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A 19th Century Marble topped bow fronted Console Table, the frieze applied in the centre with a head and shoulders Bust, and also with latticed decoration below and egg and dart border, raised on two supports with lobed baluster capitals, raised on foliate moulded fluted legs, terminating in peg feet, (some losses throughout), 61” wide
* NOTE:SITTER IS GENERAL SIR CHARLES NAPIER (1982-1853).An Anglo-Indian School Portrait Miniature, mid 19th century, depicting a bearded officer facing right, bust length, in a scarlet coat with gold epaulettes and scarlet shoulder belt, wearing the Order of the Bath, in an oval gold plated mount, 5.2x4.4cm.
An early 19th Century oval ivory and gold coloured metal-mounted box, fitted a small mirror to the underside of the lid, complete with small tortoiseshell eyebrow comb, 3in. wide; together with a small early 19th Century ivory and gold coloured metal retractable toothpick, inscribed "T.C. Palmer-Inventor"; an Oriental carved ivory cylindrical-shaped needle case, 3 1/2in. long; a carved ivory letter opener decorated with male bust; a small ivory scent bottle with screw stopper, contained in straw-work outer jacket, 3 1/4in. long; an Oriental carved and pierced ivory pomander case with floral decoration, complete with corded tassel; and a small Venetian gilt painted glass scent bottle (stopper damaged), 4 1/4in. long. (7)
A miniature bust portrait of a lady (possibly Elizabeth Mary Pemberton); an early 19th Century thin gold wedding ring, in green morocco leather-covered case; a small leather-bound lady's almanac for the year 1785; a small collection of miniature ivory items, to include: a comb; pair of scissors; etc.; Georgian gilt tokens, in leather pouch; together with a small 19th Century rectangular cardboard box, with green print cover.
A late 19th Century French ormolu and Paris porcelain mantel clock, the case surmounted by an urn motif, painted with female bust portrait panels on pink ground, the porcelain dial with roman numerals and painted panel of female figures, flanked by turned pilasters, the eight day movement by Japy Frere, striking on a single bell, the plinth base stamped P.H. Mourey, 11in. x 16 1/2in. high.
An English late 18th Century statuary white marble chimney piece, circa 1785, with inverted breakfront shelf, the frieze finely carved a central tablet of a female bust amidst scrolling acanthus, interspersed with acanthus leaves and lidded vases, the end blocks carved inward facing ewers above fluted jambs, with Sienna marble surround to the aperture and egg and dart moulding, complete with later grate, with brass hood, tiled back, hearth and curb, 136cm x 185cm (53.75" x 72.75"), aperture 96cm x 107cm (37.75" x 42.25") (See illustration)
Three parian figural busts, the Copeland bust after Malempre of the Marquess of Salisbury, dated in the clay 1898, 30cm high. the Coalport bust commemorative of the Duke of Wellington after Jos. Pitts, 1852, 25cm high and another of the Duke of Wellington after Comte D'Orsay for Copeland, 19cm high (3)
An English silver-mounted tortoiseshell oval tobacco box, the slightly domed, scallop shell shaped lid applied with a silver repoussé bust of King Charles I, 9.5 x 7.5cm, unmarked, early 18th c, leather case ++The lid and box with a crack from the hinge, the silver bust possibly associated and slightly worn with a tiny hole on the nose
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110041 item(s)/page