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Lot 216
A NAUTILUS PORCELAIN VASE, conical form with angular scroll handles and frilled neck, painted with a floral spray to a blush and gilt ground, printed marks, 25.5cm high; AND A PAIR OF QUIMPER QUAICHES, each painted with the bust of a Breton gentleman (3)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Chip to neck rim, wear to gilding
Lot 45
Meissen Büsten des Gottes Apollo und Göttin Diana, bust of god apollo and goddess diana,Porzellan, blaue Schwertermarke 1. Wahl, Knaufmarke 1860 - 1924, Entwurf von Christian Gottfried Jüchtzer (1752-1812) und Johann Karl Schönheit (1730-1805), Formnummer Apollo H5 und Diana H8, jeweils H 12 cm, beiden Köpfe und Sockel des Apollo mit Chip
Lot 78
Attributed to Peter Casteels I (act. Antwerp, 1629-1683). Bacchanal. Oil on canvas. The narrative is based on Italian sources of the god in mystical delirium. The God Bacchus is represented in a landscape, reclining with a lost gaze and a glass in his hand while a Satyr fills it with wine. Next to him is a bacchante and a cupid trying to pick grapes from the bunch that God is holding with one hand. To the right of the composition, two putti plus one among vines and the other playing with the panther that serves as a mount for the god and a bust closing the scene on the left. The painter shows an inclination to exaggerate his style in voluptuous forms, expressiveness and ugliness. Bacchus is the son of Zeus and Semele: he discovered wine and its debauchery. Hera drove him crazy. It is what is visible in the paintings of Casteels. He is the god imprisoned in the mystical delusion that Rubens disclosed. He conveyed the crazy image of the god of wine, mystery and madness. As Matías Díaz Padrón indicates: "Peter Casteels was a painter of evident and overflowing voluptuousness and strange personality in the shadow of Rubens and Jordaens. Repetitive in his production, with gestures and expressions adapted to the lust of the Rubenian baroque. A forgotten painter who prolongs the Dionysian universe inaugurated by Rubens and continued by Jordaens. "Bibliography. Matías Dïaz Padrón. "A bacchanal of Peter Casteels I in the National Museum of Havana". Atlantic Studies Yearbook. No. 64, pp. 1-10. Gran Canaria, 2018. The Museum of Havana preserves a work similar to ours. Relined. 65.5 x 107 cm.
Lot 3184
A collection of pipes to include: an Edwardian Meerchaum small pipe, carved as Woman's bust with silver ferrule, hallmarked Glasgow 1904, in fitted case; an another early 20th Century Meerschaum pipe the body with horse and hound in fitted case; another meerschaum and amber large pipe, the body carved bust of man together; carved wooden example the bowl as a Pirate together with two clay pipes and a ceramic example (1 bag)
Lot 3342
Large UK coin collection includes Victorian silver coins, South Africa silver shilling 1895 (holed),Frederick (the great) commemorative Medallic coin commemorating the battle of Leuthen 1757.two 1997 £5 coins with other commemorative crowns, large amount of Victorian penny’s bun head and veiled bust type, small amount of world banknotes, with other coins.
Lot 68
A George II ladle, white metal bowl, gadrooned rim, the centre inset with a Queen Ann shilling 1708-1711 fourth bust, the opposite side monogrammed TLM, to a baleen handle, length approx 12'', unmarked assessed as silver, total gross weight approx 1.2oztCondition report: overall good, two dents to bowl edge, handle intact, wear and tear commensurate with age
Lot 430
Humphreys (Henry Noel). A Record of the Black Prince, London: Longman, Brown, Green, and Longmans, 1849, title in red & black, with early ink presentation inscription to upper margin: L.L. Lifford, from her Father in law James Viscount Lifford, black letter text, six chromolithograph illustrations including some full-page, some tissue guards present, occasional spotting, mainly at front and rear, stitching a little strained, marbled endpapers, front hinge cracked, original moulded and pierced black papier-maché covers, on a crimson ground, dust-soiled, lower outer corners of covers chipped, a few hairline cracks to outer borders, black morocco spine (somewhat rubbed) with embossed title, gilt-decorated turn-ins and edges (rubbed), contained in cloth wallet, 8vo, together with: Ibid., Sentiments and Similes of William Shakespeare, 1st edition, 1851, printed throughout in gold and black, first leaf of text within chromo-illuminated border, some minor spotting, mainly at front and rear, front pastedown with near contemporary ink inscription, hinges strengthened with white cloth tape, all edges gilt, original moulded and pierced black papier-maché covers, on a gold ground, central terracotta oval relief bust of Shakespeare to upper cover, and similar central lozenge with his monogram to lower cover, dust-soiled with a few hairline cracks, rear cover with a couple of small pierced areas infilled, black morocco edges and spine, rubbed and rebacked, gilt-decorated turn-ins and edges, some wear to corners, 8voQty: (2)NOTESMcLean, Victorian Book Design, pp.151-152. Also pp.74-75 "The Black Prince is one of the most successful of all the gift or table books of this period. The binding is the most elaborate yet of the black papier mache kind...." and pp.77-78 (for Shakespeare).
Lot 89
A late 19th/early 20th century Chassepot-type bayonet, the fullered blade bearing bust of knight mark possibly for a Solingen manufacture, length 57.5cm, the quillon further stamped DBRA to ribbed brass grip, lacking scabbard.Provenance: The Captain Allan Marshall Collection.Additional InformationPitting, some surface corrosion, heavy scrapes, scuffs and general wear.
Lot 928
A collection of ceramics, glass and decorative items including a Carltonware fruit bowl decorated with a chinoiserie scene against a Rouge Royal type ground, diameter 26cm, a smaller but similarly decorated twin handled dish, diameter 12.5cm, a Royal Doulton figure of Winston Churchill HN3057, a Lladro figure of a young monk and a dove, a Marshall Taplow Whitehall Distillery character jug, a bronzed resin figure after Karin Johnson, etc.Additional InformationThe large Carltonware bowl with slight rubbing to gilding and a few light and small surface scratches to the glaze but nothing serious. The smaller Carlonware bowl with a couple of light glaze scratches but nothing serious. The rim of one of the glass dwarf candlesticks is chipped, the female bust has been resprayed throughout and this has started to flake and the Taplow jug is grubby and with general age wear throughout.
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