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Roman Imperial coinage The Illyrian Emperors Ad270-285 Postumus (259-268) AE Sestertius, obv. IMP C M CAS LAT POSTUMUS PF AVG, radiate draped and cuirassed bust right, rev. emperor in military attire holding globe and spear, metal detecting find Norfolk together with another example laureate head and Fides reverse, diameter 29-30mm
Roman Imperial coinage The Antonines AD138-193 Lucius Verus bronze Sestertius AD161-169 (Rome 161) obv. IMP CAES LAUREL VERUSAVE, draped bust right braided hair ribbon, rev. COS II in ex CONCORD AUGUSTUS TR PSC Marcus Aurelius and Lucius Verus both together, standing facing each other clasping right hands, diameter 32mm, 25.7g
De Bry (Theodore, 1561-1623). The Triumph of Death, circa 1580-1600, engraving after Hans Sebald Beham (1500-1550), a very good impression on laid paper with an eagle watermark, with narrow to thread margins, in good condition apart from a small perforation to the right of the camel, together with three tazza designs by De Bry: Pride and Folly; A Bust Portrait of William I of Orange, and A Bust Portrait of the Duke of Alba, engravings, circa 1588, from the set of four, good impressions on laid paper, in very good condition, Pride and Folly with a tiny faint stain towards the upper edge, The Duke of Alba with a couple of printer's creases at the upper right corner (inherent to production), plate diameter 12 cm (4 3/4 ins.), sheet sizes averaging 13.4 x 13.2 cm (5 1/8 x 5 1/8 ins) Qty: (4)Footnote: Literature: Hollstein 28 (The Triumph of Death); Hollstein 180 (Pride and Folly).Bry’s miniscule engraved frieze, The Triumph of Death, shows the large baggage trains that would have followed Landsknecht companies on their campaigns. The artist records every detail, including the soldiers’ flamboyant garb, their wives and other camp followers, as well as Turkish prisoners and their camel. Three figures of Death bring up the rear, one upon a pale, haggard horse, the other two bearing scythes.
Ostade (Adriaen Jansz. van, 1610-1685). The Cobbler, 1671, etching on laid paper with an indistinct watermark, a very good impression of the eighth state of ten (or later), after the trees to the right were altered to vines, with narrow margins, a small area of tape staining towards the upper sheet edge, together with The Singers, 1667, etching on laid paper, a very good, black impression of the fourth state (of seven), retaining a fillet of blank paper around the subject and the artist's etched signature, in good condition, plus The Barn, 1647, etching on fibrous wove paper, a good impression of the the tenth (final )state, trimmed on the platemark, in good condition, and Bust of a Laughing Peasant, etching, a late impression, trimmed on the platemark; plus two etchings in reverse after van Ostade (cf. Hollstein, Godefroy 31 and 47), largest sheet size 24.3 x 19.2 cm (9 5/8 x 7 1/2 ins), smallest sheet size 7.3 x 6 cmQty: (6)
Y A Mary Queen of Scots portrait miniature within an oval brass and turquoise decorated frame, and loop bale; together with a circular miniature of The Young Pretender, Charles Edward 1721-1788, cast brass frame, English School; an early 19th-century, half bust portrait of a gentleman, English School; late 18th-century; two children in white dresses, blue ribbon, watercolour on card, French School; and two miniature frames with plaited hair, one on a mother of pearl ground, some painted on ivoryFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
FOLLOWER OF SIR ANTHONIS (ANTOON) VAN DYCK 22 March 1599 Antwerp - 9 December 1641 London BUST PORTRAIT CHARLES I (1600-1649) Oil on canvas. 61 x 49 cm (F. 70,5 x 59 cm). Part. min. old rest. Frame. Provenance: North German private collection.SIR ANTHONIS (ANTOON) VAN DYCK (NACHFOLGER) 22. März 1599 Antwerpen - 9. Dezember 1641 London BRUSTBILDNIS CHARLES I (1600-1649) Öl auf Leinwand. 61 x 49 cm (R. 70,5 x 59 cm). Part. min. altrest. Rahmen. Provenienz: Norddeutsche Privatsammlung.
WORKSHOP OR FOLLOWER OF DOMENICO DI BARTOLOMEO CALLED 'IL PULIGO' 1492 Florence - after 27.09.1527 Ibid PORTRAIT OF PIETRO CORNESECCHI Oil on poplar (?) panel. 64 x 52,5 cm (F. 83,5 x 71,5 cm). Part. rest. Florentine frame of the 16th/17th century. Provenance: International collection. Dreiviertelporträts, das Domenico Puligo um 1525 gemalte. Dieses Gemälde befindet sich The bust portrait of Pietro Cornesecchi presented here is a variant of a three-quarter portrait painted by Domenico Puligo around 1525. This painting is now in Florence in the Palazzo Pitti in Florence. Cf. also Fondazione Zeri, archive no. 33177. Provenienz: Internationaler Sammlungsbesitz. DOMENICO DI BARTOLOMEO GENANNT 'IL PULIGO' (ODER WERKSTATT/NACHFOLGE) 1492 Florenz - nach 27.09.1527 Ebenda PORTRAIT OF PIETRO CORNESECCHI Öl auf Pappelholz (?). 64 x 52,5 cm (R. 83,5 x 71,5 cm). Part. rest. Florentinischer Rahmen des 16./17. Jh. Das hier vorliegende Brustbild des Pietro Cornesecchi ist eine Variante eines Dreiviertelporträts, das Domenico Puligo um 1525 gemalte. Dieses Gemälde befindet sich heute in Florenz im Palazzo Pitti in Florenz. Vgl. hierzu auch Fondazione Zeri, Archiv-Nr. 33177. Provenienz: Internationaler Sammlungsbesitz.
Full title: Na Duc Thuc (20th C., after): Bust of an elder, patinated bronzeDescription: H 20,3 - L 17,4 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: French school, after Jean-Antoine Houdon (1741-1828): A bust of Molire (Jean-Baptiste Poquelin), patinated terracotta, Svres mark, 20th C.Description: H 56,5 cmThe base inscribed with a 'W' and a Sevres mark.Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A large French biscuit bust of Emperor Napoleon on stand, Svres mark, 19th/20th C.Description: H 64,5 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Umberto Biagini (19th/20th C.): Bust of an Italian beauty, marble and alabasterDescription: H 48,5 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Belgian school, monogrammed A.D. (possibly Albert Constant Desenfans, 1845-1938): Portrait bust of a man, brown patinated bronze, dated 1925Description: H 31,5 cmThe sculpture marked 'Montagutelli Bruxelles Cire Perdue'.Ê Maybe a bust of the Belgian writer Stijn Streuvels (Franciscus Petrus Marie Lateur, 1871-1969).Ê Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Rudolf Thiele (1856-1930) for GoldscheiderA polychrome painted terracotta bust of a young Arab women, Looking right and with eyes downcast, on a waisted square socle, signed Thiele to the robes and with Goldscheider stamp and impressed numerals 1840 375 6 to the reverse, 49cm high, 32cm wide, 17cm deep.Provenance:The Estate of the Late Cherry Barker
Scotland, Charles I, Third coinage, Falconer's Second issue, Twelve Shillings, mm. leaved thistle, bust within inner circle, f and pellet over crown, colon stops, pellets below c r on rev., reads devs : separet :, 5.71g/6h (Murray p.141, no.4; S 5563). Light scratches on reverse, otherwise good fine, toned £120-£150
Henry V, Halfpenny, London, class D, 0.46g/6h (N 1410; S 1795); Henry VI, Annulet issue, Halfgroat, Calais, mm. cross II, 1.65g/7h, Rosette-Mascle issue, Penny, Calais, mm. cross IIIb, 0.79g/4h (N 1429, 1450; S 1840, 1865); Henry VII, Facing Bust issue, Halfgroat, class IIIc, Canterbury, mm. tun, 1.45g/8h (N 1712; S 2211); Henry VIII, Second coinage, Halfgroat, Canterbury, mm. Warham’s uncertain mark, 1.26g/1h (N 1802; S 2343) [5]. Fair to good fine £70-£90
Henry VI (First reign), Annulet issue, Groat, Calais, mm. cross II, fleur on breast, 3.50g/11h (N 1424; S 1836); Edward IV, Light coinage, Groat, London, mm. sun, 2.82g/5h, Halfgroat, Canterbury, Abp Bourchier, mm. pall on obv. only,quatrefoils by bust, 1.48g/2h (N 1569, 1590; S 2000, 2028) [3]. About fine and better £60-£80
Henry VI (First reign), Annulet issue, Halfpence (2), both Calais, mm. cross V, 0.52g/5h, 0.52g/4h (N 1435; S 1849); Edward IV (Second reign), Groat, London, class XVII, mm. pierced cross, fleurs on cusps, 2.45g/3h (N 1631; S 2098); Henry VII, Facing Bust issue, Penny, Durham, Bp Sherwood, ds by shield, 0.66g/11h (N 1730; S 2232); Henry VIII, Second coinage, Penny, Durham, Bp Wolsey, mm. crescent on obv. only, tw by shield, 0.71g/6h (N 1811; S 2352) [5]. Fine and better, but last short of flan £60-£80
Edward IV (First reign), Light coinage, Groat, London, mm. sun, 2.30g/9h (N 1569; S 2001); Elizabeth I, Third issue, Sixpence, 1565, mm. pheon, bust 1F, small flan, 3.08g/3h (N 1997; S 2561); Charles II, Third issue, Shilling, mm. crown, reads bri fra et hib, 5.54g/8h (N 2764; S 3322) [3]. Fair to fine, first clipped £90-£120
Early Anglo-Saxon Period, Sceatta, Primary series Z, type 66, broad facing bearded head of Wodan (or Christ), rev. hound or boar right with tail curled beneath body, chevrons above, 1.16g/9h (SCBI Abramson 116, same dies; SCBI BM 166-7 var. [bust type] Abramson 102.15; M 140-2 var.; N 145; S 782). Of good silver and fine style in high relief, good extremely fine, very rare and an exceptional specimen £2,000-£3,000
Henry VII, Facing Bust issue, Halfgroats (2), both Canterbury, King and Archbishop jointly, class IIIc, mm. tun, 1.64g/12h, 1.51g/11h (N 1712; S 2211); Henry VIII, Third coinage, Halfgroat, Canterbury, no mm., 1.06g/7h, Posthumous coinage, Halfgroat, York, no mm., bust 1, 1.02g/9h (N 1852, 1882; S 2378, 2416) [4]. Last fair, others fine and better £80-£100
Henry VIII, First coinage, Halfpenny, Tower, mm. portcullis on obv. only (?), 0.28g/9h; Posthumous coinage, Penny, York, no mm., facing bust, Roman lettering, 0.55g/6h (N 1779, 1888; S 2334, 2424) [2]. First good fine, second on an unusually full flan, about very fine for issue but tiny chip at 12 o’clock £150-£180
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110041 item(s)/page