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Lot 298
CRESTED CHINA - TWENTY-NINE PIECES including an unmarked railway coal wagon (Southend-on-Sea); Coronet Ware boy on scooter (Fulham); Willow Art baby saluting 'One of the B'hoys' (Wolverhampton); Arcadian bust of Edward VII (King Edward VII); and Carlton stick telephone 'Hello Hello' (Southend-on-Sea).
Lot 93
*Dress. A black silk mourning dress, circa 1830s, hand-sewn black silk dress, with front opening boned bodice, fastened with metal hooks and eyes, closely gathered skirt, and wide sleeves, with cream scalloped cuffs of eyelet embroidery, lined with brown glazed cotton, green wool edging to hem (worn), some white marks and small holes, a little torn to underarms, length 142cm (56ins), bust 80cm (31.5ins), waist 60cm (23.5ins), sleeve length 45.5cm (18ins) (1)
Lot 106
*Theatrical costume. A heavily embellished black jacket, probably Continental, late 19th/early 20th century, fitted and flared black jacket, with neck frill, and wide sleeves, decorated overall with black soutache braid and beading, sleeve hems and lower edge with fringed edging, length 66cm (26ins), bust 86cm (34ins), sleeve length 54cm (21.25ins), together with five other garments, comprising: a large black cloak of guipure lace, with wide sleeves and tasselled neckline, lined and interlined, somewhat worn; a long cream satin train embroidered with fleur-de-lys and a dagger in gold metal thread and sequins; a red velvet cloak with "ermine" collar edged with gold metal fringe; and a satin waistcoat with applique detail, various sizes and condition (5)
Lot 95
*Dress. A taffeta and net ball gown, early-mid 20th century, strapless pale peach gown, with boned bodice of ruched net and taffeta, and full skirt of frilled net, with four taffeta bows off-centre vertically to left of skirt, zip closure to left, length 103cm (40.5ins), bust 82cm (32ins), waist 64cm (25ins), together with A satin suit, 1940s, two-piece suit of deep peach satin, fitted peplum-style jacket with beaded collar (slight loss of beads in a few places), long sleeves with pointed turned back cuffs, five covered buttons, shoulder pads, length 50cm (19.75ins), bust 91cm (36ins), sleeves 44.5cm (17.5ins), matching skirt, with ruched detail off-centre, zip closure to left, length 81.5cm (32ins), waist 64cm (25ins), plus An embroidered organza evening dress, circa 1930s, cream organza dress with allover embroidery in a flower and lattice design, bodice with square neck at front, and slit at back secured with a button at nape, frilled cap sleeves, high waistband with matching sash with flower embellishment, long skirt with handkerchief hem, side fastening with press stud closures, rayon under-slip, length 138cm (54.5ins), chest 84cm (33ins), waist 70cm (28ins), sleeves 10.5cm (4ins), plus twenty-eight other 20th century garments, mostly dresses, including a beaded cream satin train, 1930s, a 1920s figured velvet dress with dropped waist and tasselled skirt, and a heavily beaded cream chiffon dress, 1920s, various sizes and condition (31)
Lot 94
Dress. A Victorian tea gown, circa 1870s/80s, hand and machine-sewn dress, of blue and brown striped satin, front fastening with inserted gathered blue satin panel, bodice and sleeves lined with brown glazed cotton, both panel and lining with metal hook and eye fasteners (one hook missing), back of bodice pleated, wide blue satin ribbon forming bow just below nape, and matching waist sash, both with tails, wide puffed three-quarter length sleeves, skirt with wide frill to lower edge, forming a small train at the back, length 156cm (61.5ins), bust 102cm (40ins), waist 88cm (34.5ins), sleeve length 46cm (18ins) (1)
Lot 102
*Opera coat. A black velvet opera coat, B. Altman & Co., Paris, New York, 1930s, full-length black silk velvet coat, with gathered blouson back, large collar, sleeves gathered at shoulders and tapering to cuffs, and two button loops (one button missing and consequent small hole), a short split in one seam, lined with ivory satin, with matching interior tie, and B. Altman label, length 146cm (57.5ins), bust 82cm (32ins), sleeve length 58.5cm (23ins) Glamorous opera coat made for luxury New York department store B. Altman & Company, in very good wearable condition. (1)
Lot 37
PAIR OF TWENTIETH CENTURY MALACHITE EARRINGSeach with a tapered malachite drop 49mm long, unmarked; an early twentieth century blister pearl and paste bracelet, unmarked; a pair of green hardstone set drop earrings, each with a carved section of hardstone depicting an Eastern figure's bust, unmarked and an early twentieth century paste set bar brooch, unmarked (4)
Lot 85
λ Two similar 19th century Austrian hippopotamus tooth powder horns, one carved with a stag hunt, the verso with scrolling acanthus leaves and with a coat of arms surmounted by a helm and a coronet, with a dog's head terminal and with stopper, the other also with a stag hunt, the verso with a titled portrait bust of Franz I, above a crown and a cartouche with three fleur-de-lis, with a boar's head terminal, 18.2cm long (max). (2) Provenance: From a distinguished naval family.
Lot 229
A George II walnut bracket clock by William Fleetwood, the eight day twin fusee movement striking on a bell, with a verge escapement, the backplate finely engraved with scrolls, flowers and the bust of a lady, the arched dial with a silvered chapter ring with Roman and Arabic numerals, signed 'WILLM FLEETWOOD LONDON', with Strike/ Not Strike dial and calendar and pendulum apertures, the case with a brass handle and a bell top, with fret carved decoration, together with a modern bracket, 49.2cm high. (2)
Lot 510
λ A 19th century French boulle marquetry centre table, with ormolu mounts, the serpentine top with cut brass inlay on a tortoiseshell ground, with strapwork, leaves, scrolls and winged cherubs, above a frieze drawer and on cabriole legs with female bust masks, 77cm high, 147.8cm wide, 88.5cm deep.
Lot 426
An 18th century carved treen Shakespeare bust medallion, probably mulberry wood, with a silver mount, 8.7cm diameter, accompanied by a handwritten card inscribed 'Bust of Shakespere. Carved from the mulberry tree growing in the poet's garden at Stratford-on-Avon, & found in the ruins of Lincoln's Inn Theatre, (burnt 1752), when excavating to make the new Square. Supposed to be the identical medal worn by David Garrick when acting Shakespere's plays. See memoirs of D. Garrick by Thomas Davies. Pages 209, 210, 220.', with the signature on the reverse 'Miss Sheppard Burlington House'. During the 18th century there was an informal tourist industry in Stratford with people visiting Shakespeare's tomb and the mulberry tree he supposedly planted at New Place. However the then owner Rev. Francis Gastrell became annoyed by the growing number of visitors and sometime in the 1750s felled the tree and later demolished New Place. Objects carved from the mulberry tree first started to appear around 1760/1770 after Gastrell sold the wood to local carvers and turners for example: Thomas Sharp and George Cooper, eager to make souvenirs. At this period of 'bardolatry' drinking vessels, tea caddies, tobacco stoppers, goblets and small boxes or caskets, and similar objects carved from the wood were highly prized.
Lot 242
A Sevres biscuit porcelain bust of the French drummer boy and hero of the First Republic, Joseph Bara (Barra), circa 1895, modelled wearing uniform and a shako inscribed EGALITE, LIBERTE OU LA MORT, on a blue-glazed and gilt socle base inscribed BARRA (sic), printed and impressed potting mark for 1893, iron-red printed decorating mark for 1894, 33cm high Joseph Bara (1779-1793) was a young French revolutionary drummer-boy attached to the army sent to suppress the Royalist rising in the Vendee. His death whilst guarding horses was seized upon by Robespierre and used as republican propaganda and he has been one of the symbols of the Republic ever since. Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Lot 298
André Galle, (French 1761 ~ 1844), a gilt bronze portrait medallion relief cast with the head of Napoleon Bonapart, inscribed NAPOLEON EMPEREUR DES FRANCAIS ET ROI D'ITALIE, set within an engine milled and gilt bronze circular frame and beneath glass, 9cm diameter overall; a French gilt bronze model of Napoleon, circa 1880, portrayed standing, atop a cylindrical marmo rouge griotte plinth with gilt bronze spreadeagle mount, 26.5cm high overall; a patinated metal bust of a maiden in 18th century taste, early 20th century, with square variegated marble socle, 23.5cm high overall; and a French tole peinte chestnut urn and cover, 20th century, 30cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Lot 301
Étienne Maurice Falconet, (French 1716 ~ 1791), a patinated bronze bust of a maiden, 19th century, portrayed with serene visage declined to dexter, a rose worn in her plaited hair, her decolletage loosely draped, inscribed FALCONET to the reverse in the maquette, above a waisted square section socle, 29cm high Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
Lot 438
Tokens, Ireland, Co. Dublin, Dublin (7): John Ord, halfpenny, undated, bust of bishop, rev. ship (DH.5a); Talbort Fyan, halfpenny, 1794, Justice, rev. sugar loaf and brandy bottle (DH.308); mule halfpenny, 1794, female leaning on anchor, rev. as previous (DH.309); L[loyd] & R[idley], halfpenny, 1794, Justice (DH.338); W. Parker, halfpennies (2), female leaning on anchor, rev. register stove, 1794, edge PAYABLE IN LANCASTER etc. (DH.351b), similar, 1795, Parker's edge (DH.352); halfpennies for general circulation (2), 1804, Hibernia, rev. FOR THE CONVENIENCE OF TRADE (DH.376); Co. Cork, 1794, Fame flying, rev. wheatsheaf (DH.14), extremely fine or better, most with a little original colour, darkened area on reverse of DH.376, one edge collar on DH.5a misplaced, first few letters of the inscription lacking (8) *DH. Cork 14 ex A.W. Jan all ex Baldwin’s vault
![Tokens, Scotland, Ayrshire, [Col. W. Fullarton], halfpenny, 1799, bust of Prince of Wales l., rev. crowned shields of England](https://cdn.globalauctionplatform.com/5d651f94-83e4-4378-8136-a80000a83e7b/23fd8223-5c6d-44b9-fc59-5cb7e12a9671/468x382.jpg)
Lot 422
Tokens, Scotland, Ayrshire, [Col. W. Fullarton], halfpenny, 1799, bust of Prince of Wales l., rev. crowned shields of England and Scotland impaled, France, Ireland and Hanover, the Prince's crests between (DH.5), from the flawed obverse die, reverse faintly double-struck, minor reverse edge knock, about mint state, greyish tone *ex Longman, lot 370 (part) ex Baldwin’s vault
Lot 370
Tokens, British, Warwickshire, Birmingham (6), Bisset's Museum, halfpenny, undated, temple with framed pictures either side (DH.120); H. Hickman (3), halfpenny, 1792, bust of John Howard, edge PAYABLE etc. (DH.144), farthings, 1792 (2), similar to halfpenny, edges H. HICKMANS etc. (DH.481), plain (DH.481a); Lutwyche's Manufactory, halfpennies, undated (2), coining press, edges grained (DH.219), plain, in collar (DH.219b), extremely fine to about mint state, all except DH.481a with substantial lustre, edge inscription on DH.481 partly weak as usual (6) *ex Baldwin’s vault
Lot 300
Tokens, British, Middlesex, Political and Social series, halfpennies (6), map of France, 1794, rev. MAY GREAT BRITAIN EVER REMAIN THE REVERSE (DH.1016f); bust of T. Hardy, 1794, rev. ACQUITTED BY HIS JURY (DH.1027); bust of Stanhope, undated, rev. tomb (DH.1040); bust of John Horne Tooke, 1794 (3), revs. BRITISH JUSTICE DISPLAYED NOVR 22 1794 (DH.1044b), NOT GUILTY SAY THE JURY (2 - DH.1046/1047), extremely fine to about mint state, all lustrous (6) *ex Baldwin’s vault
Lot 348
Tokens, British, Sussex (6): Brighton (3): the Camp, halfpennies, 1794 (2), bust of Prince of Wales, rev. his crest (DH.2/3a); mule halfpenny, undated, officer brandishing sword, the Camp behind, rev. heart within hand (DH.8); Frant, G. Ring, halfpenny, 1794, County arms (DH.23); Hastings, James Tebay, halfpenny, 1794, sloop (DH.25); Northiam, G. Gilbert, halfpenny, 1794, family arms (DH.35), extremely fine or better, upper part of officer on DH.8 weakly struck, the flan poorly cut, very rare, remnants of lustre on DH.23 and 35, much on DH.3a, small spot on obverse field of DH.25 (6) *DH.25 ex Longman, lot 264 (part) all ex Baldwin’s vault
Lot 309
Tokens, British, Middlesex, Thomas Spence, farthings, 1794-5 (5), his bust, rev. George III riding bull with ass's head (DH.1078); Adam and Eve, rev. pig (DH.1088); ADVOCATES FOR THE RIGHTS OF MAN (3), revs. George III riding bull with ass's head (DH.1112), Britannia (DH.1113), pig (DH.1117), extremely fine to about mint state, mostly lustrous, especially DH.1117 (5) *DH.1112 ex A.W. Jan all ex Baldwin’s vault
Lot 349
Tokens, British, Sussex (6): Chichester (5): Dally, halfpennies, 1794 (2), bust of Elizabeth I, rev. the Market Cross (DH.15/16); mule halfpennies, 1795 (2), as previous, rev. Britannia, edges PAYABLE IN LONDON (DH.17a), WE PROMISE TO PAY THE BEARER ONE CENT (DH.17b); Sharp (of Portsmouth, Hants.) and Chaldecott, halfpenny, 1794, bust of John Howard (DH.20); East Grinstead, J.H. Boorman, halfpenny, 1795, Freemasons' arms (DH.22), extremely fine or better, DH.15, 16 and 22 with lustre, edge knock on reverse of DH.20, hairline scratch on reverse of DH.22 (6) *DH.16 ex Longman, lot 264 (part) all ex Baldwin’s vault The edge inscription on DH.16 as usual lacks 'CHICHESTER' and the dash/colon/dash groups that follow.
Lot 319
Tokens, British, Northamptonshire, Northampton, ‘George Jobson’, halfpenny, 1794, bust l., rev. castle above lion (as for Norwich City arms) (DH.1); Nottinghamshire, Nottingham, Donald & Co., halfpenny, 1792, beehive and bees (DH.6); Oxfordshire, Banbury, Wm. Rusher, halfpenny, undated, his bust, rev. radiant sun (DH.1); Rutland, halfpenny-sized laudatory medal, undated, to Col. Noel, OF THE RUTLAND FENCIBLES, M.P. FOR THE COUNTY, etc. (DH.1); Shropshire, Shrewsbury, counterfeit of Salop Woollen Manufactory halfpenny, 1794, Borough arms, rev. bale (DH.25d), DH. Rutland 1 very fine, minor rim knocks on obverse, another on reverse, lacquer(?) on part of obverse, rare; the others extremely fine or better with lustre, except DH. Northants. 1, bronzed (5) *DH. Rutland 1 and Salop 25d ex Longman, lots 231 (part) and 235 (part) all ex Baldwin’s vault
Lot 253
Tokens, British, Hampshire, Southampton, farthing-sized medalet in silver, 1789, bust of George III l., rev. town arms within wreath, VISITED SOUTHAMPTON JUNE 26 (DH.115), very fine, pleasing deep tone, extremely rare *ex Baldwin’s vault The old Baldwin ticket with this declares 'in silver only two known', the other presumably being the superior specimen sold for £440 hammer at Baldwin's Auction 102, lot 1961, on 4 October 2016. BHM (315) records no examples in silver.
Lot 359
Tokens, British, Warwickshire (8), County, halfpenny for general circulation, 1792, bust of Shakespeare, rev. Vulcan seated, hammering metal on anvil (DH.49); Birmingham (7): [J. Farror], halfpennies, 1791 (2), bust of Shakespeare (DH.45/46); [?T. Hardy], halfpennies, 1793 (2), boy with spanner, rev. family arms, edges CURRENT EVERY WHERE (DH.50), PAYABLE AT CLOUGHER OR IN DUBLIN (DH.50a); J. Allin, halfpenny, 1796, man with flag, supporting shield inscribed ALLIN'S PANORAMA etc., rev. CHEAP CLOTHES & YORK SHOE WAREHOUSE etc. (DH.62); Henry Biggs, halfpennies (2), 1792, bust of General Eliott (DH.70), undated, bust of Dr. Samuel Johnson, rev. three rampant lions, edge BIRMINGHAM W.HAMPTON OR LITCHFIELD (DH.71a), extremely fine to about mint state, DH.46, 50 and 50a with original colour, DH.62 lacquered, DH.70 a little scuffed (8) *DH.70 ex Longman, lot 291 (part) all ex Baldwin’s vault
Lot 310
Tokens, British, Middlesex, Thomas Spence, farthings, 1794-6 (5), his bust, rev. pig (DH.1081); Adam and Eve (2), revs. Britannia (DH.1084), pig (DH.1088); heads of the Devil and Pitt conjoined, EVEN FELLOWS, rev. padlock (DH.1095a); ADVOCATES FOR THE RIGHTS OF MAN, rev. pig (DH.1117), good extremely fine to about mint state, mostly lustrous, especially DH.1117 (5) *ex Baldwin’s vault
Lot 409
Tokens, Wales, Anglesey (7): Parys Mines Co., halfpennies, bust of Druid, rev. cipher PMCo (6), 1789 (3 - DH.359/360/372), 1791 (3 - DH.387/391/405); counterfeit halfpenny, 1791, legend THE PARIS MINERS HALFPENNY (DH.438b), extremely fine or better, DH.359 and 438b lustrous, DH.391 and 405 bronzed, 391 a proof with reflective reverse surface, DH.372 struck on a slightly flawed flan, DH.405 rare (7) *ex Baldwin’s vault
Lot 366
Tokens, British, Warwickshire, Birmingham, Henry Biggs, halfpenny, undated, bust of Dr. Samuel Johnson, rev. three rampant lions, edge PAYABLE AT HENRY BIGGS'S MOORE STREET (DH.71), reverse of flan slightly scuffed and unevenly toned, otherwise nearly extremely fine, extremely rare *ex Longman, lot 291 (part) ex Baldwin’s vault In an article in the Gentleman's Magazine for December 1796 Pye stated 'six or eight struck'.
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