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Lot 1

A fin de Siecle bronze bust of a woman, wearing a bonnet with ribbon, on pedestal base, 2.5ins

Lot 1

An early 20th century Dutch pottery bowl, with over-hanging handle, incised and painted with roundels, rider on horse-back and a portrait bust, against a rich orange ground, on pedestal base (12.5in.) and a Gouda-type ovoid vase with broad floral border-8in.

Lot 1

An ornamental Rye pot, in the form of a squashed bag, moulded to one side with a female portrait bust, to the other with a thistle, both in green, rope-twist handle in brown and green, unmarked, 9in. long

Lot 1

A small Berlin plaque, circular, painted with the bust of a cherub (2.75in.), in moulded gilt frame

Lot 1

French school (19th/20th century), A bust of a woman, carved in alabaster, together with its limewood prototype, 19cm (7 1/2in)

Lot 1

Lucarda (Italian, 20th century), A bust of 'Anne', painted plaster on a painted and gilded wooden plinth, signed and dated 1938 on the plinth, 62cm (24 1/2in) overall

Lot 1

A 20th century desk thermometer, the onyx column with gilded mounts, a silver calibrated dial, mounted with a classical style bronze bust inscribed 'E. Bormel 1893', 36cm (14in) high

Lot 1

An overmantel mirror, of rectangular form, with gilt gesso frame incorporating garlands and a central bust of a woman 115cm wide

Lot 1

A 19th Century Bust Portrait, of a female saint, painted within an oval, on copper, 22 x 18 cm

Lot 1

A Parian Ware Bust, of a lady, in classical dress, mounted on a turned serpentine plinth, 26 cm

Lot 1

A Pellatt & Green sulphide inclusion scent bottle and stopper, of flattened oval form, set with a sulphide bust portrait thought to be Princess Caroline of Brunswick, the reverse impressed PELLATT & GREEN PATENTEES LONDON, 10.5cm high, circa 1820 (some small chips to diamond facets)

Lot 1

A Copeland parian bust of Alexandra, Princess of Denmark, supported on a socle base inscribed CRYSTAL PALACE ART UNION, the reverse of the bust with script title and impressed PUB. FEB 1 1863 COPELAND and CRYSTAL PALACE ART UNION FM MILLER SCULPS, 31cm high (some chips to socle)

Lot 1

A Scottish Queen Anne 1705 Before Union Five Shilling], Fine+ (S5702), with 5 below bust and legend ANNA.DEI.GRATIA

Lot 1

Four Half Crowns], including 1697 (9 in date worn) B below bust for Bristol otherwise Fine, Queen Ann 1708 E below bust, 1816 VF, 1819 VF and 1820 VF

Lot 1

An Austrian 1691 Taler Leopold the Hog], mouth, Bust and Arms, VF, with original ticket, weight 28.3g

Lot 1

Three Victorian Florins], 1849 (no WW) VF+ with two nicks on rim, 1852 (WW below bust) NVF, and 1866 (DIE 25) Fine+/VF

Lot 1

Two Cased Medallions], Ulster Unionist Convention 1892, gilt, 38mm, by Messrs Gibson & Co. Obverse: Hibernia holding banner with British lion. Reverse: Imperial crown over shields QUIS SEPARABIT 1892 in Spinks red round case (Brown 3433 Eimer 1773), FDC; and 70th birthday of Joseph Chamberlain 1906 AE , 39mm, by J A Restall in red case of issue. Obverse: Bust of Chamberlain. Reverse: TO COMMEMORATE etc (Brown 3937), FDC

Lot 1

Two Royal Society of Arts Silver Gilt Medals], awarded to Dr Wm Roxburgh. First medal by Pingo, 43mm, Britannia seated being conferred with honours by Mercury and Minerva above ARTS AND COMMERCE below SOCIETY INST LONDON MDCCLIIII, reverse within a wreath engraved For Accounts of India Products, legend TO DR WM ROXBURGH MDCCCV, case has a broken hinge. Second medal 41mm by W Wyon.S. Bust of Iris profile right, ARTS AND COMMERCE PROMOTED, reverse within a wreath For Oriental Communications, outer legend TO DR WM ROXBURGH MCCCCXIV below SOCY.ISTD.LONDON 1754, cased. Both medals extremely fine

Lot 1

A carved and stained ivory bust of Buddha, with wooden stand, marked 'Saigon 1933'.

Lot 1

An amber bead necklace, a branch coral necklace, two colourless paste necklaces, a gilt metal neckchain, an amber brooch, a Victorian oval black cameo, designed as the bust portrait of a lady and a brooch designed as an anchor.

Lot 1

A 9ct gold ring, mounted with an oval moss agate, a similar gold and moss agate pendant, a 9ct gold and oval shell cameo pendant, designed as the bust portrait of a lady, a lady's 9ct gold octagonal cased wristwatch, on a gilt bracelet, a 9ct gold brooch, designed as a leaf spray and a 9ct gold St Christopher pendant.

Lot 1

A gold and oval sardonyx cameo ring, carved as the classical bust portrait of a nobleman, wearing a wreath.

Lot 1

A shell cameo and micromosaic brooch, designed as the bust portrait of a lady and mostly 9ct gold jewellery, comprising: a bracelet in a pierced link design, a bracelet with a dolphin charm, a neckchain and sundry.

Lot 1

A 9ct gold and oval shell cameo ring, designed as the bust portrait of a lady, a red gem set ring and two gem set rings.

Lot 1

A Victorian lava cameo link bracelet, mounted with a row of eight vari coloured lava cameos designed as classical bust portraits, on a snap clasp.

Lot 1

A Victorian oval shell cameo brooch, designed as the bust portrait of a lady, a Wedgwood sage green jasperware brooch, two garnet set brooches and two further brooches.

Lot 1

After C. Fuhr Bust portrait of a girl with a peach Hand-coloured mezzotint engraving 46cm x 38cm (oval).

Lot 1

A Wedgwood parian bust, English 19th century, titled 'Campbell' after a model by E.W. Wyon, portraying a man in military costume, with a plaid over one shoulder, set on a turned wood socle. Height 44cm.

Lot 1

A parian bust of 'Mozart' by 'A.Monti' for the Crystal Palace Art Union, pub 1884, exhibition. On socle base. 36cm high.

Lot 1

European school, early 20th century- Portrait of a lady bust-length turned to the right; oil on canvas, bears signature 'H. Schlesinger', 44x34cm.

Lot 1

A White painted plaster portrait bust of 'Mozart', the base with signature 'G Sette' 1915. 40cm high.

Lot 1

AFTER SIR WILLIAM ORPEN Bust portrait of Alexander Mitchell MFH Monochrome print Signed in pencil by the artist and inscribed in pencil by the subject 14in x 10.25in (35.5 x 26cms)

Lot 1

An Edwardian oval Bust Portrait of a Lady holding an Infant, contained in a folding leather case and two others (3)

Lot 1

A Parian bust, impressed Copeland, C Delpich Art Union

Lot 1

Three political parian busts, English 19th century, to include a Copeland bust of Disraeli, another of Gladstone and a third of Carlyle. Respective heights 29cm, 20cm and 20cm.

Lot 1

A Copeland parian bust of Robert Peel, English 19th century; together with a smaller bust of Bright. Height 27cm and 19cm.

Lot 1

An unmarked political parian bust of Disraeli, English 19th century; together with a second of Gladstone. Respective heights 29cm and 20cm.

Lot 1

A parian bust of Gladstone, English 19th century; together with a bust of Ruskin. Respective heights 30cm and 20cm.

Lot 1

A porcelain bust of a Revolutionary soldier, French late 19th century, modelled wearing a plumed bicorn hat, the waisted plinth incised 'Gautier Vtaire, 1792', painted mark 'de Sevres', 27 cm high.

Lot 1

19th century carved alabaster bust of a young lady, 33 cm

Lot 1

A Meissen group allegorical of the arts circa 1880 modelled as three putti around a wooden stand on which sits a classical female bust, one putto drawing on a tablet, another examining a sculptural fragment, and the third standing holding a hammer and chisel, raised on a shaped base gilt with scrolls beneath a band of green leaves tied with pink ribbon. crossed swords in underglaze-blue and numeral 3, incised model number 4 20.6cm., 8.125;in. some damage and repair

Lot 1

A pair of framed Berlin portrait plaques late 19th century after Balthasar Denner, depicting bust portraits of an elderly couple, the lady signed lower right H. Stadler/ Cop..n B.Denner, the gentleman signed lower right H. Stallman, each in an elaborate gilt frame impressed K.P.M. and sceptre mark and impressed and incised letters and numerals, incised shield marks 54cm., 21.25;in. by 46cm., 18in. overall; the plaques 31.5cm., 12.375;in. by 38.7cm., 15.25;in. (2) Hans Stadler is recorded as a porcelain painter in Vienna during the second half of the 1880s; he participated in exhibitions in 1885 and 1888, when he is reported to have exhibited "portraits on porcelain, genre scenes on porcelain dishes, plates decorated and painted in the old genre" (quoted by W. Neuwirth, Porzellanmaler-Lexicon 1840-1914, vol.II, p.275).

Lot 1

A group of ten fob seals, English, late 18th to late 19th century gold or gold-cased, including a three-colour gold example chased with roses, the amethyst matrix engraved with initials; a simple tassel-shaped seal with chalcedony matrix engraved with the arms of William, 2nd Baron Bagot; a ringed pair of seals with carnelian matrices, one engraved with a profile bust of William Pitt the Younger, the other with the initials and crest of Sir Charles Elphinstone Adam of Blair Adam; a large tassel-shaped example with carnelian matrix engraved with the arms probably of Perceval; and five others, variously engraved with the head of a Roman emperor, crests and coats of arms including those of Wilmot and Waller the tallest 5cm, 2in The seal of William, 2nd Baron Bagot (1773-1856), can be dated between 1799 when he married the Hon. Emily Fitzroy, 4th daughter of Lord Southampton, and her death the following year.

Lot 1

A Henry VIII silver gilt maidenhead spoon a fringed S, Jackson's p.89,London,1534 fig shaped bowl, tapering stem surmounted by a female bust with long hair . 15cm, 6in long 33gr, 1oz 1dwt

Lot 1

Georges-Edwin Ewing, 19th century marble bust of a bearded gentleman. The subject is said to be a Mr. Wotherspoon, refuted to be the founder of Brown & Poulson Cornstarch Manufacturers of Paisley. Stamped on the back GE Ewing Fecit and Glasgow, 1854. G.E. Ewing was born in Birmingham in 1828 and died in New York in 1884, 32" high

Lot 1

20th century reconstituted bust in Roman style of a young man on round socle base, 16" high

Lot 1

Earl St Vincent’s Reward medal 1800, in silver, diameter 47mm. Obverse bust of St. Vincent left, in naval uniform with legend “Earl St Vincent’s Testimony of Approbation 1800”, reverse: sailor and marine shaking hands within oak wreath with Union flag background, and legend “Loyal and True”. Edge engraved “Samuel*Blight”. Good Very Fine, a little dark staining to obverse, cleaned. Plate 1. Note:These awards were given to crew members of Victory and Ville de Paris who did not take part in the Mutiny in the Mediterranean.

Lot 1

A salt glazed stoneware jug c 1845 modelled as the bust of Nelson, 7½” high, impress mark to base Doulton and Watts Lambeth Pottery, Good Condition (small chips to front of hat, handle missing) Plate 11

Lot 1

An 18th Century French carved ivory bust of a man with long hair, 2 1/2 inches, on a wooden socle (R)

Lot 1

Copeland bust of the Comte d'Orsay, 15cm (af)

Lot 1

Late 19th century brass adjustable magnifying glass also a brass bust of Aristotle (2)

Lot 1

Copeland parian ware Bust Ophelia Crystal Palace Art Union, W.C. Marshall, R.A.Sculpt, marked.

Lot 1

Copeland parian ware Bust Miranda Crystal Palace Art Union, W.C. Marshall, R.A.Sculpt, marked.

Lot 1

Copeland parian ware Bust Ophelia Crystal Palace Art Union, W.C. Marshall, R.A.Sculpt, marked.

Lot 1

19th Century parian ware Bust, Handel, marked J. Ridgway, Bates & Co.

Lot 1

20th Century carved plaster Bust of a young girl, on a marble effect plinth.

Lot 1

A shallow circular vaseline dish with handle and a blue glass paperweight bust of Queen Victoria

Lot 1

An early 19th Century Staffordshire pottery bust of Matthew Prior on a circular plinth base, 8. ins high

Lot 1

A 19th Century Staffordshire pottery bust of Newton, impressed Newton to the back, 9.5. ins high

Lot 1

A 19th Century Staffordshire pottery bust of The Reverend John Wesley BA on a square shaped base, 11.5. ins high (hairline cracks),

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