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![Circle of Francis Cotes [1726-1770]-Portrait of Lady Carpenter, bust-length, with long dark hair tied high with pearls, and w](https://cdn.globalauctionplatform.com/45dee96e-bb73-4a04-a3e3-a8480104525b/e9c368c9-05d4-4778-dd9c-7caa00c8765b/468x382.jpg)
![Circle of William Dobson [1611-1646]-A portrait of James Graham, Second Marquis of Montrose, bust-length, in armour with whit](https://cdn.globalauctionplatform.com/45dee96e-bb73-4a04-a3e3-a8480104525b/a17aa627-637c-4f5a-c5f5-03e5ffb05d27/468x382.jpg)
![Edmund Thomas Parris [1793-1873]-Queen Adelaide, a bust-length portrait in decollete dress and ermine robe,:-signed, inscribe](https://cdn.globalauctionplatform.com/45dee96e-bb73-4a04-a3e3-a8480104525b/0542e2e6-7129-41fd-dac2-5e0b08674735/468x382.jpg)
Lot 595
Edmund Thomas Parris [1793-1873]-Queen Adelaide, a bust-length portrait in decollete dress and ermine robe,:-signed, inscribed and dated 'E T Parris Del 1835. Historical Painter to Her Majesty' bottom rightwatercolour heightened with white20 x 27cm.* Notes Queen Adelaide was Queen Consort to William IV
Lot 2065
ANGLO-FRENCH SCHOOL, 18th CENTURY PORTRAIT OF A GENTLEMAN, TRADITIONALLY IDENTIFIED AS LLOYD KENYON, 1st LORD KENYON (1732-1802) Bust length, wearing a long wig, pastels 48.5 x 39.5cm. Provenance: According to an inscription on the backboard, this was purchased at Sothebys in May 1919 as being by John Russell and described as a portrait of Lord Kenyon (from the collection of Major Lyon since 1894). It more probably depicts his father, also Lloyd Kenyon (1696-1773), a country gentleman and JP in Flintshire. ++ With some foxing, blemishes, marks and rubbing
Lot 2185
SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF A GENTLEMAN, BELIEVED TO BE PHILIP JOHN MILES, MP (1773-1845) Bust length, wearing a dark coat, white neckcloth and winged stock, oil on canvas 74.5 x 62cm. * Miles was a notable Bristol figure, a very wealthy businessman and parliamentarian who was apparently Bristol's first recorded millionaire and a partner in the Miles Bank (that later merged with Nat West). Miles owned Leigh Court and Kings Weston estates on both banks of the River Avon in Bristol and also the Manor or Walton in Gordano, Clevedon as well as many more lands in the Bristol area. Lawrence himself was born in Bristol in 1769: the family lived in Redcross Street until Thomas Lawrence Senior took over the running of a coffee house and inn on Broad Street. This portrait may be dated to c.1815-1820. The sitter would appear perhaps to be in his forties. The only other known image of Miles is believed to be a small unascribed mezzotint portrait, published in 1822. Miles was a great friend of Richard Hart Davis (1766-1842), another Bristol born merchant and banker, who was also painted by Lawrence in 1815. Philip John Miles was also a friend of Richard Hart Davis and in 1813 he purchased his famous Old Masters art collection which became the nucleus of the celebrated Leigh Court Collection, dispersed in 1899. Provenance: By descent in the family of the sitter until sold with other family portraits at auction in 2014, where purchased by the present owner. ++ Old lining; a little scattered retouching
Lot 680
A Carved Sardonyx Cameo Brooch, depicting the bust of a classical female amongst roses, in a 9 carat gold rope frame, measures 3cm by 4cmThe brooch is in good condition. It is hallmarked with sponsor's mark 'CG&S', Birmingham, 1987. It fastens with a pin and safety catch with a safety chain. Gross weight 13.6 grams. Condition Report made 20th September 2017.
Lot 693
A Pair of Coral Cameo Earrings, each oval cameo carved in high relief with a classical female bust, suspended from chains to hook fittings, length 2cm The earrings are in good condition, there is light wear and softening to the edges of the coral cameos. They are not hallmarked or stamped but in our opinion would test as gold. Gross weight 1.8 grams. Condition Report made 7th December 2017.
Lot 661
A Coral Cameo Brooch, an oval cameo carved depicting the bust of a Bacchante in a rubbed over setting, to a flat sided bar, measures 3cm by 7.5cm The brooch is in good to fair condition. The is a chip to the neck edge of the cameo and general softening to the edges. The cameo measures 3cm by 1.5cm. The cameo is stamped '18' and the bar is stamped '9CT' and in our opinion would test as gold. The cameo is later applied to the bar. It fastens with a pin and c-hook with safety chain. Gross weight 10.9 grams. Condition Report made 8th December 2017.
Lot 724
An 18th Century Bust Portrait Miniature of A Lady, in a gold frame as a bracelet centre, measures 4cm by 3.3cm, signed 'SS 7.62' The miniature is in good condition. The frame is studded each side with six holes for attaching a bracelet, one side being a tongue clasp. The frame is slightly concave to fit a wrist. Gross weight 14.6 grams. Condition Report made 8th December 2017.
Lot 700
A Sardonyx Cameo, carved depicting a classical female bust with a garland in her hair, in a rubbed over setting to a part frame, cameo measures 3.5cm by 3cm (af) NB: The frame is in parts and damaged The frame is in parts and damaged with most detailing and the brooch fitting detached but present with the lot. The cameo itself is in good condition. Condition Report made 8th December 2017.
Lot 371
The Battles of the British Army in Portugal, Spain and France, 1815, a bronze case in the form of a Wellington commemorative medallion containing coloured discs depicting the various battles, the case titled Picture Medal and with a bust of the Duke of Wellington, inscribed Edward Orme, Direx and Porter F, case 7.5cm diameter
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