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Lot 1075
An Unusual Near Eastern Bone Inlaid Hardwood Vargueno or Writing Cabinet, on Later Stand, the cabinet with panelled front inlaid with pattern devices between four ebonised pillars and enclosing an interior probably from an earlier European cabinet, fitted ten small drawers, the drawer fronts carved with stylised dragons and scroll motifs, the open interior inlaid with a bust of a Roman figure, flanked by one long drawer and two pillar drawers, with lifting top, 50ins wide x 20ins deep x 24.5ins high, on 19th Century walnut and ebonised stand in the Biedermeier manner, with twin front supports with Egyptian style busts in gilt and swept platform base, the whole 49ins wide x 21.5ins deep x 55ins high
Lot 496
After Hans Stolenberg-Lerche (1867-1920) - Two bronzed spelter shoulder length busts of young women - One titled "Eglantine", her head turned down, the other wearing wide brimmed hat, each on red veined marble columns and square bases, 10.75ins and 11.25ins high, and one other bronzed spelter bust of a young woman wearing wide brimmed hat, on square base, 6.75ins high
Lot 1073
Sidney Horne Shepherd (British 1909-1993): Female Nude, pencil and watercolour signed, John Armstrong (British 1924-2018): Seated Nude, watercolour unsigned, and another female bust portrait indistinctly signed, max 45cm x 30cm Provenance: with Sulis Fine Art Condition Report Click here for further images, condition, auction times & delivery costs
Lot 107
A weathered carved white marble head and shoulders portrait bust of a lady, h.43cmCondition report: Several veined long-running cracks throughout.Some moss and residue to surface areas.General rough weathering to surface.Approx. 25x15mm low relief chip towards bottom of neck at front.Appears to have been carved out of one block of variegated marble.Not signed.Plinth is separate, some missing pieces and is heavily damaged.
![Anton Nelson (France, 1880 - 1910)Art Nouveau spelter bronzed lady bust. Signed to the back. [35cm height]](https://cdn.globalauctionplatform.com/a29f2876-7b06-4bb6-8595-ac0200872d36/b634af6c-4cc5-4b8d-b00a-ac0600d17e43/468x382.jpg)
Lot 2300
George III Shakspeare commemorative box, in brass and copper, the cover with a profile bust of the writer with the motto "we shall not look upon his like again", to the verso - "commemoration of Shakspeare at Stratford-upon-Avon Stewards Right Hon. the Earl of Guildford, Right Hon. Lord Middleton, Sir Chas Mordaunt Bart MP, Francis Canning Esq., April 23 1816" 47mm dimeter
Lot 281
Old masters.- Raimondi (Marcantonio) Christ Taking Leave of his Mother, after Albrecht Dürer, engraving on laid paper with indistinct circular watermark surmounted with star [probably 16th century], sheet 290 x 210 mm (11 1/2 x 8 1/4 in), numerous areas of loss and minor damage, handling creases and surface dirt, unframed, circa 1510 [or slightly later]; together with a later impression of Erhard Schön's profile portrait of Dürer, trimmed with tears and restoration, and a group of nine etchings and engraved copies after Rembrandt, including a bust portrait of the artist's mother, various sizes, all unframed, 17th century and later (11)
Lot 190
Small Selection of Home Front Items consisting Children’s Crusade For Children April 22-30, 1940 collecting tin ... Save For Victory, Churchill bust money box ... China desk calendar “Never In The Field Of Human Conflict Was So Much Owed By So Many To So Few” ... Miniature china pot. Printed with Hitler in the interior and “Chums, What Would You Do?” to the rim ... Mayfair toilet roll with printed wrapping. 5 items.
Lot 152
* Selvi (Antonio Francesco, 1679-1753). Richard Molesworth (1680-1758, 3rd Viscount Molesworth), 1712, bronze medal, the obverse with bust facing right in armour and ornate helmet, the reverse with Bellona grasping the arm of Fortune, 89mm, extremely fine and very rare, sold with a later composite frame with labels attached, and inscribed with provenanceQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London; Royal United Services Institute sale, Wallis & Wallis,1964 Vannel & . 133; MI II, 391/245; Eimer 453. A pupil of Massimiliano Soldani, Antonio Selvi is best known as the most prolific Baroque medallist in Florence during the twilight of the Medici. His earliest dated medal is 1711 and more than 109 portrait medals and a series of 111 medals commemorating the Medici dynasty are attributed to him. Selvi's style is indebted to Soldani and he is recorded as having worked in bronze and as a modeller in lead for works in porcelain and in wax for cameos. Field Marshal Richard Molesworth, 3rd Viscount Molesworth (1680-1758) was an Anglo-Irish military officer, politician and nobleman. He served with his regiment at the Battle of Blenheim before being appointed aide-de-camp to the Duke of Marlborough during the War of the Spanish Succession. During the Battle of Ramillies in 1706 Molesworth offered Marlborough his own horse after Marlborough fell from the saddle. Molesworth then recovered his commander's charger and slipped away, saving Marlborough's life. Molesworth went on to become Lieutenant of the Ordnance in Ireland, was wounded at the Battle of Preston during the Jacobite rising of 1715, and later became Commander-in-Chief of the Royal Irish Army.Richard Molesworth's older brother (John Molesworth, 2nd Viscount, 1679 - 1725) commissioned medals of himself and his brother Richard from Antonio Selvi while John was Ambassador Extraordinary to the Grand Duchy of Tuscany. Another example of this medal was sold at auction at Morton & Eden (London), Coins, Medals & Banknotes, 27 June 2018, lot 131.
Lot 197
* Coins. A small collection of British and World coins, 18th-20th century, including a Victoria 1893 gold Sovereign (Spink 3874, with Obverse: Queen Victoria Old veiled bust and Reverse: St George and the Dragon by Benedetto Pistrucci), 1816 George III Halfcrown (Spink 3788), 1826 George IV Penny (Spink 3823), 1892 Victoria Crown (Spink 3921), and 1972 Elizabeth II & Philip Silver Wedding Commemorative twenty-five pence (crown) coin, etc. and other mostly 20th century coins,Qty: (small folder & box)
Lot 266
* Dress. A 1920s evening gown and train, hand-made long dress of pale green figured lurex, mostly machine-stitched, front of waist ruched at either side, narrow double straps, each pair stitched at top to cross over, side closure with 11 small metal press stud fasteners and some metal hooks and stitched loops, short train at back, area of slight discolouration on back, bust 91.5 cm (36 ins), waist 79 cm (31 ins), length of front 131 cm (51.5 ins), length of back 142 cm (55.5 ins), together with a matching train with scalloped hem, with lining, piped scallops, twisted cord neckline, and shoulder bows, all in pale green velvet, width 81 cm (32 ins), length 183 cm (72 ins), plus a 1920s hand-made unstructured coat dress of dark blue chiffon with geometric pattern in figured pale beige velvet, with ruched stand-up collar, long sleeves, and front opening fastened with a large self covered button, stitching slightly broken to 2 short areas of seam, and small hole at cuff of one sleeve, sleeves 53 cm (21 ins), length 107 cm (42 ins)Qty: (3)
Lot 267
* Dress. A changeable silk gown, circa 1850, hand-sewn dress of lilac/pink changeable silk taffeta, with round neck, fitted bodice with gathers at shoulders becoming narrow pleats (some stitching missing) and terminating in v-shaped waist, flared pagoda sleeves trimmed at cuff with double row of scalloped ruched pink silk ribbon, and gathered skirt with cartridge pleats at back, front opening with scalloped edge trimmed with ruched pink silk ribbon and 8 (of 10) decorative acorn buttons, opening closed by 19 brass hooks and corresponding embroidered eyelet holes, lined with cream cotton and with integral linen pocket to right-hand seam, small pale mark just above waist beside right-hand side seam, bust 81 cm (32 ins), waist 61 cm (24 ins), sleeves 51 cm (20 ins), length 140 cm (55 ins)Qty: (1)NOTESA beautiful gown, preserved in remarkably good condition.
Lot 277
* Marcel Fenez. A brocade dress, circa 1960s, long-sleeved brocade dress, patterned and horizontally striped, in pink, purple, green, and gold metallic threads, on a yellow ground, with stand-up collar, and 9 domed matched covered buttons to front, with corresponding fabric loops, yellow satin lining, label of designer 'Marcel Fenez création de Paris', with size '10' label and additional label 'this garment to be dry cleaned', one sleeve and hem lengthened, bust 90 cm (35.5 in), waist 92 cm (36 in), sleeves 50 cm (19.75 in) and slightly longer, length from shoulder 91.5cm (36 in), together with: Macphail. A full-length floral dress, circa 1960s, long gown of printed sheer cotton, with a pattern of large flowers in green, blue, white, and black, with neck frill and large puffed sleeves, gathered skirt, and black velvet ribbon trim to neckline, with matching bows on sleeves, zip fastener to rear, matching fabric belt with metal eyelets and black velvet ribbon, dress lined with green cotton, label at nape 'Macphail model, Made in London, 36', sometime shortened and hemmed by hand, bust 86 cm (34 in), waist 66 cm (26 in), sleeves 38 cm (15 in), length from shoulder 132 cm (52 in), plus another full-length Macphail gown, of bright rose cotton sateen, sleeveless, with ruched bodice, zip closure to rear, and matching satin lining, shortened and hemmed by hand, a few marks to top of front skirt and a tear in lower hem, size 34, and other 1960s/70s clothing, including a full-length sleeveless gown of orange chiffon with boned ruched bodice, by Elizabeth Miller, London, size 36 (zip fastening to rear with pull separated from one side); a brightly-patterned maxi skirt and matching bodice; three suede leather mini skirts (one of multi-coloured patchwork); and a suede leather waistcoatQty: (13)NOTESProvenance: From the families of Marie Carmichael Stopes (1880-1958) and Sir Barnes Neville Wallis (1887-1979) by direct family descent.
Lot 297
* Crimean War. A Victorian terracotta bust modelled as Mary Seacole the Jamaican Nurse and Heroine of the Crimean War by Count Gleichen, 1871, the half bust seen wearing her Crimean War medals, the rear inscribed 'G' and dated 1871, on a socle base, additionally inscribed recently 'Mrs Mary Seacole of Crimean War Fame by Count Gleichen', approximately 30cm high, please note several images are provided of important letters with background information relating to this itemQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Mary Grant Seacole (1805-1881), the Jamaican Nurse and Heroine of the Crimean War was born in Kingston, Jamaica. Her mother was creole and her father a Scottish soldier. Mary moved to London in 1836 and married a sick husband who died soon after they were wed. At the outbreak of the Crimean War she applied to the War Office to be allowed to nurse sick and wounded servicemen, but was not accepted by either the Government or Florence Nightingale. Undaunted, she joined with a Mr Day, and they went to the Crimea to open a restaurant which she called the "British Hotel". Mary helped the sick and wounded at Scutari and went to Sebastopol and opened a "mess table and comfortable quarters for sick and convalescent officers", she tended to the wounded from Balaklava. She was present at the assault on the Redan on 18 June 1855, tending to the wounded, even seeking such men on the battlefield. She returned to England and declared herself bankrupt, however in 1857 the firm was declared free of bankruptcy and some of her grateful and influential friends such as Major General Lord Rokeby, Sir William Russell and Count Gleichen started a fund for her. The row of pearls which she is wearing in this bust was left in her will to one of the daughters of Lord Gleichen. The bust was exhibited at The Black Cultural Archives in 1993.
Lot 483
A mixed group of ceramics including Royal Doulton hand painted cabinet plate, 'Linlithgow', signed J. Hughe and numbered HB6995 E4928, diameter 27cm, six items of blue and white transfer decorated ware (5 af), a Dresden-type mirror with twin cherubs and profuse moulded foliate decoration, 32 x 26cm (numerous chips), a Wedgwood blue jasper ware planter, diameter 20.8cm, a further light blue vase, a black basalt bust of John Wesley, height 23.8cm, a Royal Worcester dish modelled as mermaid holding shell (af), a bisque figure of boy holding basket with impressed and printed marks, no.880, height 25cm, a floral stone china lidded jar, three Royal Worcester cups and saucers (including matching pair), a Moore Brothers small bowl (af) and a small mantel clock with enamelled frontispiece.Additional InformationRoyal Doulton plate rings true, some light surface wear, some small glaze losses. All the items of blue and white ware with damage, apart from the tapered circular vase with handles to the lower section. Damage includes chips, hairline cracks, large areas of damage, also all crazed throughout. Numerous chips to the mirror, too many to detail individually. Some small nicks to the planter, similar to Wesley bust. The dish with mermaid has chip to shell rim. Worcester figure extremely dirty, some scuffs. The lidded jar again very dirty with some general wear. The Moore Brothers bowl with chips to the foliage. The clock not tested, no guarantee of working order, missing the back plate, no key, some nibbles to enamel, generally heavy wear.
Lot 484
A collection of assorted ceramics and glassware including Giuseppe Armani, Wedgwood, Royal Crown Derby, Victorian opaque glass vase etc.Additional InformationLarge pedestal fruit bowl with large chips to the rim, indistinctly signed possibly P.Lusa dated 85, the Crown Derby figurine has had the head broken and glued back, Coalport bust with chipping to the wreath flower heads, general wear throughout.
Lot 118
Two 19th century mother of pearl pendants including a circular example with portrait bust, diameter 7.5cm, the second example depicting Cupid beside a nude maiden, 6 x 8cm (2).Additional InformationEach with general wear, minor scratches especially to the Cupid example, also tiny chip to the Cupid ecxample.
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110054 item(s)/page