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Lot 313
Three various reproduction plaster busts of Classical figures, another full-length sculpture of a Classical lady, a gilt plaster wall pocket with pair of putti and one other wall-hanging figure of a putto, height of largest 61cm (6). CONDITION REPORT Bust of lady: paint dribbled down back and looks recently painted, tiny chips to the paint. David: minor losses to his hair and neck, some staining, chip to base. Classical bust of lady: recently repainted and chips to gilt finish. Statue: chips throughout. Single cherub: recently repainted, several noticeable chips painted over. Pair of cherubs: damage and paint loss to face, large chips to the swags, piece detached but present on left hand side.
Lot 436
GRIESHABER, HAP Rot an der Rot 1909 - 1981 Achalm Stillleben und Frauenbüste. Farbsiebdruck nach einem Holzschnitt von 1947. 51x59,9cm. Vgl. Fürst 47/12 GRIESHABER, HAP Rot an der Rot 1909 - 1981 Achalm Still life and bust of a woman. Coloured serigraph after a woodcut of 1947. 51 x 59.9 cm. Cf.: Furst 47/12. Keywords: silkscreen, serigraphy, screen print, silk-screen, silk screen, silkscreening, screen printing, Germany, Deutschland, German
Lot 160
An Oopma Loompa (Deep Roy) paint test bust from the production of Tim Burton's family comedy Charlie and the Chocolate Factory. Oompa Loompas worked in Willy Wonka's (Johnny Depp) factory and were all played by Roy. This airbrush-painted resin bust features alternate colours painted along the left shoulder, and handwritten notes on the right shoulder, which read "Deep Roy", "Laser Scan Concept Model. Oompa Loompa" and "Charlie the Chocolate Factory Pinewood Studios 2004". The bust features some chipping to the paintwork, most notably on the nose, ears and tip of the hair. Dimensions: 18 cm x 14 cm x 11 cm (7" x 5 1/2" x 4 1/4")Estimate: £400 - 600 †Δ
Lot 39
A special effects "change-o" mechanical werewolf transformation bust from John Landis' horror comedy An American Werewolf in London. After screaming in pain with the rise of a full moon, college student David Kessler (David Naughton) transformed into the titular lycanthrope. This scene is considered one of the greatest special effects sequences in the history of cinema. All of the film's innovative makeup and special effects were created by renowned special effects artist Rick Baker, who won the first ever Academy Award® for Best Makeup and Hairstyling for his work on this production. Baker went on to win the award seven times throughout his career.This is one of two "change-o" heads created to showcase the stages of the transformation. The lot comprises a fibreglass skull and hunched over shoulders, featuring protruding vertebrae at the back. The majority of the skin and fur have unfortunately worn away over time, but there is evidence of the original smooth-on urethane skin on the neck, and there are some sporadic hairs still adhered to the piece, notably on the lower jaw. The prominent jaw section displays a set of yellowed fangs.When in use, the forehead and cheek sections of the piece move outwards and the jaw section extended forwards, opening the mouth. These actions would have been operated on set by a team of effects technicians using air-filled syringes. This mechanism has been sympathetically replicated using electric motors and cables, allowing the piece to cycle through a series of movements that recreate the motion seen in the film.The lot remains in a working condition and is presented on a custom-made display base containing the electric pneumatic components. The film's title and the text "The original 'change-o' head #1" decorate the front of the display. Powered by a UK 250V plug, the title illuminates via a large red switch situated at the back of the base. The lot is accompanied by two separate remotes which control the animatronic features. Dimensions (displayed): 50 cm x 58 cm x 65 cm (19 3/4" x 22 3/4" x 25 1/2") Contains electronics and mechanical components; see electronics and mechanical components notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £30,000 - 50,000 †Δ
Lot 554
A Davy Jones digital animation reference bust and production ephemera from Gore Verbinski's fantasy swashbuckler Pirates of the Caribbean franchise. This bust was sculpted by Industrial Light & Magic's (ILM) Richard Miller as a physical reference piece for the digital animation team working on the Davy Jones character, who benefitted from seeing a 3-D model of Jones while animating. The bust may have also been used for digital scanning; several castings were made during production to be used as needed.The highly detailed fibreglass Jones (Bill Nighy) bust was created with a separate pirate hat (which has had some repair work carried out after production) and particle board base painted coppertone and silvertone. Also included are three ILM VFX crew hats from the first three films, respectively; and four cotton crew T-shirts from the films, ranging in size from M to XL. The lot is in good overall condition with wear and flaking paint from production. Dimensions (largest): 66 cm x 43.25 cm x 33 cm (26" x 17" x 13"); (smallest): 6.5 cm x 4 cm x 4 cm (2 1/2" x 1 1/2" x 1 1/2")Estimate: £2,000 - 3,000 Ω
Lot 73
A production-made Batman (Michael Keaton) cowl from Tim Burton's superhero film Batman. Bruce Wayne wore his signature Batman cowl throughout the film, donning it whenever he fought crime on the streets of Gotham City, including when he ultimately defeated the villainous Joker (Jack Nicholson).Conceived by costume designer Bob Ringwood and sculpted specifically for Keaton, this style of cowl was worn by the Caped Crusader throughout the film, with this particular piece made by production but ultimately never completed. It is made of black foam rubber and features sculpted-in detailing around the eyes, eyebrows, nose, and chest, as well as Batman's trademark bat "ears" on top. As designed by Ringwood, the bottom edges of this cowl feature distinctive soft prongs meant to attach seamlessly to the cape with makeup glue to create the illusion of a one-piece Batsuit. The cowl comes mounted to a grey fibreglass bust for display and preservation. This lot is in good but fragile overall condition with visible signs of wear and age, including torn rubber around the forehead and brow, and a split down the back. Dimensions (displayed): 56 cm x 28 cm x 58.5 cm (22" x 11" x 23")Estimate: £8,000 - 10,000 Ω
Lot 775
A jacket, pillow, laptop bag, 3D glasses and a Death Trooper mini bust from Lucasfilm, the production company behind the Star Wars franchise. The Land's End jacket is dark blue and labelled size "L". The pillow is hand-stitched and decorated with a map of the Lucasfilm site, and is kept in a protective red drawstring bag. The laptop bag is grey with "Lucasfilm Ltd" embroidered on one side. The 3D glasses come in a black Lucasfilm case within a black card box. The bust is a hand-painted 1:6 scale Death Trooper mini bust, made of polyresin. It comes with a certificate of authenticity and a note from Lucasfilm, thanking a crew member for their work on Rogue One: A Star Wars Story. The items are all in their original packaging and are unused. Dimensions (pillow): 43 cm x 43 cm x 10 cm (17" x 17" x 4"); (bust in box): 10.5 cm x 18 cm x 22 cm (4 1/4" x 7" x 8 3/4"); (laptop bag) 8 cm x 53 cm x 34 cm (3 1/4" x 21" x 13 1/2"); (3D glasses box): 8.5 cm x 18 cm x 6 cm (3 1/4" x 7" x 2 1/2")Estimate: £400 - 600 M
Lot 911
Beast's (Nicholas Hoult) creature appliances from Matthew Vaughn's superhero prequel X-Men: First Class. Hank McCoy first revealed himself in his new, blue-furred form at the X-Jet hangar and showed off his super strength while battling mutant assassin Azazel (Jason Flemyng) during the Cuban Missile Crisis. The costume comprises a cowl appliance displayed on a foam bust (labelled "Beast, Mark Rayner Stunt Cowl"); a face appliance with teeth, presented on a plastic form display (labelled "Beast, Mark Rayner Stunt Face"); a padded torso section (labelled "Nick"); a pair of arms (both labelled "#1"); and a pair of legs with attached feet (labelled "N1, #3"). The majority of the components are blue foam-latex skin covered in grey-and-brown hand-punched faux fur. Discoloured resin nails adorn the hands and feet, and the costume displays various zip and popper fastenings. Fur has not been applied to the torso, as the character's X-Men suit was worn over the top. The foam latex displays minor wear and cracking in some areas, and the fur has begun to shred. Dimensions (bust): 30 cm x 46 cm x 60 cm (11 3/4" x 18" x 23 1/2"); (face display): 35 cm x 26 cm x 21 cm (13 3/4" x 10 1/4" x 8 1/4")Estimate: £4,000 - 6,000 M
Lot 5011
Thunderbirds - Two Robert Harrop detailed model figurines of TBHG01 Scott Tracy Bust and TBHG02 Virgil Tracy, both limited edition of 150, and TBMP International Rescue Plaque, all boxed (3). Provenance: From the Julian Bell Collection. All lots will be supplied with Certificate of Authenticity signed by Ewbank's Auctioneers.
Lot 670
Imposante Marmorbüste 'Medusa Rondanini' Italien, Anf. 20. Jh. Carrara-Marmor, Rückseite geflacht. Von wallendem Haar umgebenes Haupt, an beiden Seiten des Kopfes ragen Flügel heraus. Min. best. Gesamthöhe 48 cm. - Das antike Original stammt aus dem gleichnamigen Palazzo in Rom und befindet sich heute in der Glyptothek in München. - An Imposing Marble Bust 'Medusa Rondanini' Italy, early 20th century Carrara marble, flattened back. Head surrounded by flowing hair, wings protruding on both sides of the head. Min. dam. Total height 48 cm. - The antique original comes from the palazzo of the same name in Rome and is now in the Glyptothek in Munich. -
Lot 867
Jugendstil-Frauenbüste Jugendstil-Frauenbüste Jugendstil-Frauenbüste Biskuitporzellan. Auf annähernd quadratischem Stand mit abgerundeten Ecken Frauenbüste mit leicht nach rechts gewandtem Kopf, das lange, lockige Haar auf dem Kopf geknotet. Entw. Affortunato Gory (Gori) (tätig um 1895 - 1925). Brandriss. Minim. best.; H. 45 cm. An Art Nouveau biscuit porcelain bust of a young lady modelled by A. Gory. Firing crack. Minor chipped. Frankreich. 1. Drittel 20. Jh.
Lot 1794
Italienischer Bildhauer des Barock Italienischer Bildhauer des Barock Italienischer Bildhauer des Barock (Tätig im 17. Jh.) Kleine Büste von Julius Cäsar Bronze, dunkelbraune bzw. schwärzliche Patina. Ebonisierte Holzplinthe des 18./19. Jhs. erg.; Rücks. gehöhlte Büste des römischen Imperators. Minim. rest.; Ges.-H. 13,2 cm. Italian sculptor active 17th century. Dark patinated bronze bust of Julius Caesar. Minor restored. 18th or 19th century ebonized wooden base.
Lot 1825
Hugo Kaufmann Hugo Kaufmann Hugo Kaufmann (1868 Schotten - 1919 München) Büste Mutter und Kind Holz, geschnitzt, 1917. Aus rechteckiger Plinthe entwickelt sich die Skulptur einer jungen Mutter, die ihr Baby still-versunken anblickt, während das Kind unverwandt-neugierig direkt den Betrachter fixiert. Der Münchner Maler und Bildhauer schuf im Wilhelminischen Kaiserreich zahlreiche monumentale Plastiken im öffentlichen Raum. Auf der Unterseite Ausstellungsetikett "Kunstpalast Düsseldorf". Sign. und dat.; H. 42 cm; B. 54 cm. A carved wooden Mother and Child bust. Signed and dated.
Lot 832
Monogrammist des 20. Jhd. 'Theodor Heuss'. Büste aus Gips, braun gefasst, monogrammiert und datiert 'GPZ 1949', H. ca. 23cm. Farbe partiell berieben, Altersspuren. Monogramist of the 20th century 'Theodor Heuss'. Plaster bust, brown painted, monogrammed and dated 'GPZ 1949', h. approx. 23cm. Color partially rubbed, signs of age.
Lot 1382
Paar Putten als Kerzenträger Frankreich, E. 18. Jh. Auf quadratischem Postament und kanneliertem Säulenstumpf je ein vollplastischer, mit einem Fuß auf Sockelplatte mit Reliefbüste stehender Putto, in den erhobenen Armen je ein gewundenes Füllhorn als Leuchterarm mit unregelmäßig gekräuselten Wellen an den Tüllen; fein ausgearbeitete Flügel und Haare mit Efeukranz. Weißer Marmor, Bronze feuervergoldet. H. 43 cm. - Dabei Tischlampen mit rechteckigen Schirmen, H. ges. 75 cm. Elektrifiziert, keine Gewähr für Funktion und Betriebssicherheit. Engel, Figurenleuchter, Kerzenhalter, Kerzenständer, Tischlampe, Tischleuchte Pair of putti as candle holders France, end 18th c. On a square pedestal and fluted stump of a column a fully plastic cherub with one foot standing on a plinth with a relief bust, in each of the raised arms a winding cornucopia as a candlestick arm with irregularly crimped waves at the spouts; finely carved wings and hair with an ivy wreath. White marble, fire-gilt bronze. H. 43 cm. - With table lamps with rectangular shades, h. total 75 cm. Electrified, no guarantee for function and operational safety. angel, figure chandelier, candlestick, candlestand, table lamp, table light
Lot 58
Piazzetta, Giovanni Battista - Umkreis oder Attrib. Büste des heiligen Matthias mit Beil (Venedig 1682-1754 ebd.) Öl/Holz. 35,5 x 26,5 cm. - Kleinere Bestoßungen. Altmeistergemälde, Heiligendarstellung, Italienischer Barockmaler, Sakrales Motiv, venezianischer Maler Piazzetta, Giovanni Battista - cercle of or attributed to Bust of St. Matthew with axe (Venice 1682-1754 ibid.) Oil on panel. 35,5 x 26,5 cm. - Minor bumps. Old Master Painting, depiction of saints, Italian baroque painter, sacral theme, Venetian painter
Lot 537
Marmorbüste Römisch, 1./2. Jh. n. Chr. Auf rechteckigem, rotem Marmorsockel befestigter, vollrund gestalteter Kopf einer Frau mit zurück gekämmtem Haar und Diadem. Marmor. H. 35 cm. - Altersspuren, bestoßen. - Provenienz: in einem Auktionshaus ersteigert. Skulptur Marble bust Roman, 1./2. century AD On a rectangular, red marble plinth mounted, full round head of a woman with back combed hair and tiara. Marble. H. 35 cm. - Signs of age, bumped. - Provenance: Auctioned in an auction house. sculpture
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109378 item(s)/page