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Tokens, British, Warwickshire, Birmingham, [George Barker Jr.], halfpenny in white metal, 1799, bust of Mercury, rev. statue in ruins (DH.69a), some streaky toning and many small bubbles of corrosion, otherwise about extremely fine with underlying brilliance, extremely rare, only 12 struck *ex Baldwin’s vault
Tokens, British, Suffolk, Bury St Edmunds (9): P. Deck, penny, 1794, bust of Marquis Cornwallis (DH.4); James Goers, halfpenny, undated, Town arms (DH.27); Michael Apsey, halfpennies, undated (3), Bath stove, kettle above, edges grained (DH.28), PAYABLE IN DUBLIN OR LONDON (DH.28a), plain (DH.28c); Rackham, halfpennies, undated (3), Abbey Gate, rev. open book, edges AT LEATHERDALES HARLESTON NORFOLK (OR missing) (DH.29), PAYABLE IN LANCASTER LONDON OR BRISTOL (DH.29a), fine grained (DH.29e); Charles Guest, halfpenny, 1795, hand holding gavel, rev. Fame, AUCTIONEER (DH.30), extremely fine or better, mostly lustrous, DH.27 from cracked obverse and flawed reverse dies, prooflike, weakness on the devices of DH.29e (9) *ex Baldwin’s vault
Tokens, British, Middlesex (6): Moore, halfpenny, 1795, girl beneath tree making lace (DH.389a); Richardson, Goodluck & Co., halfpenny, 1795, Bluecoat boy by state lottery wheel (DH.471); Salter, halfpenny, undated, hat makers at work in shop (DH.473); Francis Shackelton, halfpennies, 1794 (2), candle mould, edges PAYABLE IN SUFFOLK-STREET HAY-MARKET (DH.477), PAYABLE IN DUBLIN OR LONDON (DH.477a); Sims, halfpenny, undated, bust of Garrick (DH.478a), good extremely fine to about mint state, all lustrous, especially DH.478a; DH389a and 477a rare (6) *ex Baldwin’s vault
Tokens, British, Middlesex, National series, King's recovery from illness, 1789, penny-sized medal in Barton's metal, bust of George III r., rev. serpent around altar (DH./McK.181, p. A-14), about mint state and pleasingly toned, evidence of slight die-rusting on king's portrait, very rare *ex Baldwin’s vault
Tokens, British, Hampshire (3): Southampton, W. Taylor, R.V. Moody & Co., halfpennies, 1791 (2 - DH.89/89b with plain edge); West Cowes, Thos. Ayrton & Co., halfpenny, 1798, bust of Charles Fox (DH.94); Dorset, Poole, Jas. Bayly, farthing, 1795 (DH.10), first two good extremely fine, first lustrous, second toned and lightly lacquered, very rare, third about extremely fine and rare thus, fourth about mint state and nicely toned (4) *ex Baldwin’s vault
Tokens, Ireland, Co. Wicklow, Cronebane, Associated Irish Mine Company, halfpenny, 1789, bishop's bust and crozier, rev. arms, windlass crest (DH.18), a bronzed proof as always, the toning a little uneven, otherwise about mint state, with its original rarely preserved Boulton paper wrapper *ex Baldwin’s vault
Tokens, British, Somerset, Bath (8): [J. Jelly], halfpenny, 1794, entrance gate to Botanic Garden (DH.26); Glover, halfpenny, undated, NO 39 MILSOM STREET (DH.28); F. Heath (3), halfpennies, bust of Bladud (2), 1794, rev. tea urn (DH.39), 1795, rev. new Pump Room (DH.40), farthing, 1794, Bladud with his swine (DH.115); Payne & Turner, halfpenny, undated (DH.65); halfpennies for general circulation (2), bust of John Howard, rev. seated female telling boy to unlock prison, edges PAYABLE AT DUBLIN OR LONDON (DH.36d), MASONIC HALFPENNY TOKEN MDCCXCIV (DH.36e), extremely fine or better, mostly lustrous (8) *DH.40 ex A.W. Jan all ex Baldwin’s vault
Tokens, Scotland, Lothian, Edinburgh (2): halfpenny for general circulation, 1796, stag's head crest (DH.3); [Euphame] Campbell, halfpenny, 1795, bust of Turk, rev. snuff jar (DH.13a), DH.3 extremely fine, DH.13a a little scuffed on reverse and light handling apparent, otherwise good extremely fine, lustrous and prooflike (2) *ex Baldwin’s vault
Tokens, British, Warwickshire, Birmingham, penny-sized medals (2): 1789, bust of Thomas Johnson (boxer), rev. SCIENCE AND INTREPIDITY (DH.12); undated, bust of John Freeth, THE BIRMINGHAM POET, rev. BRITONS BEHOLD THE BARD OF FREEDOM (DH.30), DH.12 extremely fine with minimal original colour, rare as nice, DH.30 nearly extremely fine, obverse rim knock, lacquered (2) *ex Baldwin’s vault
Tokens, Ireland, Munster [province] (2), halfpenny, undated, bust of Bryen Boiroimhe, KING OF MUNSTER, rev. wheatsheaf, bird either side (DH.2a); mule halfpenny, as previous, rev. City of London arms (DH.12), DH.2a extremely fine, toning spots either side, DH.12 about mint state with an attractive bluish toning (2) *ex Baldwin’s vault DH.2a is an imitation of DH.1 which was made for general circulation.
Tokens, British, Warwickshire, Birmingham, William Hallan, mule halfpennies (3): 1793, bust l. (2), revs. bust of David Garrick (DH.133), St Paul's, Covent Garden, in ruins (DH.135); 1792, 'halfPenny [P]aYable' etc., rev. bust of David Garrick (DH.139), good extremely fine, DH.133 with a little original brightness, DH.135 with flan flaws but nicely toned, the obverse of DH.139 with a flan crack, struck from the flawed obverse die resulting in weakness at two letters of the reverse legend, all rare (3) *DH.135 and 137 ex Longman, lot 296 (part) all ex Baldwin’s vault
Tokens, British, Middlesex, Robert Orchard, farthings (4), 1796, his hatted bust l., rev. cipher RO (DH.1060); 1803 (2), GROCER & TEA DEALER etc., revs. Chinaman among tea chests (DH.1061), tea warehouse (DH.1062); 1804, his bust r., rev. as previous (DH.1063), good extremely fine to about mint state, all with some original colour except DH.1061, all the farthing issues for Orchard (4) *DH.1060 ex A.W. Jan all ex Baldwin’s vault
Tokens, British, Middlesex (9): Guest, halfpennies, 1795 (2), boot and shoes, edges PAYABLE IN DUBLIN OR AT BALLYMURTAGH (DH.308c), grained (DH.308e); I. [i.e. T.] Hatfield, halfpenny, 1795, leg (DH.323); C. Ibberson, halfpenny, undated, St George and dragon, large boar crest, rev. MAIL & POST COACHES etc. (DH.342); Kelly, halfpennies, undated (2), postilion holding horse, edges PAYABLE AT LONDON (DH.345), PAYABLE IN DUBLIN OR LONDON (DH.345c); J. Kilvington, halfpenny, 1795, laureate head (DH.346); Lackington, Allen & Co., halfpenny, 1795, bust of Lackington, rev. small figure of Fame (DH.358a); Mail Coach, J. F[ittler?], halfpenny, undated, mail coach with four horses, driver and guard (DH.363), extremely fine to about mint state, DH.345c with '980' inked on obverse field, DH.342 a bronzed proof as always, all others with some lustre except DH.358a, this attractively toned (9) *DH.308c ex Cokayne; DH.308e ex A.W. Jan; DH.345c ex Batty (the inked number is that in the 1870 section of his Copper Coinage catalogue) all ex Baldwin’s vault
Tokens, British, Middlesex, halfpennies for general circulation (6), 1792, bust of Shakespeare, LONDON & MIDDLESEX (3), edges coarse upright graining (DH.928), fine upright graining (DH.928a), oblique graining (DH.928b); 1795 (2), bust of Prince of Wales, r., three-quarters facing (DH.961), r. (DH.963b); 1793, bust of Sir Isaac Newton (DH.1035c), extremely fine or better, first three lustrous, fourth and fifth lacquered (6) *ex Baldwin’s vault First three attributed by Pye in 1801 to a W. Sheward, though without location.
Tokens, British, Cheshire, Macclesfield, 'half halfpennies' (2), 1790, 1792, bust of Charles Roe (DH.84/87); Lancashire, Lancaster, 'half halfpenny', 1791, bust of John of Gaunt (DH.151); Staffordshire, Stafford, 'half halfpenny', 1797, castle between four lions (DH.30), first three about mint state, toned, small silvery deposit at A of HALFPENNY on second, third struck on flawed flan; Stafford extremely fine, struck on flawed flan, this and Lancaster rare (4) *DH. Lancs. 151 and Staffs. 30 ex Longman, lots 87 (part) and 249 (part) respectively all ex Baldwin’s vault
Tokens, New Zealand, Alliance Tea Company, Christchurch, ‘Fancy Goods’, copper pennies, 1866 (2) (G.6; A.7; R.13); other pennies (3): McCaul, George, Grahamstown, gold mine (G.180; A.359; R.353); Reece, Edward, Christchurch, Builders, etc., farmworker resting (G.234b; A.449; R.440); United Service Hotel, 1874, bust of Victoria l. (G.289; A.590; R.560), this very fine, the others fine to very fine (5) *ex Baldwin’s vault
Tokens, Scotland, Lanarkshire, Glasgow (7): counterfeits of the Shearer halfpenny, 1791 (5): no initials below date (3), edges PAYABLE IN EDINBURGH GLASGOW & DUMFRIES (DH.3), CAMBRIDGE BEDFORD AND HUNTINGDON (DH.3a), PAYABLE IN LONDON (DH.3b); F A below date (DH.4); ornament below date (DH.5b); mule halfpennies (2), City arms, revs. Britannia, 1795 (DH.6a), bust of John Howard (DH.7a), extremely fine or better, all with at least a little original colour (7) *ex Baldwin’s vault
Tokens, Wales, Anglesey (2), Parys Mines Co., penny, 1787, bust of Druid, rev. cipher PMCo, figure 1 within D above (DH.9); pattern penny, 1790, bust of Druid, rev. cipher PMCo, ANGLESEY MINES PENNY, edge PAYABLE IN ANGLESEY OR LONDON (DH.252), very fine or better, minor edge knock either side of DH.252, this very rare, DH.9 rare (2) *ex Baldwin’s vault
Tokens, British, Warwickshire [correctly Shropshire etc.], John Wilkinson, halfpennies (4), his bust r., revs. workman in forge, tilt-hammer above, 1790 (DH.388), 1792 (DH.389), 1793 (DH.393a - SNEDSHILL defective); bust r., rev. Vulcan seated, 1791 (DH.432), extremely fine to about mint state, DH.388 and 432 with a little lustre, the others bronzed proofs (4) *first three ex W. Gilbert all ex Baldwin’s vault
A quantity of brooches to include a pinchbeck cameo brooch of a Roman Centurion, a further cameo of a bust of a young lady, a further similar example, a stickpin with fly and spider decoration set with blue and white stones, a further paste stickpin with central blue cushion-cut stone surrounded by white stones, a marcasite and enamelled swallow brooch, a turquoise-set brooch and a marcasite-set floral sprig brooch (8).
A 19th Century papier mache snuff box, the cover with bust portrait of the lady of a papier mache circular snuff box the cover with scene depicting a mother, child and sheep amongst foliage; a circular box cover panel depicting African boy in fur trimmed hat and coat, with engraved inscription "EW/B* Wade/*M Wade/John Wade"; and a Stobwasser style box cover panel; depicting a man sitting on a rock with whip, horned cow beyond; various sizes. (4)
A black basalt 'Wellington' commemorative cream jug: of rounded rectangular form with serpent handle and lion mask spout embossed with an oval panel depicting a bust of the Duke of Wellington captioned 'Vireque Acquirit Eundo' and flanked by a heralding angel and Britannia placing victors laurels upon him, verso inscribed 'India, Portugal & Spain' and impressed Vitorria 21st June 1813, 17 cm long.
Frederick Edward McWilliam RA HRUA (1909-1992) PAS DE QUATRE, 1981 plaster; (painted) The Artist's Estate;Mayor Gallery, London;Where purchased by the previous owner;Collection of Louis Kinlen; Thence by descent to Judge Dermot Kinlen;His sale, Adams, 28 May 2008, lot 30;Private collection 'F.E. McWilliam: Early Sculptures 1935-48, with some recent works', Warwick Arts Trust, London, June 1982 (illustrated in catalogue);'F.E. McWilliam, Sculpture 1932-1989', Tate Gallery, London, 10 May to 9 July 1989, no. 70 (illustrated in catalogue) Denise Ferran and Valerie Holman, The Sculpture of F.E. McWilliam, Lund Humphries, Surrey, 2012, catalogue no. 475 (illustrated p.169) Pas de Quatre, literally is 'step for four' a ballet dance for four dancers, choreographed by Jules Perrot in 1845. McWilliam loved the ballet and sculpted the portrait bust of the Irish born ballerina, Dame Ninette de Valois (1898 - 2001) in 1963, the plaster cast, of which, is in the collection of the FEMcWilliam Gallery, Banbridge. Bronze casts of this portrait head are in the collection of the National Portrait Gallery, in Convent Garden and in the Royal Ballet School, which she founded. Pas de Quarter belongs to McWilliam's leg series, which spanned from 1978 until 1987, when McWilliam used female legs in a provocatively playful way, often using similar casts of legs to create different works, as in 'Legs Signalling A & B, 1978, Ferran & Holman, no.466 & no. 467. In this work, the four legs below and the four legs above represent the four ballerinas, pirouetting together at the end of the ballet divertissement. The strong contrast of black and white suggests movement with the feet on points, flowing into the four legs above, which also suggest the uplifted arms of the ballerinas. In the photograph McWilliam took of his sitting room in Holland Park in 1988, the same year, his wife Beth died, 'Pas de Quatre' is included. Unusual in its form and dramatic in black and white, it had a certain significance for McWilliam, to have it included in his sitting room, at this time.Dr Denise FerranSeptember 2017 78in. (198.1cm)
A white metal and bone handled tool with a white metal point at one end and a flattened edge at the other, a handmade white metal and crystal filigree brooch in the form of a flower head and a boxed, Wedgwood set of gilt metal cuff-links and tie pin inset with a blue jasper ware plaque of a Grecian female bust. (3)
Original vintage movie poster for Spanish release of UK comedy Monte Carlo or Bust! (El Rally De Monte Carlo…) directed by Ken Annakin and Sam Itzkovitch starring Bourvil, Lando Buzzanca and Walter Chiari. In an international car rally, competitors must travel from various points in Europe to Monte Carlo, then race their cars. Things are complicated by smuggling, cheating, honor, inventions, medicine, and love at first sight...Good condition, folded, small paper losses on folds, small tears on margins. Country: Spain. Year: 1969. Designer: Unknown. Size (cm): 99 x 69.
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110054 item(s)/page