dating: Mid 18th Century provenance: Spain, Smooth-bore, three-stage, 14 mm cal. barrel, first octagonal, with golden marks 'P. STBVA' under a cross and among the stars, of sixteen facets after a segment, round and with moulded muzzle, finished; engraved tang; flintlock, finely engraved and slightly chiselled; wooden, full stock with brass mounts, counter-plate pierced with snakes and bust, butt-plate with a big mask in bass-relief and escutcheon, with a fine bust under a mask. Wooden ramrod. length 51 cm.
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dating: about 1580 provenance: North Italy, In iron, composed of thirteen, riveted plates, the first provided with three buckles and engraved as the following eleven, decorative elements on a grained and gilded ground. The last plate is higher and with two medallions with a bust and file-roped border. dimensions 28.5 x 27 cm.
dating: 18th Century provenance: Bologna, Smooth-bore, four-stage, 11 mm cal. barrel, octagonal first part, signed 'LAZARO', two round parts divided by the rings after a short segment of sixteen facets; smooth tang. Fine and elegant snaphaunce flintlock signed 'Acqua Fresca', finely engraved with a female bust and floral motifs, cock's tang with thin curls, chiselled batterie, sliding pan cover, partially engraved inside. Briar-root, full stock, slightly embossed with profiling. Iron mounts, engraved with floral motifs, elegant counter-plate, engraved and embossed with thin branches; butt-plate with a beautiful mask. Back part with a small escutcheon, engraved with a face. Horn-tipped wooden ramrod. length 28.5 cm.
dating: 18th Century provenance: Brescia, Smooth-bore, two-stage, 15 mm cal. barrel, octagonal first part, with silver, relieved bust in the center, among brass, engraved decorations, round after the rings; engraved tang; lock with flat plate, with oblique borders, signed 'L. ZUGNO' and decorated en suite with the barrel. Fine, briar-root, full stock, slightly embossed with brass mounts, engraved and decorated with silver busts. Brass-tipped wooden ramrod and iron cartridge extractor. length 51 cm.
dating: 17th Century provenance: Brescia, Smooth-bore, three-stage, 10 mm cal. barrel, octagonal first part, richly chiselled with floral motifs in bass-relief, followed by the two, round segments, divided by a ring, fore-sight; lock with flat plate, engraved with a snake's head and floral motifs, the cock with a big mask in bass-relief, batterie with in-the-round female bust, sliding pan cover, barely readable mark inside, under the spring, probably 'EA'. Walnut, full stock, slightly embossed with floral motifs; iron mounts, flat counter-plate with braided snakes, trigger-guard chiselled with a snake and floral motifs in bass-relief, butt-plate chiselled, engraved and pierced with floral motifs. Iron-tipped wooden ramrod and iron cartridge extractor. length 50.5 cm.
dating: 18th Century provenance: Marche, Smooth-bore, three-stage, 12 mm cal. barrel, base with frames and rings at the girdle; lock richly chiselled and engraved with floral motifs, the tang with a mask in bass-relief, cock with anthropomorphic, in-the-round figure, spring with a female figure and batterie with a mask. Wooden, full stock with brass mounts, engraved o pierced, counter-plate with a winged figure, back with a cherub's bust, fore-end and trigger-guard with a mask. Butt-plate engraved with floral motifs, with a mask in bass-relief in the center. Horn-tipped wooden ramrod. length 28.5 cm.
A LATE 19TH CENTURY ART NOUVEAU BRONZE BUST BY BELGIAN SCULPTOR GEORGES VAN DE STRAETEN, depicts a bust of a smiling girl with a ruffled collar, her hair tied up in a scarf, with mask to the base, signed to the back and inscribed 'Paris', bears seal mark to base for the 'Societe des Bronzes de Paris', height 60cm
Clemens (Samuel Langhorne) "Mark Twain". Adventures of Huckleberry Finn, first American edition, first state, illustrations by Edward W. Kemble, portrait frontispiece of the author's bust by sculptor Karl Gerhardt, small ink stain on fore-edge otherwise an excellent copy in original green pictorial cloth, gilt, small 4to, New York, Charles L. Webster and Company, 1885.⁂ A fine copy of the first American edition of this ground-breaking novel. Sold by subscription, Huckleberry Finn was finely bound and illustrated to appeal to buyers. As a result, the first edition is one of the most attractive and eye-catching of all American literary classics. Copies were issued in leather bindings (sheep or three-quarter morocco), in blue cloth for those who wanted it uniform with Tom Sawyer, and, as here, in green cloth. There is no priority between them: all were first available to the public on the same day in February 1885. A number of errors were discovered and then corrected during the printing of the first edition. Copies with the earliest, uncorrected states are always sought after by collectors. In this copy, the title-page is a cancel with the copyright notice dated 1884 (C, BAL second state, with the first state only noted in the publisher's prospectuses and advanced sheets), while the frontispiece is in the first state with the tablecloth visible and unsigned on the finished edge of the bust (A, BAL first state). Furthermore, the following issue points are respected: on p. 13, the illustration captioned "Him and another Man" is wrongly listed as being on p. 88 (A, BAL first state); p. 9 with the misprint "Decided" (A, BAL first state); p. 57, the eleventh line from the bottom reads "with the was" instead of "with the saw" (A, BAL first state); p. 143, missing 'l' in the illustration (A, BAL first state); p. 155, the final '5' in the pagination is missing (A, BAL first state), and on p. 161, the signature mark is absent (A, BAL first state). Huckleberry Finn and Tom Sawyer "let fresh air into the minds of parents who had shut the door on their own childhood, and they will be classics the world over as long as there are boys" (Grolier 100 American Books).
Caracalla AD198-217 silver denarius S6821var obv. ANTONINVS PIVS AVG BRIT, laureate bust r. rev. MONETA AVG Moneta standing l. holding scales and cornucopiae and Severus Alexander AD222-235 silver denarius S7934 RIC182 BMCRE278 RCS576 obv. IMP C M AVR SEV ALEXANDER AVG, laureate bust r. rev. VIRTVS AVG, Virtus standing resting on spear and sheild
Lucius Verus AD161-169 silver denarius S5362 obv. L VERVS AVG ... MAX, laureate bust r. rev. TR P VIII IMP V COS III, Aequitas seated holding scales and cornucopiae and Commodus AD177-192 silver denarius S5672var? obv. COMM ANT AVG P BRIT, laureate bust r. rev. PM TR PX IMP VII COS IIII P P, Roma standing holding Victory and resting on spear
Carausius AD 286-293 billon antoninianus S13637-13669 obv. IMP C CARAVSIVS P F AVG, bust r. rev. PAX AVG, SP in field, Pax standing holding spear and sceptre and Philip II AD247-249 billon tetradrachm (regnal year 6) S9294-9328 and Aurelian AD270-275 billon antoninianus rev. ORIENS S11562-11575, (3)
Medal commemorating the Peace of Aix-la Chapelle proclaimed 1748 with bust of George II (1727-1760), William Batemann Yarmouth token 1656, Lackington Allen & Co half penny "cheapest booksellers in the world" 1794, Coventry half penny 1799, nail work token with inscription "A Token / of true love / from / W Stigwood / to his brother / J Stigwood, When / this you see / Remember me / When I am in / A Foreign / Country" and other tokens
Two 19th century black and white silhouette portraits one of a young woman with sheet music, the other of a gentleman at a piano, 27 x 20cm approx, together with a further smaller bust length silhouette portrait of a lady, 8.5 x 6.5cm, a pair of oval photographic portraits of a Victorian lady and gentleman in oval gilt frames, a further pair of oval gilt frames containing coloured Baxter type prints, also together with a Victorian beadwork stool (for restoration)
Two interesting carved hardstone sculptures of modernist form, one depicting a figure with raised arms, the other a child's face, 35 cm and 32 cm high respectively, three interesting pieces of modern art sculpture to include a stained glass panel, a stone study of a head and a further red veined marble sculpture of a bust, together with a small breakfront display cabinet
A Berlin-work iron cuff bracelet, circa 1850, comprising five finely cast and pierced plaques with central Tudor rose motif, surrounded by Gothic arches and further Tudor roses, to a rectangular clasp with classical bust facing left in relief to centre, approx 5 cm wideGood condition, some chain links replaced
A Berlin-work iron cuff bracelet, circa 1850, comprising five finely cast and pierced plaques with central Tudor rose motif, surrounded by Gothic arches and further Tudor roses, to a rectangular clasp with classical bust facing right in relief to centre, approx 5 cm wideSome chain links replaced, otherwise good condition
A PARIAN BUST, on circular pedestal, black printed mark 'Published as the Act directs by Sam Alcock & Co Hill Pottery Buslem September 3rd 1850', height 29cm, together with a small modern bust signed Santini, a pair of Staffordshire chimney ornaments, height 17.5cm, Nailsea style striped claret jug, with plated mount (lip loose) and a pot lid, cattle and sheep grazing, mounted (6)
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110041 item(s)/page