cream, orange and gold with scalloped collar, another printed style robe, a quilted robe in burgundy with gilt embroidered dragons to the collar; black and pink reversible quilted robe with pink and black rope twist belt; pale pink robe with short sleeves, wide collar with gathered ruffles; mauve and brown house coat with bow details and collar (11)Condition report: Blue cotton with floral design - couple of holes to the armhole and belt loop, some staining to the cuff and overall and some fading and wear, Kurmaly's robe - overall wear and some fading. Black robe with spots - slight wear and fading overall. Pale blue with flowers - large press stud added, possibly alteration around the collar, some fading and wear. Purple and gold brocade robe - some wear around the collar and slight wear and fading overall. Orange brocade robe - staining to the lining, some slight staining and wear to the outside. Printed robe - slight fading and wear. Quilted dragon robe - some fading and wear, rubbing to the fabric, some loose threads, slight staining to armholes inside. Black and pink robe - both armholes restitched inside, some wear, small/tiny hole to collar on back. Pink robe - both armholes repaired inside, some wear overall. House coat - stain by the buttons, quilted belt is rubbed, slight wear overall.
Lot 2034
Circa 1930/40s Day Dresses, comprising a purple, green and blue striped dress with V-neckline and long sleeves; black crepe dress with paisley silk type full long sleeves, V-neckline with bow detail, button fastening to the back; black and floral long-sleeved dress, with round neck, attached belt tie; navy long sleeve dress printed with pink spotty trellis pattern, V-neckline, panelled design; navy dress woven with stylised motifs overall, long sleeves with scalloped cuffs, scallop detail to the buttons, wide collar and modesty panel; navy blue and white floral patterned long sleeve dress and notch neck, attached waist ties, smocking details; purple crepe dress with blue spots and pink chevrons, three-quarter length sleeves, collar, button fastening from collar to hem and one patch pocket to the front and waist tie; brown crepe long-sleeved dress with diamond-shaped cut-outs (8)Condition report: Striped dress - wear/holes under both armholes, small split to the v of the neckline, slight wear overall, missing belt. Black and paisley dress - small split to the v of the neckline, slight fading and wear, missing belt. Black and floral dress - couple of small holes to each sleeve/shoulder, slight wear and fading. Navy and pink dress - stainig to the fabric lining inside the neckline, some marks to the skirt on the reverse, slight wear nad fading overall. Navy dress - collar has been repaired and re stitched, hem cut and slight wear and fading overall. navy and white floral dress - some discolouration to the shoulder, stitched repair near to one shoulder, some fading, wear and discolouration. Purple patterned dress - some fading and discolouration to buttons, button holes worn and some wear. Brown crepe dress - some fading to the shoulders, belt missing and slight wear
Lot 2035
Circa 1930/40s Day Dresses, comprising Modellus black seersucker dress with V-neck and bow detail; floral silk short sleeve dress with V-neck, multi-button detail to the bodice; floral dress with round neck, neck tie and smocked waist; black silk short sleeve dress printed with floral sprigs and panelled skirt; black and white printed muslin-type fabric dress with short sleeves, white cotton trimmed collar, button placket and sleeves; navy and white patterned crepe dress with long sleeves, neck tie with peach silk mount to the reverse, button details to the shoulders; a black long-sleeved dress printed with a white crescent style motif, collar, central inverted pleat to the skirt; similar dress in black and white chevrons, white pom-pom trimmed collar, three-quarter length sleeves (8)Condition report: Black seersucker dress - belt missing, fading and slight wear. Floral dress - some staining under each arm and to the hem, some fading and wear. some fading and wear, waistband seam loose in places. Floral dress - Black dress with white crescent shapes - insertion added to the waist area on the back, and seam loose, slight fading and wear. Black and floral dress - belt missing, slight fading and wear. Navy and white dress - slight wear overall, loose threads around the neckline, belt missing. Black and white dress - slight wear and fading. Black and white chevron striped dress - slight wear overall.
Lot 2046
Circa 1940/50s Ladies' Coats, comprising a red double-breasted swing-shaped coat with collar, side pockets; Beverleigh Model blue worsted wool coat, single button fastening with embroidered and bead flower heads to the bodice top front and back, side pockets; grey wool long coat with two sets of stylised buttons, collar and side pockets; Eastex Range 52 navy-blue coat with low collar, large button fastening to the neck and faux buttons lower down, turn-back cuffs and side pockets; Laurie White Couture teal-green open coat with three-quarter length sleeves and bow detail, shawl neck collar; Sandhurst navy wool duster-style coat with bead detail to the collar; Siegel black wool ribbed coat with astracan trimmed collar (7)Condition report: . Red coat - some holes and a tear to the lining, some wear to the wool and couple of tiny holes to the right sleeve. Beverleigh Model coat - lining has some holes and discolouration, wool is discoloured/faded, several small/tiny holes and overall wear. Grey wool coat - replacement lining, some wear overall. Eastex coat - some rubbing and wear overall. Lauriewhite Couture coat - slight wear overall.
Lot 2052
Circa 1950/60s Ladies' Cocktail Dresses and Coats, comprising a Samba Fashions black wide-rib straight skirt and sleeveless top with bow detail; Carnegie pale-blue sleeveless dress mounted with white beads and silk trimmed matching jacket; Hillora Dresses green patterned short sleeve shift dress with attached belt; Morvic London green crepe style sleeveless dress with later sequin trim to the hem; Storm Play Fashions black duster style coat with collar, buttons to the front and decorated with white and green boteh; similar coat in black textured silk with collar, three-quarter length sleeves and large button to the neck; black textured slim-fitting longline jacket with long sleeves, round neck and trimmed with black beads to the collar; two similar style short sleeve dresses in green and mauve, and a red and black long-sleeved dress with bow detail to the hip (10)
Lot 2054
Circa 1950/60s Ladies' Suits and Occasion Wear, comprising a Lydia of London grey lace mounted suit of short sleeve shift dress with scallop detailed bodice, mauve modesty panel, and matching jacket with three-quarter length sleeves; Michael Howard of London similar pale-pink dress suit with later fur-trimmed cuffs; Edward Black of London pale-pink dress with brown lace mount three-quarter length sleeves; Kenneth Cross Newcastle Upon Tyne suit in green slubbed silk-type fabric, long sleeve dress with detail to the waist and matching coat with collar and fur-trimmed cuffs; Philip Kunick blue slubbed dress with three-quarter length sleeves and jewelled detail to the neck (size 14), and a similar blue coat with collar and button fastening and three-quarter length sleeves; navy and white gingham jacket with peplum waist, button detailing, purple collar and cuffs and matching purple skirt; cotton suit in navy-blue with white spots and contrasting spots to the pockets and collar; Carnegie Model mustard coloured grosgrain style dress, with central tab and button detail to the front, three-quarter length sleeves, another in teal blue with buttons to the front, embroidered wriggle work to the bodice front and bead stars, front pockets; Rembrandt Original purple long sleeve dress with V-neckline and black velvet bow to the neck, (size 18); Mascotte Model black dress with pleated detail to the front and buttons to the reverse; and a black sequin dress (13)Condition report: . Lydia of London suit - 38" bust, general wear overall, some fading and some small holes to the lace, lace puckered to the hem. Michael Howard suit - light brown stain to the back, lace worn and some small holes, lace puckered to the hem, overall wear. Edward Black lace dress - 35" bust, slight wear and hem cut. Kenneth Cross suit - 42" bust, some discolouration under the arms and to the lining of the coat, slight wear overall. P Kunick dress - slight wear overall, discolouration to the lining. Blue coat - slight fading and wear. Gingham check suit - 38" bust, some fading to the purple, belt missing. Spotty suit - belt missing, size 42, slight wear, small part of waist seam open. Carnegie dress - discolouration to the front and back and rubbing to the fabric, 35" bust, small spot mark near the hem. Blue Carnegie dress - sleeves discoloured, 42" bust, some areas of loose threads and wear, belt missing. Purple dress - several areas on the seams where threads pulled or open, slight fading. Black dress with sequins - some wear and loose threads, some of the seams are pulled or open, sequin loss. Mascotte model dress - seams under both arms open a little bit, slight wear, 38" bust. .
Lot 2055
Assorted Circa 1950/80s Ladies' Costume, comprising a Clive cream wool coat woven with stripes of different shades of blue with collar, front pockets and press stud fastening; Cresta Couture green and taupe linen type two-piece, comprising a sleeveless shift dress and long-sleeved coat with button fastening (size 16, 38" bust); Harrods Ltd London blue slubbed dress coat with two cord-mounted buttons; Jacques Heim pink linen two piece suit, comprising a sleeveless shift dress with buttons to the front, round neck and a matching short jacket with short collar and side pockets; ELEL Modele Switzerland dark pink linen three-piece comprising patterned chiffon top with attached pettitcoat, linen skirt with chiffon matching waistband and open jacket with collar (size 41); yellow linen type slubbed suit comprising a short sleeve shift dress with high collar, stitched buttons to the front and matching jacket with deep V-neck and wrap style, large buttons to the hem and a silk under-dress; Adele Mayfair pale peach wool sleeveless panelled shift dress; Liberty of London Mono cotton jacket printed with pink carnations, with buttons to the front, collar and pink lining (size 16); Horrockses Fashions trevira black and white dress with long sleeves and bow to the waist (size 16); Donald Campbell floral patterned silk short sleeve cocktail dress with green contrasting waistband (size 10) (10 items)Condition report: . Clive coat - 40" bust and 35" length, small hole to lower sleeve and coat - see images, couple of small light stains and slight staining to the lining under the arms. Cresta Couture suit - slight wear. Harrods Coat - some marks around the neck, slight fading and wear, 46" bust, 38.5" length. Jacques Heim two piece - 38" bust, some discolouration to the shoulders, sleeves, back of skirt -bobbling and slight wear. Elel Modele suit - 36" bust and 26" waist, rubbing and wear overall, skirt re-hemmed, split to the lining of the jacket. Yellow suit - slight wear to dress and jacket, under dress split and damaged, 32" bust. Adele shift dress - 38" bust slight wear. Liberty jacket - slight wear. Horrockses dress - slight wear. Donald Campbell dress - some wear and slight discolouration and zip replaced.
Lot 2057
Circa 1950/60s Ladies' Dresses and Suits, comprising Carnegie brown crepe dress with velvet collar, three-quarter length sleeves; Eastex blue and floral two-piece suit; similar style suit in grey with black flower heads; John Selby cream and brown sleeveless dress with notch neck and matching jacket (size 38); Marcusa brown and cream jersey style two-piece dress suit (size 42); brown grosgrain style short-sleeved shift dress with round neckline; Erlwit Model similar dress in purple with three-quarter length sleeves and floral embroidery; Eastex black figured silk dress with three-quarter length sleeves and bow detail to one hip; black, green and cream floral dress with three-quarter length sleeves and neck tie; bronzed short sleeve shift dress, with satin pleated inserts to each side seam, embroidery to neck; red wool sleeveless dress with belt (original paper label); pale blue dress with capped sleeves, blue velvet mount to the bodice and embroidered with flower heads; pale blue satin-type duster coat; Cresta cream slubbed coat with collar (14)
Lot 2059
Circa 1950/60s Cocktail and Occasion Dresses, comprising Gayfayre short sleeve shift dress with double bow detail (labelled size 18); Chafil white net with blue floral lace motifs sleeveless dress, sweetheart neckline and gathered deep hem with silk bow (size 38); Tricel green floral sleeveless dress; London Town sleeveless dress with Mandarin collar, slubbed silk-type fabric, double pleat to hem (size 14); Daroma blue metallic shift dress with capped sleeves and draped collar hung with beads (size 42); Blanes pale-blue sleeveless dress with V-neckline with silver trim and large bow (size 18); similar blue sleeveless shift dress with blue floral embroidery down the centre; black short-sleeved dress overlaid with embroidered floral mount, multi-pleated chiffon trim to the neck and sleeve ends; cream satin dress embroidered overall with floral motifs, spaghetti straps, white silk detail under the bust to the reverse; red satin-type sleeveless dress with scooped neck and sequin and bead details; Jean Allen strapless cocktail dress with sheer black mount and bow detail (size 36); Nan-Reebi London black wool tailored coat with black velvet Mandarin collar, multi-button fastening and black velvet trims to hem (12)
Lot 2186
Early 20th Century Japanese Red Silk Figured Kimono, embroidered with silk embroidered cranes, red silk lining and silk crepe tie to the reverse; Late 19th Century Theatrical Dress of Green Silk with Similar Red Silk Kimono Mount, the dress with boned bodice and long sleeves, bearing the label. 'Court Dress Makers, Madame Alford, London', full skirt with gilt metallic trims to the hem and bodice, skirt lined with green silk, the kimono is embroidered overall with floral motifs in coloured silks and silvered threads, gold bow detail to the reverse (2)Condition report: Green silk dress and robe - the green silk has faded in some areas and shoes wear, trim to the edges of bodice and cuffs shows wear. seam split to skirt where it opens. The attached robe has splits to the bottom of each armhole. Some loose threads and wear overall. Some discolouration to the lapels.Red silk robe - some slight wear overall to the silk, some discolouration to the lapels and light rubbing to the embroidery.
Lot 2188
Early 20th Century Japanese Cream Silk Figured Kimono, embroidered overall with coloured and gilt threads depicting foliage and birds with a red silk lining; Late 19th Century Theatrical Dress of Red Silk Dress with Similar Cream Silk Kimono Mount, the dress with boned bodice, elbow length gathered sleeves, full skirt with gilt metallic trims to the hem and lined with silk, the kimono is embroidered overall with floral motifs and coloured silks and silvered threads, bow detail to the reverse (2)
Lot 2206
Early 20th Century Ladies' Hats, comprising a black velvet Edwardian hat with a panel of cream appliqued wrigglework to the front and silk ties to each side, black silk lining; black straw work cloche style hat with a multi pleated applique trim, black silk lining; peach cotton woven cloche hat printed with flowers to the front and grosgrain trim with bow to the reverse, remains of peach silk lining; brown velvet hat with floral embroidered panel to the front worked in gilt metal and cream threads (4)Condition report: Black velvet hat - rubbing to velvet, couple of splits to silk ribbon, trim and lining.Brown velvet hat - velvet is very worn, silk band to the front has torn, very faded and the inside has been restored.Floral printed pink hat - stitched repairs, fading and lining worn.Black basket hat - slight wear and fading.
Lot 2223
Circa 1960/70s Decorative Shoes From the Duke & Duchess of Windsor Sale, Sotheby's, September 1997, part of previous lot 2223 comprising a pair of Christian Dior silver brocade heeled evening shoes; pair of Christian Dior/Roger Vivier snakeskin shoes; pair of Roger Vivier floral fabric mounted heels, similar pair in brown and pink cotton with slight platform, similar style in orange and purple metallic brocade, another in pink suede, and again in yellow, another in pink floral with laced bow to the front, similar pair as heeled sandals, and a pair of brown velvet heels (10 pairs)
Lot 2233
A Collection of Circa 1940/50s Hats, comprising a Camilles of Evanston black grosgrain and pink tweed hat with 'pumpkin top'; a Luetta Model black felt hat with fur and felt bow; black silk and straw shaped bonnet and another similar in black velvet; yellow grosgrain hat with black ribbon trim; black fabric hat with four white fur pom poms and grosgrain cheek straps; Francesca Atkin Hats Hattery Boston black straw hat; Bloomingdales New York black straw hat; Eddi Jelleffs cream wool hat with cream bow; Vogue Millinery Newark, NJ in black fine straw with black silk grosgrain trim; brown silk jewelled hat, four others; Gage 5th Avenue Hats sign modelled as a hat box (16)
Lot 2234
Collection of Assorted Circa 1940/50s Mainly French Hats, comprising Madeleine Rongmaille Paris black felt wide brim hat, another similar in brown; J Fourmy Nice black straw hat with pink bow; Rosemay Paris black felt bucket hat; Alix Paris navy straw work and felt beret type hat; Agnes Modes Paris black felt hat with black feather mount; Au Bon Marche Paris natural coloured straw hat with wide brim and original paper label; Gilbert Orcel Paris tartan wool beret, and a black velvet bonnet; green, black and white checked velvet hat; Georgette Paris grey wool and plum velvet bonnet; and five others (one box)
Lot 1142
AN EDWARDIAN SILVER-MOUNTED BAROMETER, by Levi & Salaman, Birmingham 1905, the silver facing with cross and reeded border terminating in a ribbon bow, affixed to a wooden easel-back stand. 16.3cm highCONDITION REPORTMarks clear and well struck. Stands upright on wooden easel stand. Silver facings protrude slightly beyond wooden backing in places, have slightly crimped over the edges (bottom left corner). Tarnish marks and light surface scratches commensurate with age and use. Believed to be in working condition to a degree, but unsure how accurate - was reset, and needle has changed position
Lot 4209
A selection of musical instruments and accessories, including a German violin with two piece back, length 36cm, an unmarked violin bow, a copper hunting horn, a copper and brass hunting horn, various whistles, kazoos, etc.PROVENANCE: The Raymond Rush Collection. Mr Rush was an engineer, farmer and lay preacher who lived at Golden Cross Farm in Siddington, Cheshire. He was also a historian, broadcaster, author and speaker who regularly gave talks on local history, agricultural history and historic curios. In addition, he was also an accomplished maker of corn dollies.PLEASE NOTE: This lot is being sold in-situ from a local farm house in Siddington. Collection within the week by Friday 26th. Full collection and payment information will be emailed with invoice following the sale.
Lot 388
An early 20th century mahogany, marquetry and boxwood-strung display cabinet: the three-quarter galleried top with two marquetry anthemion-style motifs linked by a central swag of husks, the frieze with similar marquetry above a central glazed door with unusual astragal glazing bars and flanked by outset bow-fronted glazed sections, raised on slender cabriole legs with pad feet (107cm wide x 40cm deepest x 168cm highest point)
Lot 319
An Edwardian mahogany, rosewood crossbanded and marquetry bow-fronted sideboard in late 18th/early 19th century George III-style; the pierced brass gallery above single bow-fronted drawer flanked by two vertical cupboard doors, raised on square tapering boxwood strung legs with collars (122cm wide x 59cm deep x 83.5cm high)
Lot 5
A Bow figure group formed as a pair of yellow canaries on a bocage with dogs below and a loop handle to the reverse; together with a Bow putto circa 1760 (2)Condition report: Some repairs, to the right birds tail, left birds wings, tail and beak, some of the applied flower heads, hound and lambs ears and sprayed cracks to the base. Far left branch re glued. Putti with some slight chips to the applied work only.
Lot 67
A Victorian 18ct gold cased full hunter pocket watch, by Joyce Murray, number 7125, keyless wind, the white enamel dial with black Roman numerals, minute track, and recessed subsidiary seconds dial, blued steel spade hands, 3/4 plate movement, engraved 'Joyce Murray, Leverington St., King Sqr., London', number 2/7125, the case with engine turned decoration, garter shield to the front spring hinged cover, adjustment pin to shoulder, hallmarks to bow, neck , and hinged dust cover, case maker Henry Dennis Gunton, London 1880, dial 41mm, case 51mm, 64mm to top of crown, 71mm to top of loop, 113.9g gross weight. Notes: in good working condition, winds and sets well, keeps time across 1hr test, however we cannot guarantee full functionality.
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