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Click here to subscribeA CHARM BRACELET The polished solid fancy looped link bracelet stamped 9 375, suspending various charms including a 9 carat gold horse shoe; a French enamelled baton, stamped with French poincons; the bust of a Greek/Roman god, stamped 18k; a bunch of keys spelling ROMA; together with various further charms Size/dimensions: 18cm long Gross weight: 42 grams
AN AUSTRIAN SILVER AND ENAMEL TWIN HANDLED SHAPED OVAL DISH MAKER'S MARK JW, POSSIBLY JAKOB WASSERBERGER, VIENNA CIRCA 1866 With twin winged bust scroll handles, a spill vase to the centre, painted with dancing figures to the interior, on a chased foliate oval foot 18cm (7in) long 213g (6.85 oz) gross
Φ Christy Keeney (born 1958)Bust of a Woman, earthenware, glazed in colours on a slate base, and another Christy Keeney bust on ebonised wood base,incised signature, firing crack30cm. wide (2) ProvenanceSusan Maura Buchanan and James Dabell Buchanan, by repute the second sculpture was a replacement for the first bust with the firing crack.
A First World War Mercantile Fleet Auxiliary Trio, comprising 1914-15 Star, British War Medal and Victory Medal, awarded to W.COLEMAN, G.S.R. M.F.A.; a Royal Naval Reserve Long Service Trio, awarded to D644 W.COLEMAN, SEAMAN, R.N.R., comprising a Royal Naval Reserve Long Service and Good Conduct Medal (Edward VII), a British War Medal and Mercantile Marine War Medal (WILLIAM COLEMAN); an Apprentice Boys of Derry Silver Gilt Commemorative Medal, the obverse with a bust portrait of George Walker Defender of Derry 1688, the reverse with a heraldic shield within a garter inscribed VITA VERITAS VICTORIA, within APPRENTICE BOYS OF DERRY NO SURRENDER, SEVENTH DECEMBER 1688. FIRST AUGUST 1689, 40mm, lacks suspender; also, seven various cap and glengarry badges and a pair of collar badges to Liverpool City Police with King's crown (16)
A collection of various African and Eastern carved treenware items including five various masks, king ebony bust figure, figure group of a man and woman, an Indonesian teak bust figure, a pair of Indonesian dancer figures and an Indonesian teak stand decorated with three temple lions and a figural decorated wall hanging
A circa 1920's silk dress with machine embroidered floral bouquets, red edging and lace sleeves, approx. 80 cm bust, 118 cm long CONDITION REPORTS The lace sections to the arms / shoulders are very discoloured and very broken. The bust is approx 32" and the waist is approx 30". There are some rips to the silk throughout as well as overall discolouration and staining. The pink trim is coming away and damaged and the lining to the "pocket" area is rotten and torn. Some of the applied design is coming off in various areas. There is damage to the metal woven flower.In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
A Callot Soeurs 1910-1920's gold lamé evening gown in silk lurex with gold threads and all-over floral design in bi-coloured silk tulle and gold braid, with remains of label to interior, approx. 78 cm bust, with side train CONDITION REPORTS The gold coloured braiding has come loose from the garment and needs re-attaching. There are a couple of small areas which have come undone. Discolouration and staining mainly visible to the arm/shoulders. The lining is ripped and discoloured. The Callot Soeurs label is only the middle section. There is a hole at the bottom corner of one section. There is some damage to the tulle in various areas where it has been caught assumably with jewellery etc. There is some beading which has come off one of the tassels.In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
An 18th Century Sèvres porcelain dressing table box of ogee form, the cover with all-over lattice work decoration enclosing a portrait bust medallion of a lady with powdered wig, over a bleu royale foliate decorated body, bearing blue crossed Ls mark, dated for 1767 and incised "A2", 12 cm wide x 7.5 cm deep x 5 cm high CONDITION REPORTS Lid very damaged and with amateur repair
A late Victorian silk evening dress with silver thread embroidery and pearl embellishment, with pleated chiffon and silk ribbon trimmed sleeves with Dorset buttons, approx. 38 cm under arm to under arm, approx. 54 cm at waist CONDITION REPORTS The silk work throughout is ripped and there are some areas of discolouration. There is a rip at the base of the hooks on the back. There appears to be a section of lace missing from the back at the top. Areas of beading are missing, especially noticeable on the bust edge. The corsetry boning is coming out of the silk covers. The waist is approx 20" and the bust is approx 28".In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the late 19th Century for the then Lady Apsley then by descent.
A circa 1910 velvet evening gown with corset bodice with gold lace and silk tulle sleeves and drapes, fishtail skirt and train and drape back in the manner of Callot Soeurs (no label), approx 84 cm bust CONDITION REPORTS The lace sleeves / arm holes are incredibly fragile with some rips. There appears to be a section of diamante decoration missing from the top right hand shoulder area. Areas of discolouration and staining throughout. Evidence of moth pupae. There appears to be a later applied additional tassel added to the shoulder. There are loose threads at the slit near the ankle.In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
A circa 1900 silk satin hand embroidered and hand beaded two-piece day dress, the top with three-quarter length sleeves and corseted camisole with diamante buttons, the back with large bow, the barrel skirt with embroidered yoke panel and fishtail back, approx. 42 cm under arm to under arm, approx. 60 cm at waist CONDITION REPORTS The top is in pieces and appears to have had some alterations. The lining is heavily ripped and basically destroyed, including the lace work although the buttons are intact. Bust size approx 36" however due to the damage may be different. Visible signs of moth. The skirt waist is approx 23". Skirt also has evidence of old moth and pupae marks. There is a visible line of stitching possibly where it has been altered at some point.In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
A 1920s silk and beaded flapper dress, the cream ground with all-over beaded design and diamante highlights, sleeveless boat neck and lined top above an apron and skirt with scalloped edge CONDITION REPORTS The silk is very fragile and rotting underneath the arms. The bead work appears to be mainly present although there are small sections missing. Bust size approx 32" and waist size approx 34".In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
A quantity of ladies clothing to include a Susan Small evening dress and coat in black silk type figured fabric, bust on dress approx. 98 cm, a lined double breasted evening coat by Susan Small with fitted bodice, pockets and self-covered buttons, an evening dress by Tina Berlyn of New Bond Street in duck egg blue taffeta, bust approx. 94 cm, boned bodice with a split back revealing a lilac under skirt, a turquoise sleeveless evening dress in watered taffeta by Jennifer Lucas with unusual front zip fastening detail, self-covered hand beaded buttons and hand beaded collar, bust approx. 96 cm, a strapless evening gown by Tomasz Starzewski of London in black satin with purple lurex bodice and peplum with large bow to front and split at rear, labelled as a UK size 14, a blue silk type cocktail gown with chiffon sleeves and heavily beaded cuffs by Julian Rose of London, bust approx. 100 cm, a prairie style dress by Valerie Goad with white background and overall floral patterns in turquoise, pink and yellow, with tie waist, full skirt with ruffle and additional ruffled lining , bust approx. 86 cm, a prairie style dress by Valerie Goad with brown velvet bodice and draped duck egg blue sleeves with velvet trim, skirt in a brown, blue and turquoise floral pattern with velvet trimmed hem, bust approx. 88 cm, a blue chiffon long-sleeved dress, the body and skirt lined with silk type fabric with high neck and decorative collar with white satin ribbon applied at hem, cuffs and neck ties, no label found, bust approx. 92 cm
A Summer 1919 Callot Soeurs two-piece day dress, the top of silk and silk tulle with silk satin trim, the top bearing dated label to the interior, approx. 62 cm at waist, together with a silk crepe overshirt with crewel wool embroidery to the cuffs, waist and decorative panels variously, approx. 52 cm under arm to under arm, base of collar to hem approx. 104 cm and a circa 1900 silk chiffon under skirt with applied floral sprays, bugle beads and lace, waist approx. 68 cm, approx. 77 cm long CONDITION REPORTS The Callot Soeurs two piece- the top has significant holes to the lace and signs of moth and discolouration to the satin. The interior is badly discoloured and with holes throughout. Signs of moth. Bust size is approx 32". The skirt is more hole than skirt. The waist of the skirt is approx 24". The woollen crepe dress has a considerable amount of holes and damage, discolouration throughout and big holes underneath the arms. The chiffon skirt appears to be missing a central floral applied decoration to the front panel. There is considerable loose stitching to the central line on the skirt. Small areas of discolouration and small holes throughout. Waist size is approx 28". It looks as though the skirt has been altered with the stitching to the centre of the skirt. In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
A circa 1900 silk and lacework day dress in white and purple design, with satin stitched stripes, lace panels throughout and silk ruffled underskirts CONDITION REPORTS The skirt's underskirt is very ripped throughout. The skirt itself has a couple of small holes. The waistband is very damaged. There is some staining, particularly to the back. Waist size is approx 22". The top is in pieces and the arms are separate to the main body. The sides are completely ripped open. The lining is broken and damaged. Bust size approx 26" but difficult to tell due to the state it is in.In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
A sleeveless cocktail dress by Caroline Charles Studio in midnight blue sequined fabric, lined with blue satin, labelled as UK size 16, a black day dress by Salvatore Ferragamo in jersey with a draped cross-over front, bust approx. 86 cm, a navy blue wool suit by Salvatore Ferragamo, the collarless jacket with pocket flaps, the pleated trousers with side pockets, both labelled as size 48, two pairs of wide-legged pleated cotton shorts by Katherine Hamnett London with buttoned side closures, one in rose pink, the other in aqua, both labelled as size Large, waist approx. 70 cm, a pair of Marni emerald green wide-legged pleated shorts with side pockets, labelled as size 12, waist approx. 76 cm, a black silk V-necked camisole top by Maria Grachvogel, a pair of vintage peach silk type cami knickers with lace inserts and buttoned side closure etc., together with two boxes of Amazon basics wooden coat hangers
A circa 1920 Callot Soeurs black satin and lamé evening dress, the cream lace top with cap sleeves and later added corsage, above a chinoiserie patterned bodice, skirt and train with black lace cape to back CONDITION REPORTS The sleeves have discolouration throughout especially to the underarm. There are some snags in the tulle and signs and moth mainly to the black lace drapes. The waist is approx. 25 inches and the bust is approx. 26 inches. Has clearly had something red stitched into it at some point, not at the time and not recently as there are various loose threads within the garment.In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
A 19th Century commemorative gilt brass tondo for Admiral Lord Nelson after Peter Wyon circa 1806, the left facing bust inscribed Admiral Lord Nelson, initialled under shoulder "P.W.F." (Peter Wyon fecit) with oak leaf and acorn border within an ebonised circular frame with convex glass 16.5 cm diameter together with another embossed card tondo for the Duke of Wellington, the left facing portrait bust within an inscription "Wellington Generalissime" CONDITION REPORTS The gilt brass tondo - has some light surface scratching and some areas of pitting. The frame itself has been broken and repaired and some of the lacquer/ebonisation is flaking and there are a couple of chips. The embossed card is discoloured to the centre and there is a white powdery look to some of the highlights. The frame itself has a few knocks and bashes. The paper on the back has been cut as if it has previously been taken out of the frame. Both are in need of a good clean throughout. General wear and tear conducive with age and use - see images for more details
A 1920's Callot Soeurs gold silk lamé dress with silk net pleated sleeves and train, bears label to the interior CONDITION REPORTS The waist is approx. 28 inches and the bust is approx. 30 inches. The train on the back is slightly odd, unknown if this is done during manufacture, as in the panels are vertical rather than it being a horizontal strip. The black lace around the bust area is held on by one thread and has several larger holes, some discolouration to the tulle. There is some damage to the underarms and some pilling to the very end of the train. In a very fragile condition with wear and tear conducive with age, use and attic storage with items that have significant moth damage. See extensive and numerous images for further detail. Provenance: made in the early 20th Century for the then Lady Apsley then by descent.
An Art Deco style bust, Ramona; a print Weiner Mode Album; a pair of carved wooden horse bookends; Art Deco photograph frame; a small vase; a Sorrento Ware folding pierced shelf with decoupage ovals; a German porcelain trinket pot and cover; photo frames; a French pewter Double Decilitre measure; a pewter ashtray; a mirror; an Art Deco style print, glazed; qty
A late 19th century Parian ware classical figure, Allegorical of War, 34cm high; another, Allegorical of Autumn, 32cm high; a pair of Victorian Ford & Sons, Cranford Ware two handle pedestal vases and covers, 42cm high; a wall pocket, relief moulded with bust of classical maiden, 25.5cm high; a/f (5)
An ivory silk kaftan with gold and turquoise embroidery to neck, sleeves and hem, 32 inch bust, 88cm pit to pit, together with a 1970s black lurex trouser suit, with gold and silver bands to centre front, label 'Madison Avenue London', 90cm pit to pit (34 inch bust), trousers, approximately 77cm waist (at fault), a princess line turquoise dress and coat, imitation silk, the centre front of dress and collar of coat with turquoise lace trimming highlighted with pearls, label 'Alfred Werber New York Los Angeles', a sleeveless 1950s summer dress, printed in various shades of green, an aqua and gold cocktail dress, a 1950s evening dress and bolero, of heavy raspberry satin with a chinoiserie printed design, and a cream crochet poncho (7)
A mid 1920s black lace evening dress, lined with crepe de shine, with handkerchief hem, with integral belt with gilt metal and faux sapphire buckle, 32'' bust (82cm), together with a 1920s evening headdress of black osprey feathers with diamante band (2)CONDITION REPORT: The dress shows wear commensurate with use and age, including minor thread pulls and minimal marking. No other obvious signs of damage nor restoration.The headdress shows wear commensurate with use and age, including minor losses and marking. No other obvious signs of damage nor restoration.
English school (early 20th century),A tondo bust length portrait of a young lady,Pastel on paper,Unsigned,29cm diameter,Framed and glazed,With a full length portrait of a medieval lady, watercolour on paper, possibly a study for a costume design, unsigned, attributed to Annie Harvey Double on applied label verso, 29cm x 11.5cm, framed and glazed; and a charcoal bust length study of a young lady, signed 'V. Butterfield' and dated 1903, 27cm x 22cm, framed and glazed (3)
William Nicholson RSA (1781-1844) Portrait of Major Alexander James Ross, 21st Royal North British Fusiliers, circa 1814, bust-length, wearing a regimental uniformwatercolour on paper23 x 19cmRoss was severely wounded when serving as a Major in the 21st Fusiliers at the Battle of New Orleans in 1814. Although he subsequently returned to service with his regiment, he died of his wounds many years later in Edinburgh. Nicholson retained this watercolour amongst others, presumably for a volume of Edinburgh worthies that he intended to publish.33 x 29cm (framed)
AN HOHENBERG (HUTSCHENREUTHER, BAVARIA) VIENNA STYLE PORCELAIN CABINET PLATE centrally painted in polychrome enamels by Wagner with 'Encante' (sic), a bust length portrait of a scantily draped young lady with long brown hair, within a gilt highlighted cobalt blue border, signed, green CM/HR mark over stamped with a gilt leaf, pseudo beehive mark, inscribed in black and numbered in iron red, with indistinct Palais Royal mark 9 1/2" diameter (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: No chips, cracks or restoration, gilding generally good
AFTER DENYS PIERRE PUECH (1854-1942) Jeune Romaine, bronze effect bust, bears signature, 16" high with stand (Est. plus 24% premium inc. VAT)Condition Report: Generally good, minor chip to left shoulder and in his hair as per image. No damage to socle. Reddish brown in colour, possibly its original colour in imitation to patinated bronze.
A COLLECTION OF NORTH AFRICAN AND SYRO-HITTITE ANTIQUITIES comprising of a terracotta bull with applied eyes, an Egyptian late period miniature Ushabti, a North African Aterian culture lower Palaeolithic stone arrowpoint, a Syro-Hittite bust fertility figure and a Syro-Hittite female figure (5) (Est. plus 24% premium inc. VAT)Condition Report: In line with age
AN HOHENBERG (HUTSCHENREUTHER, BAVARIA) VIENNA STYLE PORCELAIN CABINET PLATE centrally painted in polychrome enamels by Wagner with a bust length portrait of (Princess)'Lamballe' after Callet, wearing pink roses in her blue ribboned high grey wig, within a gilt highlighted cobalt blue border, signed, green CM/HR mark, pseudo beehive mark in blue (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: No chips, cracks or restoration, generally good.
A SECESSIONIST EARTHENWARE VASE, early 20th century, of flared rounded cylindrical form, tubelined and painted in sombre colours and with gilt sponging with the bust portrait of a young lady with be-ribboned hair, with tree trunk column panels, the reverse tubelined with a black imp peeping from behind a tree, unmarked, 12 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: Glaze crazed, no restoration, hairline crck running through face. Small chip to rim
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