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A desk top perpetual calender and bust of French Marshal Ferdinand Foch, both mounted on a wooden plinth marked Compiegne commemorating the armistice that ended World War One, 9.5 cm (h), a further similar sculpture depicting Foch, a metal depiction of the carriage where the armistice was signed, a brass miniature depicting the memorial at Ypres, and a sculpture depicting a World War Two memorial [5]
A Benin small bronze stool, of spool shape, the circular seat centred by a star within a border of interlocking waves, the waisted pedestal cast with masks interspersed with pierced loop handles, with faux verdigris patination, 20cm; a Marka type carved wood fertility figure, decorated with sheet brass; and a Balinese carved wood bust, wearing a fanned feather headdress (3)
19th Century English school Bust length silhouette portrait of a gentleman, side profile heightened in gilt & white 8.5 x 7cm oval; a portrait engraving of Edward VI; and a pair of printed miniatures - Peter Campbell of Killin (b.1760) and James Campbell of Edinburgh in simulated ivory frames (4).
A pair of coral 'Corallium Rubrum' pendent earrings, circa 1840, and a shell and cultured pearl chokerEarrings: each drop with engraved acanthus leaf and scrolling repoussé detail, centrally-set with an oval coral corallium rubrum cameo depicting a classical bust; necklace: set to the front with a late 19th century shell cameo depicting the winged head of a man, within a later scrolling floral and foliate surround, between three strands of cultured freshwater pearls, to a rectangular clasp with bead and ropetwist detail; lengths approximately: earrings 48mm, choker 35.5cm (2)Footnotes:This lot will be subject to US Fish and Wildlife regulations if imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A cameo demi-parure suiteComprising: a brooch set with a circular cameo depicting a female bust, within a frame of ropework design, diameter approximately 45mm; and a pair of earrings of similar design, diameter approximately 23mm, later hoop fittings, accompanied by fitted case (2)For further information on this lot please visit Bonhams.com
GROUP OF FOUR INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including a large blue oval example, possibly the Sacrifice of Iphigenia, 4.2cm wide; an oval green example depicting Venus in a shell, flanked by dolphins, 3.3cm high; a rectangular brown example, MARCHANT, depicting Cupid carrying a pole hung with game, 2.5cm high; and a brown oval example depicting a profile bust of Minerva, 2.9cm high Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
SMALL QUANTITY OF NEAR EASTERN ANTIQUITIES, comprising a fragmentary terracotta bust, possibly 7th century B.C., 11cm high; a fragmentary terracotta bucranium, possibly circa 800 B.C., 6cm high; a circular bronze hand mirror, possibly Roman 1st century A.D., 14cm high; and a terracotta oil lamp Provenance: The first three items are listed on an old receipt issued by P.Kolokasides, Nicosia, Cyprus, presented with the lot
the profile bust length relief portrait of a woman in thin pressed gold set on a woven hair ground, within an oval border of red enamel with overlaid ropetwist wirework, covered with a rose cut rock crystal, collet and closed back set with scallop and claw mount, the outside of the shank engraved with the memorial (now much worn), reading 'MAN*? DIA*? HANTO*? OB: 30 AUG 177? ÆT 73'; ring size approximately M, length of ring head 1.6cm
c1820, the unsigned cream coloured dial, 45mm diameter, with black Roman numerals, silver coloured spade hands, chemin de fer chapter ring and winding aperture at 4 o'clock, signed front loading mechanical key wind fuseé movement number 1148 under a removable brass dust cover, with fully engraved top plate, the balance cock engraved with a maiden's bust in profile, case, with very rubbed marks, possibly Birmingham assayed, decorated to the outside with engine turned engraving around a monogrammed circular cartouche, the cover activated by push button, gross weight 134.5g and presented with the winding key; attached to a silver rolled curb double Albert watch chain with swivel catch terminals, one supporting a swivel seal set with banded agate and bloodstone, the midpoint of the chain supporting the T bar and an enamelled brass shield shaped medal, overall length 34cm and gross weight 48.1g (2)
the first by Sampson Mordan & Co Ltd, Chester 1909, of rectangular form with sprung hinged cover and strike to the base, stamped 'seamless non-choke turbine patent', suspension ring to the side; the second by Mitchell Bosley & Co, Birmingham 1890, of rectangular form with hinged cover and strike to the base, decorated all over with a pressed swirl design around a single oval monogrammed cartouche; the third by William Neale & Sons, Chester 1896, of rectangular form with sprung hinged cover and strike to the base decorated all over with repoussé shell and foliate designs over a textured base, the front with a heart shaped cartouche featuring a bust of Queen Victoria, verso with a monogrammed and dated heart shaped cartouche, suspension ring to the cover top 3.8ozt gross (3)
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