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Lot 2433
GB Early Milled Shillings (14): 1663 up/down Fair, 1668 Fair, 1696 poor, 1696y 1st bust (York Mint) VG, 1696N 1st bust (Norwich Mint) VG, 1697y 1st bust (York Mint) VG, 1698 3rd bust poor, 1701 large lions Fair minor mis-strike, 1707E Fair x2, 1711 4th bust VG, 1712 roses & plumes Fair, 1736 roses & plumes ex-mount ex-gilt Fine, and 1745 Lima Fair.
Lot 1640
Charles I silver shilling Tower Mint under Parliament 1642-1649, mm. Triangle within Circle 1641-1643, Group F 'Briot's' Bust type 4/4, double-arched crown, Spink 2799, obverse line of defacement down king's portrait, test cut at obverse 5 o'clock, generally above average, with good portrait, some weakness, GF
Lot 1642
Charles I silver shilling, Tower Mint under the King 1625-1642, Group F 'Briot's' Bust, Type 4/4 with stellate lace collar, single-arched crown, mm. Triangle / Triangle over Sideways Anchor to the right, c.1639, under Spink 2798 but exact type not listed?, full, round, well centred, black even tone, NVF
Lot 1665
Galba bronze of c.28mm. probably from the Spanish Mint of Tarraco, obverse reads:- SER GALBA IMP AVGVSTVS, Laureate bust right, resting on globe, reverse reads:- LIBERTAS PVBLICA S C, Libertas draped, standing left, holding pilus and long rod, Sear - , RIC Vol. p.235, 70, ill., BMC 203, clear rare, NVF
![Hadrian brass sestertius, Rome Mint 136 A.D., Laureate bust, right, reverse reads:- [ADVENTVI] AVG MAVRETANIAE [SC], Harian g](https://cdn.globalauctionplatform.com/a6c5d346-1261-4220-aa90-a94300fd96fa/626822f1-3069-4fb4-8431-b49b47da7bb1/468x382.jpg)
Lot 1694
Macedon as a Roman Protectorate, silver tetradrachm, 158-149 B.C., obverse:- Macedonian shield, bust of Artemis Tauropolos at centre, right, reverse:- Horizontal club, legend above and below, all within oak wreath, thunderbolt at extreme left, Sear 1386, with a full ticket by Dr.R.Vezin, NEF/EF
Lot 1700
Maximian First Reign 286-305 A.D., silver argenteus, Rome Mint 294-295 A.D., obverse reads:- MAXIMIANVS AVG, Laureate bust right, reverse reads:- VIRTVS MILITVM, triangle officina mark in exergue, the four tetrarchs sacrificing over tripod-altar, military camp in the background, with an old ticket, Sear 13098, EF
Lot 1711
Philip II as Caesar under Philip I, silver tetradrachm of Seleucis and Pieria, Antiochia ad Orontem, obverse:- Bare-headed, draped and cuirassed bust, right, reverse:- Eagle standing facing on palm branch, head left, wreath in beak, Sear 4145, with full ticket by Dr.R Vezin, reverse with a little original finish, VF/EF
Lot 1771
Vetranio 1 March to 25 Dec.350 A.D., one of the few emperors to die in retirement, billon maiorina, Siscia Mint, 'A' behind and star before bust, with the unusual reverse legend HOC SIGNO VICTOR ERIS [ In this sign you will be the victor] thus proclaiming his loyalty to Constantius, Vetranio or Constantius standing in military attire, crowned by Victory, Sear 18905, scarce, VF
Lot 159
dating: 16th Century provenance: Ottoman Empire, The peak with iron disk, mail neck-defense with small, riveted rings, circular eyelets, openable face protection. With neck and upper bust protection. Restored, the missing rings replaced with simple rings. Some rings are replaced. Scarce. height 43 cm.
Lot 395
dating: Mid 18th Century provenance: France, Blade of triangular section; silver hilt with double shell-guard, richly engraved with trophies, bust and floral motifs, quillon block with busts, arcs, quillon and guard with braided bands and pommel en suite with the shell-guards. Wooden grip, covered with bands and silver wire binding, held by moor's heads. length 91 cm.
Lot 430
dating: about 1580 provenance: North Italy, In iron, composed of twelve, riveted plates, first part engraved with bands with a lion in the center and a vertical band with decorative elements on a grained and gilded ground, two buckles, the last one with two medallions with a bust an hemmed border, central plates are engraved and gilded, upper border with decoration. dimensions 35 x 23.5 cm.
Lot 573
dating: First half of the 18th Century provenance: Tuscany, Smooth-bore, two-stage, square and round, 12.5 mm cal. barrel, with small floral engravings; engraved tang; fine lock engraved and chiselled with floral motifs, cock with a mask, sliding pan cover, marked 'CR' inside. Wooden, full stock, embossed with iron, engraved mounts, pierced counter-plate, butt-plate with a mask in high-relief, trigger-guard engraved with a bust, iron belt hook. Horn-tipped wooden ramrod and iron cartridge extractor. length 42 cm.
Lot 261
Peter J Bailey (British 1951-): 'International Hair Stylist' - Jo Brand bust portrait, oil on canvas signed, titled signed and dated 2002 verso, 59cm x 45cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Lot 46
Derwent Lees NEAC (British 1885-1931): Bust Portrait of a Young Woman, pencil signed and dated '12, 30cm x 23cm (unframed) Provenance: by family decent from the collection of Francis Bate (1853-1950) a founder member treasurer and secretary of the New English Art Club Condition Report Click here for further images, condition, auction times & delivery costs
Lot 445
A French carved ivory figure of Jeanne d'Arc (Maid of Orleans), c.1900, 3?in. (9.5cm.) high; together with a small French carved ivory bust of a classical lady, a wreath in her hair, on a rectangular base with a band of leaves and central lyre, standing on a wooden base, c.1890, 2½in. (6.3cm.) high. (2)
Lot 300
A pair of framed French Empire carved ivory portraits, circa 1810, of a lady and a child, possibly the Empress Josephine and the Dauphin Louis-Joseph, signed indistinctly on the truncationsCondition Report: Height of busts 2.5 and 2.25ins approximately. Nose to right hand bust appears flattened but not thought to be broken.
Lot 12
Portrait bust of Molly McCann - a terracotta model study by Leslie Harradine - Royal Doulton interest, satin glazed terracotta portrait study, quarter length, of Molly McCann with arms crossed, signed and dated 'Harradine, 60' behind right arm, 10in. (25.4cm.) high. * Part of a collection of sculpture by Leslie Harradine and primitive paintings by his wife, Molly McCann, from their studio in Sark, The Channel Islands. See lots 1 to 64 in this sale. ** Provenance: From the artists' studio in Sark, by family descent.
Lot 15
Disapproval - a terracotta model study by Leslie Harradine - Royal Doulton interest, terracotta portrait bust of a gentleman with stern expression, signed 'Harradine' to base, not dated, 8¼in. (21cm.) high. * Part of a collection of sculpture by Leslie Harradine and primitive paintings by his wife, Molly McCann, from their studio in Sark, The Channel Islands. See lots 1 to 64 in this sale. ** Provenance: From the artists' studio in Sark, by family descent.
Lot 7
Intrigued - a terracotta model study by Leslie Harradine - Royal Doulton interest, polished terracotta model portrait mask bust of an African woman, on wooden rectangular plinth with metal supporting rod to centre, signed 'Harradine', not dated, overall height 13½in. (34.4cm.). * Part of a collection of sculpture by Leslie Harradine and primitive paintings by his wife, Molly McCann, from their studio in Sark, The Channel Islands. See lots 1 to 64 in this sale. ** Provenance: From the artists' studio in Sark, by family descent.
Lot 132
Hinton Gibbs (British, fl. late 1790s to 1822) Portrait of a lady, profile to the right, wearing a coral necklace and dress with a lace trim around bust, with hair in a Grecian hairstyle, circa 1804/1806, backed with ivory, 6.1 x 5.2cm (2.5 x 2in); Portrait of a young child, profile to the right, 7.1 x 5.7cm (3 x 2in); and Portrait of a gentleman, profile to the left, wearing a black coat with button and collar detailing, circa 1810, 6.6 x 5cm (2.5 x 2in) reverse painting on glass (3) Lady - some paint deterioration and chips to the head and neck. Child - Some cracks due to age, diagonal crack and a missing piece of wax support/backing approximately 3/4inch below sitter, a few blemishes above the sitter's head, some paint deterioration to the neck of sitter. Frame loose. Gentleman - visible cracks and discoloration around perimeter. Some paint deterioration to sitter's jacket.
Lot 127
John Miers (British, 1758-1821) Portrait of a boy, profile to the right, circa 1786, 8.7 x 6.7cm (3.5 x 2.5in); with Portrait of a lady, profile to the right, with curled up-do and detailing at the nape of the neck circa 1810, 8.5 x 6.5cm (3.5 x 2.5); and another smaller of a lady, profile to the right, signed under the bustline "Miers", 3.7 x 3.2cm (1.5 x 1.3in) painted in black on plaster (3) Boy - Good condition, chip along top edge of plaster, loose in its frame. Lady - Good condition, small brown mark to the left of bust-line. Lady (smaller) - Good condition, a little dirt around nose profile and above up-do on the left of the silhouette.
Lot 129
Samuel Andrews (Irish, c. 1767-1807) Portrait of Judith Frushard, profile to the left, wearing a bonnet tied under her chin and a dress with high-collar and bust detailing inscribed to the reverse with the sitter's name and details watercolour en grisaille on ivory 8.46 x 6.90cm (3 x 3in) Judith Frushard was the wife of Thomas Wilkinson, and mother of Ann Wilkinson who married Charles Russell Crommelin in 1774. Some wear to the paint along the edges.
Lot 130
John M Field (British, 1771-1841) Portrait of Mr W Mason, profile to the right, in a double-breasted coat, frilled chemise and tied stock with cropped hair and delicate eyelash detail inscribed to the reverse "Mr. Field Pinxt"; inscription inside "Mr W Mason Oct. 1818" painted on plaster and bronzed 7.70 x 6.10cm (3 x 2in) Some slight discolouration around the edges. Plaster support worn around bust-line.
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110054 item(s)/page