We found 110041 price guide item(s) matching your search
There are 110041 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
110041 item(s)/page
A British Historical Medal - The Death of Nelson 1805, the obverse with bust of Nelson, left and legend H.VICECOM. NELSON, rev: H.VICECOM.NELSON OB PATRIAM PVGNANDO MORT. OCT.XXI. MDCCCV, within a wreath 38mm dia, a white metal medal 'Chronology of the Reigns of England', by Thomason, circa 1830, 51mm dia, and a bronze Manchester Royal Jubilee Exhibition medal, by Heaton, 1887 in presentation case, VF - EF
BERNARD MEADOWS R.A. [1915-2005]. 2 Directors, 1963. bronzes x 2; edition of 6; both signed with monogram. 72 x 33 x 21 cm and 62 x 42 x 15 cm. Provenance: Gimpel Fils Gallery; Private collection, UK; James Hyman Fine Art, 2002 [£15,000]; Private collection, UK. Exhibited: Venice Biennale, 1964 [this cast]; James Hyman exhibition 'Geometry of Fear', 2002. Literature: 'Bernard Meadows', Alan Bowness, Lund Humphries, p.79, pl. 61. It would cost £6000+ just to cast them in bronze these days. Meadows is one of the UK greats. This is one of Meadows' greatest sculptures, in our opinion, along with Armed Bust V and the very early black Crab. [very good condition - some dust in crevices]. Buyers premium of 20% + VAT is payable. ARR 4%.
Two Classical faux marble busts, male and female, 32cm and 24cm high, a similar Parian example, 23cm high and a Victorian black slate mantel clock with enamel dial, 22cm high (4)Condition report: Repair to neck of one bust with minor chips. Other two busts minor chips and blemishes.Chip to the plinth of mantel clock.
A Goldscheider terracotta bust of a peasant girl, the plinth forming a scene of her hoeing, stamped marks to the reverse with facsimile signature 'Friedrich Goldscheider' and numbered '23 87 4 8 6, 47cm highCondition report: Filled hole to the reverse loose. Some scuffing and flakes to the body of the piece
'Waste Not Want Not' a Copeland Parian Ware charger, modelled in low relief with radiating foliage, two other plates, a Parian Ware bread bowl, a three spout cornucopia vase, a bust of Rubens and four other items, printed factory mark, 34cm. diam. (10) Provenance Peter Myers & David Coachworth Collection.
'Daphne of Clitie' a Parian Ware bust, on waisted socle, and another large Copeland Parian Ware Ceramic and Crystal Palace Art Union bust of a woman casting a downward gaze, on waisted socle, main unsigned, Copeland bust old museum restoration to her little finger, 29cm. high (2) Provenance Peter Myers & David Coachworth Collection.
'Apollo' a Parian Ware bust probably Worcester, on waisted socle, a Worcester Parian Ware bust of Professor Wilson by James Fillons, and another bust of a classical male unsigned, 28cm. high (3) Literature Paul Atterbury (ed) The Parian Phenomenon, Richard Dennis, page 207 for an illustration of a comparable bust of Apollo. Provenance Peter Myers & David Coachworth Collection.
'Love' a Copeland Crystal Palace Art Union Parian Ware bust after R Monti, dated Sept 1871, on waisted socle, and Miranda a Copeland Crystal Palace Art Union bust after W C Marshall RA, impressed factory marks, 33cm. high (2) Literature The Parian Phenomenon, Richard Dennis Publications, page 186 figure 618 for a comparable bust illustrated. Provenance Peter Myers & David Coachworth Collection.
'Flora' a Copeland Parian Ware bust, on waisted socle, and another Parian Ware bust of a woman on waisted socle mounted on pedestal with moulded floral garland, unsigned, 28cm. high (flora) (2) Literature The Parian Phenomenon, Richard Dennis Publications, page 183 figure 600 this model illustrated. Provenance Peter Myers & David Coachworth Collection.
'Queen Victoria' and 'Prince Albert' a pair of Copeland Crystal Palace Art Union Parian Ware bust after W Theed, dated 1864, impressed factory marks and dates, 33cm. high, (2) Literature Parian Phenomenon Richard Dennis Publications, page 182 figure 596 these designs illustrated. Provenance Peter Myers & David Coachworth Collection.
'Clytie' a J Ridgway Bates & Co Parian Ware figure after C Delpech, on waisted socle, and a Copeland Art Union of London Parian Ware bust of Alexandra by Mary Thornycroft, on a base, unsigned, small chip to base, 28.5cm. high (3) Literature The Parian Phenomenon, Richard Dennis Publications, page 240 figure 798 this model illustrated. Provenance Peter Myers & David Coachworth Collection.
Edward Onslow Ford (1852-1901) Bust of Sir William Quiller Orchardson, 1895 bronze on serpentine marble base signed in the cast Onslow Ford 1894, 64cm. high Provenance Sotheby's London 20th November 1997, lot 121 Sotheby's London 21st May 2014, lot 87. Exhibited Royal Academy of Arts, London 1895, catalogue number 1643 (for an example) Literature A Graves The Royal Academy Exhibitors, Volume III, page 137 catalogue number 1643.
A PAIR OF BRETBY POTTERY BRONZED BUSTS OF A YOUNG MAN AND LADY, he with a feather in his cap, she with a floppy cap, brooch at her bust and spray of flowers, impressed marks, height of tallest 56cm (2) (Condition:- she has a large break and repair to her cap, both have chips to edges, losses to the flowers)
Early 20th Century Ladies' Separates, comprising a Chinese brown and gold brocade fitted jacket with belt and loop fastening and smaller multi buttons to the cuffs; black stylised lace long sleeved top, button fastening, lapels with bead decoration; cream silk short sleeved day dress with stylish button detail, belt and pleated skirt; grey and white small check short sleeve dress with a boat shaped neckline and faux fabric 'neck' tie; Tedesco green silk dress with buttons to the front, pleated skirt and belt; pink silk long sleeve top, square cut with two small pockets to the waist, V-neckline and collar with neck ties; green crepe long sleeve top with collar, open work panel to the bust with green silk stitching, elasticated waist, buttons to the back of the neck (7) . Chinese brown and gold brocade jacket - slight wear. Black lace top - some bead loss and slight wear. Cream silk day dress - some light staining and slight wear. Grey checked dress - slight staining and thread pulls. Tedesco dress - small hole to the skirt and some discolouration and slight wear. Pink top - slight wear and discolouration. Green top - couple of areas of wear to the front and back.
Early 20th Century Ladies' and Gentlemen's Costume, comprising Cripps Sons & Co Liverpool black velvet frock coat with black braid and pom pom decorative trim; black wool bodice with lace trim, piped silk waistband; George Hall Huddersfield black moleskin coat with shawl neck collar, button fastening and decorative brocade lining; teal silk two piece comprising a gathered skirt and matching top with elbow length sleeves, waist sash and cut steel bead decoration to bodice and cuffs; black taffeta tiered and gathered under skirt; blue silk taffeta under skirt with stylised stitched zig zag hem and pleats; two white cotton shirts with cut work and lace insertions; gentlemen's black wool double breasted coat and two wool waistcoats; Renibarg brown breeches with suede patches, laces to the lower leg, pair of brown wool breeches with button fastening to the leg, pair of brown and cream checked trousers lined with cotton, buttons impressed 'Hemingway House, S Brigg'; and two navy gentlemen's swimsuits (16) . Cripps Sons & Co coat - wear to the braid, some fading and wear overall. Black bodice - sleeves altered, split to the collar, fading and wear. George Hall coat - one button missing, one button loop broken, cuffs taken down, edge of the button placket is worn and slight wear overall. Teal two piece - bead loss, discolouration around both sleeveholes and wear, stitched repair to the back of one arm. Black skirt - some holes towards the hem and wear. Blue taffeta skirt - slight wear. Two white shirts - both slightly discoloured and worn. Gents coat - rubbing and wear. Renibarg breeches - some wear, stitched repairs to the bottom of each leg, some discolouration. Pair of brown wool breeches - wear to a couple of areas. Checked trousers - some slight discolouration and wear, fading to the pockets. Sizing Blue silky skirt- waistband 25'' Blue silk blouse (matches ablove)- Bust 37.5'' Black cropped jacket- Bust 38.5'' Navy frilled skirt- waist 24'' Black tiered skirt- waist 26'' Black velvet jacket- Bust 37'' Brown jodpers- Waist 27'' Black lacy blouse- Bust 35.5'' Black waistcoat- Bust 34'' Checked trousers- Waist 36'' Black wool waistcoat- Bust 38.5'' Brown jodpur (lace up detail)- waist 34'' White lacy blouse- Bust 35'' Wool black coat- Bust 17.5 Black furry coat- Bust 39''
Early 20th Century Ladies' Costume comprising a brown and cream spotted corduroy suit, bearing a Two Lines Label including a pleated skirt and loose fitting jacket with buttons to the front, elbow length sleeves and peter pan collar; white linen short sleeved dress with fabric tie to the back; pale pink wedding dress with smocked detail to the bust, long sleeves, bow detail to the front and button fastening to the reverse; pink silk short sleeve dress with pink silk beaded chiffon mount; Accessories including lingerie, gloves and shoes by Russell & Bromley, Harrods Ltd London etc (rail and box). brown spotty suit jacket some staining to the collar and slight discoloration and wear to all, skirt altercation to waist and slight wear white dress couple of small holes/ area of wear to front and back of the dress coupke of splits to both sleaves slight wear, pink dress black marks tot eh front silk is very worn and stained overall and buttons missing to the reverse, pink short sleeve dress discolouration to the chiffon couple of small holes the silk is rubbed and worn alterations Sizing Brown corduroy suit Jacket- just under 40 ''bust Skirt- waistband 32'' White dress- Bust 35'' Pink dress with sheer bodice- Bust 33'' Pink/Cream evening dress- Bust 34'' Gloves 3.2'' wide by 8.2'' long (2 pairs) 3.5'' wide by 8.2'' long (6 pairs) 3.2 wide by 9.1'' long (3 pairs) 4'' wide by 8.5'' long (2 pairs) 2.5'' long by 9'' long (3 pairs) 2.5'' by 8'' long (2 pairs) Shoes- size from heel to toe in inches Cream- 11'' Blue- 8.7'' Floral- 10'' Brown Brogues (heeled)- 9.5'' Navy heels with black toe- 9.7'' Black toe throughs- 9.5'' Black heels with gold sequins - 9.5''
Early 20th Century Ladies' Costume, comprising a pink silk drop-waist dress with faux jacket trimmed with pink lace; a white net dress embroidered with flowers, machine lace insertions, elbow length sleeves and a two tiered skirt; a brown silk dress woven with stylish motifs, net and lace modesty panel, embroidered and inserted panels to the bust and neck line, matching belt with trellis style centre; a black lace mounted sleeveless dress with drop waist and flared skirt; a black lace long sleeved jacket, a black lace open waist coat with bow and ribbon ties to the reverse; a stylish black sheer chiffon long sleeved evening top with orange silk bodice beneath, multi buttons to the front, ribbon ties to each hip and embroidered with gilt metal thread; a black lace mounted dress with long sleeves over a black chiffon modesty panel, appliqued with silvered lace floral appliques, matching silver details to the cuff, a deco buckle to the belt (8)Pink dress - both sleeves are cut and damage around both arm holes. Couple of small marks overall White dress - staining under both arms and stitch repairs to one armhole. Slight discolouration and small stains overall. Several small holes to the net and loose threads to the hems Brown silk dress - tears and stitched repairs under both sleeves and along underneath the arm, there are a couple of areas of stitched repairs over all, two the front skirt, repairs and a patch to the back, later zip added and overall wear Black lace dress - stitched repairs and splits under both arms. There are splits to the lining and slight wear Black lace jacket - slight wear overall Lace open waistcoat - Some small holes to the lace Evening top - Slight wear overall Black lace mounted dress - several holes overall to the lace, stitched repairs under one arm and to the shoulders and some wear over all
Early 20th Century Chinese Hand-Painted Cream Silk Robe, decorated with pagodas, bridges and floral motifs in mainly gilt paint, reversible with red lining and smocked collar, matching fabric belt; and a Later Red Brocade Full Length Robe, of striped design (2). Painted robe - slight wear overall, couple of very light areas of discolouration to the back and slightly under the arms. Red brocade robe - slight wear. White robe- Bust 38'' Red robe- Bust 39''
Early 20th Century Wedding and Other Dresses, comprising Gordons Gowns cream silk long sleeved dress with V-neckline, fabric belt and embroidery to the bodice; cream silk dress embroidered with spots overall, three quarter length flared skirt, long sleeves and notch neck; cream satin strapless dress with a ruched bodice, attached sash to the hip; silver brocade full length dress with spaghetti straps, belt and matching long sleeved jacket with multi buttons; cream fitted grosgrain dress with collar, long sleeves, full pleated skirt, buttons to the front and matching shell style appliques; Accessories Including four wedding veils, wax head dress, four French framed fashion prints (rail and box). Gordon Gown's dress - belt has been restitched at waist, rubbing and wear. Cream spot dress - some rubbing and wear to the silk. Strapless dress - some very faint discolouration and rubbing. Silver brocade dress and jacket - some wear and slight discolouration. Cream grosgrain dress - zip broken and seam open/torn to the bottom of the zip, light stains to button placket, bust dart seam open, slight wear overall.
-
110041 item(s)/page