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Lot 242
Hand paint bust of a woman in a white blouse with blue floral detail and stylized art deco hat. Mixed finish. Signed by the artist. Backstamp Keramos Made in Austria in black. Impress mark 1654. Issued: 20th centuryDimensions: 4.75"L x 3.5"W x 5.75"HManufacturer: Keramos WienCondition: Age related wear.
Lot 139
Leonardo De Vinci - Deformed Heads, By Wenceslaus Hollar / Description: The Leonardo da Vinci studies of deformed heads are famous. A couple with deformed faces depicted bust-length, facing each other, the woman at left wearing a cap and veil, smiling at the man, with fuzzy hair, laughing, wearing a jacket over striped shirt; after Leonardo da Vinci; first state, before '3' added to lower right. 1645. Etching by Wenceslaus Hollar after Leonardo da Vinci. Signed upper right 'Leonardo da Vinci inue: / W. Hollar fecit 1645'. From the series: Varie Figuræ et Probæ , a series of thirteen etched plates + title after Leonardo da Vinci, with studies of heads, including grotesques; see New Hollstein (Hollar) 737-750. / Dimensions: 7,50 x 10,60 cm / Condition: A very good sharp early impression of the first state before the number with full plate border and tread margins. On a dense laid paper with partial watermark. Condition is very good with no folds, tears or stains. A wonderful untouched condition. / Literature: New Hollstein (German) / The New Hollstein: German engravings, etchings and woodcuts 1400-1700 (743.I) --- Pennington 1982 / A descriptive catalogue of the etched work of Wenceslaus Hollar (1591.I) / Medium: Etching /Circa: C.1645 420
Lot 182
Rembrandt Van Rijn - Self-portrait in cap and scarf - 1633 / Description: Self-portrait of Rembrandt, in a cap and scarf with the face dark, bust directed to left but face to front. Rembrandt's signature and date, in lower margin: "Rembrandt f. 1633. This is an early impression of the third state. The first state was unfinished and known in only one example. In the third state small alterations to the more common second state were made to the lid of the left eye and the shade of the moustache but still generally untouched. Before the later rework by Basan in the fourth state and the heavy rework in the fifth state. / Dimensions: 13,30 x 10,40 cm / Condition: An early third state impression, superb, richly-inked with little to no sign of wear, even in the most densely cross-hatched areas such as the shadow on the face, the beret and the cloak. With full plate borders and small margins on a dense laid paper. Condition is near perfect, former hinges at top corners vaguely visible. An excellent example of maybe the the best self portrait by Rembrandt. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (120.III) --- Hind 1923 / A Catalogue of Rembrandt's Etchings; chronologically arranged and completely illustrated (108.II) --- White & Boon 1969 / Rembrandt's Etchings: An Illustrated Critical Catalogue (17.II) --- Bartsch 17 --- Biörklund 33-G; --------------- Rembrandt (1606-1669) etched some 30 self-portraits, with 27 singular images of himself and several others of himself in different guises or grouped with other portrait studies. This self-portrait, created at the age of 27, two years after he had moved to Amsterdam from Leyden to begin to establish himself as a successful independent artist, and months before he married Saskia van Uylenburgh, is among Rembrandt's most introspective self-renderings. / Medium: Etching /Circa: 1633 6000
Lot 190
Jan Chalon - Four head studies following Rembrandt / Description: Four delicate portraits very close in style to Rembrandt. Jan Chalon was the brother of the female artiste Christina Chalon and the father-in -law of the publisher Christian Josi. Rembrandt was his great example and like his great master he developed a bold etching style aiming always aiming towards progression, not really following the influence of his Contemporains, and averse to commercial gain. He destroyed many of his work even before it was published if it did not fits his standards. The largest one is signed upper left: J Chalon invent J Chalon Fecit. Amongst the subjects: Bust of a young man with mid-length hair, slightly turned to the left, wearing a fur-lined coat. c.1788-1793 and an old man with large beard and cap very close to Rembrandt. / Dimensions: 8,20 x 6,20 the largest, 5,80 x 4,70 cm the smallest / Condition: Very good early impressions with much plate tone and still som ink in the plate borders and little scratches in the plate. With full plate borders and small margins on thin laid paper mounted with the left side on a collection sheet. / Literature: Wurzbach 1906-11 / Niederländisches Künstler-Lexikon (undescribed) / Medium: Four etchings with drypoint /Circa: Ca. 1788-1793 180
Lot 194
Frans Hals, Adriaen Matham - Portrait of Pieter Bor / Description: Portrait of Pieter Christiaensz Bor; bust-length turned to the right, facing the viewer, holding a quill in his right hand; within lettered oval. Engraving and etching made by Adriaen Matham after a lost painting of 1634 by Frans Hals, formerly in Rotterdam and destroyes in 1864. / Dimensions: 25,00 x 17,30 cm / Condition: Outstanding early impression in excellent condition. Guidelines for the text still visible. Watermarked laid paper and good margins. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (54) ----- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (555) ----- Wurzbach 1906-11 / Niederländisches Künstler-Lexikon (31) --- RKD Stuy: Frans Hals and his Workshop, 2023, Nr.C26 / Medium: Engraving /Circa: 1629-1660 160
Lot 8502
A bronze medal commemorating the Visit of the Shah of Persia to the City of London, 1873, by A.B. Wyon for the Corporation of the City of London, bust of Nasir al-din three-quarters left, rev. Londinia standing between shields of London and Persia, St Paul’s and Tower behind, 77mm diameter, in fitted case of issue by Wyon, 287 Regent Street, London
Lot 786
Charles G. Hill (British, mid 19th Century), portrait of a young gentleman, half-length wearing a black tunic and bowtie, signed and dated 1840 l.r., oil on board, 30 by 25cm, with J. Hanshaw (?), portrait of a lady, half-length seated, signed and dated 1854 l.l., watercolour, 42 by 30cm and British School, 19th Century, portrait of a young lady, bust-length wearing a white dress and pearl hair ornament, pastel, 28 by 22cm, all framed (3)
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