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Click here to subscribeFull title: Four various patinated bronze sculptures, 19th/20th C.Description: H 21,5 - 18 cm Bust with a Phrygian cap, patinated bronze on a black marble base, 18th/19th C. L 19,5 - 14,8 cm (with and without base) A. Deva (?): A dog, patinated bronze, on a black marble base H 17 cm The playful boy, patinated bronze, marked 'F. Barbedienne - Fondeur' H 12,5 - L 17,5 cm Godefroid Devreese (1861-1941): Lion, 1914-1915, patinated bronze on a marble base
Full title: Aristide Petrilli (1868-1930, attributed to): Bust of Violante Beatrice of Bavaria, patinated alabasterDescription: H 32,5 - L 29,5 - D 16 cm on an integrally carved hexagonal plinth, inscribed 'Violantes Beatrice Magetruriae Princ'. Violante Beatrice (Beatrix) of Bavaria (23 January 1673 – 30 May 1731) was Grand Princess of Tuscany as the wife of Grand Prince Ferdinando of Tuscany (Ferdinando de' Medici, 23 May 1670 – 31 october 1713) and Governor of Siena from 1717 until her death.
Small heart shaped decorative box made to commemorate the birth of the first son, Prince William, of Prince Charles and Princess Diana of England in 1982. Decorated with the bust of Diana and Charles with cherubs and heart engraved Royal Birth 1982. Wedgwood made in England impressed to bottom. Issued: 1982Dimensions: 2.25"W x 1.25"HManufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.
An early Anglo-Saxon period sceatta, primary/secondary phase, obverse with bust facing right, runes to front, reverse with standard with central annulet and angular symbols, Abramson 11.40, weight 1.00g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, secondary phase, C/ARIP type, obverse with diademed, draped Hwiccian bust, reverse with standing figure holding cross, Abramson 26.50, weight 1.05g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series F, obverse with helmeted bust facing right, reverse with cross and votive lettering, Abramson 106.30, type 24b, weight 1.10g, with old collector's tickets.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series B, obverse with diademed bust right, reverse with bird on cross, Abramson 16.40, weight 1.27g, with an old collector's ticket, detailed 'J. Phil'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A group of five 19th century bronze medallions, including an Inigo Jones medallion, obverse with bust, reverse with titled view of 'Banqueting House Whitehall 1616', edge detailed 'Art-Union of London 1849', and a Victoria International Exhibition 1862 medallion 'For Services', edge detailed 'Alexander C. Ionides', together with a facsimile medallion.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series C, obverse with radiate bust, reverse with standard, Abramson 4.10, weight 1.12g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series C, obverse with radiate bust, reverse with standard, Abramson 4, weight 1.10g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Edward VI half-groat, struck in the name of Henry VIII, obverse with bust of Henry, Canterbury Mint, debased issue, together with a Henry VIII half-groat, York Mint, Archbishop Wolsey, TW beside shield, hat below.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series C, obverse with radiate bust left, reverse with standard containing votive symbols, weight 1.03g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, series D, Continental runic type, obverse with radiate bust facing left, runes before, reverse with central cross and pellets and blundered legend, Abramson 8.20, weight 1.00g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, series D, Continental runic type, obverse with radiate bust, runes before, reverse with cross and pellets, Abramson 8.10, type 2c, weight 1.17g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series C, obverse with radiate bust, reverse with standard, Abramson 4, weight 1.21g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Three Charles II crowns, comprising 1662, rose below bust, 1668, edge detailed 'Vicesimo', and 1676, edge detailed 'Octavo'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series B, obverse with diademed bust facing right, cross and pellet circular motif to front, reverse with bird on cross and three annulets within field, weight 1.24g, with an old collector's ticket, detailed 'June 2006 N. Mills £280'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, secondary phase, series K, obverse with diademed bust, reverse with serpent-headed coiled lion right, Abramson 38-41, type 32A, weight 1.00g, with an old collector's ticket.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small collection of British and world commemorative and other coins and banknotes, including two restruck Maria Theresa thalers, an Elizabeth II Brilliant Uncirculated five pounds and a fifty pence, each detailed with the bust of Charles III, within display cards, and a set of five Elizabeth II two pounds commemorating the Air Force, cased.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series B, obverse with diademed bust right, reverse with bird on cross, Abramson 16.40, weight 1.20g, with an old collector's ticket, detailed 'J. Philpot'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, primary phase, series B, obverse with diademed bust facing right, reverse with bird on cross with double pellets to field, possibly a contemporary forgery, weight 0.94g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early Anglo-Saxon period sceatta, secondary phase, annulet cross type, obverse with degenerated radiate bust facing right, runic legend before, reverse with annulet cross, Abramson 14.10, variety P3c, series R obverse, weight 0.90g, with an old collector's ticket.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A miniature bronze head and shoulders Bust of Napoleon Bonaparte, on a brass socle base, surmounted on a tall cylindrical stepped marble base with ormolu mounted crowned initial, the base with original label for 'Klein of Paris, 38 Bd. des Italian' approx. 13cms (5") high; together with an attractive 19th Century bronze Inkwell, modelled as Napoleon Hat, Sword and Medal with epaulettes, on a cushion mounted on a square marble base. (2)
Manner of Antonio Frilli (Italian, 1860-1902): An Italian carved alabaster and marble bust of a young girlcirca 1895modelled full face wearing a frilled bonnet with trailing ribbons, the shoulders of her draped gown with gigot sleeves, raised on a bowfront rectangular green mottled marble plinth, 33cm high overallThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A mid Victorian ormolu mounted tortoiseshell and brass 'Boulle' marquetry ebony and ebonised serpentine low cabinet1850-1875, the central doors each inlaid with an Arabesque of scrolled acanthus, husks, butterflies and a bouquet of flowers centred by the figure of Britannia (or Athena), the front also inlaid with stylised foliage, birds and rosette-embedded trellis cartouches, with a shaped ebonised top above a pair of doors enclosing one shelf, flanked by two arched glazed panel mounted doors, enclosing two shelves, interspersed by classical female bust angle mounts with husk pendant cast and pearl encrusted lambrequined headdresses, the tortoiseshell has darkened significantly and would benefit from professional cleaning, approximately: 188cm wide x 49cm deep x 115cm high, (74in wide x 19in deep x 45in high)This lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Jean Joachim Supéry (French, 1905-1990): A sculpted limestone portrait bust of a young girlmodelled full face, with parted bobbed hair, the neck mounted on a plaster and marble base, 38cm high Footnotes:ProvenanceFrom the artist's studio, thence by descent.Joachim, the son of the sculptor Joseph-Louis Supéry (1867-1944), began his training at a very young age in his father's studio in Paris, before finishing his artistic education at the Ecole des Beaux Arts. Gaining attention for his stone creations he subsequently attracted the attention of the famous Art Deco sculptor François Pompon who took him under his wing and gave him numerous commissions. However this did not prevent the young sculptor exhibiting his own works at the Paris Salon from 1927 up until the start of the Second World War. Coincidentally the descendants of the sculptor still own his studio in Malakoff and the offered lot was by repute directly purchased from the family at the studio after his death.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Emmanuel Villanis (French, 1858-1914): A patinated bronze bust of 'Fille de Boheme'the young maiden modelled looking to dexter and wearing a coin necklace and earrings, her head clad in a tied scarf, her bare shoulders raised on a stylized rusticated square pedestal base with cast title and signed within the cast to one side, E Villanis, 26cm highFor further information on this lot please visit Bonhams.com
A French late 19th century Empire revival ormolu mounted mahogany 'curule' chair or bergere1880-1900, mounted with rosettes, palmettes, laurel leaf pendants and stylised foliage, with panelled downswept arm terminals each headed by an Egyptian female bust mount, on angled square section and herm tapering front legs each mounted with a winged Sphinx bust terminating in a pair of human feet, with splayed rear legs, approximately: 70cm wide x 55cm deep x 84cm high, (27 1/2in wide x 21 1/2in deep x 33in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Manner of Giovanni Bastianini (Italian, 1830-1868): A third quarter 19th century carved white marble bust of a maiden, probably depicting Johanna Albrizziin the Renaissance style after a model by Francesco da Laurana (Italian, 1430–1500), the sitter with elaborate coiffure and downcast serene expression, apparently unmarked, with some damages and now weathered, 64cm high overallThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Olin Levi Warner (American, 1844-1896): A patinated bronze bust of maidencast by the JNO Williams foundry, New Yorkthe sitter with serene expression and low tied chignon, her downcast head turned slightly to sinister, raised on an integral swept square socle base, signed O.L.W 1880 and marked JNO WILLIAMS FONDEUR NY, 15.5cm high overallFor further information on this lot please visit Bonhams.com
An Empire ormolu mounted mahogany secretaire a abattantCirca 1810, the marble top above one long frieze drawer, over a hinged fall enclosing an arched interior comprising one shelf over one deep and seven short drawers below, above three long drawers, flanked by ancient Egyptian female bust-headed herm tapering pilasters, on large bun front feet, 81cm wide x 41cm deep x 137cm high, (31 1/2in wide x 16in deep x 53 1/2in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Jules (Pierre) van Biesbroeck (Belgian, 1873-1965): A patinated bronze figure of an Algerian elder together with a patinated bronze figure of an Algerian malethe first figure depicting a bearded semi-clad figure with outstretched arms, the cast with Alexis Rudier, Fondeur Paris foundry mark, the second figure depicting a semi-clad figure with outstretched arms, raised on integral square base, also with Alexis Rudier, Fondeur Paris foundry mark, 35cm high and 30cm high overall (2)Footnotes:ProvenanceProperty from the collection of Joan Katherine Dummet, artist and sculptor (British,1905-2005)Joan Katherine Dummett was born in Crouch End, North London, the third of six children born to the lawyer Sir Robert Ernest Dummett and his wife Emma. In 1923 her mother took her and her four sisters, aged between four and twenty two on a grand tour of Europe which included visits to Paris, Munich and Garmisch-Partenkirchen.After arriving in Bordigherea in Italy, a town which was at that time known as an artist's community, her mother made enquiries to locate an artist who might teach Joan painting and sculpture as she had shown great artistic promise back in London. She was subsequently introduced to the artist and sculptor Jules van Biesbroeck (Belgium, 1873-1965) who agreed to take on the young Joan as a pupil.The pair got on very well and Biesbroeck was sufficiently impressed with her progress that when the family moved on from the town, Joan, then aged seventeen, stayed on, making regular visits to the artist and his family. Joan initially was chaperoned by and lodged with the nuns of the Convent Santa Chiara in the town before she finally became more independent and moved to the Hotel Bella Vista. Joan stayed in Bordigherea as van Biesbroeck's pupil for three years and he and his family later visited the Dummetts family in England for Christmas in 1923, and then at regular intervals up until the beginning of the second world war. In the three years after 1923, Joan sculpted a bust of an Italian peasant woman which was cast in Rome and then later exhibited at the RA and the Walker Art Gallery, Liverpool. However, in 1926 the teacher-pupil relationship was severed when van Biesbroeck decided to move to Algiers. Letters from Joan to her family from around that time, record that Biesbroeck invited her to visit him, but it is unclear if she ever did. In the intervening years van Biesbroeck maintained a prolific correspondence with Joan, although his letters record that the climate in Algeria did not agree with him and that he struggled to obtain artists materials.However van Biesbroeck continued to encourage Joan in her work during the 1920s and into the 1930s when she devoted her time between London and Paris. At this time Van Biesbroeck also spent time in Paris and met up with Joan during one of their visits. Their working relationship was cemented when the two exhibited together at the Gieves Gallery in London in 1931, showing paintings by Jules and sculpture by Joan. A copy of the exhibition catalogue is now archived in National Art Library at the Victoria and Albert Museum. A letter dating from the time just prior to the exhibition from Joan to her mother records that van Biesbroeck expressed the wish that their exhibition would be a great success. In the letter Joan also records that van Biesbroeck asked her to visit other earlier exhibitions at the same gallery to see if the usual attendance would give them sufficient exposure. However, she then goes on to record that he then chides her for being 'too in love' to remember to carry this out. This indeed turned out to be a correct prophecy as Joan married in late 1931 and then went on to have two sons in 1932 and 1933.Joan and van Biesbroeck continued to correspond until 1949 and she continued to work sporadically in sculpture and painting, mainly using family members as subjects, but she never exhibited publicly again. However, she channelled her artistic talents in nurturing the artistic potential of others, just as van Biesbroeck had for her, when she took up the post of lecturer and tutor in art and sculpture at the Sir John Cass College in London in the 1950s.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A late 19th century Meissen porcelain figural group depicting an engagement sceneafter an 18th century model by M.V. Acierthe figures embracing before a bust caryatid of Bacchus, flanked by a lamb and dog, the rear with a further figure of a rival gentleman and a putto holding a floral garland above a cradle, the whole enamelled in pastel colours with gilt highlights on a rustic base with foliate gilt border, the underside with blue crossed swords mark incised and impressed numbers and letters G.34, 163 and 52, and with a red painted number 19, 34.5cm highFor further information on this lot please visit Bonhams.com
A late 19th/early 20th century Italian carved white and sienna marble bust of Caesar Augustusafter the antiquethe young male with his head turned slightly to dexter, his breastplate carved with classical imagery, 87cm high overall approximately This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A collection of five third quarter 19th century 'Parian ware' portrait busts comprising two busts depicting Prince Albert and three further busts depicting Princess Alexander, the Duke of Wellington and Felix Mendelsonall with impressed marks, some with factory marks, date publication marks and Crystal Palace Art Union marks, the busts all raised on circular or square socle basesthe busts of Prince Albert comprising one attributed to Copeland after Marshall Wood and a further bust attributed to Worcester after E.J.Jones, the bust of Princess Alexander by Copeland after Felix Martin Miller, the bust of the Duke of Wellington attributed to Coalport after Joseph Pitts, the bust of Mendelson by Robertson and Leadbetter, 30.5cm high, 23cm high, 30.5cm high, 23cm high and 20cm high respectively (5)For further information on this lot please visit Bonhams.com
the hinged cover with an applied bust of a Roman emperor or noble, raised on a column base, with a glass insert, by Charles Thomas Fox & George Fox, London 1846; 7.25" (18.5cm) high; 9.6ozt. *CR Quite worn, the hinged roundel on which the bust sits is split slightly at the back near the hinge, with evidence of repair, also there is a small hole in the column behind this. the hinge is also a bit wobbly, a bit bumped and bruised all over - but still fun & good marks Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Portrait miniature of The Duke of Wellington as a marble bust, profile facing right, inscribed on bust Prince of Waterloo 1817 and further signed and inscribed at lower edge, DUKE OF WELLINGTON BY/ W. Grimaldi enamel painter to the/ PRINCE REGENT, enamel on copper, with gold frame, 2.7" (7cm) high. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Commemorative Medals. Cromwell, Lord Protector, 1653, a later cast silver medal by T. Simon, chased and Fine; with a c1731 Dassier medal in copper; Charles II, Coronation, silver 28mm by Simon, almost EF; Queen Anne, 1707, Union of England and Scotland, silver 35mm by J. Croker, VF; 1713, peace of Utrecht, 1713, silver 35MM by J. Croker, EF; 1736, Jernegan’s Lottery, silver 39mm by J.S. Tanner, poor; George II, 1750, Free British Fishery Society Established, silver 41mm by Koch, VF; George III, 1761, Coronation by Natter, silver 35mm, EF; another depicting Charlotte, 35mm, Fine; 1781, Anti-Slavery, Capture of St Eustatius, uniformed bust of Admiral Rodney, (BHM 229), white metal 36mm, EF and rare; others (4) a very good group (15)
***AUCTIONEER TO ANNOUNCE LARGER CHAIN A/F 1'' LENGTH DETACHED***A carved onyx cameo, rectangular form depicting a female bust, unmarked assessed as 9ct gold, size approx 17 x 30mm suspended from a fine link chain, along with a yellow metal double sided oval locket approx 28 x 45mm, suspended from a fancy link 9ct gold chain, combined total gross weight approx 25.5gms Further details: wear and tear commensurate with age to links and metals, loop to onyx is thinning.
After Auguste Moreau,c.1873, an alabaster bust of a child, inscription to reverse 'Moreau d'apres 73', on a turned socle base,12cm wide9cm deep24cm highCondition ReportThe head has been previously broken off and restored. Some areas of in-fill and restoration, to the cheeks and hair. Small nibbles to the alabaster and marble. Crude join of the bust to the base.
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