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Lot 1050
Late 19th century Pre-Raphaelite school - Bust portrait bearing plaque 'Miss Sandys', oil on card, 25 x 20cm, hand-written annotation verso stating sold at the Ivy House (Norwich) house auction in 1914, and further label for carver and gilder Samuel Townsend of Norwich; together with an English school pastel portrait of a young girl (2)Miss Sandys – oil is in good condition., colours are good and strong, some light marks to edges.Pastel – overall good but colours are a little muted, some general marks.
Lot 81
A Fine Victoria sovereign gold coin bracelet, formed from seven 9ct. yellow gold circular links, each mounted with a Victoria "Jubilee bust" sovereign gold coin, these minted in consecutive years: 1887, 1888, 1889, 1890, 1891 & 1892, all London mint, the 9ct. gold bracelet hallmarked London 1972. (gross weight 66.5g)
Lot 427
A pair of carved oak Romayne type furniture panels, one with a profile bust of a woman, facing right, with an exaggerated neck, high collar, beaded edge close bonnet with twin tassels, within a circular moulded frame, flanked by a serpentine scroll,over a foliate capped serpentine scroll, the other with a profile bust of a man with stylised beard and long handle bar moustache, his hat with a large plume, foliate carved circular moulded frame, flanked by a small serpentine scroll, over formal foliate capped scrolls, both with later backing, probably German, mid 16th century, 49.5cm by 26cm and 49.5cm by 26.75cm respectively illustrated
Lot 8
Large 19th century shell cameo yellow metal brooch, the carved shell cameo depicting female bust looking right with grapes and vine leaves to her hair, a ribboned staff over her left shoulder, the dress clasp modelled as a bearded face, rubover set, cast wine leaf and openwork scroll border, pin and c loop brooch fittings, dimensions approx 7mm x 6mm
![Lladro - A porcelain bust of the Madonna, approximately 22 cm (h). [W]](https://cdn.globalauctionplatform.com/ccb9f648-0696-4f43-9c51-b037011687a4/231ce1dc-217c-4c68-9e0a-b07501170a16/468x382.jpg)
Lot 732
A fine Victorian Elkington Neo-Classical silver trophy cup and stand, of covered, two-handled form, the bowl shallow relief decorated on one side in depiction of three classical Greek female figures respectively holding a dish, a staff and a lyre, the opposing side faced with an anthemion scroll cartouche with later engraved presentation inscription "C & W [ Cumberland & Westmorland ] Wrestling Trophy. Presented by Ambleside Trades People to the Ambleside HTSA, 1950", the domed cover's finial in the form of a bust of Athena, its scroll handles reeded, collared and acanthus-capped, the interior gilt, on a plinth bearing finely engraved monograms, an armorial shield and crest, Elkington & Co (Frederick Elkington), Birmingham, 1869, 3790 g, 63 cm tall
Lot 1032
Molière - Corneille - - J. M. Moreau Le Jeune - nach. Zwei Alben mit 56 Illustrationen zu den Werken von Molière und P. Corneille. Frankreich, 19. Jh. Verschiedene Techniken: u.a. Radierung und Stahlstich. Blattmaße je ca. 27 x 17 cm. Montiert in zwei späteren braunen Lwd. Kl.-4°. Der erste Bd. enthält die Suite der 30 in den Jahren 1812 und 1813 von Renouard in Auftrag gegebenen Illustrationen zu den Oeuvres de Molière, gestochen nach Moreau Le Jeune von Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey und Delvaux, sowie ein weiteres, bei De Villiers fratres erschienenes Bl. Der zweite Bd. umfasst 25 Bll. größtenteils Stahlstiche wohl um 1840 erschienen und ebenfalls Illustrationen u.a. nach Moreau Le Jeune für die Oeuvres de Pierre Corneille. Darunter ein Porträt gezeichnet und gestochen von Augustin de Saint-Aubin nach einer Büste von Caffiery. - Bll. teilweise leicht braunfleckig. Im zweiten Bd. 2 Bll. lose eingelegt. Insgesamt in sauberem Zustand. Two albums with 56 illustrations of the works of Molière and P. Corneille. France, 19th century. Various techniques: etching and steel engraving among others. Mounted in two later brown linen cloths. - The first volume contains the suite of 30 illustrations commissioned by Renouard in 1812 and 1813 for the Oeuvres de Molière, engraved after Moreau Le Jeune by Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey and Delvaux, as well as another sheet published by De Villiers fratres. The second volume contains 25 sheets mostly steel engravings probably published around 1840 and also illustrations a.o. after Moreau Le Jeune for the Oeuvres de Pierre Corneille. Among them a portrait drawn and engraved by Augustin de Saint-Aubin after a bust by Caffiery. - Partly slightly brownspotted. In the second vol. 2 fol. loosely inserted. Overall in clean condition.
Lot 189
Pietro Labruzzi (1739-1805) A Full-Length Portrait of Nicholas I of Russia in a classical setting 1802. Oil on canvas. Signed, located, and dated, lower left: Pietro Labruzzi Roma Pinx Anno 1802. Lot Essay: Nicholas I (Russian: Nikolay Pavlovich) (1796-1855), Russian Emperor (1825 - 1855), is often considered the personification of classic autocracy. It is clear that even at the age of 6, Nicholas was being cultivated as a future potential Emperor. The surrounding tropes in the present image reflect this, with Nicholas' setting rich in both accessories and emblematic references. For example, the pan flute, which alludes to the Greek god Pan, the patron of pastoral poets, evokes Nicholas' classical education as a royal, along with the numerous Classical references such as the Pegasus in the background. The portrait bust on the right of the image is inscribed with 'Alexander the first, of all of the Russian Empire', referring to Nicholas' elder brother Alexander I (Emperor of Russia 1801-1825). In this image, Alexander is immortalised as Imperator, explicitly linking the strength and glory of the Russian Empire to that of Ancient Rome through the use of the portrait bust. Moreover, the positioning of the portrait bust above Nicholas indicates the hierarchy of the royal lineage, with his brother Alexander I majestically surveying from above. The laurel wreath upon which Nicholas rests his hand is another nod to Greek mythology (this time to Apollo) as a universal symbol of triumph and peace, demonstrating the Russian Empire's role as a bringer of peace to the Greeks. Finally, the epee and globe, and the words 'Victor' on the plinth, collectively point to a triumphant military campaign. Dressed in traditional Greek dress, Nicholas wears Greece's blue and white national colours. His type of trousers, gilet and slippers were likely commissioned to commemorate the establishment of the oligarchic Septinsular Republic under nominal Russian and Ottoman sovereignty in the Ionian Islands in 1800. When Alexander I came to the throne in March 1801, Russia was in a state of hostility with most of Europe, though its armies were not actually fighting; its only ally was its traditional enemy, the Ottomans. As such, the establishment of the Septinsular Republic marked a victory in an increasingly unsettled time during Russian foreign policy. The Republic was established after a joint Russo-Ottoman fleet captured the islands and ended a two-year rule by the French Republic, marking the first time Greeks had been granted self-government since the fall of the last remnants of the Byzantine Empire to the Ottomans in 1460. Pietro Labruzzi's elder brother, Carlo Labruzzi (1748 - 1817), was also a well-known artist achieving official recognition, boasting several international and high-profile patrons. Carlo Labruzzi executed a number of commissions for the Russian court: for example, his View of The Colosseum from the Palatine (signed and dated 1780) is in the Pavlovsk Palace, near St. Petersburg (p. 8, Dickinson). Pavlovsk Palace is an 18th-century Russian Imperial residence built by the order of Catherine the Great for her son Grand Duke Paul, in Pavlovsk, within Saint Petersburg. After Grand Duke Paul's death, it became the residence of his widow, the Empress Maria Feodorovna (1759-1828), the mother of both Emperor Alexander I of Russia and Emperor Nicholas I of Russia. As such, there is plausible evidence to suggest that Carlo's brother would have been surrounded by the young Nicholas I, and if Pietro himself was not painting Nicholas from life, it is likely he would have been painting from sketches his brother made while at the Russian court.Dimensions: Canvas) 53.5 in. (H) x 38.75 in. (W) (Frame) 59.75 in. (H) x 45.5 in. (W)
Lot 5082
An assortment of 3 Promo Copy video game discs (PAL) across multiple platforms These are promotional discs that were released ahead of the video games' official release date and rarely seen outside of the industry Includes: Bust-a-Move 2 Arcade edition (PS1), Medal of Honor Rising Sun (PS2), Virtua Cop 2 (SEGA PC) Condition Report: Games are in varying types of cases however, these are how these promotional copies were originally distributed. Virtua Cop 2 is in a thin plastic wallet. Medal of Honor and Bust-a-Move are in thin CD jewel cases.
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110041 item(s)/page