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*A 19th century Vienna porcelain vase, of squat baluster form, the central panel hand-painted with a bust portrait of a semi-nude maiden, signed Wagner, having all-over raised gilt and enamelled decoration with birds, cornucopia and flowers, blue beehive mark verso, signed Gitonui(?), numbered 950 Depose, further numbered 5275-950579 to the rim, h.16cm. Three very small minor scratches to woman's hair. Slight wear to gilt rim. Very light gilt wear. Enamel decoration good.
A 19th century Meissen porcelain bachelors teapot and cover, of bullet shape, the finial as a double-sided female bust, the body decorated with exotic birds amidst branches, heightened in gilt, underglaze blue crossed sword mark verso, h.11cm. Inside of top rim is restored.Tip of spout has been well restored.Handle has been well restored.Enamels good.Cover good.Gilt is poor in restored areas only.
A 9ct diamond and onyx pendant, the oval black onyx pendant set with a 9ct relief bust of a maiden with diamonds in her hair, total weight of diamonds estimated approx. 0.07cts, with outer scalloped and bead border, both bust and border hallmarked for 9ct gold, London 1975, 51mm long x 38mm wide, with tapered hanging bale, (35.5g)
A circa 1800 French faux tortoiseshell and gilt metal mantel clock, the balloon shaped case with figural bust mounts, gilt metal dial with white enamelled raised Roman numerals, twin winding holes for a later Japy Frères brass eight day cylinder movement, having outside countwheel and striking on a bell, h.42cm
A Quillwork Diorama, circa 1670, worked in coloured and gilt paper with a castle flanked by two miniature bust portraits in foliate frames above two cornucopias, on a ground of scrolls and cones within a scroll and foliate border, 27.5cm by 37.5cm See illustration A similar example with similar portraits, reputedly depicting James II and Mary of Modena, was offered by Elliot & Grace Snyder at the New York Winter Antique Show 2017
School of Antonio Canova (1757-1822): A White Marble Bust of Napoleon as Mars Pacificus, numbered 162 to reverse, 74cm high, on a cylindrical marble column with collar to base and square plinth, 132cm high See illustration The present bust is derived from the colossal marble statue of Napoleon as Mars Pacificus currently in Apsley House, London, which was rejected by Napoleon because of the statue's nudity. Canova then produced a bust derived from the full-length original which is now in Chatsworth House, Derbyshire. Subsequently, Canova's Roman studio produced marble versions of the bust and Napoleon's sister Elisa Boneparte Baciocchi, the Duchess of Lucca, established a workshop at the quarries in Carrara that specialised in the reproduction of Imperial marble portraits by sculptors such as Lorenzo Bartolini, Antoine Denis Chaudet and Baron François Bosto. It is recorded that between 1808 and 1814 forty-two Carrara workshop marbles of Canova's bust of Napoleon in colossal and life-size scale were received for sale in Paris and it is possible that the present lot is one of these examples. For an example by Lorenzo Bartolini, signed with initials, see Sotheby's Old Master Sculpture and Works of Art, London, 9.7.15, lot 184. Another anonymous example is in the Metropolitan Museum of Art in New York, accession no.2015.489
Set 1-5 Classes (1966). 1st Class, gilt Bronze with Pastes in luxury leather case of issue for gold orders ; 2nd Class, gilt; 3rd, 4th and 5th Class, silvered Metal. Breast Stars, 67 mm, 3rd to 5th Classes, center enameled, 10 groups of rays, reverse with pin, in the centre bust of Tudor Vladimirescu within a wreath of oak leaves. A rare set in mint condition! I R! (5)
Breast Badge, 29 mm, Silver, obverse inscription "BOLIVIA TIENE CREDITO POR LA PAZ"Bust of Mariano Melgarejo left, signed "M.G." on reverse"LA PATRIA AGRADECIDA AL PRESIDENTEMELGAREJO/ POR LA/ INAUGURACION/ DE LA/ MONEDA A VAPOR/ POTOSI DIBRE./ 28 DE 1869", original suspension ring. Scarce!I R!
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