MIXED COLLECTABLES GROUP - two vintage boxes and contents, ETC, to include a dome top walnut glove box with brass mounts, 25.5cms L, Japanese papier mache box having musicians and people to an interior setting, 18cms across, white metal profile portrait of a gentleman within a metal frame, the bust inscribed J Herbert Fecitt, 8.5 x 5.5cms, silver shield shaped badge with enamel decorated coat of arms, Chester silver chain fob, small bone box and contents, 8.5cms L, pair of binoculars Stanhope, a Memory of Eastbourne and further trinket miniatures, Hohner Marine Band mouth organ, three white metal figurines of an elephant, squirrel and penguin and other collectables
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Camberwick Green – Robert Harrop – a collection of x 5 statues / figurines. To include; The Jogger Limited Edition CGQ02, Pugh Clarinet CG70, Roger Varley CG33, Windy Miller CG29, PC McGarry Bust CGYPO3. Measures 10cm tall. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.
Camberwick Green – Robert Harrop – a collection of x 5 statues / figurines. To include; Capt Flack CG69, Dr Mopps House CGM07,PC McGarry CG32, PC McGarry Bust CGY03, Dr Mopp Thrushes CG93 . Measures 10cm tall. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.
An early 20th century German violin, the interior bearing label for Ernst Glasel and inscribed "fecit anno 1924", with two piece back, the button with impressed "G&M" mark and the back further decorated with a bust of Mozart in relief, cased, without bow. Length of back including button 37cm
A 19TH CENTURY AGATE INTAGLIO RING, an oval agate engraved with the bust of Mercury, in a bezel setting, to notched shoulders. Ring size T1/2, 8.7 gramsCONDITION REPORTThere are two small chips to the edge of the cameo, with surface wear. Not hallmarked or stamped but in our opinion would test as gold. The head measures 2.2cm by 1.6cm.
A VICTORIAN SHELL CAMEO BROOCH, carved depicting the profile bust of a Bacchant, in a scroll frame. 5.6cm by 4.7cm, 20.5 gramsCONDITION REPORTSome wear and discolouration to the cameo, denting and piercing to the frame, the cameo is soldered in place. Not hallmarked or stamped but in our opinion would test as gold.
A Victorian parian bust of Clytie the Water Nymph, another bust of Christ, an allegorical figure of a tambourine player, one of a muse seated on rocks and a basket, together with The Parian Phenomenon, a Survey of Victorian Parian Porcelain Statuary & Busts (one tray)Condition report: Bust of Christ is missing its socle base. Basket with a small chip to the rim and another to the foot. Tambourine player - with loss to the left-hand bunch of grapes. All other figures free from damage and repair.
A SILVERED AND PARCEL-GILT BRONZE BUST OF AVALOKITESHVARAWestern Tibet, 14th-15th century. Finely cast with a sash around his torso and adorned with beaded jewelry, the necklace and an earring inlaid with turquoise glass paste. The serene face with heavy-lidded almond-shaped eyes below gently arched eyebrows centered by a gilt urna, flanked by elongated earlobes, the hair in fine rows surmounted by a crown centered by a small image of Buddha Amitabha.Provenance: Property of the Museum fuer Asiatische Kunst, Radevormwald, Germany. The private museum was founded by Peter Hardt, a notable German expert, collector and dealer for Asian art. During his long career, which spanned more than 35 years, Hardt built a substantial collection that is now housed in the museum.Condition: Good condition, commensurate with age. Extensive wear and losses. Small nicks, light scratches, some dents and cracks. Parts of the crown are bent. The figure was once parcel-gilt, with only minute traces of the gilding remaining in some recesses. Fine, naturally grown, dark patina. Remnants of ancient pigment.Weight: 507.7 g (excl. stand)Dimensions: Height 16.5 cm (excl. stand) and 19.5 cm (incl. stand)Mounted on a modern metal stand. (2)Auction result comparison: Compare a closely related but considerably larger (34 cm high) Western Tibetan bronze bust of a bodhisattva, also dated 14th-15th century, at Christie's New York in Indian and Southeast Asian Art on 21 September 2007, lot 119, sold for USD 8,750.鍍銀鎏金銅觀音半身像 西藏,十四至十五世紀。半身像飾有瓔珞首飾、項鍊和鑲嵌有綠松石色玻璃的耳環。面容平靜,杏仁狀的大眼,微微拱起的眉毛,以鍍金白毫為中心,兩側是細長的耳垂。頭髮高束,頭戴上方是王冠,中間有一尊阿彌陀佛的小像。 來源:德國Radevormwald 亞洲藝術博物館藏品。這個私人博物館由Peter Hardt建立。Peter Hardt是一位德國知名亞洲藝術專家、收藏家及經銷商。在他長達三十五年多的漫長職業生涯中,Hardt建立了大型收藏,現在都在博物館中。 品相:品相良好,與年代相符。廣泛的磨損和缺損。小劃痕、一些凹痕和裂縫。王冠部分彎曲。銅像曾經鍍金,在一些凹處只剩下鍍金的微小痕跡。自然生長的深色包漿。古代顏料的殘餘。 重量:507.7 g (不含底座) 尺寸:高16.5 厘米 (不含底座) 與19.5 厘米 (含底座) 現代金屬底座。 (2) 拍賣結果比較:比較一件相近但更大 (高34 厘米)的西藏菩薩半身像,同樣為十四至十五世紀,見紐約佳士得Indian and Southeast Asian Art 2007年9月21日 lot 119, 售價USD 8,750。
A PINK SANDSTONE BUST OF A CELESTIAL DEITYIndia, Rajasthan or Madhya Pradesh, 12th century. Finely carved with prominent, voluptuous breasts, adorned with beaded jewelry, the serene face with almond-shaped eyes below gently arched eyebrows and full lips forming a gentle smile, the hair in fine rows parted by a beaded headdress.Provenance: From the collection of Helen Cunningham and Ted Newbold. Ted Newbold (1930-2018) was a broker and civic leader in Philadelphia, with a lifelong passion for art. In 1984, he married Helen Cunningham, who shared his love for the arts and collecting. Newbold was one of the founders of the “Friends of the Philadelphia Museum of Art” and a 50-year trustee of the Museum itself. He was a board member of the Pennsylvania Academy of the Fine Arts and the Fleisher Art Memorial. Works of art donated by Helen Cunningham and Ted Newbold are in the collections of the Philadelphia Museum of Art, the Woodmere Art Museum, and the Fleischer Art Memorial, among others.Condition: Good condition, commensurate with age. Extensive weathering, wear and losses, small nicks here and there, few structural cracks.Weight: 4,353 g (incl. base)Dimensions: Height 20.8 cm (excl. base) and 29 cm (incl. base)Mounted on a modern base. (2)Auction result comparison: Compare a related sandstone bust of a celestial deity, of slightly larger size (30 cm high) and also dated c. 12th century, at Christie's New York in Indian and Southeast Asian Art on 19 March 2014, lot 1080, sold for USD 25,000.
Spanish school; 17th century."Bust of Saint Paul".Oil on canvas.It presents repainting, restorations, holes and faults in the frame.Measurements: 54 x 39,5 cm; 61 x 46 cm (frame).Saint Paul was a Hellenised Jew from the Diaspora, born in Tarsus. He was therefore Jewish by ethnicity, Greek by culture and Roman by nationality. He received the name Saul, which he changed to Paul after his conversion. Born at the beginning of the first century, he studied in Jerusalem under the rabbi Gamaliel, who would have been noted for his hatred of Christians. One day, when he was on his way from Jerusalem to Damascus around the year 35, he was dazzled by lightning and fell from his horse. Then he heard the voice of Jesus saying to him: "Saul, Saul, why are you persecuting me? As a result of this experience, the saint went abruptly from persecutor to zealot of Christianity. After curing the blindness of a Christian from Damascus, he began his life as a missionary until he reached Jerusalem, where he came into contact with Peter and the other apostles. In the Middle Ages numerous corporations were placed under his patronage, due to various aspects of his iconography, life and miracles. However, St Paul was never a popular saint, which is proof of the relative poverty of his iconography. In fact, his role in art is not commensurate with his importance in the spread of Christianity. In early Christian art, his only attributes are a book or a scroll, and in the 13th century his emblem appears, the sword that was the instrument of his martyrdom.
A sulphide glass paperweight, early 19th century, inset with a profile bust of the Duke of Wellington turned to dexter, diameter 8.5cm, a similar oval sulphide with strawberry diamond base, probably Apsley Pellatt, framed, an oval paperweight with starburst reverse depicting a sulphide of Wellington in military attire, length 8cm, and a sulphide inset dish depicting Prince Albert, diameter 8.7cm (minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Lladro limited edition figure Soothing Reflections, No. 6888, numbered 815 of 1500, height 24.5cm, with plaque, certificate and box, together with a Lladro figure Small Bust with Veil, with box.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of orange ground opaline glass vases, circa 1860, the pear shaped bodies with flared trumpet necks, both decorated with a circular panel of a classical portrait bust within a gilt and black chain border, height 34.5cm (typical wear).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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110041 item(s)/page