A MARBLE PORTRAIT BUST PROBABLY 2ND CENTURY A.D. On later turned marble socle bust 25cm high, 36.5cm high overall Condition Report: Bust- nose with glue repair, surface dirt quite heavily engrained, some paint splashes, hairline faults to right shoulder and neck. edge chips and losses. Socle repaired Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
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A ROMAN GIALLO ANTICO HERM BUST OF DIONYSUS 1ST/2ND CENTURY A.D. 10cm wide, 15.5cm high, 6.5cm deep Condition Report: With wear and loss to margins and details, natural fault flaws, encrusted dirt, and deposits notably to hair and to his left shoulder Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.Condition Report Disclaimer
AN ITALIAN BRONZE BUST OF AN EMPRESS ROMAN, 18TH CENTURY Of open back form, now set on polished back stone base head 20.5cm high, 22cm high overall, base 11cm wide Condition Report: Rubbed patina from age, handling and use to nose, cheeks, and folds of drapery. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.Condition Report Disclaimer
AN ITALIAN BRONZE BUST OF VESPASIAN ROMAN, 18TH CENTURY Now on base bust 23cm high, 26cm high overall, base 20cm wide Condition Report: Some wear to patina as per age use and handling- notably around face- small casting flaws to his left shoulder- surface dirt- some of which is engrained into folds Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A STAFFORDSHIRE BLACK BASALT PORTRAIT BUST OF A MAN LATE 18TH CENTURY 30cm high 23cm wide across the shoulders Condition Report: Chips to reverse of foot base- surface dirt Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
ATTRIBUTED TO VINCENZO CAMUCCINI (ITALIAN 1771 - 1844) PORTRAIT OF BERTEL THORVALDSEN (1770 - 1844) Oil on canvas 73 x 59cm (28½ x 23 in.) Provenance: Erling Schroeder (1904-89), by 1945; Literature: V. Winkel and Magnussen (eds), Kunst i Privat Eje, Copenhagen 1945, vol. II, p. 187, reproduced.The prime version of this picture shows the sculptor Thorvaldsen standing with his right arm resting on a stone sill. It was painted by Camuccini for the Accademia di San Luca in Rome in 1808 and is now in a Roman private collection. Thorvaldsen and Camuccini were friends and in return for Camuccini's portrait, Thorvaldsen sculpted a bust of the painter in 1810. Their relationship soured and the exchange of likenesses never took place. Thorvaldsen's bust of Camuccini is now in the Thorvaldsens Museum, Copenhagen, having come directly as part of the sculptor's estate. Condition Report: The canvas has been lined. Surface cracking throughout. Several visible repaired tears, most notably to the left of the sitter's head and continuing through his chest. Stretcher marks visible. The paint surface in uneven and there are numerous fine spots of loss and abrasions throughout. Under UV light there is a spot of paint loss to the sitter's cheek, with paint loss to the edges and the sitter's torso. Condition Report Disclaimer
AN ITALIAN BRONZE HEAD OF CARACALLA 18TH CENTURY Of open back form, now set on a red marble base, variously labelled, typed label "Italian 16th century Bust of the Roman Emperor Caracalla, Purchased from Arcade Gallery London", and "Ford Foundation No. 0146" the head 28cm high, 44cm high overall Condition Report: The head mounted to a wooden block with two screws through the neck, the margins of the bronze with rubbing and wear notably around neckline, some dirt and paint splash deposits to margins. Base with old remedial restorations Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
AFTER THE ANTIQUE- A NORTHERN EUROPEAN CARVED OAK BUST OF THE ALBANI FAUN PROBABLY BRITISH, LATE 18TH-EARLY 19TH CENTURY On socle base 54.5cm high, base 19cm diameter Condition Report: Generally good condition- looks to have had a clean to remove years of accreted surface dirt, small flaw to socle top Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
A WEDGWOOD BLACK BASALT BUST OF MERCURY LATE 18TH/EARLY 19TH CENTURY After a model attributed to John Flaxman, impressed 'Wedgwood' to the reverse, underside of socle impressed Wedgwood STZ 1 46.5cm high, base 17cm diameter Condition Report: His right feather to hat broken and restored, surface dirt throughout Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
AN ENGLISH CARVED STONE BUST OF THE EMPEROR TRAJAN 18TH CENTURY 44cm high, 40cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Surface deposition- looks to be weathered and old lichen remnants. Flaws to stone with radiating cracks visible just under neckline and also through the neck. Nose worn and detailing rubbed throughout. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AN ITALIAN BRONZE BUST OF THE APOLLO BELVEDERE FLORENTINE, 18TH CENTURY/19TH CENTURY On waisted tapering socle base 25.5cm high, base 8.8cm diameter Condition Report: With rubbing to patina from age, handling, and use. With residue of more golden surface around right hand side of face. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
A NEAR PAIR OF ITALIAN WHITE MARBLE AND PORPHYRY BUSTS OF ANCIENT ROMANS 17TH CENTURY OR EARLIER Each with carved white marble bust set into porphyry shoulders she 59cm high, he 56cm high Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both porphyry shoulders broken and restored- marble of man- dirt spots and damage, repair to laurel wreath, edge wear- Woman- later plaster/infill to front of her neck, both with rubbing to noses and ears and some edge loss Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Early Anglo-Saxon Period, Sceatta, Eclectic series, Sceatta, type R/51 mule, bust right with pyramidal neck, runes in front, rev. beaded standard containing saltire cross, pellets in angles, 0.81g (SCBI Abramson 719; Abramson 13-55; N –; S 833). Very fine or better, possibly plated £100-£120
Kings of Mercia, Offa (757-96), Penny, Light coinage, London, Dud, +offa rex+ a, bust right, rev. +dv∂ divided by four lobes, in centre, cross bottonnée with trefoils in angles, 1.20g/1h (Chick 19; N 310; S 905). Full flan, light surface porosity, good fine £1,200-£1,500 --- Provenance: found in Meppershall (Bedfordshire) in 2023 (PAS NARC-9D824A)
Kings of Mercia, Ceolwulf I (821-3), Penny, East Anglia [Ipswich], Wodel, ceolvvlf rex m, bust right wearing ornate jewelled diadem, triangular ‘torso’ below, rev. pod del mo neta in three lines, divided by hook-ended lines, 1.37g/3h (Naismith E20.2h, same obverse die; BLS 32f; N 392; S 927). Flan with a gentle curve, otherwise about extremely fine, struck on a full, round flan retaining an attractive find patina, extremely rare thus £6,000-£8,000
Kings of Wessex, Edward the Elder (899-924), Penny, Diademed bust type [HLT 1], London region, Leofhelm, liofh elm m in two lines divided by three crosses pattée, cross flanked by trefoils above, single trefoil below, 1.40g/12h (CTCE 3; N 651; S 1084). Flan creased and straightened, edge chipped, otherwise fine £200-£260
Visit of Abdul Aziz, Sultan of Turkey, to the City of London, 1867, a copper medal by J.S. and A.B. Wyon, bust right wearing fez, rev. Londinia greets figure of Turkey, symbolic buildings behind, 76mm (W & E 1065.1; BHM 2872; E 1591). Extremely fine; housed in fitted case of issue [this somewhat faded] £400-£500 --- Abdul Aziz became Sultan of the Ottoman Empire on the death of his uncle in June 1861. After a visit to the Paris Exposition Universelle in the summer of 1867, Abdul Aziz came to London where he was lavishly entertained at a reception at the Guildhall on 18 July. The portrait on the medal “gave great satisfaction to His Imperial Majesty, who conferred upon Mr J.S. Wyon the medallist the order of the Medjidie of the Fourth Class”
Blackfriars Bridge and Holborn Valley Viaduct Opened, 1869, a copper medal by G.G. Adams, coronetted bust of Victoria left, rev. City shield dividing views of both bridges, figures of Londinia and Britannia at sides, 77mm (W & E 1126.1; BHM 2906; E 1604). Extremely fine or better; in fitted case of issue [the catch faulty] £300-£400
Visit of the Shah of Persia to the City of London, 1873, a bronze medal by A.B. Wyon for the Corporation of the City of London, bust of Nasir al-din three-quarters left, rev. Londinia standing between shields of London and Persia, St Paul’s and Tower behind, 77mm (W & E 1202A.1; BHM 2951; E 1623). Extremely fine or better; in fitted case of issue by Wyon, 287 Regent Street, London [this a little faded] £1,200-£1,500 --- A magnificent entertainment was given for the Shah on Friday 20 June, 1873. While he was probably accustomed to the opulence and splendour of the occasion, the journey to the Guildhall obviously left an impression on him. His diary reveals “We are invited this evening to the house of the Lord Mayor... At night therefore we mounted our carriage and drove off. From our palace to the Lord Mayor’s house was quite a league... Every street is lighted with gas, and besides this, electric lights from the roofs and windows of the houses made the streets as clear as the day. ” There may be a little poetic licence in this description, as an evening reception held close to Midsummer’s day would not begin after dark. Likely the description is based on his return journey.
Visit of Czar Alexander II to London, 1874, a bronze medal by C. Wiener for the Corporation of the City of London, uniformed bust left, rev. Alexander and Londinia standing, winged Peace behind, 77mm (Diakov 807.1; W & E 1225A.1; BHM 2981; E 1634). Extremely fine; in fitted case of issue £400-£500
Visit of George I of Greece to London, 1880, a bronze medal by G.G. Adams, bust left, rev. Londinia welcoming Hellas, Britannia behind, 76mm (W & E 1372.1; BHM 3077; E 1668). Good extremely fine; in fitted gilt-blocked case of issue [this a little faded] £300-£400 --- George I, elected king of Greece in 1863 at the age of 17, was originally prince William of Denmark and brother of Alexandra, Princess of Wales. She and her husband, the future Edward VII, were with him at the Guildhall for the reception in June 1880.
Dedication of Epping Forest, 1882, a copper medal by C. Wiener for the Corporation of London, crowned and draped bust of Queen Victoria left, rev. view of the forest, Londinia standing at left, Victoria seated at right, 76mm (W & E 1400; BHM 3128; E 1689). Extremely fine; in fitted case of issue [this slightly distressed] £400-£500
Victoria, Diamond Jubilee, 1897, a bronze medal by F. Bowcher for Spink, for the Corporation of the City of London, bust left, rev. Londinia with attendants presenting garland to seated Britannia, 76mm (W & E 3470A.1; BHM 3510; E 1815). Extremely fine; in original fitted gilt-blocked case of issue £300-£400 --- Provenance: A Collection of City of London Medals, the Property of a Gentleman, DNW Auction 138, 12 December 2016, lot 2730
Death of Oliver Cromwell, 1658, a large struck silver medal, late 17th century (?), unsigned (of Dutch origin), after T. Simon, armoured bust left, rev. non defitient oliva sep 3 1658, shepherd with his flock under an olive tree, landscape in background, 49mm, 43.18g (Platt II, p.26, type C; MI I, 435/85; E 200). About very fine £400-£500
Charles II, Coronation, 1661, a silver medal by T. Simon, crowned bust right, rev. everso missvs svccvrrere seclo xxiii apr 1661, king enthroned, being crowned by Peace, 30mm, 8.56g (Lessen, BNJ 1995, type A, and p.152; MI I, 472/76; E 221). Extremely fine and lightly toned £400-£600 --- Provenance: DNW Auction 193, 6 July 2021, lot 1199
James II and Mary of Modena [1685], a silver medal by J. Roettiers, laureate bust right, rev. laureate bust of Mary right, 34mm, 16.17g (MI I, 606/8; E 273/274). A mule striking of the obverses of the Coronation medals, die flaws on both rims, about extremely fine and toned, scarce £600-£800
George II, Coronation, 1727, a silver medal by J. Croker, laureate bust left, rev. king, enthroned, being crowned by Britannia who holds cornucopia, 35mm, 17.82g (MI II, 479/4; E 510). Nearly extremely fine and attractively toned £400-£500 --- Provenance: DNW Auction 193, 6 July 2021, lot 1208
Union of Great Britain and Ireland, 1801, a silver medal by C.H. Küchler, draped bust of George III left, rev. junguntur opes firmatur imperium, Britannia and Hibernia shaking hands, 48mm, 62.46g (Pollard 24 [obv. 2]; BHM 523). Fields lightly hairlined, otherwise about extremely fine, very rare in silver £600-£800 --- Provenance: DNW Auction 172, 11 March 2020, lot 304
Union of Great Britain and Ireland, 1801, a gilt-bronze medal by C.H. Küchler, draped bust of George III left, rev. junguntur opes firmatur imperium, Britannia and Hibernia shaking hands, 48mm (Pollard 24 [obv. 2]; BHM 523). Lightly brushed, edge bruise, otherwise about extremely fine £200-£260
DEATH OF WILLIAM PITT, 1806, a bronze medal by P. Wyon, fashioned as a box, bust left, rev. Britannia weeping beside tomb, 52mm, 69.81g (cf. BHM 617; cf. E 976); together with a gilt-bronze cliché, c. 1800, unsigned, bust right [2]. Very fine, second with small patch of verdigris, contained within dark-lacquered frame with glass lunette £100-£120
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110054 item(s)/page