* Clothing. A black evening gown, John Varon, 1970s, full-length black taffeta evening gown, black lace bodice and long sleeves gathered at elbow, wide cuffs each with 3 small press stud fasteners, lined with satin, rear zip fastener, some small spotted marks to rear and a few associated tiny holes, bust 81cm (32ins), waist 71cm (28ins), sleeves 94cm (37ins), length 145cm (57ins), together with a collection of other 20th century garments, including: a 1950s cotton summer dress, in 2 shades of grey and white, with fitted bodice and short sleeves, and a gathered tiered skirt with 2 wide bands of broderie anglais; a blue linen short-sleeved knee-length coat by Marcel Fenez, with Peter Pan collar, size 14; a 1970s black velvet three-quarter length dress labelled 'Polly Peck by Sybil Zelker', with gold patterned skirt and long chiffon sleeves; a full-skirted pink organdy evening gown, Christian Dior, 1950s, ruched bodice with straps, embellished with wool embroidery, bugle beads, and diamanté, some beads missing, hem shortened and left raw, woven label 'Christian Dior, Made in England by C.D. Models (London) Ltd.'; a 1950s cream lace sleeveless blouse with organza shawl collar, with woven labels 'Harvey Nichols of Knightsbridge' and 'Golden Rose Made in Switzerland'; an Edwardian white fine lawn blouse, embellished with tucks and front insert panel of lace and embroidery, 1 or 2 repairs; and a Del Mar cream linen trouser suit, various sizes and conditionQty: (16)NOTESProvenance: From a large private estate.
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* Wedding dress. A 1920s silk wedding dress, hand-stitched cream silk three-quarter length dress, unstructured, with round neck, and smocked gathers to shoulders, narrow long lace sleeves with gold thread, and matching inserted gathered lace panels to each side of skirt, some breaks in lace, panels edged with seed beads (1 or 2 missing) and pearls, cream silk lining with lace hem, underarms stained, bust 96.5cm (38ins), waist 96.5cm (38ins), sleeves 63.5cm (25ins), length 117cm (46ins), together with 4 other 1920s garments: a dress of ochre Indian silk with decorative printed panels and finely-knotted net overlay to sleeves and bodice, lined with lilac silk, (Provenance: Hinwick House); a black silk chiffon overdress; a heavily beaded blue-green chiffon flapper dress; and a pink and lilac lamé dress with lace gores, all defective, plus a 1920s net stole with elaborate border at each end of flower sprays hand-worked in silver metallic thread, scattered small holes and marks, some loose threads and losses to embroidery, 46 x 300cm (18 x 118ins), plus 6 shawls, 1920s/30s: 3 large fringed piano shawls with all-over embroidery; a black shawl with appliqué embroidery to one corner; a black chiffon and velvet devore shawl with floral motifs in various colours; and an Art Deco black and gold lamé shawl, various sizes and conditionQty: (12)
A composition bust of the head of Alexander after the antique, cast by the Atelier de moulage du Louvre et des musées de Francethe head with curling hair on wooden square plinth base, 46cm high overallFootnotes:Provenance:Property of a GentlemanThe Atelier de moulage du Louvre et des musées de France is the casting workshop of the Louvre and museums of France and was created in 1794.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 19th century Italian Grand Tour carved white marble bust of Antinous after the antiquehis face downcast looking to dexter, on verdi antico waisted socle base, 59.5cm highFootnotes:The life size state of Capitoline Antinous from which the bust of the current lot is taken, was recorded in Cardinal Albani's collection in 1733 and is said to have been found at Hadrian's Villa. When Pope Clement XII purchased a large amount of marble figures from the Albani collection in 1733, the stateu went on to be displayed in the new Capitoline Museum. After the Treaty of Tolentino, which saw the removal of such pieces to Paris in 1798, it was eventually returned to Rome in early 1816.The statue was copied in both marble and bronze in the late 18th and 19th century as well as being reproduced in plaster by the well known 19th century copyist of antique pieces, Brucciani.Related LiteratureF. Haskell & N. Penny, Taste and the Antique, Yale University Press, New Haven and London, 1981.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th / 20th century Neapolitan patinated bronze bust of a philosopher, probably Dionysius, after the antiquepossibly cast by the J. Chiurazzi et Fils foundrythe bearded figure with downcast face and bandeau tied curling hair looking to dexter, mounted on a later veined 'giallo antico' marble turned circular socle base, 70cm high overallFootnotes:Provenance: Property of a GentlemanBy repute formerly the property of Charles Hansen of the Chas. H. Hansen Music Corp. USA, and music publisher to the Beatles who apparently paid $10,000 for the bust in the late 1960's.The original antique bronze bust of Dionysus, catalogued as a Roman copy of the mid-1st cent. BC after a Hellenistic original, Inv. No. 5618 is in the permanent collection of the Naples, National Archaeological Museum.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Workshop of Silvano Bertolin (Italian, b. 1938): A late 20th century cast marble resin bust fragment of Aesculapius and a marble resin cast mask of the Rondanini Medusathe bust of Aesculapius mounted on a grey stone square shallow base, the mask of Medusa with rear suspension bar, together with a white painted rectangular plinth, the bust, 43cm high, the mask, 35cm high, the plinth, 61cm x 60m x 40cm (3)Footnotes:Provenance:Property of a GentlemanThe sculptor and art restorer Silvano Bertolin is well known for his work at many of the major European and American museums and is particularly associated with the restoration of ancient marble sculptural works at Sperlonga in Italy.The antique marble mask of the Rondanini Medusa which is the emblem of the Versace fashion brand had its return to its rightful owners when mentioned in the treaties arranging peace after the Napoleonic Wars.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A carved white marble bust of a classical maidenafter the antique, probably 19th century modelled full face, her chignon coiffure dressed with a bandeau, mounted on a later brass and ebonised square plinth base with beaded border, the bust, 26.5cm high approximately, 49cm high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th / early 20th century Neapolitan patinated bronze bust of the Ideal frieze head or Apollo after the antiquepossibly cast by the J. Chiurazzi et Fils foundrythe god with downcast face and elaborately cast curling short hair, on turned Siena marble waisted socle base, 49cm highFootnotes:The original bust was excavated at Herculaneum in 1752 and was subsequently exhibited at the Musée de Naples. The model was listed in the 1910 Chiurazzi & Fils catalogue as number 5633.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
IN THE MANNER OF HENRY BONE (1755-1834), a bust portrait of King Henry VIII (1491-1547), an early 19th century coloured enamel on copper miniature, 3 1/4" x 2 1/4", together with a similar portrait of King Edward VI (1537-1553), in matching laurel leaf cast gilt metal frames each surmounted with a crown (2) (Est. plus 21% premium inc. VAT)Henry has a chip top right front, just visible when framed, a 1cm crack running just into hat, crack running across bottom right corner splitting into three with tiny flake, chip on reverse mirroring chip on front and another similar at top, Edward has three minute chips top left, deep scratch middle left, chip bottom right corner, back generally good, both taken out of frames for cataloguing
A ROYAL DUX SMALL BUST, early 20th century, the young lady wearing a green tricorn hat and flower sprigged dress on a swept circular base, model 26, pink patch, 11 1/2" high, together with a pair of Royal Dux style busts of Tyrolean children on swept quatrefoil bases, models 237 and 237, otherwise unmarked, 10" high (Pair & 1) (Est. plus 21% premium inc. VAT)Brim of tricorn hat restored. Boy's hat feather reconstructed, losses to extremities
A TURN OF TEPLITZ BUST, early 20th century, the young fashionable lady wearing a beribboned hat, a butterfly on her shoulder, on an art nouveau moulded tall base, model 1011, printed Riessner, Stellmacher & Kessel mark, 19" high (Est. plus 21% premium inc. VAT)Butterfly and shoulder bows restored, typical chips to flowers and hat extremities
TWO PAIRS OF TURN OF TEPLITZ FIGURES, early 20th century, both young couples wearing green trimmed fashionable garb, one couple dancing, the others carrying baskets, both on naturalistic bases, printed marks, 14 1/2" - 19" high, together with a similar small bust of a young girl wearing a large hat, model 1015, 9" high (2 Pairs & 1) (Est. plus 21% premium inc. VAT)All restored and chipped
19th Century Italian School/A Goddess wearing a Diadem/marble bust on a socle base, 34cm high/see illustration CONDITION REPORT: There are some small stains and marks throughout, a small chip to the crown, socle probably associated as it is more glossy in appearance, the figure is slightly loos on base, excessive adhesive to base of bust and socle top.
Emmanuel Villanis (1858-1914), frz. Bildhauer des Art Nouveau, "Capture", Die Gefangennahme, braun patinierte Bronze einer gefesselten Frauenbüste, sign. u. am Postament betitelt, etwas narbig, Kette fehlt, auf Marmorplinthe, Ges.-H. 19 cm Emmanuel Villanis (1858-1914), French sculptor of Art Nouveau, ''Capture'', The capture, brown patinated bronze of a bound bust of a woman, signed. u. titled on the pedestal, somewhat pitted, chain missing, on marble plinth, Ges.-H. 19 cm
A PAINTED PLASTER BUST OF AN 18TH CENTURY FRENCH GENTLEMAN 46cm wide x 73cm high, stamped to the reverse 'Reproduction Moulage Musee du Louvre' Condition: chip to the right hand collar, further smaller chip to the left hand collar, chip to the coat and cravat, further minor marks and chips and some losses to the paint particularly around the socle
19TH CENTURY ENGLISH SCHOOL bust length portrait of a young women, her hair tied up in ringlets, oil on canvas, unsigned, unframed, 76cm x 64cm Condition: the painting lined, some minor losses to paint particularly to the edges and also a small point left of the right hand wrist, some slight bubbling of the paint surface in the darker areas of the lower section of the painting
Group of items including a brass paperweight with a personal inscription on reverse Hong Kong dated 1947, Cloisonné vase with wisteria, bronze model of a dog and a bronze finish Art Nouveau bust Carmela with marks for E. Vilanis, on onyx base, Chinese wooden box with carved lion finial 23 cm and a small mermaid (5)
Attributed to Jean Warin (Flemish 1607-1672) - a bronze medal commemorating the appointment of Antoine Ruzé as French Superintendent of Finance in 1629, the obverse depicting a bust of Ruzé facing right, wearing a lace collar and ribbon with the cross of the Order of the Holy Spirit, his armour decorated with a lion's head to the shoulder, the reverse depicting Atlas placing the burden of the world on to Hercules' back, Hercules' lion pelt and club on the ground to the right, dia.6.5cm.Antoine (Coëffier) Ruzé (1581-1632) adopted his uncle Martin Ruzé's, the Superintendent of Mines, name to gain access to the French court. Under Richelieu's guidance, he became marquis of Longjumeau and Effiet, and negotiated the marriage of Charles I of England to Louis XIII's sister Henrietta Maria in the role of Ambassador in London. He further rose to the roles of Superintendent of Finances and Marshal of France.Condition report: Complete.Some surface marks.Otherwise good with modest wear only.
A VICTORIAN CARVED SHELL CAMEO, oval and carved depicting the bust of Ceres, bezel set to a floral engraved rolled gold frame, 4.4cm by 3.6cm; AND A PEARL PENDANT, as a floral spray set throughout with seed pearls and a cultured, to an associated seed pearl-set bail, 5.5cm by 2cm, 3.1 grams (2)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Cameo with wear to the frame, fastens with a pin and c-hook with safety chain, light wear to cameo. Seed pearl pendant converted from a brooch with applied associated bail, wear to seed pearls, with greyish tone, cultured pearl to flower head is later, it is stamped '9CT' and in our opinion would test as gold. Condition report made 100221.
AN EARLY 20TH CENTURY 18 CARAT GOLD CAMEO RING, the oval shell cameo in a bezel setting and carved depicting the bust of Artemis, to trifurcated scroll shoulders, hallmarked with sponsor's mark 'D&CO', Chester 1909, ring size P. 2.9 gramsThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The ring is in good condition, the bezel setting is a little rough and the shank is a little thin. Condition report made 230221.
A GROUP OF CAMEO JEWELLERY, INCLUDING: A CARVED SHELL CAMEO BROOCH, the oval cameo carved depicting the bust of Psyche, bezel set to a plain frame, stamped '9CT', measures 5cm by 3.8cm; A 9 CARAT GOLD SHELL CAMEO RING, hallmarked with Birmingham 1975, ring size O1/2; and A PAIR OF 9 CARAT GOLD CARVED SHELL CAMEO STUD EARRINGS, hallmarked Birmingham 1979, with post fittings. (3) 23.7 grams grossThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition with light surface wear. Condition report made 240221.
Carel Frans Philippeau (1825-1897) Dutch Visiting the shrine - a figure group in repose before a Mediterranean landscape Signed, oil on panel, together with a companion, 34cm by 45.5cm (2) Provenance: W H Patterson Fine Art, London See illustration . The example with the classical bust - Cleaned and re-varnished with a high gloss finish. Small area of delicate and sporadic in-filling within the skirt of the lady holding the small child. and possibly the lower edge of the skirt belonging to the lady seated and turned away from the viewer. Example with the shrine - Cleaned and re-varnished to the same finish. Small amount of delicate re-touching to flaked paint in and around the shoulder, arm and waist area of the central seated lady and a further delicate amount of in-filling around the standing child's back, the seated gentleman's elbow and the area below this. Each essentially in overall very good condition.
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110041 item(s)/page