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A 9 Carat Gold Moss Agate Cameo Pendant, a cast cameo depicting a female bust, with an emerald set floral headband, applied to an oval moss agate plaque, within a beaded border, measures 7cm by 4cm . The cameo pendant is in good condition. It is hallmarked with sponsor's mark 'TAR', London, 1989. Gross weight 38.0 grams. Condition Report made 24th August 2018.
A Circa 1800 Coral Cameo Pendant, depicting the bust of a Bacchant, measures 4cm by 2.5cm . The cameo is in fair condition, There a two hairline fractures running horizontally across the neck and over the bust. It is not hallmarked or stamped, valued as gold. Gross weight 9.0 grams. Condition Report made 30th August 2018.
Elzevier.- Le Moyne (Pierre) La Gallerie des Femmes fortes, engraved additional pictorial title, incorporating the a bust of the dedicatee Queen Anne of Austria, printed title with woodcut printer's device, 20 engraved portraits of women, woodcut head- andtail-pieces and decorative initials, occasional spotting, lightly browned, crushed red morocco doublures and gilt dentelles, dark blue crushed morocco by Duru, little rubbed, 12mo (binding 131 x 83mm.), Leiden, Jean Elzevier, and Paris, Charles Angot, 1660.⁂ 'Jolie édition' (Willems). Provenance: Curtis Thomas (armorial leather bookplate); Geoffrey Aspin, bookseller (bookplate). References: Willems 864.
A Staffordshire Pottery Royal Commemorative Mug, circa 1840, printed in black 'LONG LIVE QUEEN VICTORIA AND PRINCE ALBERT OF SAXE-COBERG MARRIED FEB 10TH 1840', with bust portraits and a spray of roses and thistles, height 13cm, width 15cm, a Doulton Burslem Queen Victoria commemorative beaker, height 10.5cm and a dish inscribed 'Empress of India', length 26cm.
A 19TH CENTURY CIRCULAR PORCELAIN PLAQUE, possibly by Chesapeake Pottery of Baltimore, unmarked, moulded in relief with the bust of a woman holding kindling and with a garland of holly in her hair, diameter 22.5cm, together with three pieces of late 18th/early 19th Century Chinese blue and white export ware, comprising a meat platter, sugar bowl and coffee cup (4)
A group of continental ceramics, 20th century, comprising: a biscuit porcelain group of two birds in flowering branches, 18cm high, with stand, two small 'Naples' white glazed porcelain cherub groups, a tin glazed group of the Madonna and child, 34cm high, a small white glazed bust of the Madonna and child, 7cm high, a small 'Naples' figure of girl with basket of fruit, 8cm high, also a Chinese blue and white cylindrical jar and cover painted with prunus, 23cm high, and a large continental composition group of two figures on a swing, 39cm high, fixed base and stand (9).
GOLDEN JUBILEE OF QUEEN VICTORIA. A VICTORIAN IVORY PAPER KNIFE, C1887 the scimitar blade pierced with VR cipher and emblematic foliage, the separate tusk shaped handle carved in the round with portrait bust of the Queen, silver plated ferrule, 36.5cm l++In fine condition, no damage or repair
A NORTHERN EUROPEAN IVORY BUST OF A LADY, LATE 19TH C possibly intended to represent Mary Queen of Scots, on rosewood pedestal, 17cm h Provenance: Sir Alfred Seale Haslam (1844-1927) of Breadsall Priory near Derby; thence by descent to the present vendor.++Good condition, undamaged with some natural age related yellowing of the ivory
AN ITALIAN LAVA HANDLED GILT BRASS LETTER KNIFE, C1890 the handle carved after the antique as a bust of the Emperor Caracalla, the blade inscribed POMPEII, 24cm, fitted case with handwritten card "From the Prince & Princess of Wales 1892"++The bust detached from its pedestal, the top of the pedestal slightly chipped
FRENCH SCHOOL, LATE 18TH CENTURY PORTRAIT OF A YOUNG ARTIST bust length, a portfolio under his right arm, oil on canvas, 26.5 x 21cmProvenance: Collection of Edward Knoblock (1874-1945), purchased at the sale of his collection in 1951 (lotted with two others); thence by descent to the present owner.++Lined, according to an old label, for the second time in 1951, cleaned and restored, the varnish with a few minor scratches and now requiring a light clean
FOLLOWER OF SIR PETER LELY portrait of queen mary ii bust length, feigned oval, oil on canvas, 49 X 38.5cm++Old restoration, the medium thin in places, possibly reduced from a larger work, lined in probably the later 19th or early 20th c. Several old stencilled auctioneer's stock numbers on the stretchers, a decorative portrait in gold painted ornate Victorian gilt frame with corner clasps
FOLLOWER OF JOSEPH HIGHMORE PORTRAIT OF A LADY bust length in a blue dress, oil on canvas, 73 x 59cm++Old localised paint shrinkage and varnish with much dirt. Small puncture (right shoulder), lined probably in the 19th c when placed on the present stretcher, on the reverse an old ?19th c indistinct auctioneer's stencilled client number, in 19th c gilt frame with loss from damp
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