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BURROUGHS, William - The Ticket That Exploded: org. cloth in d/w, 8vo, Calder & Boyars, 1st UK edition, 1968. With - The Naked Lunch, Corgi paperback, 1st UK paperback featuring the famous red-eyed bust. With - The Ticket That Exploded, Grove Press Evergreen Black Cat, 1968, first paperback edition. With - Ali' SmIle. Naked Scientology, Bonn, paperback.(4)
SELECTION OF FIGURINES AND BUSTSin resin and plaster including a classical male bust, 47cm high, a classical female bust, 47cm high, Roman style female figure, 39cm high, Gustav Klimt style figurine, 41cm high, two relief decorated resin 'The Love Sonnets Of Shakespeare' plates, 23.5cm diameter and a seated resin brown and white greyhound, 16.5cm high
Rembrandt van Rijn 1606-1669Self Portrait in a Cap and Scarf with the Face Dark: BustEtching, 1633, a well inked but later impression of New Hollstein's fifth state (of five), printing with plate tone on laid paper without watermark, platemark 134 x 104 mm (5 1/4 x 4 1/8 in), sheet 146 x 115 mm (5 3/4 x 4 1/2 in), hinged into mount, printers' creases and minor surface dirt (unframed)Provenance: Unidentified collector's stamp "KB" on verso (L. 4786)Literature:New Hollstein 120 v/v
Jan Lievens (1607-1674)Three Portraitsi) Bust of a young girl with her hair downEtching, circa 1630-1640, the second state published by Frans van den Wyngaerde, on laid paper with watermark of the letter 'M' surmounted by a crown, sheet 163 x 148 mm (6 3/8 x 5 3/4 in), thread margins (unframed)ii) Bust of an Oriental with feathered turbanEtching, circa 1630-1674, the second state published by Frans van den Wyngaerde, on thin japon wove paper without watermark, sheet 270 x 220 mm (10 5/8 x 8 5/8 in), trimmed within the platemark, tipped onto paper support at both upper corners, some spotting and surface dirt (unframed)iii) An Oriental head: plate 3 from Variae Effigies a Johanne Livio Lugd. BatavEtching, circa 1630-1632, the third state published by Frans van den Wyngaerde, on laid paper with indistinct watermark, sheet 145 x 130 mm (5 3/4 x 5 1/4 in), trimmed within the platemark and inset into window-mount, spotting and browning (unframed)Literature:Hollstein 43; 30; 39
COLLECTION OF MIXED SILVER COINS William III, third bust Crown. Condition poor, at some stage it was broached on the reverse. George III 1816, Sixpence. Condition fair - worn George VI 1825 Shilling, Bare head. Condition fair - worn Victoria 1858 Sixpence. Condition fair worn. Victoria 1877 Sixpence. Condition VF+ Victoria 1887 Sixpence with reverse enamelled.
A LATE VICTORIAN PLASTER POLYCHROME BUST OF A CRYING BABY BY CHARLES JAMES SMITH, the painted bust with suspension loop hung in a carved oak frame with brass inscription plate, red velvet backing and turned brass support, bust inscribed below neck, H 40 cm, W 34 cm.(The Smith family worked as modelers or moulders over three generations from the 1840s until the 1950s in London. Charles James Smith(1848-1918) worked at 15 Kentish Town.)
CIRCLE OF CORNELIUS JOHNSON VAN CEULEN (1593-1661) Bust length portrait traditionally identified as Sir Jacob Astley, 1st Baron Astley of Reading (1579-1651) wearing a cloth cap, collar and breastplate, oil on canvas, 52 x 55cm; carved giltwood frame Prov: Purchased by an ancestor of our current vendor from a Mr B Benjamin of Marylebone Street in 1852 Attributed to Cornelius Johnson van Ceulen by Colnaghis c.1900 having previously been "erroneously" attributed to William Dobson according to a letter regarding the picture dated 20 Jan 1913 and which is sold together with the portrait.
19TH CENTURY ENGLISH SCHOOL Side profile bust of a lady with coiffed hair and floral pattern cape, pen and ink heightened in white, maple frame, 15 x 11cm; another silhouette portrait, 8.5 x 7.5cm oval; and a cut paper/silhouette depicting Aesop's Fable - The Fox and the Stork, 13 x 11cm (3)
An 1851 Great Exhibition bronze medal with bust of Prince Albert, after Wyon, 47mm, together with a gilt pewter large medal 'Albert Edward Prince of Wales President,' '1873 'Exhibition of All Fine Arts,' after G. Morgan, 70mm, and cast alloy 'Alexandrina Victoria Coronation medal, 1837, 51cm, (3)
A FINE AND UNUSUAL BOXWOOD MEMORIAL PORTRAIT BUST OF WILLIAM EWART GLADSTONE, 1898, 23CM H, SIGNED WITH JG MONOGRAM, DEVICE AND DATED Condition reportOn the reverse two old small knocks filled with putty, not visible from the front; typical accretion of dust, natural old patina, no shrinkage cracks, not cleaned or restored
CIRCLE OF LANCELOT VOLDERS ? PORTRAIT OF FREDERICK WILLEM, BARON VAN WASSENAER; PORTRAIT OF MARIA VAN LEYDEN VAN LEEUWEN, PENDANTS, BUST LENGTH, HE IN ARMOUR AND FULL BOTTOMED WIG, SHE IN A RICHLY EMBROIDERED RED BODICE AND BLUE MANTLE, OIL ON CANVAS, 68 X 56CMFrederick Willem, Baron van Wassenaer, seigneur de Rosande, was born at Kasteel Duivenvoorde on April 25, 1658. He was the son of Arent van Wassanaer, seigneur de Duivenvoorde and de Voorschoten (1610-1681) by his wife Anna Margaretha van Scherpenzeel (1622-1662). Frederick Willem van Wassanaer married in 1683 (a probable date for the present portraits) Maria van Leyden van Leeuwen (1659-1702), daughter of Diderik (Dirk) van Leyden van Leeuwen, burgemeester of Leyden and later Ambassador to England. Frederick Willem von Wassanaer served as a captain in his majesty?s foot guards Condition reportAccording to old typewritten labels (available to the purchaser) the names of the sitters and a date on the reverse of each canvas was covered over when the pictures were re-lined in February 1927. Long in the present private family ownership, it is reasonable to assume that both works are in the same condition as when conserved in 1927. The varnish now requiring a light clean. The medium stable, on good quality, pegged stretchers and ebonised frames appropriate for the early 20th c and now requiring cleaning / localised restoration
ENGLISH SCHOOL, 19TH CENTURY - PORTRAIT OF A WOMAN, IN PLAIN QUAKER DRESS, BUST LENGTH, A BOOK ON A TABLE TO HER LEFT, OIL ON CANVAS, 32.5 X 28.5CM Condition reportCleaned, unlined, approx 5mm horizontal tear lower centre and tiny bruise upper right. On the original stretchers the impression of the stretchers faintly showing through, in modern plain wood frame
Elizabeth I (1558-1603), Milled coinage, Sixpence, 1566/4, mm. star, bust E, rev. cross pattée, 2.76g/6h (Borden/Brown 36, O2/R2; N 2029; S 2598A). A few surface marks, otherwise very fine, lightly toned £200-£260 --- Provenance: R. Blakey Collection, Part II, Spink Auction 219, 25 September 2013, lot 457
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