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Boxes and Objects - a Chinese hardwood stand; another, similar; a pewter model of a stag; a faux scrimshaw tooth, Rachel Pringle of Barbadoes (sic), after Rowlandson, 13cm long; a pair of novelty corkscrews, as waiters, lift-off covers; a resin Leonardo Collection bust of Humphrey Bogart; a pewter Canadian Mountie on horseback; etc
Three items relating to the Duke of Wellington's funeral including a card admitting the bearer between the hours of 9-5 o'clock to the Hall in the Chelsea hospital where the Duke was lying in State, a card that acts as a pass through the Police cordon on the day of the Duke's funeral and an embossed card bearing the Duke's bust and 1769-1865
Garden Statue: After Raffaele Monti Ft, 1851: A monumental composition stone figure of a girl entitled ‘Love’signed R. Monti Ft, 1851210cm.; 83ins highRaffaele Monti (1818-1881) was an Italian sculptor, author and poet born in Milan. He studied under his father, the noted sculptor Gaetano Matteo Monti in the Imperial Academy. He was invited to Vienna while aged only 20 where he received extensive patronage, he subsequently returned to Milan in 1840. In 1846 Monti travelled to England for the year, and later settled there.Monti exhibited at the Royal Academy, and soon earned recognition as a leading sculptor with his piece for the 6th Duke of Devonshire, the |Veiled Vestal| a figure with illusionistic veil, a specialism of his. A bust based on this work, cast in Parian porcelain by Copeland titled |The Bride|, but often known as |The Veiled Bride|, was issued in 1861 by the Crystal Palace Art Union. This bust became one of the most popular Parian busts ever produced.
Peter Rouw/ Wax Bust of a Gentleman/ possibly depicting the Duke of Wellington, dated March 1818/wax, 13cm high/with wood plinth and glass dome/Note: comes with note 'Given to C N Smith by the Sculptor Peter Rouw after he went blind' Condition Report: very slight crack to the bottom right edge of bust, otherwise good
A 19th century mantle clock of classical sarcophagus form, the timber case set with burrwood veneers with ebonised frieze and border centred by a white enamelled dial with roman numeric detail and ormolu type embossed border, with a bevelled clear glass hinged casing with beaded border, flanked by a pair of embedded medallions with classical bust relief detail, 24 cm tall x 29 cm wide x 13 cm deep approx
A collection of ceramics including a late 19th century continental bisque group of a young girl feeding a large dog, a four sided tea caddy and cover with blue and white printed chinoiserie decoration, marked to base Ringtons Limited Tea Merchants, Newcastle Upon Tyne, ceramic animals and birds including a Beswick Beatrix Potter figure of Old Mr Brown, a USSR model of a seated fox, a Beswick model of a wren, a pair of models of pink parakeet type birds, a Harkay Art Pottery model of a recumbent fox, a christening mug dated 1902, two ceramic half dolls and a similar miniature ceramic bust in the form of Pierrot's head, etc
A collection of ceramic models of birds including two matt glazed models of a white throat and a wren from the Hereford Fine China Collection together with certificates and accompanying literature, an Adderley model of a budgerigar, a German model of an owl, a further German Rosenthal model of a bird amongst catkins, etc together with a continental bust of Napoleon with crowned K mark to base
A French Boulle mantel clock in 'Tete de Poupe' style , Bon à Paris A French Boulle mantel clock in 'Tete de Poupe' style , Bon à Paris, mid 19th century, the eight-day bell striking movement with anchor escapement and regulated by a countwheel signed Bon Paris and numbered 244 to backplate, the 4.5 inch gilt dial with inset enamel Roman numerals and signed Bon, Paris behind glazed hinged bezel, the brass, pewter and tortoiseshell inlaid and ormolu mounted case with break arch flanked by torcheres above a central applied bust and flanking caryatids, and decorative plinth bases, the whole on lion paw feet, 41cm high
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110041 item(s)/page