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Prof. Antonio Frilli (Italian/Florentine, d. 1902),"Bust of a Nubian Maiden", marble, inscribed "A. Frilli / Firenze" on reverse of truncation, h. 30 1/2 in., w. 21 in., d. 13 1/2, contemporary marble socle, overall h. 37 in. Note: Antonio Frilli was a Florentine sculptor who worked primarily with Carrara marble and alabaster. His delicately executed original works and replicas garnered national acclaim, and he was highly sought-after in his lifetime, notably commissioned by Leland Stanford to create several of the impressive statues that decorate the Stanford University Campus. Frilli founded the Frilli Gallery in 1860, as a studio and art atelier in Florence, the capital art city of the Belle Epoque. An astute businessman, Frilli ensured that his gallery participated in many World Fairs, garnering international attention and taking home awards and prizes throughout the year. In 1904, he posthumously won the Grand Prix at the Louisiana Purchase Exposition in St. Louis for his exquisite marble sculpture entitled “Woman Lying on a Hammock,” which showcased his exceptional talent and ability to manipulate a notoriously difficult medium.In this lot, Frilli’s tremendous skills are on display particularly in the various textures that create the composition. His execution of the coarse fringed textile compared to that of the ringlets of hair and the details of the cabbage leaf crown is remarkable given the challenge inherent in accurately rendering each component. The maiden’s shawl falls open, revealing her left breast, a striking visual reminiscent of Amazonian warriors which lends gravitas to the figure who is being presented in such high esteem.Ref.:“About Us.” Frilli Gallery. www.frilligallery.com. Accessed Oct. 22, 2016.
*Nelson’s Victories, set of four gilt-bronze medalets, circa 1805, bust of Nelson left, rev., each different, with inscriptions for St. Vincent, Aboukir, Copenhagen and Trafalgar, 20mm (BHM 592; Eimer 967b; Hardy 3, 12, 24, 49; MH 514-517), good very fine, in brass circular box of issue (5) Offered with a handwritten note stating that the set was found on 17 February 1893 during excavations for the Blackwall Tunnel at Poplar, London.
United Kingdom Anne (1702-1714) silver sixpence 17?? E below bust, George II (1727-1760) silver sixpence 1746 LIMA, George III (1760-1820) shillings 1816 (2) and 1819, sixpences 1816 and 1817, George IV (1820-1830) shilling 1826, Victoria (1837-1901) silver diamond jubilee medal, groat 1849, Maundy 2 pence 1838, three half pences 1843 a sample jubilee sovereign coin miniature etc
A composition Art Nouveau style bust, raised on a simulated marble plinth and with carved mahogany pedestal. Pedestal height 142 cm, bust 60 cm (see illustration). CONDITION REPORT: By composition we mean some form of resin. It is definitely not metal but does look like bronze. The bust is in generally very good condition with no damage, repairs or restoration. The supporting socle base is in generally good order with only one very small chip to the top surface of one of the octagonal sections at the base of the plinth. The carved wooden base is in generally good condition. There are some minor surface scuffs and scratches as one would expect. There are one or two stress fractures to the timber but no breaks and no losses.
An Excellent Collection of British Silver Coins ( 6 ) In Total. 1/ George III Silver Crown, Date 1818. LIX Edge. 2/ Victoria Old Head Silver Crown, Date 1897. High Grade Coin, Year LXI. 3/ George IV Silver Crown, Date 1821 - 1st Bust. 4/ Edward VII Silver Florin, Date 1904. Good Grade, Rare, ESC 922. 5/ Edward VII Silver Shilling, Date 1902. High Grade. 6/ Edward VII Silver Shilling, Date 1902. Bright and High Grade - Please See Photos.
An Excellent Collection of British Silver Coins ( 7 ) In Total - Please See Photos. Comprises 1/ George VI Silver Crown - Date 1937. High Grade 0.500 Silver. 2/ Edward VII Silver Half Crown - Date 1906. Scarce, ESC 751. 3/ Edward VII Silver Half Crown - Date 1904. Very Rare. ESC 749 R. 4/ William III - 1st Bust Silver Shilling. Date 1696 ( ING ) Mint Mark Cartouche. ESC 1078. 5/ Victoria Silver Gothic Florin, Date 1859. Scarce ESC 817, Nice Coin. 6/ Edward VII Silver Half Crown, Date 1906. Scarce. ESC 751. 7/ Victoria Silver Jubilee Florin, Date 1887 - Rare Poss Proof Coin.
A large and impressive stump carved wooden bust of the Madonna, probably 13th / 14th century, French or Spanish, the hooded face inclined slightly to the left, with finely carved features and elongated nose, lime washed finish, 22¼in. (56.5cm.) high, evidence of charring to the back, standing upon a shallow plain oak plinth with velvet border.
Napoleon interest - a 19th century bronze inkstand, the rectangular cover with a figure of Napoleon on horseback upon a rocky outcrop, after the painting by Jacques-Louis David, inscribed `Napoleon Annibal Carolus Magnus MP.`, lifting off a plinth base with bronze powder pot and water trough and two porcelain inkwells (one cracked), 7in. (17.75cm.) high; together with a brass bust of 'Wellington The Iron Duke, Waterloo', 4in. (10.2cm.) high. (2), * Condition: Small ding to one side of base and small dent to one lower corner. Tip of finger on Napoleon's outstretched arm missing. Good patina overall with just minor wear as expected to edges. One inkwell cracked. Bust in good condition.
Beatrice Murray (Contemporary) Abstract sculpture, marked to base 'Beatrice', 35cm high approx. and another similar (af) (2)Beatrice Murray produced a bronze and fibre glass bust of Margaret Thatcher which Margaret Thatcher sat for in person over a number of sittings. There are numerous newspaper cuttings related to this include photographs of Beatrice Murray with Margaret Thatcher, dated circa June 11th 1975. Mrs Murray also produced busts of Billie Jean King. Mrs Beatrice Murray is believed to have started producing sculpture in the 1960's.
Nefertiti a Wedgwood Pottery bust by Norman Wilson, on ebonised wood base, unsigned 16cm. high Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 200 catalogue number 499 for another example illustrated. Catalogue notes Norman Wilson designed this bust in the 1930s with some being made as late as 1947, they were available in Black Basalt, Moonstone and also two were made in gold.
A patinated bronze bust of a woman cast from a model by Phoebe Stabler, modelled with cast down gaze, her hair up in a ring, and two pottery figures in the manner of Phoebe Stabler, cast Phoebe Stabler in bronze, green glaze figure with remains of Heal's label, white figure restored 10cm. high, (3) Catalogue Notes Phoebe Stabler exhibited a bust entitled Draped Head in 1916 at the Arts and Crafts Exhibition Society, Eleventh Exhibition. Provenance Biddy Aitken.
AFTER EMILE ADOLPHE MONIER, (French, 1883-1970), an Art Deco design free standing gilt, bronze and alabaster holy water stoup with relief portrait bust of the Virgin Mary and moulded glass stoup. Fold out rear leg support. 23.5cm high. CONDITION REPORT: Triangles of onyx missing from right and left, otherwise minor chips and wear commensurate with age and rather grubby.
A mid-18th century English Delft blue and white bell shaped mug celebrating 'The King of Prussia', his portrait bust opposite the handle about to be wreathed by a cherub flying above, battle trophies on either side of the ground beside him, 15cm (6 in) high Other Notes: Records of this depiction have been found on plates and bowls but not on mugs. The original of the portrait used for this mug may have been by the Prussian court painter Antoine Pesne (1683-1757) and bears similarities to one in the British Royal collection. Richard Houston engraved a print of Frederick the Great in about 1758, after the monarch's victories at Breslau and Neumark. It is probably the print which pottery painters copied.
Four mid-18th century English Delft blue and white 'King of Prussia' plates, each painted with a central portrait bust below the letters K P, 22cm (8.75 in) diameter (4) Literature: These commemorate the 'Seven Year's War' 1756-63. See Britton 'English Delftware in the Bristol Collection', plate 10.18 with the attribution to Bristol. One has some firing grittiness at 5 o'clock to the portrait bust
Attributed to Robert Towne, a mid-18th century carved cannel coal bust of Elizabeth I, the Queen wears a ruff above luxuriant robes, pearls at her neck, a socle base below, 33cm (13 in) high Other Notes: Wigan Borough hold a bust of Henry VIII in cannel coal mined in the Haigh area of Wigan, commissioned from Robert Towne by the Earl of Crawford in 1756. The present bust has been thought to belong to that group. The bust is currently in half about her shoulders and the socle has been rebuilt.
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110054 item(s)/page