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Lot 159
Retro Gaming - Cased Playstation 1 console, 2 x controllers, power cable, instructions, PS1 carry case, 11 x games to include The Simpsons Wrestling, Tomb Raider, Resident Evil 3 Nemesis, Disrupter, Toca Touring Car Championship, Micro Machines V3, The Next Tetris, Dancing Star Euromix, Dancing Stage Party Edition, Mat Hoffman's Pro BMX, Bust-a-Move 2, plus Tomb Raider guide book (2)
Lot 40
Lewis Alexander Goblet (British, b. 1764, d. after 1826): A marble portrait bust of a lady, traditionally thought to be Mrs Connollythe sitter looking slightly to dexter, her hair dressed 'à la grecque' with a bandeaux tied braided chignon, the forehead arranged in curls, her shoulders clad in drapery tied below the bust, the rear signed and dated L. A. Goblet, F T 1820, raised on a waisted circular socle, 66cm high, together with a 19th century pink granite pedestal of plain columnar form, on a moulded socle and square shallow plinth base, 112.5cm high 178.5cm high overall (2)This lot is subject to the following lot symbols: TP
Lot 76
Jean Baptiste Carpeaux (French 1825 - 1875): A bronze portrait bust of Charles Garnierc.1869the sitter modelled full face looking slightly to dexter wearing a loosely tied shirt, waistcoat and jacket, on integral square socle, signed to the side JB.Carpeaux, the rear inscribed: F.Barbedinne, Fondeur PARIS, and with indistinct Collis pastille, raised on a rouge griotte moulded shallow square plinth base, the bust: 39.5 cm high, 46cm high overall
Lot 93
John Henry Foley RA, RHA (Irish, 1818-1874): A sculpted white marble bust of Sir Benjamin Lee Guinness, 1st Baronet of Ashford (Irish, 1798-1868)the sitter looking slightly to dexter, his shoulders clad in drapery, the rear signed and dated J. H. FOLEY RA, LONDON 1867 on circular socle base, 75cm high This lot is subject to the following lot symbols: TP
Lot 364
‡ Eric James Mellon (1925-2014) Bust of a Woman, stoneware, dated 1981, chestnut glazed in colours, highlighted in gilt, with perspex stand, a Theme of Tenderness bowl by Eric James Mellon, dated 1985, and a vase with loop handled by Yolande Beer, signed, dated and glaze details to base, paper exhibition label, 8cm. high (including base), (3) Provenance The Tony Hill collection of studio pottery.
Lot 1230
Fiore de Henriquez (Italian/British 1921-2004), stylised bronze bust, mounted on a wood plinth. Overall width 28 cm, height 41 cm, signed and dated 75. NOTE - Her debut exhibition held in Florence 1947 and following her move to Britain she exhibited at The Royal Academy in 1950. She produced work to commemorate The Festival of Britain and spent many years touring North America working and lecturing. One of her biggest achievements was a restoration of the abandoned Italian settlement of Peralta. In 1968 she began restoring the village with the local and surrounding inhabitants supplying all parts and labour. Peralta became a well known retreat for artists (see illustration). CONDITION REPORT: This item is from a deceased estate and the deceased was a personal friend of the artist. The deceased's father was the Head of Geriatrics at Whitehaven Hospital for which Fiore De Heneriquez undertook a commission to produce a bust for the Hospital Trust. The vendor has also provided but not include with the sale an exhibition catalogue for the artist dated 11-27 November 1975 at the Centro D'art La Barcaccia which highlights the sculptures in the same style as the one on offer. There is also a printed card advertising a lone portrait sculpture exhibition at 25 Cheyne Walk, London September 22nd-October 2nd 1975. The sculpture itself is approximately 26 cm high and 16 cm across. From the attached images you should be able to see that the item is signed and dated 75.
Lot 1259
After W Theed, sculpture, London 1867, a plaster cast bust of William Walter, Fifth Earl of Dartmouth. 42 cm high. CONDITION REPORT: This has been painted in a cream emulsion type paint but the features are still clear. It is moulded to the reverse W.THr DE D.Sct, London 1867. There is a handwritten ink inscribed paper label affixed to the reverse giving the sitters name. There are a couple of small nicks to the front which maybe visible using the zoom facility on the website. The paint around the base is wearing away. There is a smaller nick to the base of his left breast but overall nothing our my opinion that would detract. There appear to be no obvious signs of breakages or repairs.
Lot 549
SCOTTISH SCHOOL, 18TH CENTURY PORTRAIT OF A GENTLEMAN SAID TO BE WILLIAM BAILLIE OF LAMINGTON SOUTH LANARKSHIRE bust length in a white stock and brown coat, feigned oval, oil on canvas, 73.5 x 63cmLined apparently in the later 19th or early 20th, on old stretchers, more recently conserved/cleaned with some old ingrained dirt, possibly slightly reduced, in 18th c style gilt frame that has been gold painted
Lot 557
AFTER SIR THOMAS LAWRENCE PORTRAIT OF KING GEORGE IV in black coat with fur collar and black stock, bust length, oil on canvas, 90 x 70cm, A 19th c copy of Lawrence's portrait of about 1820 in the National Galleries of ScotlandIn good restored ready to hang condition, lined n apparently the later 19th c with stencilled ink stamp of McDermott picture liner 106 Broadway New York, in 18th c style gilt frame
Lot 675
JOHN HUTCHISON, RSA (1833-1910) PORTRAIT BUST OF ADAM BLACK (1784-18740, THE SCOTTISH PUBLISHER AND LIBERAL POLITICIAN statuary marble, signed, dated 1866, lettered in black with the sitter's name and on the reverse PRESENTED BY J.T.G.C. TO THE PHILOSOPHICAL INSTITUTION, 72cm hSeveral small chips around the edge of the plinth, no substantial damage and none to the features, no restoration
Lot 676
COUNT GLEICHEN (PRINCE VICTOR OF HOHENLOHE-LANGENBURG) (1833-1891) PORTRAIT BUST OF SIR ANDREW BARCLAY WALKER, 1ST BT (1824-1893) statuary marble, signed with artist's initial and dated 1886, 62cm hExhibited: Royal Academy, 1886, No 1763 (this bust or another)Sir Andrew Barclay Walker, Bt of Gateacre Grange, Lord Mayor of Liverpool and Founder of the Walker Art Gallery. Brewer, Justice of the Peace and High Sheriff of Lancashire, he was also one of the leading yachtsmen of the day. He bought the palaial Osmaston Manor and its estate in Derbyshire in 1884Nose chipped, minor peripheral chips and scratches, accretion of dust and grime
Lot 676
A 19th century carved agate oval cameo brooch designed as a bust of a lady in profile, mounted in a yellow precious mount; a late 18th/early 19th century carved shell cameo of a bust of a man in profile (with damages); two further carved shell cameos, a half length profile of a maiden and a Grecian figure (both with damages) and two Limoge type brooches (5).
Lot 1175
A horn snuff box, 18th century, the centre section of rounded rectangular oval section, the hinged cover carved with a figural scene and a lion, the base with a central lozenge in a star burst, a head and shoulder profile bust facing to sinister below flanked by figures with lions and their feet, the sides and ends foliate carved, 12cm wide x 5cm deep.Illustrated
Lot 468
A Rare Bohemian Flintlock Tinderlighter And InkstandCirca 1720-30, Probably CarlsbadOf steel retaining faint traces of gilding, the side panels incised and punched with foliage inhabited by birds, a profile bust on a pedestal beneath a baldachin at the rear with a bird perched on a basket of fruit beneath a crown with cherub supporters, the front with a bird en suite and with an aperture for the replacement taper drawer, the top panel incised and punched with foliage centred on the Imperial Austrian arms and with circular apertures for the gilt ink-pot and pounce-pot, steel balustrade with button finial at each corner, replacement baluster candlestick, flintlock mechanism with trigger-lever above the drawer on the right, and plain iron feet on a writhen bar at each corner 12 cm. wide
Lot 188
A Rapier With Chiselled Steel HiltMid-17th Century, Probably EnglishWith tapering double-edged blade of flattened diamond section, the forte on each side etched with a bird perched on foliage, an arm emerging from a cloud holding a falchion between Latin inscriptions, and surmounted by tulips, hilt comprising downbent lobed rear quillon chiselled in relief with a male profile head and foliage, side-guard chiselled with foliage and central male and female portrait busts facing each other, small side-guard chased with leaves (inner guard missing), knuckle-guard with a female portrait bust and foliage, pear-shaped lobed pommel, each lobe chiselled with a foliate monster-head above a scroll, and later grip bound with twisted steel wire between Turk's heads; together with a Spanish rapier, late 17th/18th century, with tapering double-edged blade of flattened hexagonal section, the forte on both sides with indistinct Spanish inscription along the fuller, steel hilt (pitted, cup-guard missing) comprising arms, slender quillons with button terminals, knuckle-guard, compressed globular pommel, and grip bound with twisted steel wire (2)85 cm. and 103.5 cm. bladesThis lot is subject to the following lot symbols: *
Lot 402
A Group Of WWII Period Daggers Comprising a Third Reich 1933 Pattern SS man's dagger of characteristic form, no. 8301, the blade etched 'Meine Ehre Heißt Trueue' in gothic letters along one side, hilt of Holbien form with nickel mounts, and ebonised grip with badges, in its black painted (chipped) scabbard with nickel locket, chape and suspension ring, and complete with its black leather suspension strap and clip; a German dagger with wooden grips, in its black painted scabbard with suspension clip; two Italian fascist daggers, one with blade etched 'Summa Audacia Et Virtus', and ebony grip carved with an eagle above a helmeted profile bust of Mussolini and '116 Legione Alpina' on one side, and with Division details above '28 Ottobre' on the other, both with their black painted scabbards embossed with a fasces above 'M.V.S.N.' on one side; a French dagger with bright blade stamped 'P. Foury, 70 R. Lafayette, Paris' on one side of the ricasso, and brass-mounted black composition hilt inlaid with a stylised brass owl on one side, in its leather-covered scabbard with brass mounts and two suspension rings; and a Scandanavian knife, the wooden grip carved with the names of various visited countries; together with a German WWII period black leather infantryman's belt with blackened buckle (7)The first 22.1 cm. blade
Lot 294
A Neapolitan 16-Bore Miquelet-Lock Belt Pistol Circa 1770With two-stage barrel turned at the muzzle and girdle, octagonal breech section with gold-lined mark for Naples (Neue Støckel, 8672) below two gold-lined fleur-de-lys marks on the top flat in front of the plain tang, the left flat stamped with an 'H' mark, flat bevelled patilla lock, figured full stock (old chip and split beneath the lock) inlaid with pierced brass panels engraved with foliage, the panel on the fore-end involving a grotesque mask, and the one around the barrel tang with a female portrait bust in contemporary costume including a feathered hat, ball pommel inlaid with brass en suite and centred on an engraved martial trophy, brass side-plate and fore-end cap engraved with foliage against a hatched ground and both inhabited by a bird, iron mounts including spur trigger-guard chiselled with a scallop shell, and scroll trigger (ramrod missing) 19.5 cm. barrel
Lot 434
A Fine Silver-Hilted Small-SwordMid-Late 18th Century, Probably FrenchWith colichemarde blade (light rust patination) of sharply tapering hollow triangular section etched and gilt over most of its length on each side with panels of foliated strapwork and inscribed 'Adeux Saison', the forte on one side with a sun-in-splendour, inscribed 'A la Victoire' and with a female figure of Victory above a panel inscribed 'Cussaignard Md Fourbisseur Du Roi et Maitre Arquebusier Prés De La Hourse à Nantes', and on the other with crowned royal arms above 'Vive Le Roy' and a panel inscribed 'De La Manufacture De La Marque au Raisin à Solingen', heavy hilt finely cast and chased in relief against finely punched grounds and comprising asymmetrical double shell-guard with roses on the outer sides, the inner sides respectively with a Classical figure of Mars and a female figure of Plenty, a pair of cornucopia above and below, one of foliage and the other of flame, quillon-block with a Classical trophy of arms on one side and further cornucopia on the other, plain faceted arms, recurved quillons each with lobed foliate tip, knuckle-guard with central helmeted portrait bust and foliate terminal screwed to the pommel, the latter with a male portrait bust on each side and surmounted by a lobed tang button, and swelling grip with Minerva on one side and Veritas on the other, both beneath the same baldachin 83 cm. blade
Lot 292
A Fine And Rare Italian 120-Bore Flintlock Silver-Mounted Pocket PistolSigned Acqua Fresca, Mid-18th CenturyWith two-stage silver barrel turned at the girdle and with octagonal breech, the latter punched with a line of beadwork at the rear, bright border engraved tang, signed bright border engraved round lock chiselled with a grotesque mask on the tail, the head of the cock retaining bolt chiselled in relief with a profile male helmeted head, highly figured fruitwood full stock with moulded borders and carved with foliage at the barrel tang, cast and chased mounts comprising cartouche-shaped side-plate framed by foliage and involving a bearded profile head and a sea-monster, foliate escutcheon, spurred pommel with a differing male profile bust on each side and cherub-masks between, and small pommel-cap with male and female profile busts centred on a petalled border, trigger-guard with foliate finial and a further male profile bust on the bow, turned and faceted ramrod-pipes, the rear one en suite with the trigger-guard, original silver-tipped ramrod, and in fine condition 9.5 cm. barrel
Lot 517
A Rare Pair Of 16-Bore Flintlock Silver-Mounted PistolsBy Clarkson, London, Circa 1720With swamped barrels (some wear and scattered light pitting) each signed within a chiselled foliate panel at the breech and with engraved ovoidal silver fore-sight, border engraved tangs each decorated with a Classical portrait bust on a pedestal, signed rounded locks (one mainspring an old replacement), plain cocks (one expertly replaced) and steels each with slender raised border, figured moulded half-stocks (one a working life replacement) with rounded butts and each carved with foliage behind the barrel tang, cast and chased mounts comprising pierced side-plates of foliate scrolls involving two grotesque profile heads and a flower-head, foliate escutcheons each engraved with owner's crest within an oval, pommels each with engraved spurs and ovoidal cap engraved with further owner's crest within foliate borders, the latter centred on borders of foliate strapwork involving grotesque masks including one of human form emerging from the silver, trigger-guards each with foliate finial and bow with moulded borders, fore-end cap also forming the ramrod-entry and with foliate and scroll borders, single baluster ramrod-pipes each on a foliate mount, and silver-tipped wooden ramrods, probably original, London proof marks (2)27 cm. barrels
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110054 item(s)/page