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Faux bronze bust, 33cm high

White marble bust of a classical maiden, on a socle base, 68cm high

Circa 1920s Green and Black Crepe Beaded Shift Dress, the mid lower densely beaded in blue, green, pink, gold and black beads, further beading to the sleeve holes and neckline; and a Black Crepe Beaded Dress, embroidered overall with white beaded flower heads, the lower section with larger beaded flowers above an indented hem (2). Green dress - 40'' bust, 47'' shoulder to hem, holes near right arm hole, holes to shoulders, some mild/moderate staining, beadwork good with few losses. Black dress - 34'' bust, 43'' shoulder to hem, some loose beads and losses but overall fair/good condition.

Circa 1950/60s Evening Wear, including a Nola of Chester pale pink sleeveless cocktail dress with flared skirt, embroidered with lavender coloured flower heads and gold leaves with ruffled plastic centre; lime green and peach full length dress, capped sleeves, scoop neck, multi pleated stole style attachment to shoulder and waist, sequin and bead floral motif to bust; similar Marcel Fenez lime green satin evening coat, with wide collar; later evening dress with black velvet short sleeved bodice, sweetheart neckline and red spot embroidered net skirt (4). Condition; pink dress - 36'' bust, 44'' long, slight staining under the arms and overall. lime and peach dress - possibly alterations, side seam coming loose, satin shows wear, wear under the arms, sequin and bead losses, alterations to the seams at the back, 32'' bust and 55'' long. Marcel fenez coat - several marks to the satin, especially to the back of the collar, couple of small stains to the arm, lining split and slight discolouration. Red spot dress - 36'' bust adn 58'' long, slight wear.

Assorted Modern Evening Dresses and Separates, comprising CIBI black wool straight skirt (size 12), and a short sleeved evening jacket embroidered with chains of pastel embroidered balls on a black net base, with velvet trims, appliqués and bows (size M); Phase Eight gold lace, bead and sequin evening long sleeve shirt (size 16); Max and Cleo black silk and crepe evening dress with pleated bust, gathered trims, multi pleated chiffon skirt (size 6); Gina Bacconi pink silk crepe evening dress with diagonal small pleats and bead decoration with matching bolero; Mon Cheri black chiffon type halter neck dress with beadwork, diagonal pleated bodice, pleated skirt (size 8); After Six by Ronald Joyce black jersey type full length dress with straps, woven with red flower head and bead appliqués (size 12); Yue London full length one shoulder black dress with metallic spots overall; Karen Millen black, grey, purple crochet style long sleeve long cardigan with bead appliqués (size 2), and pair of black evening trousers with diamante trim to the waist (size 12), pink lycra sleeveless body-con knee length dress (size 14); Maria Bonita USA black velvet and dark cream stain type panelled evening with spaghetti straps; French Connection black velvet mini dress, set with diamante stripes and diamante faux bow to the back (size 6); Frank Usher red crepe sleeveless long dress with bead bodice (size 16); Yasmin full length dress, pleated bust, bead and sequin straps and under the bust, pink, grey and black 'butterfly' print, scoop back and stole (size 10) (15) .Condition - All good condition or show very slight wear except - After Six and Yue London dresses have some rubbing to decoration. Maria Bonita dress - slight rubbing to the fabrics.

Assorted Modern Evening Gowns, comprising a Planet sleeveless shift dress with bronze sequin appliqués overall (size 12); black lace long sleeve drop waist dress with buttons to the front, satin tie collar; Cibi black wool long sleeve dress, button detail to the back and over stitching, a purple silk and pink silk chiffon one shoulder dress, with ruffle trim to the neckline and hem, tassel drops to the bodice, asymmetric hem; Sticky Fingers London black sheath dress with double spaghetti straps (size 8); SC black jersey dress, sequin and bead epaulettes (size 12); Pianoforte Italy dark cream satin type full length sleeveless dress with mink trimmed straps (size Italy 46); Country Casuals Petite black devoré sleeveless bias cut evening dress (size 14); M&S red currant stretch velour cocktail dress, with long sleeves and V-neck (size 8); Next black jersey full length halter neck dress, bead trim under the bust (size 18); turquoise satin type full length dress, ruched bodice, spaghetti straps, bead appliqués in the form of stars (size 8); Radika London pale pink bias cut chiffon dress with yellow beads and floral corsage; Platinume purple and floral velvet devoré bias cut sleeveless dress; pink, yellow and blue batik style dress with shoulder straps and bead appliqué (size 8); Ranni Nicole by Ouida sleeveless full length dress, with glittery scalloped lines overall, scoop back (size 12) (15) . condition: Planet dress - some sequin losses and wear. Black lace dress - slight wear. Cibi wool dress and silk dress - slight wear. Sticky Fingers dress - slight wear. SC dress, slight wear. Pianoforte dress - slight wear. Country Casuals - slight wear. M&S dress - slight wear. Next dress - some bead losses, slight wear, rubbing. Turquoise dress - slight wear. Radika pink dress - slight wear. Platinume dress - slight wear. Batik style dress - slight wear. Ronni Nicole dress - slight wear.

Assorted 20th/21st Century Evening Wear, comprising a Dolce & Gabbana velvet-type full length long sleeved dress (size 40); Versace colour block mini strap dress, in vibrant yellow, green and blue (size 42); 'Black Tie' by Oleg Cassini black silk mini strap dress, with pleated chiffon detail to bust and chiffon over-layer (size 4); Nicole Miller dusky pink silk sleeveless dress, with beaded roundel to the centre (size 4); and a similar Nicole Miller pistachio green silk sleeveless top, with beaded cross to the centre (size M); together with a Whiting & Davis Silver Coloured Hard Clutch Bag, embellished with diamantes and with detachable long strap, 9.5cm by 15.5cm (with tags as new) (6)

Assorted Circa 1960s and Later Cocktail and Evening Wear comprising Herald Fashion sleeveless dress with white crochet mounted bodice and green silk type skirt (size 12); purple sleeveless dress with scoop neck, decorated with green and white foliate design, bow detail to the back (size 14); Modehuis de Vos brown crepe halter neck style dress, with brown trim and attached beads (size 10); brown lace mounted faux wrap dress, with rust coloured lining and trim; Diana Warren Blackpool brown satin type dress with spaghetti straps, circular bead decoration to the hem and bust (size 12); Kaliko black chiffon mounted capped sleeve dress over a bright green lining (size 16); three Academy Costumes garments including a Chinese style dress in black brocade with gold, red and green flowers, a black and gold floral brocade sleeveless dress, and a cream lace open coat with peach trim (size 12) (9) . Condition: Herald Fashion dress - very slight staining around the neckline. Purple dress - slight wear and fading to the skirt. Modehuis de Vos dress - slight wear, couple of stitches needed to the top of the zipper, where fabric loose. Brown lace dress - slight wear, 36'' bust, 39'' long. Diana Warren dress - bead losses and some loose threads to the straps, slight wear. Kaliko dress - slight wear. Academy Costumes; Chinese style dress - slight wear, 31'' bust and 32'' long, black and gold dress - slight wear, trim loose to one part of the sleeve hole, wear to the top of the zipper and slightly discoloured under the arms, 36'' bust and 41'' long.

Circa 1960s/70s Costume, comprising a Baccarat brown suede long sleeve dress with round neck, with embroidered trim to the hem and cuffs (size 12); another in black wool with black suede mounts to the notch neck, pockets and cuffs piped in brown, matching belt (size 10); Frank Usher black chiffon long sleeve full length dress with scoop neck, gathered hem with embroidered trim to the cuffs and skirt (size 10); Saint Laurent Rive Gauche cinnamon coloured canvas long sleeved jacket with collar, two patch pockets, buttons to the front and elasticated banding to the waist; Peter Barron brown wool crepe dress with brown chiffon multi pleated and tiered sleeves, (size 16) (5). Condition; Baccarat brown suede dress - slight staining under one arm, rubbing to the suede mainly to the back. Baccarat black dress - slight wear. Frank Usher dress - slight wear. Saint Laurent jacket - some loose threads and slight wear, 34'' bust and 28'' long. Peter Barron dress - slight wear.

Circa 1960s Ladies' Wool Suits, comprising a Ted Lapidus black and white checked two piece comprising a straight skirt, and long sleeved tailored jacket with Nehru collar and black velvet quilted angular panels to the front and back, velvet covered buttons; Harella two piece suit in large brown and orange checks, straight skirt with kick pleat to the back, and long sleeved jacket with attached shoulder cape to the reverse (size 12); 21 Shop Woollands brown suit woven with a diamond design, comprising a straight skirt and tailored long sleeve jacket with cut away detail to the front; brown, black and cream tweed suit comprising a straight skirt and long sleeved jacket with fur trim to the collar, military style frogging to the double breasted buttons (4). Condition: Ted Lapidus suit - 28'' waist and 22.5'' long skirt, 32'' bust adn 21'' long - slight wear. Harella suit - one button missing and slight wear. 21 Shop Woollands suit - skirt has repairs to the waistband and slight wear, 24'' waist and 21'' long, jacket has slight wear, wear to the lining, 34'' bust and 23.5'' long. Fur trimmed suit - skirt has had waistband altered, most of lining missing and slight wear, 32'' waist, 21'' long, jacket has slight wear, the lining is split and stained, 38'' bust and 26'' long.

Circa 1960s and Later Cocktail Dresses and Evening Wear, comprising a Berkertex long sleeved dress with navy blue lace mount over a purple lining (size 14); similar sleeveless shift dress (size 16); another navy sleeveless dress with a double frill trimmed boat shaped neckline (size 12); an Original Junior Vogue New York black long sleeve dress with gathered cuffs, flared hem and woven with ribbons (size 10); similar style textured sleeveless shift dress in purple (size 12); black crepe full length sleeveless evening dress, with draping to the bust, bead trim to the neckline, pink lining, Grecian style drapes to the back (size 8); Anneliese Sharp London pink velvet strapless gown, with sweetheart neckline and tulip shaped skirt, bow to back; Alice Edwards pink floral dress with spaghetti straps and ruffle edged trims to the reverse with bow (size 12); Rozlynne of London black and gold long sleeved dress with striped design, black and gold trim, faux buttons and chain to the waist (size 14); four Academy Costumes dresses including a blue and gold shawl neck cocktail dress with bead trim (size 12), purple satin type sleeveless dress, with shawl neck trimmed with pleats, buttons to the front and fabric belt (size 14), black and gold brocade sleeveless shift dress with notch neck (size 14), and a black and white sleeveless shift dress, comprising white floral bodice with cut work flower heads, overprinted with black flowers and black skirt (size 16) (13). Berkertex dress - very slight staining under one arm and slight wear. Blue lace sleeveless dress - wear to the armholes, some stitched repairs and fading. Frilled net dress - some fading and light wear. Junior Vogue dress - slight wear and fading to the shoulders and bodice. Purple dress - zip broken and some loose threads and slight wear, some fading to the lining, especially under the arms. Black crepe dress - slight wear, some beads missing, couple of small holes to the drapes. A Sharp pink velvet dress - some fading to the lining, slight wear under the arms, two small marks to the velvet either side of the top of the zip. Alice Edwards dress - slight wear. Rozlynne dress - slight wear. Academy Costumes blue and gold dress - slight wear and fading to the lining. Academy Costumes purple dress - fading to the lining around the collar and sleeve hole, slight wear overall. Academy Costume black and gold dress - slight wear. Academy Costumes black and white dress - slight wear.

Circa 1960s and Later Wool Coats and Suits, comprising a Rodex green double breasted Irish tweed coat with velvet collar and back belt; Cresta black wool coat with brass buttons, adjustable back belt; cream wool herringbone/chevron pattern two piece suit, comprising short sleeved mini dress with high neck, button detail to waist, large patch pockets to the front, fitted long sleeved cropped jacket; navy blue and white wool checked two piece, comprising round neck long line jacket and straight skirt (size 10) (4). Rodex coat - 36'' bust, 39'' long, slight wear, lining faded and armhole seam to the lining needs repairing. Cresta coat - 42'' bust, 41'' long. Cream wool suit - 32'' bust to dress and 39'' long, small seam opening to the bottom of one of the sleeveholes. Couple of loose threads and slight wear. Blue and white suit - slight wear, several loose threads and one button needs restitching.

Circa 1960s and Later Cocktail Dresses and Evening Wear, comprising Kal-Ming Hong Kong eau de Nil long sleeved sequin shirt dress, with fabric belt, beaded collar, cuffs and placket (size 14); three Diana Warren Blackpool dresses including a green striped and floral printed halter neck dress (size 10); another in pale green, with bead decoration to front and back, silver bugle bead trims to the arms, hem and scallop detail to the sides with tassel trims (size 12); another dress in dark cream with a lace mount, with bow to the reverse (size 12); Wallis pink ribbed double breasted mini dress with pleated panel to the front, paste buttons (size 12); pale pink lace, white bead and sequin mounted two piece, including a detachable shell top (size 10); pale blue knitted shift dress with bead and sequin flower heads overall; Brenelli San Remo cream shift dress decorated with bugle beads and faux pearls in a trellis design, floral sequin hem and neckline (size 14); three Academy Costumes items including, pink satin type cocktail dress, a shot pink evening coat with faux buttons, double pockets to each side, and a silver and lace effect mini dress with chain shoulder straps; Kyle Oster London woven gold metallic long sleeved mini dress (size L) (12). Kal-Ming sequin dress - some sequin loss, especially to the shoulders, arms and other areas, small split to the centre seam up the back. Diana Warren halter neck dress - slight wear. Diana Warren pale green dress - some slight staining/fading and bead losses. Diana Warren cream dress - lace torn to the front and shoulders and slight wear overall. Wallis pink dress - slight fading, couple of stitches have been added near the buttons. Pale pink lace two piece - some bead and sequin losses - slight wear. Pale blue dress - 32'' bust, 36'' long, slight wear, replacement beads to one corner. Brenelli dress - some staining near the arms, bead and sequin losses. Academy Costumes pink dress - 38'' bust, 41.5'' long, slight wear. Academy Costumes pink coat - 35'' bust, 36'' long, slight wear. Academy Costumes lace effect mini dress - some loose threads, 36'' bust and 33'' long. K Oster dress - slight wear, hole to the front and couple of loose threads.

Circa 1960s and Later Suits and Occasion Wear, comprising an Aquascutum pale pink and cream tweed coat with long sleeves, collar and buttons to the front; Marlbeck stone coloured two piece suit, comprising short sleeved shift dress with embroidery to the neck and matching long coat with three quarter length sleeves; similar Academy Costumes linen suit, with sleeveless dress and long coat with button and chain fastening; Barri-Moore Knightsbridge pale green slub two piece suit comprising three quarter sleeve dress with leather trim to the neck, and matching short jacket with Nehru collar and buttons to the front; Berkertex stone coloured linen sleeveless dress with lace mount to the bodice and matching belt (size 16); Jay Cliffe pale green woven suit with straight skirt and matching jacket with white fur trim to the shawl shaped collar, detachable modesty panel, three floral corsages for buttons; Harella Blue Label Range green and cream gingham jersey suit with three quarter length sleeved jacket, two pockets and back belt; Wolsey Lombardi lime green pattern crimplene suit, comprising a sleeveless shift dress and short jacket, (size 14); Academy Costumes pale blue, brown and cream three piece suit comprising, pair of tailored shorts with buttons to the lower leg, matching waistcoat and jacket; Leygill cream crimplene long sleeve dress with round neck, tab detail to the waist, panelled front (size 12) (10). Condition: Aquascutum coat - slight wear. Marlbeck suit - dress 42'' bust and 39'' long, slight wear to both. Academy Costumes suit - slight wear, unlined, 40''bust and 42'' long. Barri-Moore suit - 38'' bust, 43'' long, 2cm seam open to back, needs some stitches around the lower zip and lining, loose threads to the cuffs. Jay Cliffe - skirt 28'' waist and 24'' long, repairs to waistband, slight wear 40'' bust and 22''long. Harella suit - skirt 27'' waist, 23'' long, slight wear, side seam open in a couple of places, jacket - 40'' bust, 25''long, slight wear. Academy costumes 3 piece suit - shorts 28'' waist 12''inside leg, tacking stitches still in where darts have been taken out, jacket 37'' bust, 26'' long, slight wear overall. Wolsey Lombardi suit - thread pulls and slight wear. Leybill dress - some thread pulls and wear.

Assorted Circa 1970s and Later Costume, comprising a Jeff Banks cream gypsy top, with long gathered sleeves, printed bib, purple buttons to front and cuffs (size 2); pale pink long sleeved shirt with exaggerated wide collar, gathered sleeve ends and buttoned cuffs (size 12); similar shirt in blue (size 12); Ossie Clark dark cream silk type fabric shirt, printed with a brown and black floral pattern designed by Celia Birtwell, with long sleeves and wide collar (size M); Gianni Versace tan leather waistcoat with impressed design, gilt metal clasp, brass studding to the inside of the waistcoat, pale lavender lining; pair of Jean Paul Gaultier black wide leg jersey trousers, printed in yellow, red, orange and green, zip to the side (size S); Kenzo kimono type striped woven cotton jacket, with cotton patched lining; Rumak and Sample London peasant style white full length dress, with an embroidered bib, long sleeves with wide cuffs, trimmed with velvet (size 10); black woven pinafore dress with red and green woven trims; Kati at Laura Phillips cotton mix long dress, scoop neck, long sleeves, A-line skirt, waist tie (size 12); similar Gina Fratini dress with round neck, long sleeves, buttons to chest, belt and patchwork of fabrics (size 12); New Generation London brown full length jersey dress, with long sleeves and exaggerated flared cuffs lined with black, attached hood with plaited trim (size 2); Caterina Miniucchi batik style long sleeved shirt; light tan A-line suede mini skirt with cut out flower heads to the hem (14). Condition; Jeff Banks top - slight wear, pink shirt - thread pull, slub to the back and slight wear, rubbing to the sleeves, blue shirt - couple of thread pulls/wear, rubbing under the sleeves. Ossie Clark shirt - fading, slight staining under the arms, loose threads to the hem. G Versace waistcoat - slight fading under the arms, slight wear, 33'' bust, 34'' long. JP Gaultier trousers - slight wear. Kenzo jacket - slight wear. Rumak and Sample London - bobbling all over. Black pinfore - small stitched repair to the bust. Kati dress - slight bobbling. Gina Fratini dress -waist seam loose in places. New Generation brown dress - one underarm seam loose, some wear. Caterina Miniucchi shirt - good condition. Suede mini skirt - wear to the waist band and suede.

Assorted Circa 1970-80s Evening Wear, comprising a Marjon Couture black full length sleeveless dress, with scalloped and beaded neckline (size 16); and another (size 12); similar style dress in black velvet with a gold trim to the hem (size 14); Katerina black satin full length strapless dress, with white satin detail to the bust (size 10); Academy Costumes black satin and white trimmed evening dress, with shawl neck off the shoulder collar; Laura Ashley black velvet dress, with long sleeves, buttons to the bodice, lace collar, elasticated panel to the back with ties (size 14); a similar dress in blue/green velvet, with v neck, scooped back and gathered skirt (size 14); black velvet short sleeve calf length dress (size 16); Principle black velvet long sleeved cocktail dress, (size 10); Twilight green velvet full length sleeveless evening dress (size 12); black textured full length dress with v neck and short sleeves, black satin trims (size 16); Hannalore of London black jersey type full length long sleeve dress, with bead decoration (size 18); Little K by Philip Kunick black full length dress with velvet and chiffon striped long sleeves, gold embroidered circular appliqués on black velvet (size 14); Frank Usher dress with bead and ribbon green lace bodice, capped sleeves and gathered green chiffon skirt (size 12); black chiffon layered evening skirt (size 10) (15). Condition: Marjon Couture dress - both have slight wear. Dress with gold trim - slight wear to the armhole. Katerina dress - slight wear. Academy Costumes dress - slight wear. Two Laura Ashley dresses - slight wear. Black calf length dress - slight wear. Principles dress - s light wear. Twilight dress - slight wear. Black textured dress - slight wear. Hannalore dress - some bead losses and slight wear. Little K dress - slight wear. Frank Usher dress - slight wear. Black skirt - slight wear.

Hardy Amies Boutique Tweed Skirt Suit, in green, orange and blue wool, comprising a straight skirt and long sleeve fitted jacket with collar, three contrasting blue buttons and pockets (size 18); similar style Hardy Amies Ready to Wear Tweed Skirt Suit, in green, lime green and turquoise wool (size 18); Hardy Amies Skirt Suit in pink and cream wool checks; Aquascutum Cream Coat of swing style with side pockets; Aquascutum Peach Double Breasted Coat, with back belt and brass buttons (5). Condition; Hardy Amies Boutique suit - slight wear overall. Hardy Amies Ready to Wear suit - waistband above the zip has stitched repairs and slight fading to the lining, some wear to the wool. Hardy Amies pink suit - slight wear, 40'' bust, 30'' waist and 29'' long skirt. Aquascutum cream coat - couple of small marks to the back, front and one sleeve, belt missing. Aquascutum peach coat - slight wear and some grubby marks.

Assorted Circa 1970s and Later Dresses and Separates, comprising a black crepe mini dress, with long exaggerated sleeves lined in gold silk, gold snake embroidered to the front (size 10); Catherine Walker for The Chelsea Design Co black washed silk sleeveless jump suit, wide legged trousers; Liberty of London black silk taffeta A-line panelled full length skirt; Harrods black floral cut velvet A-line full length skirt (size 27); Dereta of London green velvet printed paisley full length skirt (size 12); Quinta Colonna black velvet type skirt, printed with paisley motifs and a ruffle to one side; black chiffon evening dress with cut velvet and gilt trimmed design to the bodice, layered chiffon skirt (size 14); Global Paris black sleeveless long evening dress (size 16/18); black velvet blazer printed with maple leaves, buttons to the front and two patch pockets; Baccarat London black leather jacket, buckled turn back cuffs, patch pockets; Academy Costume black long sleeved dress, with velvet insert to the front (size 10); Dollyrockers black crepe long sleeved dress, lace trims to the V-neck and cuffs (size 10); black A-line mini skirt with faux snakeskin studded waistband; circa 1940s red and blue large check sleeveless evening dress, with peplum (14). Condition: Black mini snake dress - slight wear. Catherine Walker jump suit - hems dirty, small mark to one side, slight fading and slight wear under the arms, 34'' bust and 58'' shoulder to hem. Liberty skirt - 26'' waist, slight wear. Harrods skirt - slight wear. Dereta skirt - zip very stiff, couple of small marks to the back of the velvet. Quinta Colonna skirt - 29'' waist, slight wear. Black chiffon evening dress - slight wear. Global dress - slight wear. Velvet blazer - 38'' bust, 31'' long, fading and button holes frayed. Baccarat jacket - 38'' bust, 24'' long, fading to the lining and some wear to the leather. Academy Costume dress - couple of small pulls to the shoulder. Dollyrockers dress - lace faded, sleeve hole seam coming loose, slight wear overall. Mini skirt - 24'' waist, alterations to the waist band and slight wear. Red and blue dress - slight fading under the arms, several tiny brown spot marks and a couple of small holes overall.

Assorted Early 20th Century and Later Hat Pins, including an orb shaped hat pin and three circular domed examples set with paste stones; a double sided tear drop shaped pin; square blue baguette hat pin set with glass stones; two mother-of-pearl examples and two others; a hinged flower head with turquoise and paste set stones; composition bust pin; silver fylfot hat pin, stamped WBS Birmingham, 1908; sterling silver embossed flower head pin; sterling silver star shaped pierced pin with blue centre stone, etc (25)

Elégante Dark Mink Double Breasted Coat, with deep collar, decorative black buttons, the taupe lining with embroidered and cut-out design. 36'' bust, 14.5'' underarm to cuff, 42'' shoulder to hem. Good overall condition.

Maurice Velody Furs, Sunderland White Fox Fur Jacket, with large shawl collar, cream leather panels to sides and under arms, with attached cream leather belt; and a Blonde Mink Coat, with slit pockets and part belt to reverse (2) . Mink - 34'' bust, 15'' underarm to cuff, 31'' shoulder to hem, some very light signs of wear, overall good condition. Jacket - lining lifting in places, some light signs of wear, hole to back right where leather meets fur, approx 12cm.

Northern Export Furs of Leeds Dark Brown Mink Fur Coat, with gathered bracelet length sleeves and attached cuffs. Condition: 46'' bust, 43'' long, 15.5'' underarm - slight wear. Possibly size 12/14

Saga Mink Brown Long Coat, with gathered cuffs, small collar and slit pockets . 31'' bust, 18'' underarm to cuff, 42'' shoulder to hem

A Bust of Abraham Lincoln

A Bust of Napoleon, in Bronze Marked 82 Lecomte.

A boxed Art Forum bust, Sylvie

A parian bust of a lady

A Victorian plaster bust of Sir Henry Irving, by Hickson, Maida Vale, London, 1875, 43cm high (bust damaged and re-sprayed)

A bronze bust of a woman wearing a cap, 28cm

A large bust of a Classical figure

Assorted modern occasion costume, including Pink Nice blue chiffon printed off the shoulder dress with smocked bust and back and tiered skirt; Lillie Rubin gold sequin dress with spaghetti straps (size 6); Ypsy Paris pink and silver textured occasion coat, with collar, three quarter length sleeves with ribbon trim, front pockets and button front; Deborah Couture yellow, black and cream printed silk dress, with v neck, pleated waist, with white belt and black silk sash, a navy and white spotty chiffon jacket with long sleeves (size 44), and a blue and white reversible sash; black leatherette wig case, enclosing a polystyrene milliners head; Gucci tan leather suitcase with zip and buckle fastening (7)

Two alabaster busts and a resin bust, each depicting a maiden

After Rancoulet, a bronze of a flower girl, a reproduction bronze bust and a reproduction bronze figure of Hermes

A Bust of an Arab, a/f.

A Dr Who limited edition Cyberman bust, 2 Titan figures, 2 Tardis money boxes, a Tardis with light and sound, and a Dr Who board game.

J P "Stone bust wrapped in newspaper in a wooden box with hammer in foreground", a trompe l'oeil study, initialled lower right, oil on panel, 51 cm x 35 cm

A 17th Century Nuremberg embossed brass bowl with central bust of Marcus Aurelius and inscription "Marcus ... Cic-ero cons" 20 cm diameter

2nd-3rd century AD. A silver gilt brooch depicting a draped bust of Sol (Greek Helios) with radiate crown, upon a calyx with tendrils, curved upwards to frame the bust; pin and catch plate to reverse. 9 grams, 30mm (1 1/4"). Property of a private collector; acquired before 1975. Very fine condition. Extremely rare.

10th century AD. A silver-gilt ring comprising a thick D-section hoop with niello-inlaid cross to the underside, trefoil tendrils, niello-filled roundel to each shoulder with facing nimbate bust and cross pommee; discoid bezel with scrolled edges, panel with legend '??? / ?????????? / ???????C' (Strator Theophilos"). 50 grams, 30.5mm overall, 20.36mm internal diameter (approximate size British V, USA 10 1/2, Europe 23.87, Japan 23) (1"). Property of a professional Austrian gentleman; part of his private collection since the 1990s. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. A large wearable size.

Early 1st century AD. An early Imperial marble bust of a youthful male, stern expression, slender face with short hair combed forward; probably Caius Caesar or Lucius Caesar, grandsons of Augustus and his designated heirs, who died in 2 and 4 AD respectfully in suspicious circumstances; mounted on a custom-made stand. Cf. Vierneisel, K. & Zanker, P. Die Bildnisse des Augustus, Munich, 1978, p.91, no.9.8; and for discussion of busts of this type see Toynbee, J. M. C. Roman Historical Portraits. 14.1 kg, 30cm including stand (11 3/4"). From the private collection of A L, acquired London 1996. [A video of this item is available to view on TimeLine Auctions website.] Fine condition.

4th century AD. A gold ring comprising a substantial D-section hoop with ribbed collar and bulb to each shoulder, cup bezel with recessed cell, inset amethyst cloison, intaglio profile bust of Minerva(?) in crested helmet with arrows to the shoulder. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 462 for type. 11.25 grams, 28.45mm overall, 20.19x18.08mm internal diameter (approximate size British P1/2, USA 7 3/4, Europe 16.86, Japan 16) (1"). Property of a South West London gentleman; acquired by his father in the 1970s; by descent 1986. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. A large wearable size.

19th century AD. A carved green moss agate ellipsoid plaque with bifacial decoration: to the obverse nimbate bust of Mary Theotokos with hands raised, 'MP' and '?V' legend; to the reverse a cross with expanding arms and pellet to each angle above a roundel, 'IC XV / NI KA' legend. 35 grams, 60.5mm (2 1/2"). From a late 1990s private collection; formerly acquired on the UK art market in the early 1980s. Very fine condition.

EPSTEIN JACOB: (1880-1959) American-born British Sculptor. Collection of ten A.Ls.S., Jacob Epstein, nineteen pages (total), 8vo, Hyde Park Gate, Kensington, 28th October 1953 to 10th June 1954, each to David Hardman, secretary of the Sir Stafford Cripps Memorial Trust. In the first letter Epstein invites Hardman to come and see the bust of Cripps, explaining that it is not finished however adding that Lady Cripps is also keen to see it, and explaining 'I am a little uncertain about showing it yet to Lady Cripps who of course will have a not unnatural anxiety about it & I want really a decision from you before I show it [to] her'. The sculptor also comments on being shown an unsuitable place in St. Paul's that had been allocated to the bust although adding that he now understands he can choose any place he wishes for the memorial. In his second letter Epstein thanks Hardman for a payment of £337 and announces 'Tomorrow I am showing the bust to Lady Cripps, not without some trepidation! I think I have interpreted Sir Stafford in the right spirit.' and in further letters discusses the inscriptions to appear on the bust, preparations for sending the work to the foundry ('I have been today to the foundry & the more I think of it the less I like the idea of glasses on the bust. After all God made Sir Stafford without spectacles'), also requesting the final payment from the committee, updating Hardman on the progress at the foundry, discussing his thoughts on the pedestal ('Dove silver grey will look very fine & show up the bronze.'), and also commenting on a meeting at the foundry ('The reception….was somewhat curious I thought. The ecclesiastic talked as if we were attempting a crime when I asked about the site of the bust & Mr. Attlee was like a frozen turnip. A somewhat chilling affair.'), stating that he hasn't the heart to battle with the Cathedral authorities and also asking for confirmation of the date of the unveiling and requesting 5 or 6 tickets to give to friends who would like to attend ('I recall that the Dean hinted that a crowd would not be welcome! What a silly idea….I don't mind in the least the vagaries of the ecclesiastical mind. Of course it is their cathedral.') and in the final letter Epstein thanks Hardman for 'photographs of [the] great event, when we were shoved out after half an hour' and asks if he saw Tom Driberg's account? An interesting series of letters. One letter has some light age wear and another has a minor tear, a few with ink annotations (presumably in Hardman's hand), otherwise G to generally VG, 10 £800-1000 Sir Richard Stafford Cripps (1889-1952) British Labour Politician, Chancellor of the Exchequer 1947-50.

RODIN AUGUSTE: (1840-1917) French Sculptor. An excellent signed 11 x 15.5 photograph `Aug Rodin´, the unusual large size paper photograph image showing his Arthur Jerome Eddy´s bronze bust work. Signed in bold dark ink to a clear area at the base of the image. Corner slightly damages with corner creases to the upper left corner. G £600-900 Arthur Jerome Eddy (1859-1920) American Lawyer, Author and art Collector. His work `Cubists and Post-Impressionism´ was the first American book promoting these new art vagues.

GODEFROY CHARLES: (1888-1958) French Aviator, famous for his spectacular flight passing through the Arc de Triomphe in Paris on 7th August 1919, following a victory parade to mark the end of hostilities in World War I. Vintage signed 7 x 9 photograph by Godefroy, the image depicting a bust of the pilot wearing his flying cap and goggles. Signed by Godefroy in dark blue fountain pen ink to a clear area at the base of the image, 'Souvenir de l'arc de triomphe le 7 aout 1919, Godefroy'. Scarce. Some very slight, extremely minor corner creasing, VG £100-150

T. Hamlet, (British, fl. early 19th century), a patinated bronze model of Prince Frederick, Duke of York and Albany, dated 1823, portrayed in later years, togate and with head turned to dexter, the truncation to the reverse inscribed PUBLISH'D BY T.HAMLET. 1 JANY 1823; atop a cylindrical pedestal inscribed HIS ROYAL HIGHNESS THE DUKE OF YORK to the front 28cm high CATALOGUE NOTES: Hamlet appears to have been far from prolific in his output, although he was clearly highly accomplished and patronised by the very highest placed members of society. Three years after producing the bust of the Duke of York, Hamlet sculpted his brother Prince Augustus Frederick, Duke of Sussex. Indeed, a bronze reduction was produced (dated 1826) which matched the current bronze in height exactly, and it is quite possible that hamlet sculpted two or more of King George III's sons and daughters as an intended set See Sotheby's London, European Sculpture and Works of Art, 9th December 1993, lot 131

Constant Ambroise Roux, (French, 1865 ~ 1942), The Child Achilles, circa 1920, marble mounted and patinated bronze, signed Constant. Roux BRONZE to the rear, indistinctly stamped and numbered 182, truncated bust of a Neoclassical-inspired youth looking over the shoulder to sinister, mounted on a trapezoid Italian green serpentine marble base 35 cm high, 23 cm wide CATALOGUE NOTES: This model of the Child Achilles has appeared at auction in various materials, including carved fruitwood and marble. The tense pose and stark lines of the present model are typical of Constant Roux' muscular, Antiquity-inspired sculptures, which grace many public monuments across France, particularly Roux' hometown of Marseille A similar example, also with green patination, was sold at Christie's South Kensington, Interiors, 29 June 2011, lot 542

A Victorian Copeland biscuit porcelain bust of Sir Walter Scott, circa 1870, after Sir Francis Chantrey R.A., portrayed as togate, his head turned to sinister, stamped Copeland and CHANTREY SCT to the reverse, atop a waisted circular socle 64cm high, 45cm wide COMPARATIVE LITERATURE: Ed. Paul Atterbury, The Parian Phenomenon, Richard Dennis 1989, p186, fig 614

A painted plaster bust of the Emperor Nero, second half 19th century, modelled after the Antique, with crown embedded in his tousled hair, the head turned slightly to sinister; the waisted circular socle painted to resemble serpentine marble 60cm high, 47cm wide

A Victorian plaster bust of the Emperor Augustus, second half 19th century, by Brucciani & Co., modelled after the Antique and later repainted to resemble porphyry; the waisted circular socle inscribed 2402 to the front and D.BRUCCIANI & CO LONDON to the reverse 71cm high, 36cm wide CATALOGUE NOTES: Domenico Brucciani was born in Lucca, Italy in 1815. He moved to London where he established a Gallery of Casts in Covent Garden by 1837. This business was one of many which emerged in the 19th century, when the copying of art became a lucrative trade across Europe. Brucciani’s firm, which was one of the most successful, developed links with both the British Museum and the South Kensington Museum (now the Victoria & Albert Museum). Both institutions assembled important collection of casts of sculpture and architecture during this period Brucciani died in 1880, although his business continued into the 20th century

A painted plaster bust after the Diana of Versailles (Diane Chasseresse), late 19th century, after the Antique and now held at the Llouvre, Paris; her head turned to dexter a diadem in her hair; on a waisted circular socle, inscribed 2552A to the reverse 75cm high, 46cm wide

A substantial and impressive bust after the Farnese Hercules, 19th century, the careworn visage turned downwards to sinister, on a waisted, circular socle 98cm high, 64cm wide CATALOGUE NOTES: The Farnese Hercules probably dates to the early third century A.D. and like much Roman sculpture almost certainly copies a much older Greek original that was well-known, in this case probably by Lysippos (or one of his circle) that would have been made in the fourth century B.C. The enlarged Farnese version was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination Please note, this bust is of moulded plaster, painted white overall.

A white painted plaster bust of Cicero, 19th century, modelled after the Antique 1st century A.D. example held at the Capitoline Museum in Rome, portrayed in later years, balding and with lined forehead and neck, on a waisted, circular socle 53cm high CATALOGUE NOTES: Marcus Tullius Cicero, (106 BC ~ 43 BC) was a Roman statesman, orator, lawyer and philosopher who served as consul in the year 63 BC. He came from a wealthy municipal family of the Roman equestrian order, and is considered one of Rome's greatest orators

A northern Italian sculpted white marble and marmo Siena bust of a maiden, last quarter 19th century, portrayed with head turned to dexter, her hair with floral adornment above her serene visage, with delicate features, her eyes partially closed, her décolleté carved with a further floral sprig; the integral base with butterflies in low relief 45cm high, 44cm wide

A LOUVRE COPY OF AN ANTIQUITY, bust of a sphinx. 13.5ins high.

AFTER THE ANTIQUE, a green glazed terracotta bust of a man, on a plinth base. 16.5ins including base.

A LOUVRE COPY OF AN ANTIQUITY, bust of an Egyptian.

Coins - Charles II crown 1671, second bust Condition: **General condition consistent with age

Two Carl Thieme, Potschappel circular plaques, each painted in the Berlin manner, the first with a study of a lady holding a bouquet of flowers and a branch of roses, the underside titled 'Keine Rosen Ohne Dornen' (No roses without thorns), the second with a half-length portrait of a lady with a wide brimmed hat with ostrich feather plumes, titled 'Duches Of Devonchire' (Duchess of Devonshire), each having typical heavily gilded borders, 35.5cm diameter Condition: The plate with the three quarter length female figure is in vgc, the plate with the bust portrait has rubbing to gilt borders and rim, otherwise both structurally sound with no chips, cracks or restoration - **General condition consistent with age

Wedgwood parian bust of Pope John Paul II (1920-2005), modelled in traditional Papal vestments on a socle, both sections with impressed mark, 34.5cm high overall This model is believed to be a trial piece to commemorate the Pope's visit to the United Kingdom in 1982 Condition: No obvious faults or restoration - **General condition consistent with age