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Caligula copper as, Rome Mint 37-38 A.D., obverse;- Bare-headed bust left, legend:- C CAESAR AVG GERMANICVS PON M TR POT, reverse:- Vesta seated left, holding small patera and long sceptre, legend:- VESTA across top field, S C in left and right field, Sear 1803, full, round, well centred, hard, even black-green patina with brown-red areas, NEF
Edward IV or V silver penny of London, obverse reads:- EDWARD DI GRA REX ANGL, reverse reads:- CIVITAS LONDON, mm. Halved Sun and Rose, 1483, no marks by bust, Spink 2147, wt. 0.7g. looks to be lightly clipped, found 1st. November 2013, Silsoe, Bedfordshire, only one other recorded by the Portable Antiquities Scheme, sold with museum report and extremelly rare, F
Henry VIII silver halfpenny of Canterbury, TC beside bust, Archbishop Cranmer, mm. Catherine Wheel / -, Spink 2358, with old ticket, full and round, dark uneven tone but well struck up and clear, GF/NVF, with an Edward I silver penny of Canterbury, slightly rough surfaces, well centred VF [2]
Isaac I Comnenus, 1st.September 1057 - 25th. December 1059, Byzantine two-thirds silver miliaresion, Constantinople Mint, weight 1.63g, diameter 23.03, obverse:- Christ's bust facing, with nimbus cruciger, wearing pallium and colobium, right hand raised giving benediction, book of Gospels in left hand, legend IC - XC, reverse:- Greek legend in six lines, KE RO[HO] / IC[AAKIW] / [OPOOAOIW] / [AECI IOT]H / [TW] KOMNH / NW, double lined border each side, Sear 1846, there is thought to be only three other specimens of this issue known, these all being in museums and from different dies to the present piece, the coin in the Dumbarton Oakes Collection was sold in 1948 and the only previous sale we can trace was in 1886, present piece found with a metal detector on 1st. January 2015 in Mid-Suffolk, sold with all paperwork and research by Dr.Vezin, reverse has thin black deposit across legend, also very light scuffs, excessively rare and possibly the only specimen of this Byzantine Emperor in silver available to the private collector, VF/NF
Nero brass sestertius, Lugdunum Mint, obverse:- Laureate bust left, resting on globe, legend:- IMP NERO CAESAR AVG PONT MAX TR POT P P, reverse:- Triumphal arch, surmounted by statuary, with Nero in facing quadriga, between standing Victory and Pax, front with bas-relief of Mars standing on pedestal, S C, Sear - but see 1962, a few light marks, VF/NVF
Tiberius silver denarius, Lugdunum Mint c.16 A.D., obverse:- Laureate bust right, legend:- TI CAESAR DIVI AVG F AVGVSTVS, reverse:- Seated female, holding sceptre and branch, this possibly Livia [mother of Tiberius], legend:- PONTIF MAXIM, both legends reading outwards, Sear 1763, the 'Tribute Penny' mentioned in the bible, reverse struck high, nicely toned, good metal, EF
A James I (1603-25) silver Shilling, the crowned bust of the King facing right, the Roman numeral XII to the left, the reverse a shield divided into four displaying the arms of England, France, Scotland and Ireland, together with a 1921 Morgan silver dollar, struck in San Fransisco, an 1837 five francs silver coin, two silver coins with oriental marks and two other coins (7) THIS LOT WILL BE SOLD ON SATURDAY 12TH SEPTEMBER STARTING AT 10.30AM UK TIME
An Art Deco Czech glass perfume bottle and stopper, of squat bellied form and raised on faceted foot, with floral etched trailing decoration, h.15.5cm; together with a matching powder bowl and cover; a 1930s Czech glass faceted perfume bottle and stopper with matching powder bowl and cover, h.13cm; and a frosted tinted and faceted heavy glass angular cut powder bowl and cover with female bust relief portrait to cover (5)
Fausta Vittoria Mengarini (Italian 1893-1952) - Bronze bust of a boy, naturalistically cast with dark brown patination and raised on a stepped walnut square socle, signed to the reverse 'Fausta Vittoria Mengarini Roma 1919', gross h.40cm Condition Report / Extra Information Bronze with typical handling wear and high points to raised areas. Casting line visible to back of head. Thumb-nail sized scuff to back of head. Base good.
Framed, unsigned, oval portrait miniature on ivory, bust length portrait of an 18th Century lady in profile, wearing a white dress tied with pink ribbon, together with, after THOMAS GAINSBOROUGH (1727 - 1788) Framed, portrait miniature on ivory, bust length portrait of a lady in hat after Gainsborough's portrait of Georgiana, Duchess of Devonshire, with circular slip, 4cm x 3.2cm and 5.5cm x 5.5cm, (2).
19th century AD. A flat-section discoid faux-medieval pendant with trapezoidal loop, to one face a facing bust in crown with three horns with legend to the border, similar to the reverse with three-lobed crown. 34 grams, 66mm (2 3/4"). Ex Buddle collection; acquired 1990s. See Mitchiner, M. Medieval Pilgrim & Secular Badges, London, 1986, p.278-9. Billy and Charlies, also known as the Shadwell forgeries, refer to a very extensive series of fake antiquities made in Victorian London by William Smith (Billy) and Charles Eaton (Charley"). They were mudlarks who searched the Thames for items of value. William Edwards, a London antique dealer, made Billy's acquaintance around about 1845, and he met Charley some years later. He paid them for items of interest that they found. Billy and Charley earned money from this until 1857, when they decided to counterfeit antiquities. They cast objects from lead or pewter, cutting dies into plaster of Paris moulds with nails and knives, and bathing the finished items in acid to simulate aging. Their commonest products were medallions, but other products included daggers, statuettes, ampullae and even small shrines; as they were both illiterate the inscriptions on many of the objects are nonsense.They sold their forgeries to very prominent collectors of the time who thought they were genuine. Eventually, due to the large volume of objects that were appearing on the market they were arrested and tried at court though they could not be found guilty of any crime at the time. They were released and carried on producing fakes but their style of manufacture had become well known and they eventually disappear from history. [No Reserve] Fine condition; small casting flaw.
11th-13th century AD. A silver central European coin, with solder scar close to the edge from attachment of a loop for use as a pendant. Obv: facing crowned bust with legend illegible. Rev: cross patteé with pellet in angles and legend illegible. 0.54 grams, 18mm (3/4"). Property of an American collector; acquired 1980-2000. Cf. Korshun, V.E. Yazcheskye Priveski Drevnei Rusi X-XIV Vekov, volume I, Moscow, 2013, item A-34. [No Reserve] Fair condition.
3rd-7th century AD. A carved agate seal matrix with intaglio design of a facing bearded bust with Pahlavi text around; supplied with a museum-quality impression. 3.43 grams, 15mm (1/2"). Property of a London gentleman; aquired in the late 1970s and 1980s. Cf. Gyselen, R. Acta Iranica. Sassanian Seals and Sealings in the A. Saeedi Collection, Paris, 2007, item 20.10. Fine condition.
3rd-7th century AD. A carved carnelian seal matrix with intaglio bearded male bust with text above; supplied with a museum-quality impression. 6.67 grams, 21mm (1"). Private collection, London, UK; formed 1970s-1980s. Cf. Gyselen, R. Acta Iranica. Sassanian Seals and Sealings in the A. Saeedi Collection, Paris, 2007, item 20.14. Fine condition.
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110054 item(s)/page