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Lot 5032
Meissen, Böttger-Steinzeug: Büste der Proserpina auf gedrechseltem Holzsockel, aus der Serie Mythologische Figuren Meissen, Entwurf von Johann Benjamin Thomae nach Bernini, dat. 1982, römische Zahl CD (Auflage von 400 Stück), Schwertermarke Meißen, 1. Wahl, H. 29 cm; Hase, aufrecht stehend, Entwurf nach Paul Walther, Modellnr. M 271, Schwertermarke Meißen, zwei Schleifstriche, H. 17 cm, min. best., Altersspuren; Sechseckiger Leuchter mit mehrfach gegliedertem Schaft, Entwurf nach Johann Jakob Irminger, dat. 1982, geprägte Schwertermarke Meißen, 1. Wahl, römische Zahl CD (Auflage von 400 Stück), Modellnr. 85659, H 14 cm. / Meissen, Böttger stoneware: bust of Proserpina on turned wooden base, from the series Mythological Figures Meissen, design by Johann Benjamin Thomae after Bernini, dat. 1982, Roman numeral CD (edition of 400 pieces), Meissen sword mark, 1st choice, h. 29 cm; Hare, standing upright, design after Paul Walther, model no. M 271, Meissen sword mark, two grinding strokes, h. 17 cm; Hexagonal candlestick with multiple jointed shaft, design after Johann Jakob Irminger, dat. 1982, embossed sword mark Meissen, 1st choice, Roman numeral CD (edition of 400 pieces), model no. 85659, h 14 cm.
Lot 2083
Drei Miniaturen aus Wachs: Brustbild, Damenportrait, im Profil mit Stoff und Spitzenoberteil, verso bez. "Johanna Rosine Riecken, geb. Bethe aus Osterode + Mai 1829, 14 x 11,5 cm; Brustbild im Profil, Herrenportrait, verso bez. "Johann Conrad Riecken, Stadt-Secretair zu Braunschweig + 7. Mai 1808, 14 x 11,5 cm; Herrenportrait im Dreiviertelprofil, 15,5 x 13 cm, alle Altersspuren. / Three miniatures in wax: bust portrait, portrait of a lady, in profile with fabric and lace top, verso inscribed "Johanna Rosine Riecken, née Bethe from Osterode + May 1829, 14 x 11.5 cm; bust portrait in profile, portrait of a gentleman, verso inscribed "Johann Conrad Riecken, Stadt-Secretair zu Braunschweig + May 7, 1808, 14 x 11.5 cm; portrait of a gentleman in three-quarter profile, 15.5 x 13 cm, all traces of age.
Lot 2567
Konvolut aus drei Graphiken: Ovales Brustbild Albertus Bavarus Phrenetici fratris et provinciarum ab Ao. MCCCLVIII - MCCCIXXVII tutor, Kupferstich, 43 x 31 cm; Caspar Merian, Consilio et Industria, Kupferstich, ca. 29,5 x 37, 5 cm; Nicolaus de Bruyn, Christus und der Hauptmann von Kafarnaum, Kupferstich, um 1563, 68 x 44 cm. / Collection of prints: Oval bust portrait of Albertus Bavarus Phrenetici fratris et provinciarum ab Ao. MCCCLVIII - MCCCIXXVII tutor, copperplate engraving, 43 x 31 cm; Caspar Merian, Consilio et Industria, copperplate engraving, ca. 29.5 x 37.5 cm; Nicolaus de Bruyn, Christ and the Captain of Capernaum, copperplate engraving, ca. 1563, 68 x 44 cm.
Lot 2082
Drei ovale Miniaturen, Portraits: Brustbildnis eines höfischen Mädchens in weiß-blauem Kleid, 6,2 x 4,4 cm; Halbfigurenportrait einer Dame in rotem Kleid, Öl/Metall, 8 x 6,3 cm; Halbfigurenportrait eines älteren Herren mit weiß-grauen Haaren und Bart, sehr feine Malerei, 6,5 x 5,2 cm, alle Altersspuren. / Three oval miniatures, portraits: bust portrait of a courtly girl in white-blue dress, 6,2 x 4,4 cm; portrait of a lady in red dress, oil/metal, 8 x 6,3 cm; portrait of an elderly gentleman with white-grey hair and beard, very fine painting, 6,5 x 5,2 cm, all signs of age.
Lot 8026
Tamagawa Shucho (tätig ca. 1790-1803), Serie "Fûryû nanatsume e-awase. Elegant abgestimmte Bilder der Sieben Augen. Ôkubi-e (Brustbild) einer Hausangestellten auf grauem Grund, die einen Hund mit einer kleinen Schelle auf den Armen hält, Holzschnitt, 38 x 25,5 cm, vgl. Abb G101 bei Matthi Forrer, The Baur Collection, Genf, Japanese Prints, Bd.1. Tamagawa Shucho (active ca. 1790-1803), series "Fûryû nanatsume e-awase. Elegantly coordinated images of the Seven Eyes. Ôkubi-e (bust portrait) of a domestic servant on a gray background, holding a dog with a small bell in her arms, woodcut, 38 x 25.5 cm, cf. fig. G101 in Matthi Forrer, The Baur Collection, Geneva, Japanese Prints, vol.1.
Lot 1185
Large Scrumpy Jack 100% cotton rugby shirt signed by the England rugby team c. 1990, Liberty and Company silk handkerchief, C20th woven rug 220cm x 188cm, C20th silk style material.Hallmark Replicas Coronation Issue 25th anniversary set of 7 gold plated solid sterling silver stamp replicas with wood display box, set number 696. With paperwork and cleaning cloth.Collection of board games including Harry Potter And The Philosopher's Stone, 5 film related books (Star Wars and Tolkien) , 2 rubber Simpson's masks (Mr Burns and Homer) and a BBC Thunderbirds die-cast commemorative set (previously displayed but models in excellent condition with original packaging), a large plastic Warner Bros Scooby-Doo figure (H31cm) and plastic Batman bust money bank (4)
Lot 97
1813 bronze medallion commemorating the Presentation of Colours to RMC Sandhurst, obv. bust of Field Marshall F. Duke of York facing left, Webb in exergue; rev. seated figure of Queen Charlotte presenting motto'd flag with troops on parade, profile of RMA Sandhurst building with date 1802 below
Lot 5192
An assortment of 6 PlayStation One (PS1) games (PAL) Includes: Bust-a-Move 2, Croc: Legend of the Gobbos, Tomorrow Never Dies, Formel 1 97, Worms Armageddon and FIFA 99 Condition Report: Games are complete, boxed and in used condition. A few of the boxes have small breaks in the plastic and struggle to close.
Lot 507
Cricket - Royal Doulton Len Hutton Toby Jug, limited edition. Very fine condition, Cricket, Royal Doulton Jug Cricket, the History of the Ashes England v Australia 1882, limited edition od 2500 (this is No. 0153). Very fine condition. - Cricket bust - 1925 Bust of Cricketer Hobbs, Middlesex Cricket Club. Very good condition - Cricket - Sandland Ware Jug depicting Lord's Cricket Ground, The Pavilion, Marylebone Cricket Club. In very good condition - Cricket - Sandland Ware Jug depicting Lord's Cricket Ground, The Pavilion, Marylebone Cricket Club. In very good condition
Lot 210
VINCENZO GAJASSI (ITALIAN, 1811-1861) A WHITE MARBLE BUST OF THE YOUNG CAESAR AUGUSTUS MID 19TH CENTURY Signed to reverse V Gajassi F 52cm high, 29cm wide An almost identical bust by the artist is at Dunrobin Castle, Sutherland. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. right ear has a chip and loss, approx. 2cm long, some chips to shoulder and back edges. Natural stone inclusions, one of which at nape of neck looks like it has small natural infill from manufacture. general surface dirt with some mild staining to end of nose, ears etc Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 259
PETER HOLLINS (1800-1886) A CARVED MARBLE BUST OF WILLIAM CONGREVE RUSSELL MP DATED 1853 Signed to reverse Peter Hollins, Sculptor BIRMm 1853 approximately 73cm high, 53cm wide Peter Hollins was a British sculptor working throughout the 19th century, mostly in his hometown of Birmingham. After working initially in his father's studio, in 1822 he moved to London to study and work under Sir Francis Chantrey. In a lifetime of work he produced over one hundred and fifty major works, including statuary at Malvern Priory, Bodelwyddan Castle, the Royal College of Surgeons and Weston Park. Hollins was vice-President of the Royal Birmingham Society of Artists for 37 years, and also exhibited frequently at the Royal Academy.This bust, titled "Bust of the late William Congreve Russell, Esq.", was exhibited at the Exhibition of Modern Works of Art, at the Rooms of the Society, Temple Row (Birmingham Society of Artists), in 1853. Condition Report: Generally in fairly good condition- with the usual small wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some chips and wear around shoulders and margins such as back upper edges, socle nibbles and small chips, some more attrition wear around nose and neck, small natural inclusions and some black spot inclusions. The whole with surface dirt, notably to recesses and the margins with some darker rubbing- may benefit from a light clean Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 261
AFTER CHRISTOPHER PROSPERI, A PLASTER LIBRARY BUST OF AUGUSTUS FREDERICK, DUKE OF SUSSEX EARLY 19TH CENTURY Signed to cast Mr Prosperi fecit 51.5cm high, 30.5cm wide Christopher Prosperi (Fl. 1800-1816) exhibited at the Royal Academy between 1810 and 1816 and displayed a marble bust of The Duke of Sussex in 1811 (no.953). The marble is now held at Woburn Abbey Bedfordshire. The Duke was the ninth son of George III and the brother of George IV. He was given apartments in Kensington Palace (presently occupied by the Prince and Princess of Wales)
Lot 263
SIR FRANCIS CHANTREY (1781-1841) A CARVED MARBLE BUST OF LORD CASTLEREAGH, SECOND MARQUESS OF LONDONDERRY DATED 1828 Signed and dated 'CHANTREY, SC. 1828. LORD CASTLEREAGH 1821.' to reverse, on a circular marble socle inscribed 'CASTLEREAGH' 75cm high Provenance: Charles, 7th Marquess of Londonderry (1878-1949). Sotheby's London, Londonderry House sale, 16 Nov 1962, lot 29 (£15 to Lidley). In 1820 The Anglo-Irish statesman, diplomat and politician Robert Stewart, 2nd Marquess of Londonderry commissioned Chantrey "to make his bust for the price of 150 guineas". In March 1821 Harriet Arbuthnot, the social diarist and close friend of Castlereagh (her "dearest and best friend"), visited Chantrey's studio where she saw the unfinished work and wrote: "it will be wonderfully like and has just the beautiful expression of his countenance when he speaks". Shortly after this the finished bust was exhibited at the Royal Academy (1132), the first exhibition of one of his portraits of prominent Tory politicians "in the grand style". After Castlereagh's death in 1822, Chantrey went on to produce other versions of the portrait bust for friends and admirers of the late politician. In the Walpole Society analysis of the Chantrey ledgers, Alex Potts notes that ledger 208b records a version which was sent to Robert Peel in 1838 but which may well have been the example Chantrey executed earlier in 1828. It is further suggested that Peel's version could well be this lot which was formerly at Londonderry House. Further examples of this bust, some of which were probably studio copies, are now held in Haddo House, Stratfield Saye, the Yale Centre for British Art, the National Portrait Gallery and the Traveller's Club on Pall Mall. In 1828, George IV commissioned a version for his "Grand Corridor" at Windsor Castle (RCIN 35411 Chantrey Ledger 207a). For these subsequent versions it has been suggested that Chantrey and his studio worked from the plaster cast now in the Ashmolean Museum, Oxford. Literature: Alison Yarrington, Ilene D Lieberman, Alex Potts and Malcolm Barber, An Edition of the Ledger of Sir Francis Chantrey, R.A., at the Royal Academy, 1809-1842, The Walpole Society Volume 56, Publ. 1994, pp. 145-146 Condition Report: Generally good condition- Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Surface dirt and some dirtier marks to edges and margins and around mouth/face- dirt to recesses.With a small chip to hair above left ear- slight edge rubbing and small edge wear to shoulders and back. This lot was entered for sale at Christie's auction, The Ian Grant Collection, on 3rd July 2013 (Lot168) and passed. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 278
AN ITALIAN MARBLE BUST OF SCIPIO AFRICANUS PROBABLY LATE 18TH CENTURY/EARLY 19TH CENTURY Socle possibly associated, with strengthened name tablet 42cm highThe Roman marble prototype for this bust is depicted in Cassell's Illustrated History by Edward Ollier, 1890 as drawn by P. Beckert and described as "Old Roman Type; Scipio Africanus the Elder"
Lot 115
Ceramics - three Pratt ware pot lids, The Ning Po River, Embarking for the East and De La Ville De Strasbourg Prise Du Port, each framed, Ernst Bohne hard paste porcelain portrait bust of Benjamin Disraeli, Prime Minister and Earl of Beaconsfield, after a model by Count Gleichen, circa 1880; Wedgwood jasperware etc
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110041 item(s)/page