Circle of John Riley (1646-1691)PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A LACE STOCK AND RED MANTLE Oil on canvas, in a painted stone oval76 x 63cmCONDITION REPORT: 5cm x 6cm hole in canvas to upper right, resulting in paint loss.White marks to edges.3cm scratch to left side.Small areas of retouching to face.
We found 110054 price guide item(s) matching your search
There are 110054 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
110054 item(s)/page
Circle of John Riley (1646-1691)PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A LACE STOCK AND RED MANTLE Oil on canvas, in a painted stone oval76 x 63cmCONDITION REPORT: 5cm x 6cm hole in canvas to upper right, resulting in paint loss.White marks to edges.3cm scratch to left side.Small areas of retouching to face.
A selection of contemporary decorative interior effects to include a bag light with hanging cut droplets of circular form, a stylised fibreglass model of a female bust supporting a military cap, a novelty wine cooler in the form of a gentleman`s top hat, a table lamp in the form of a seated ceramic owl, a large green glass soda syphon together with a plaster figure study, loosely in the Art Deco manner, of a standing female accompanied by two dogs, three models of the Virgin Mary to include a white bisque ceramic example, etc
A pair of oil paintings on canvas, bust length portraits of a lady and a gentleman in late 19th century style costume, both signed bottom left Edenti, 66 x 51 cm (unframed) together with a pastel study of a seated nude female character, a study of an Indonesian style female character, a large print on canvas, portrait of the Queen, a late 19th century coloured print of The Madonna and Child, a pair of early 20th century coloured prints, one of a little girl in feathered hat seated by a fire, the other showing a young woman in a garden setting, etc
![[MONTGOMERY B.L]: (1887-1976) British Field Marshal of World War II. A large uniface cast bronze sculptured portrait medal by](http://lot-images.atgmedia.com/SR/35396/2907164/756-20141121165935_468x382.jpg)
[MONTGOMERY B.L]: (1887-1976) British Field Marshal of World War II. A large uniface cast bronze sculptured portrait medal by A. Jaeger, the relief image depicting Montgomery bust left wearing his beret and two badges and uniform, with the names of some of his military successes, including El Alamein, to the edges in two lines. Mounted within a green felt matt and framed and glazed to an overall size of 9.5 x 9.5. With a dark patination. VG
A Pair of Beatty-Brady Pressed Glass Water Jugs, circa 1900, commemorating Admiral Dewey with bust portraits, the boat Olympia, weapons and crests, 23cm high See illustration The Beatty-Brady Glass Company made these jugs to commemorate the Battle of Manila fought in 1898 as part of the Spanish American War
A justice sword dating: 19th Century provenance: Europe Wide, double-edged blade with round tip, the first part with a central groove, engraved with inscriptions in Latin, a wheel, the sun and floral motifs; gilt brass hilt decorated with bas-relieved floral motifs, trophy and bust; grip with brass wire binding. dimensions: length 107 cm. Start Price: €1000
A 19thC gilt metal pendant seal the central carnelian like seal with engraved mythological bust. The whole 1 1/4" long CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
A 1920's octagonal plant / bust stand , the carved oak with flower and doves to top . marble topped approx 28" high, the top 10" sq CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
A 19th C Limoges Parian ware bust of a female, eyes cast down and wearing a veil to the back of her head. Impressed mark 'Limoges , J. Teissonniere , L France' to side and signed above. Height 4 1/4" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
A terracotta image of standing Buddha, the upper most spike removing to reveal section within head. Bears decoration verso, including script and 9 bust portraits in relief. Approx 16" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Gerhard Marcks 1889 Berlin - 1981 KölnBüste Justine. Um 1920.Terrakotta. Dunkelgrauer Scherben mit brauner Oxydengobe. Rudloff 108 e. Wohl Unikat. 20,5 x 22,5 x 11 cm (8 x 8,8 x 4,3 in). Die Büste wurde von Marcks in seinen nach dem Material (in diesem Falle Terrakotta) getrennt geführten Werk-Tagebüchern unter Nr. 9 verzeichnet. Aus einer um 1923 entstandenden Folge von Terrakotta-Köpfen und -Masken, von denen nur wenige erhalten sind.Die vorliegende Büste zeigt eine Frau vom Obersalzberg. Für Marcks sind von 1915 bis 1920 regelmäßig Aufenthalte auf dem Obersalzberg belegt. Die Familie seiner Frau besaß dort ein Haus, und für ihn war es der Ort der Rekonvalenz nach dem Weltkrieg. Unter Einfluss der dortigen Volkskunst findet seine zunehmende Hinwendung zu einer vereinfachten Formensprache statt, welche die Phase am Bauhaus bestimmen wird. [KD].Wir danken Herrn Dr. Arie Hartog, Gerhard Marcks Haus, Bremen, für die freundliche wissenschaftliche Beratung.PROVENIENZ: Wohl Sammlung Frans Wildenhain.Privatsammlung USA. Ist in Marcks` frühen Arbeiten die klassische Körpersprache noch dominierend, wird das vorliegende Werk, das während der Zeit am Bauhaus entsteht, zugunsten einer Intensivierung des Ausdrucks auf eine abstrahierend formale Körpersprache reduziert. Nicht zu übersehende Vorbilder sind sowohl die Frühzeit der klassischen Antike als auch die etruskische Kunst. Die kleine Büste ist in ihrer Direktheit der Aussage von archaisch-abstrakter Geschlossenheit, die in ihrer Klarheit der Formensprache sich jeder Interpretation im Sinne eines Illusionismus entzieht. Marcks formuliert den Typus, weniger das Individuum. ca. 12.48 h +/- 20 Min.ENGLISH VERSIONGerhard Marcks 1889 Berlin - 1981 KölnBüste Justine. Um 1920.terracotta. Dark grey sherd with brown oxide engobe. Rudloff 108 e. Presumably unique piece. 20,5 x 22,5 x 11 cm (8 x 8,8 x 4,3 in). Marcks registered the bust in one of his work diaries which he kept according to the material (in this case terracotta, under the number 9. From a series of terracota masks and heads from around 1923, of which just a few have been preserved.This bust shows a woman from Obersalzberg. There is proof of regular sojourns on the Obersalzberg between 1915 and 1920. His wife`s family owned a house there, and to him it was a place where he was able to recover from the war. Under the influence of local folk art he increasingly turned to a simplified style which would become decisive for his activities at the at the Bauhaus. [KD].We are grateful to Dr. Arie Hartog, Gerhard Marcks Haus, Bremen, for his kind expert advice.PROVENANCE: Presumably collection Frans Wildenhain.Private collection USA. ca. 12.48 h +/- 20 min.
Loading...-
110054 item(s)/page