We found 110054 price guide item(s) matching your search
There are 110054 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
110054 item(s)/page
Lot 267
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Plo Koon's (Matt Sloan) head appliance from George Lucas' Star Wars: The Phantom Menace. As a Kel Dor, Jedi Master and High Council member Plo Koon had a thick, leathery hide that protected his body from oxygen-deprived environments. This lot consists of a bulbous, fabric-backed cast foam latex Kel Dor head, face, and neck appliance hand-painted in shades of brown and red. The appliance is displayed on a bust with a metal base. This lot is in fair and fragile overall condition with visible cracking, discoloration and missing foam latex apparent in several areas, particularly around the neck. Dimensions: 15" x 5" x 19" (38.25 cm x 12.75 cm x 48.5 cm) Estimate: $6,000 - 8,000
Lot 324
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. An Admiral Ackbar (Erik Bauersfeld) head casting made from the original molds for Richard Marquand's Star Wars: Return of the Jedi. The original Ackbar puppet and separate Mon Calamari head appliance were designed by makeup designer Phil Tippett and manufactured by Industrial Light & Magic's (ILM) "Monster Shop." This lot comes from Tippett, who was nominated for an Academy Award® for his work on the film and later used the original appliance molds to craft this head casting. The casting is made of foam latex and elastic hand-painted in Ackbar's signature reddish-orange. It is mounted to a green bust for stability and affixed to a wood base stamped "TIPPETT" for display. The lot is in good overall condition with some chipping wood and a split down the center of Ackbar's forehead from use. Dimensions: 17" x 12" x 20" (43.25 cm x 30.5 cm x 51 cm) Estimate: $3,000 - 5,000
Lot 525
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. A replica of Adam Maitland's (Alec Baldwin) long nose mask from Tim Burton's supernatural comedy Beetlejuice. After the Deetz family moved into their home, Maitland and his wife Barbara (Geena Davis) transformed into terrifying ghouls to scare the Deetzes out. This latex mask was produced from the original molds used for Adam's ghoulish face, painted pink with white teeth and blackened eyes, and mounted to a styrofoam bust for stability. The mask exhibits visible signs of age and wear with some splitting at the neck, but remains in good overall condition. Dimensions (on bust): 16" x 20" x 10" (40.75 cm x 51 cm x 25.5 cm) Estimate: $1,500 - 2,500
Lot 526
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. A John Malkovich mask from Spike Jonze's fantasy comedy Being John Malkovich. Masks were worn as John Malkovich passed through the portal into his own mind and found himself in a world where everybody looked like him and could only say 'Malkovich'. The silicone mask features hand-punched hair, eyelashes and blue plastic eyeballs. It is presented on a production foam bust, and a hidden zip runs along the back. There is a split at the top of the mask above the zip from production use, though it remains in good overall condition. Dimensions: 21.75" x 10.75" x 15" (55 cm x 27 cm x 38 cm) Estimate: $1,500 - 2,500
Lot 960
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. A small-scale Davy Jones (Bill Nighy) digital animation reference bust from the production of Gore Verbinski's swashbuckling sequel Pirates of the Caribbean: At World's End. The bust was sculpted by Industrial Light & Magic's (ILM) Richard Miller as a character design reference for the digital animation team. This brown urethane bust features a removable hat built over a wire frame, a wooden base, and "07 R. Miller" carved into its back. It's in good overall condition with some wear, including cracking and pieces flaking off of the hat. Dimensions: 7.25" x 6" x 9.75" (18.5 cm x 15.25 cm x 25 cm) Estimate: $1,000 - 1,500
Lot 967
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. A stunt gorilla mask with three cast chairbacks from Tim Burton's sci-fi film Planet of the Apes. Leo Davidson (Mark Wahlberg) crash-landed on a mysterious planet where hyper-intelligent Apes dominated humans. This lot consists of a padded foam latex stunt mask painted black and gray with hand-punched hair, a foam bust on a wooden stand labeled "(G) SM-4" and "Dennis Keiffer" for a stunt performer, and three red canvas chairbacks labeled for Helena Bonham Carter, Paul Giamatti, and Mark Wahlberg. It is in good overall condition with minor signs of production use throughout. Dimensions (chairbacks, each): 24" x 9" x 0.5" (61 cm x 23 cm x 1.5 cm) Estimate: $1,200 - 1,800
Lot 192
After Joseph-Pierre Chinard,19th century, Madame Récamier, marble bust,64cm high,together with a fluted oak plinth,48cm wide48cm deep90cm high (2)Condition report: Fault that runs across wrist of top hand and through fingers of the underneath hand, small chips to the bottom edge of the base, light scratches and marks to the surface, no obvious major restorations
Lot 254
English School, 19th centuryPortrait of King Henry I, bust length, in an ermine-trimmed robe and gold crownoil on canvas 56 x 41cm, unframedCondition report: Oil on canvas which is unlined. The canvas has been commercially prepared, a stamp for an artists’ supplied is present on the reverse but partially covered by an old paper label. The inscription on the label has worn away and is now almost illegible. The canvas is in a good condition, the tension is adequate and the picture is in plane. There is a small hole to the right of the sitter’s head. The paint layer is in a good, stable condition with a few small losses around the edges. There is a network of age cracks across the work. The crown and elements of the cloak created with gold leaf, copying the technique of earlier portraiture. The varnish is dull, uneven and yellowed.
Lot 263
English School, mid-18th centuryPortrait of John Scott Hylton (1725-1793) of Lepal House, Halesowen, bust length, in a plum-coloured coat and white stock, holding a coinoil on canvas61 x 51cm;and a pair of small watercolours framed as one:Portrait of John Scott Hylton, bust length (a copy of the above oil painting) and of his brother Phillip Bramwell Hylton, bust lengtheach 9.5 x 6.5cm, oval, mounted and in a carved oak frame (2)Condition report: Oil on canvas which has been lined. There is an addition along the lower edge of the picture. The adhesion with the lining is poor with undulations and small lumps across the surface. The paint layer is a little worn in areas but stable. Retouching has slightly darkened and is a little wholesale in areas. The varnish is glossy and even with a layer of surface dirt.Watercolours: Some foxing and colour fading to the portrait of John Scott Hylton. Some orange stains, colour fading, creases and tears to the portrait of Phillip Bramwell Hylton.
Lot 267
Circle of Sir William Beechey (1753-1839) Portrait of a young gentleman, bust length, in a blue coat and white stock oil on canvas61 x 51cm, in a George III-style carved giltwood frameCondition report: Oil on canvas which has been lined. The canvas tension is stiff but the picture is in plane. The paint layer is stable. Old damages have been repaired through lining. There is extensive retouching in the background, finely applied following lines of abrasion, Here the retouching is well matched to the original but matte. Some retouchings have darkened, for example the old tear to the right of the sitter’s head. Retouching in the face have lightened. The varnish layer has yellowed. There are drip marks in the varnish at the lower right corner.
Lot 270
Emma von Müller (Austrian, 1859-1925)Portrait of a young lady, bust length, in traditional costumesigned 'Emma V Müller' u.r., oil on panel27 x 17.5cmCondition report: Oil on a small wooden panel. The support and paint layers are in a very good condition overall. There is some abrasion along the upper right edge. The varnish is even and glossy. There is a layer of surface dust and a few accretions on the varnish.
Lot 42
...Huyter (Dutch, mid-19th century)Portrait of a young boy, bust length, in a black coat and buff waistcoatindistinctly inscribed 'Huyter(?) Wolvenstraat KKN 213' l.l., oil on panel, painted ovalimage 48.5 x 36.5cmProvenance: Farm House, Farm Street, Mayfair, London.Condition report: Oil on panel. The painting has been painted to fit the oval slip of the frame and the edges are not completely finished. At the right side dark lines following the oval are present. The paint layer is in a good, stable condition overall. There are some deep scuffs in the paint layer at the upper left edge caused by movement in the frame. Overpaint is mainly located around the edges of the painting and applied in a wholesale, brushy manner. The varnish is even and semi glossy.
Lot 443
After Matthew Noble,19th century, a marble bust of the Hon Mrs Lionel Ashley, inscribed to the reverse 'The Hon Mrs Lionel Ashley. M. Nobel Sc, Reduced by E. Cooper' on a later marble socle,23cm high 40cm high overallCondition report: loose on plinth, small chips and loses to the edges areas of abrasion to the marble in places
Lot 591
A carved marble bust of Napoleon,early to mid-19th century, depicted wearing a laurel crown and with an imperial spread eagle across his chest, on a circular to square turned socle,53cm highCondition report: Chips and losses both wingtips restored and with pieces missing from the tips of the laurel leaves. overall with light cosmetic wear, scratches and abraisions.
Lot 597
Julius Troschel (Prussian, 1806-1863),a marble bust of a moustachioed gentleman, possibly Prince Albert of Saxe-Coburg and Gotha, signed and dated '1835' to the reverse,48cm highCondition report: Small chips and frits to the edges of the marble, dirty all over, possible small degree of weathering. Purchased privately from a West Country estate.
Lot 61
Italian School, late 18th centuryPortrait of a sculptress, bust length, working on a classical bustoil on canvas55 x 46cmProvenance: Farm House, Farm Street, Mayfair, London.Condition report: The canvas has been relined. There is craquelure in parts. There is a scratch running diagonally from the upper right edge towards the head. There are other smaller losses elsewhere, mainly to the lower sixth of the canvas, where there is also some lifting. There are several spots of retouching apparent to the eye, probably due to flaking prior to the painting being relined. The paint on the face has become a little thin and there is some detail loss. Seen under UV: the retouching does not show up under UV, possibly due to the varnish. However it is apparent that there must be more retouching, especially close to the lower edge where it is clear that the paint has become unstable.
Lot 94
A gilt-bronze bust of Buddha,possibly 17th century, with traces of gilding, broken at the waist and arms, on a modern stand,38cm high47cm high overallCondition report: Broken arms and repaired to the neck, traces of gilding and pitted to the arms and body. From a private collection in London. Purchased in the 1980s from S.K. Antiques, Bangkok, unfortunately, there's no invoice to substantiate this.
Lot 758
Fine 19th century French Empire ormolu mantle clock with classical female figure mount with a bust of Aristotle. The ornate case with swan, cornucopia, urn and classical motive decoration raised on bun feet. The French movement with outside count wheel, striking on a bell. 47cm high, 30cm wide. Key present.
![Roman Empire, Nero AV aureus, AD 54-68,Obv. NERO CAESAR AVGVSTVS, laureate bust right. Rev. IVPITER CVS[TOS], Jupiter enthr](https://cdn.globalauctionplatform.com/75d2a2c1-1345-4826-b2c5-ad4900909797/5cb3c081-032d-4f7e-810f-ad4a01154152/468x382.jpg)
Lot 553
British Medals, James II, Coronation 1685, the official silver medal, by John Roettier,laureate, armoured and draped bust r., IACOBVS II DG ANG SCO FR ET HI REX, rev. wreath on cushion, celestial hand holding crown above, A MILITARY AD REGIAM, in ex., INAVGVRAT 23. AP. 1685,(MI.605/5; Eimer 273; Woll.vi), 800 specimens struck, near EF,34mm
Lot 557
British Medals, George I, Coronation 1714, the official silver medal, by John Croker,laureate and armoured bust r., rev. Britannia crowns the King who is seated on throne, in ex. INAVGVRAT XX OCT MDCCXIIII, (MI.426/9; Eimer 470; Woll.x; vL.V, 255), 1200 specimens struck, near mint with steel grey tone34.5mm
Lot 558
British Medals, Victoria, Coronation 1838, the official silver medal, by Benedetto Pistrucci,diademed bust l., rev. Victoria receiving crown from the standing figures of the three kingdoms, 37mm., wt. 30.85gms. (BHM.1801; Eimer 1315; Woll.xvii; W&E.88.2; Stef. Vol. I, pl. 32), 1,172 specimens struck, hairlines from cleaning otherwise Good EF,37mm
Lot 559
British Medals, James I, Coronation 1603, the official silver medal, probably by Charles Anthony,laureate bust r., in armour with lion shoulder plate, scarf around shoulders, IAC I BRIT CÆ AVG HÆ CÆSA RVM CÆ D D, rev. crowned rampant lion to l., holding brazier and wheatsheaf, ECCE PHAOS POPVLIQ SALVS, (MI.191/11; Eimer 80; Woll I; Cook 10) The first of the long series of official Coronation medals and struck for distribution at the ceremony. Charles Anthony, Chief Engraver of the Royal Mint (1596-1615), VF, toned,28mm
Lot 560
British Medals, Charles I, Coronation 1626, the official silver medal, by Nicolas Briot,crowned bust r., wearing ruff, collar of Order of the Garter and coronation robes, signed N.B., rev. arm issuing from clouds holding sword, DONEC PAX REDD-ITA TERRIS, (MI.243/10; Eimer 106; BMC [Jones] 125-126; Woll.ii; Cook 11; Platt pp.117-18; vL.II, 164; Foley 194), good VF30mm
Lot 561
British Medals, Charles I, the Scottish Coronation 1633, the official silver medal, by Nicolas Briot,signed B on reverse crowned and draped bust l., wearing ornate lace collar, CAROLVS DG SCOTIÆ ANGLIÆ FR ET HIB REX, rev. a Scottish thistle in flower, HINC NOSTRÆ CREVERE ROSÆ, 30mm. (MI.266/60; Eimer 123; BMC [Jones] 155; Platt p.133, type B; H&P, pl. 27, 9; Woll iii; Cook 13), good F,28mm
Lot 562
British Medals, Charles II, Coronation 1661, the official silver medal, by Thomas Simon,crowned bust r., wearing ornate lace cravat and wearing Garter Collar and George, CAROLVS II DG ANG SCO FR ET HI REX, rev. the King enthroned, crowned by Peace, EVERSO MISSVS SVCCVRRERE SECLO XXIII APR 1661, (MI.472/76; Eimer 221; vL.II, 470; Woll.v; H&P. pl. 30, 6; vL.II, 470; Platt II, p.358; Farquhar I, 229), about EF29.5mm
Lot 563
British Medals, George II, Coronation 1727, the official silver medal, by John Croker,laureate and armoured bust l., rev. the King enthroned on King Edward’s Chair, and crowned by Britannia, who holds cornucopia and leans on fasces, VOLENTES PER POPULOS, (MI.479/4; Eimer 510; Woll.xi), 800 specimens struck, virtually mint state with steel grey tone,34.5mm
Lot 564
British Medals, George II: Queen Caroline, Coronation 1727, the official medal, in silver, by John Croker,bust l., draped and love-lock around her left shoulder, rev. Caroline stands in Coronation robes, attended by Religion and Britannia, HIC AMOR HÆC PATRIA, (MI.480/8; Eimer 512; Woll.xii), virtually mint state with steel grey tone,35mm
Lot 565
British Medals, George III, Coronation 1761, the official silver medal, by Lorenz Natter,laureate and armoured bust r., plain shoulder, ribbon ties to hair downwards, rev. King, as Roman emperor, enthroned, lion at his side, crowned by Britannia, who faces outwards, PATRIAE OVANTI, (BHM.23; Eimer 694; Woll.xiii, 16; Nau 153), good VF,34mm
Lot 566
British Medals, George III: Queen Charlotte, Coronation 1761, the official silver medal, by Lorenz Natter,draped bust r., hair held by beaded ribbon, signed L.N. F, rev. Fame flies above Queen and crowns her, globe and altar to right, legend on ribband, QVAESITVM MERITIS, (BHM.66, R2; Eimer 696; Woll.xiv; Nau 155), 400 specimens struck, edge fault below bust, rev. weakness to die on upper beaded border otherwise EF,34.5mm
Lot 567
British Medals, George IV, Coronation 1821, the official silver and copper medals, by Benedetto Pistrucci,Both laureate bust l., GEORGIUS IIII D.G. BRITANNIARUM REX FD, rev. the King enthroned on raised dais, crowned by Victory, and attended by Britannia, Hibernia and Scotia, PROPRIO JAM JURE ANIMO PATERNO, in ex. INAUGURATUS DIE JULII XIX ANNO MDCCCXXI, silver medal (BHM.1070; Eimer 1146; Woll.24; Stef. Vol. I, pl. 22), 800 specimens struck, virtually mint state with steel grey tone, the copper medal virtually mint state,Both 35mm (2)
Lot 568
British Medals, William IV and Queen Adelaide, Coronation 1831, the official silver medal, by William Wyon,bust of William r., WILLIAM THE FOURTH CROWNED SEP 8 1831, rev. diademed head of Queen Adelaide r., ADELAIDE. QUEEN CONSORT CROWNED SEP 8 1831, (BHM.1475; Eimer 1251; Woll.xvi), 2,000 specimens struck, some dark grey patches, virtually mint state,33mm
Loading...-
110054 item(s)/page