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European school, mid-19th century.Bust of a woman.In white marble. With grey marble base.It presents a small damage.Size: 53 x 34 x 24 cm (sculpture); 66 x 34 x 24 cm (with pedestal).Round sculpture made in white marble and representing the bust of a young woman, this one, appears with her hair gathered in a hat perfectly carved to remind the straw, and with a ribbon and flowers around. Her neck is covered by a delicate scarf that indicates the quality of the piece. The young woman's face is smiling and her gaze is hidden under her hat.
Quantity of WWI crestes ware including two ambulances, British Trench Mortar Gun, Cenotaph, sailor bust, battleship, Royal Naval Air Service cup and saucer, zeppelin, Tommy throwing hand grenade, Matlock Bath war memorial, military tent, peaked cap and two other pieces by Goss, Swan China, Carlton China, Caledonia China and others (14)
John Adams-Acton (British, born 1834-1910)A marble bust portrait, possibly of John Cookson of Meldon Park 1808-1892, on a green serpentine marble column, signed and dated Roma 1864 the bust 37cm deep, 69cm high (20in wide, 14 1/2in deep, 27in high), the column 37cm deep, 60cm high (14 1/2in wide, 14 1/2in deep, 23 1/2in high) This lot is subject to the following lot symbols: TPTP Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For further information on this lot please visit Bonhams.com
Circle of Sir Peter Lely (Soest 1618-1680 London)Portrait of a gentleman, three-quarter length, in black costume with a white lace jabot, standing beside a stone bust statue of a womanoil on canvas 126.2 x 102cm (49 11/16 x 40 3/16in).For further information on this lot please visit Bonhams.com
LATE 19TH CENTURY FRENCH PORCELAIN AND ORMOLU MANTEL CLOCK,the twin train eight day movement by Japy Freres, striking on a bell, the white enamel dial set with Roman numerals and inscribed 'Edward Bright, Paris', the drumhead with rose and ribbon cresting below a female bust finail over handpainted Sevres-style panels depicting floral sprays and two young ladies interspersed with classical putti, a gadrooned and beaded base and shell bracket feet, 31cm highCondition good to fair. Clock winds but not ticking at present. The surround is with wear throughout. With rust to key winds and hands. Chip and some hairlines to enamel dial. Back cover missing. Additional images now available.
Collection of board games including Harry Potter And The Philosopher's Stone, 5 film related books (Star Wars and Tolkien) , 2 rubber Simpson's masks (Mr Burns and Homer) and a BBC Thunderbirds die-cast commemorative set (previously displayed but models in excellent condition with original packaging), a large plastic Warner Bros Scooby-Doo figure (H31cm) and plastic Batman bust money bank.
Simón Bolívar (1830 - 1830) - Bronzebüste, 20. Jhdt. Bronze, braun patiniert, unsigniert. Bolívar in reich bestickter Uniform mit hohem Stehkragen, Medaille und Umhang. Auf weiß geädertem grünen Steinsockel (gebrochen, kleine Fehlstellen), schauseitig auf Bronzeplakette das reliefierte Wappen von Venezuela. Teilweise beschädigt, Altersspuren. Höhe 45 cm. Sehr repräsentativ.Der Nationalheld Simón Bolívar führte die Unabhängigkeitskriege gegen die spanische Kolonialherrschaft in Venezuela, Bolivien, Kolumbien, Panama und Ecuador. Simón Bolívar (1830 - 1830) - a bronze bust, 20th century
Napoleon Bonaparte – Bronzebüste als Erster Konsul Bronze, Hohlguss, schwarzgrün patiniert, rs. bezeichnet "Canova 1808". Napoleon mit Halsbinde und reich verziertem repräsentativen Rock. Profilierter runder Bronzesockel. Gebrauchs- und Altersspuren. Höhe 43 cm.Vom 10.11.1799 bis zum 1.12.1804 regierte Napoleon als Erster Konsul. Das Konsulat wurde mit der Kaiserkrönung Napoleons I. am 2.12.1804 durch das Premier Empire abgelöst. Napoleon Bonaparte – a bronze bust as First Consul
Kaiser Wilhelm II. - kleine Büste, Ende 19. Jhdt. Bronzierter Zink-Hohlguss, rs. der Schriftzug "Aktien-Gesellschaft vorm. H Gladenbeck & Sohn". Vollplastische Darstellung des Kaisers in Generalsuniform mit angelegtem Ordensschmuck und offenem Mantel. Gebrauchs- und Altersspuren. Höhe 13,5 cm. Sehr detaillierte, repräsentative Figur. Emperor Wilhelm II - a small bust, late 19th century
Otto Fürst von Bismarck - kleine Portraitbüste, Ende 19. Jhdt. Kupferfarbenes Buntmetall, braun patiniert (berieben), rs. der Schriftzug "... H Gladenbeck & Sohn" (undeutlich). Sehr lebensnahe, detaillierte Bildnisbüste des Kanzlers mit Hut und Mantel, gestaltet von Harro Magnussen (1861 - 1908). Auf rundem profilierten Steinsockel (etwas bestoßen). Gebrauchs- und Altersspuren. Gesamthöhe 20 cm. Vgl. Thieme-Becker Bd. XXIII, S. 565. Otto Prince of Bismarck - a small portrait bust, late 19th century
A small collection of novelty silver, to include an Edwardian silver man and cat miniature chamberstick, 5 cm high, together with two small white metal mounted brushes, one with rose metal fleur de lys and central bust, a late 20th century silver matchbox holder, a silver wine coaster with turned wood base, and a boxed set of six silver sixpenceProvenance: Contents of the Estate of Sir Frank Williams CBE and Lady Virginia Williams.
Archbishops of Canterbury, Wulfred (805-32), Penny, Canterbury, Gp VI (under Baldred), Wilnoth?, [------------]is, tonsured bust within inner circle, rev. [-----]d m[----] around, drvr cits within inner circle, 0.42g/6h (Naismith C69, these dies not recorded; N 239; S 891). A fragment consisting of just the central area and a small section of the outer margin, very fine £60-£80 --- Provenance: Found near Swanage (Dorset), December 2019 (EMC 2019.0387)
Kings of Mercia, Coenwulf (796-821), Penny, Ipswich, Wodel, convvlf rex m, draped and diademed bust right breaking inner circle, rev. po d e l in angles of beaded cross with annulet terminals and centre, 1.24g/6h (Naismith 13.1f = SCBI BM 207, same dies; BLS 111; N 369; S 920). Hairline edge splits at 5 and 9 o’clock, both terminating within the legend, otherwise better than very fine, dark find patina £1,500-£1,800
Kings of Mercia, Burgred (852-74), Penny, Phase III, c. 868-74, Diarwulf, bvrgred rex, diademed and draped bust right, rev. mon diarvii eta in three lines, crooks dividing legend, 1.65g/3h (MacKay H11; SCBI BM 412ff; N 426; S 942A). Good fine, full flan, dark patina £300-£360 --- Provenance: Royal Berkshire Collection
Kings of East Anglia, Æthelstan (825-40), Penny, [Ipswich], Eadnoth, edelztan re+, draped bust right, breaking inner circle, rev. eadnod monet around cross-crosslet, 1.36g/6h (Naismith E30a, same obv. die = SCBI BM 833, same dies; Pagan, BNJ 1982, p.58; N 434; S 948). Nearly extremely fine, struck on a full round flan, free from the usual porosity but with some patchy toning; extremely rare thus £8,000-£10,000 --- Naismith’s corpus records just two examples of Æthelstan portrait pennies struck by Eadnoth, from two obverse and two reverse dies. The present coin, which is seemingly only the fourth known example, was struck from the same dies as the coin now housed within the British Museum, and the same obverse die as the piece sold through these rooms in 2022. Æthelstan was a king of the independent Kingdom of East Anglia which emerged following the end of Mercian Supremacy in 825. Unfortunately, the paucity of contemporary written sources means that we know little about events in the region during the first half of the ninth century. The Anglo-Saxon Chronicle relates that in 825 the Mercian King Beornwulf, after his disastrous defeat at the battle of Ellendum against King Ecgberht of Wessex, was slain by an anonymous king of the East Angles. Beyond this, little interest was shown by the Chronicle’s compiler towards the East Anglian kings or their activities. This fact, coupled with a complete absence of surviving charters from the area, means that we must turn to the numismatic evidence for answers. The identity of the first independent king of East Anglia is made clear from the hoard record, with the Middle Temple hoard being particularly informative. The large group, deposited at some point during the 840s, contained 243 early ninth century coins produced under various kings across England. Included within were some 39 pieces of Æthelstan. No coins of any other independent East Anglian ruler were present, making Æthelstan’s primacy clear. The name Eadnoth, the moneyer responsible for the striking of the coin offered for sale here, first appears on pennies of the Mercian king Offa in the 780s and then on coins of the obscure local king Eadwald who usurped power in East Anglia for a brief period during the late eighth century. Following this Eadnoth signed no coins during the first two decades of the ninth century, despite the productive nature of the East Anglian mint under the supervision of the Mercian Kings Coenwulf and Ceolwulf. Finally the name reappears in c. 824 on the coins of the last Mercian rulers to exercise power within the region, Beornwulf and Ludica, before continuing onto the coinage of the independent king Æthelstan. Given that several decades lapsed between these episodes of the minting activity we ought to consider the possibility that these are two different moneyers by the same name. Elsewhere, attempts have been made to detect familial connections between successive moneyers operating within the same area who share similar names. The case of Eadnoth may provide another good candidate for such a scenario, and it is possible that the Eadnoth who struck our coin was a relative, perhaps even a son, of Offa’s moneyer. In common with all of Æthelstan’s portrait coins, the present specimen was struck at the beginning of the monarch’s reign, as part of an issue that probably lasted until c. 830. Æthelstan portrait pennies were completely absent from the Middle Temple Hoard. From this some have inferred that these early coins must had dropped out of circulation by this point. However, the same hoard contained numerous pennies struck under Æthelstan’s Mercian predecessors, Coenwulf, Ceolwulf and Beornwulf. It is difficult to believe that all of Æthelstan’s portrait pennies ceased to circulate on account of wear, damage and loss whereas those of earlier rulers consistently did not. We should not dismiss the possibility that Æthelstan’s Portrait coinage was officially called in and deliberately withdrawn from circulation in a renovation monetae. Such a policy was seemingly employed by the Kings of Wessex during the second half of the ninth century to help bring uniformity to their currency and led to a total absence of earlier coins in hoards deposited after the reform’s instigation. It is notable that following the short episode of iconographical variation early in Æthelstan’s reign all of the East Anglian coinage, continuing throughout the reigns of his successors Æthelweard and Eadmund, was of a generally consistent design. If such a reform was implemented it would help to explain why the portrait pennies of Æthelstan remain so excessively rare, despite the general increase in ninth century coins discovered and excavated over the previous two decades. Works cited: Blunt, C.E., Lyon, C.S.S., and Stewart, B.H.I.H., 1963. ‘The coinage of southern England, 796–840’, BNJ 32, pp.1–74 Pagan, H.E., 1982. ‘The Coinage of the East Anglian Kingdom from 825 to 870’, BNJ 52, pp.41-83 Pagan, H.E., 1986. ‘Coinage in southern England, 796-874’ in M.A.S. Blackburn (ed), Anglo-Saxon Monetary History: Essays in memory of Michael Dolley (London), pp.45-66 Naismith, R., 2011. The Coinage of Southern England 796–865, BNS Special Publication 8, 2 vols. (London) Naismith, R., 2012. Money and Power in Anglo-Saxon England: the Southern English Kingdom 757-865 (Cambridge) Stenton, F., 1971. Anglo-Saxon England. Third Edition (Oxford)
Cnut (1016-1035), Penny, Quatrefoil type, Wallingford, Coleman, coleman on peli, Winchester dies, additional pellet either side of bust, and in second and third spandrils of rev. quatrefoil, 1.05g/6h (BL p.228; SCBI Copenhagen 3934, same dies; FEJ 855, same dies; cf. BEH 3604; N 781; S 1157). A few peck marks, otherwise good very fine, rich iridescent toning, very rare £300-£360 --- Provenance: SCMB August 1971 (HS 2034); Royal Berkshire Collection
Edward the Confessor (1042-1066), Penny, Expanding Cross type [Light issue], Lincoln, Authgrimr, oθgrin on linco, North-Eastern 'Pacx' style bust B, 0.99g/9h (Freeman 235; Mossop pl. lxxiii, 16, same rev. die; N 821; S 1176 var.). Sometime straightened with resulting stress mark across coin, otherwise very fine, dark find patina; the bust variant scarce £240-£300 --- Provenance: Royal Berkshire Collection [from M. Vosper]
Henry V (1413-1422), Groat, class A, mm. cross pattée with sunken centre containing pellet, henric di gra rex anglie z franc, emaciated bust, large fleurs on bust, quatrefoil after henric, saltire stops except after di (double), rev. posvi devm adivtorem mevm; civitas london, quatrefoil after posvi, double saltire stops, 3.61g/12h (Stewartby p.323 [Henry IV]; Harris BNJ 1997 12 [A-2:R.A-5] and pl. 2, 12, this coin; Potter I, O2; N 1359(b); S 1759). Double-struck and with some surface marks, otherwise very fine, strong portrait, very rare £2,400-£3,000 --- Provenance: G.L. Eades Collection, Sotheby Auction, 3-4 March 1902, lot 280; F.A. Walters Collection, Part I, Sotheby Auction, 26-30 May 1913, lot 244; R.C. Lockett Collection, Part III, Glendining Auction, 4-6 November 1958, lot 3075; D. Mangakis Collection; ‘Motcomb’ Collection, Morton & Eden Auction 78, 17 March 2016, lot 39; F. Bartlett Collection
Henry V (1413-1422), Groat, class Ca, mm. cross pattée, henric di gra rex angl z franc, ‘frowning bust’, no fleurs over crown, mullet on king’s sinister shoulder, small quatrefoil after henric, early ds both sides, rev. posvi devm adivtore mevm; civitas london, broken n in don, quatrefoil after posvi, 3.66g/7h (Stewartby p.324; Potter VIc; N 1387(a); S 1765). Slightly double-struck, otherwise very fine, toned £300-£360 --- Provenance: SNC March 2011 (HS 4445); Baldwin FPL Winter 2014/15 (BH 073); F. Bartlett Collection
Henry VII (1485-1509), Facing Bust issue, Groat, class IIIc, mm. anchor (inverted on obv., upright on rev.), crown with inner arch plain, 2.94g/4h (SCBI Ashmolean 365-7; N 1705c; S 2199). Slightly wavy flan, nearly very fine, toned £150-£180 --- Provenance: Royal Berkshire Collection [from B. Reeds 1993]
Henry VIII (1509-1547), Third coinage, Groat, Tower, mm. lis, henric 8 d’ g’ agl’ fra’ z hib’ rex, bust 3, rev. posvi dev’ adivtore mev’, sleeve stops, pellet-in-annulets in fork ends, 2.57g/1h (Stewartby p.526, iii; Laker E; Whitton B4; N 1844; S 2369). Signs of die-shift, otherwise very fine and toned; good fabric for issue £400-£500 --- Provenance: R. Blakey Collection, Spink Auction 219, 24-5 September 2013, lot 391; F. Bartlett Collection
Henry VIII (1509-1547), Third coinage, Groat, York, no mm., bust 3, Lombardic lettering, open forks, spur from top left corner of shield, defective saltire stops, 2.52g/6h (Stewartby p.527; N 1848; S 2374). Double-struck on obverse, good fine, scarce bust for issue £120-£150 --- Provenance: Reportedly ex Dr E. Burstal Collection
Elizabeth I (1558-1603), Second issue, Groat, mm. cross-crosslet, wire-line and beaded inner circles, bust 1F, elizabeth d’ g’ an’ fr’ et hi’ regina, rev. posvi dev’ adivtorem mev’, 2.04g/12h (BCW CC-1H:CC-B3; N 1986; S 2556). Nearly very fine, toned £200-£260 --- Provenance: D. Poll Collection, St James’s Auction 12, 5 November 2009, lot 1219; F. Bartlett Collection
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110054 item(s)/page