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A collection of early 20th century carved ivory items, including a carved screen on stand decorated with figures in a garden, a tree trunk Okimono carved with birds and foliage, a dog of foe on stand, a carved roundel base, a silver and ivory oval brooch, and an unusual carved bone shaving brush with Picasso style bust terminal. (6)
FOLLOWER OF SIR GODFREY KNELLER PORTRAIT OF A LADY bust length in a light brown dress with pearls; Portrait of a Lady, bust length in a dull red dress and brown stole, oil on canvas, 51.5 x 50cm, giltwood egg-and-dart sanded frames with flower corners, one 18th c (2) ++Both in good condition with old restoration and localised retouching, the 18th c frame with added side pieces to match the later, Victorian period frame
M DAVIOT, 1781 PORTRAIT OF A CHILD bust length, holding a ball in his hands, signed and dated M Daviot p:1781, oil on canvas, 59 x 48cm ++Unlined on the original stretchers, the canvas with number of dents and two sharp scratches well clear of the sitter, some possible old localised re-touching, not examined under UV, the varnish dirty. In shabby gilt cavetto frame
WILLIAM WOODGATE (1804-1861) PORTRAIT OF CITY OF LONDON TOASTMASTER AND MASTER OF CEREMONIES JAMES TOOLE bust length, signed on a pillar W WOODGATE Pinxit, oil on canvas, 90 x 69cm, sold with a lithograph portrait of James Toole by Day & Haghe, c1840 and a print of J L Toole (3) James Toole (1796-1847) occupies a unique position in the history of his profession. By sheer force of character, combined with a genial manner he became the most famous toastmaster and master of ceremonies in early Victorian England. Such was the esteem in which he was held during the 22 years in which he was employed by the Hon East India Company and then subsequently that he became a celebrity in his own right, constantly booked to officiate at city functions and throughout England. He was a particular favourite of the Duke of Cambridge. An article in the Pictorial Times (1847) reported "By his peculiar and happy expression, and perfectly original style, he was the first to establish the business of toastmaster; and the extraordinary success with which he carried it out for the last seventeen years, at the city festivals in act all parts of England, has recently created several copyists....As a toastmaster, his equal will never be found. He was a kind hearted and generous man, and subscribed to a great number of charitable societies." He was the father of John Laurence Toole (1830-1906) the actor and theatre manager. The artist William Woodgate is recorded as a London painter of Historical subjects. He exhibited one work at the Royal Society of British Artists (Suffolk Street) in 1827. In the 1851 Census he described himself as a portrait painter, aged 47, living with his wife Francis [sic] aged 40 residing at Milton in the parish of Gravesend, the town of his birth. ++In ready to hang condition having been lined and cleaned for the late owner some years ago, some evident overpainting the extent of which has not been ascertained under UV light, in what is likely to be the original ornate Victorian giltwood and composition frame
A CARVED IVORY PORTRAIT RELIEF OF A GENTLEMAN, 19TH C bust length with shaped truncation in contemporary rosewood frame, 27 x 24.5cm overall and two Victorian tinsel pictures of Queen Caroline and the Duke of Cambridge, framed (3) ++Rosewood frame with veneer loss to edges, the two tinsel pictures in satisfactory condition
JOHN PINCHES LTD. FOR THE CHURCHILL CENTENARY TRUST; A 24ct GOLD ON HALLMARKED STERLING SILVER PLATE, commemorating the 100th Anniversary of Sir Winston Churchill's birth. The plat having a gold plated relief bust portrait of Sir Winston on a surface of polished sterling silver, 8" diameter, 10oz. The reverse incised with an individual issue number '474' and hallmarked London 1974, TOGETHER WITH A BLUE VELVET LINED WOODEN EASEL STAND, BOX; accompanying booklet; Certificate of Authenticity No. 474 and 1974 purchase receipt for £127.60
An Edwardian silk and embroidered lace wedding dress Of typical Edwardian form with high buttoned collar, the buttoned scoop panel front bib, above oyster coloured underskirt with boning and overlaid with ivory coloured voile, together with an embroidered veil and photograph of the wedding dress on the bride and grooms wedding day, shoulder to shoulder 36cm, bust 46cm, waist 70cm, overall length 142cm. CONDITION REPORT: Spotting to the skirt. Staining to elbow. Small tear to the waistline. Large dark stain to the left area. Noticeable loose hand stitching to the waist.
A 1920s style drop waist wedding dress The ivory lace dress, laid over satin with scalloped hem and puffed lace full length sleeves, embroidered with floral designs and embellished with a low satin waist ribbon, shoulder to shoulder 35cm, bust 40cm, waist 82cm, full length 138cm. CONDITION REPORT: Minor wear and fraying to the sleeves. Otherwise sound condition.
A 1980s ivory satin wedding dress With full length hoop skirt and V neck and three-quarter length puffed sleeves, the pale ivory satin adorned with lace panels to the skirt and collar, shoulder to shoulder 40cm, bust 36cm, waist 58cm, full length 126cm long. CONDITION REPORT: Small pulls to the fabric at the breast area.
A Patricia miller for Liberty wedding dress, circa 1970s The white cotton dress with square neck line trimmed with white satin, extending to a high waist and full length floor length skirt, and full length sleeves, embellished with ribbon floral designs, shoulder to shoulder 37cm, bust 32cm, waist 64cm, full length 136cm, together with a lace full length veil. CONDITION REPORT: Several small bobbles to the breast area. Small stain approx 3cm in size to the breast section. Small yellow stain to the waist area. Small marks and stains to the lower hem.
An Edwardian style ivory wedding dress, second half 20th Century With high neck extending to full length puffed sleeves and high waist, the pale ivory fabric overlaid with floral pierced lace embellished with rosette detailing throughout, shoulder to shoulder 34cm, bust 30cm, waist 64cm, full length 147cm long at the front, 202cm long at the back. CONDITION REPORT: Staining to the underskirt. Minor wear to the zip, hem and neckline area.
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110054 item(s)/page