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Lot 321
SCHOOL OF JURIANNE VAN STREKKE "Still life study with books, bust and wine cooler", oil on canvas, unsigned, 140 cm x 100 cm CONDITION REPORTS Overall with large amount of craqueleur to the paint, various repairs and touch-up painted areas, some flaking, small hole to canvas near bottom right corner, canvas and painting in general appears to have some age, although date of painting not known.
![Beauvais [Anglo/French School 18th Century]- A miniature portrait of a young lady:- bust-length, with long fair hair and wear](http://lot-images.atgmedia.com/SR/35518/2870734/355-201310715353_468x382.jpg)
![Jehudo Epstein [1870-1945]- Portrait of a lady, bust-length:- with dark curling hair and blue eyes, wearing a red cap signed](http://lot-images.atgmedia.com/SR/35518/2870734/371-201310715420_468x382.jpg)
![Circle of George Hillyard Swinstead [1860-1926]- Portrait of a young woman, bust-length, wearing de-coulte dress and cloak:-](http://lot-images.atgmedia.com/SR/35518/2870734/372-201310715423_468x382.jpg)
Lot 226
A French porcelain inset ormolu mantel clock, Unsigned, circa 1870, the eight-day bell striking movement with gilt dial cast with cherub in flight to centre and with white on dark blue shield-shaped cartouche numerals within foliate cast bezel, the case with female bust surmount issuing fruiting vines above dial and concave sided support fronted with a cobalt ground porcelain panel painted with a seated cherub behind a cast reclining putto flanked by floral garlands and a pair of goats standing on hind legs, the skirt base with central curved section inset with musical tropy panted apron panel flanked by small subsidiary panels, on turned toupe feet, 30cm (12ins) high.
Lot 302
A tole peinte, parcel gilt and bronze mounted metal jardiniere in Empire style, 19th century, of octagonal section, the canted angles each with a projecting maiden bust herm descending to feet below, with twin lion’s mask and ring handles, the interior with lift out liner, 25cm high Provenance: From the Estate of the late Dr. Yvonne Hackenbroch (former curator of the Metropolitan museum of Art)
Lot 40
After Alessandro Algardi, 19th century, a white marble bust of a young man in classical attire, 62cm high Algardi (Italian 1598-1654), born in Bologna, was apprenticed in the studio of Agostino Carracci. After a short residence in Venice he moved to Rome in 1625. His first major commission was in 1634 for the funeral monument of Pope Leo XI, who had reigned for less than a month in 1605. He is now remembered for the 'Fuga d'Attila Relief' in St Peter's Basilica, a high relief panel depicting Pope Leo and Attila surprised by a horde of descending angelic warriors rallying to the Pope's defence. In his later years, Algardi enjoyed considerable success controlling a large studio and amassed a great fortune. CONDITION REPORT: No obvious major faults. Head appears to have hand restoration to neck - glue lines across left shoulder and back.
Lot 155
An Italian polychrome marble portrait bust of a Nubian, 19th century, with a finely modelled head and clothes, his turban in white marble with grey marble stripes, his jacket in rouge marble with blue lapis lazuli buttons, over a white marble vest, on a white marble socle plinth with grey marble insert, unsigned, 62cm high 42cm wide This portrait bust forms part of a tradition in Italian sculpture of coloured marbled statues, which became popular in the 17th century, with the Nubian emanating in particular from Venetian workshops. With the 18th century and the spread of the Grand Tour, the taste for such busts increased, and pairs became an important feature in interior decoration, demonstrating not only the owner's taste, but also his extensive and exotic travels.
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