* Italian School. A classical marble bust of a female on a plinth, flanked by two putti surrounded by flowers, 18th century oil on wood panel, surface poorly cleaned and abraded, indistinct early painted inscription to verso, 29 x 33.5cm (11.5 x 13.25ins), gilt moulded frame, together with a 20th century oil still life of flowers, in the antique manner, signed E. Lacroix lower right, 61 x 51cm (24 x 20ins), framed (2)
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* Miniature. “The honble Charlotte Viscountess St. Asaph”, c.1795-1812, gouache on thin ivory, oval bust portrait of the sitter as a young lady, 7.5 x 5.5cm (2.75 x 2.25ins), gilt moulded frame glazed, with contemp. ms. title label on verso. Charlotte Viscountess St. Asaph (1776-1862) married George Ashburnham, Viscount St. Asaph in 1795; in 1812 he succeeded as the 3rd Earl, whereupon Charlotte became Countess Ashburnham. Charlotte produced thirteen children and was 86 when she died. (1)
* Carline (Richard C., 1896-1980). Family group seated in the kitchen at number 47 [Downshire Hill, Hampstead, NW3], c. 1923-4, oil on canvas, unsigned, handwritten label verso identifies the figures at ‘George Junior, Hilda, Stanley Spencer, Mrs Carline (Anne) & Sydney’, 15 x 19 in (38 x 48cm), together with River Camp, oil on canvas, signed, depicting a canvas-covered river boat with figure seated on the bank, old handwritten label verso, 18 x 21 in (46 x 53cm), plus Still life with marble portrait bust, oil on canvas, signed verso, 18 x 15 in (46 x 38cm), matching modern wood and gilt frames. Painter, writer and administrator, Carline was born in Oxford. His father, George Carline, his mother, Anne, and brother Sydney, his sister Hilda (Mrs Stanley Spencer) and his wife, Nancy, were all painters. Carline served in World War I and was appointed an Official War Artist. With his brother he became noted for war pictures from the air. In the 1920s the Carlines’ Hampstead home became a centre for artists such as Henry Lamb, John Nash and Mark Gertler. During this period Carline was clearly influenced by Stanley Spencer, transforming everyday scenes into something monumental. The Imperial War Museum holds his work, including the outstanding and pioneering series of paintings, from World War I, based on observations made from aeroplanes. (3)
A cased set of eight silver and enamelled teaspoons, to commemorate the Coronation of Queen Elizabeth II, the terminals decorated with the emblems of the four nations of the United Kingdom and the bowls engraved with the bust of Her Majesty, Turner & Simpson, Birmingham, 1952, in Harrods box.
A collection of Papua New Guinea souvenirs, comprising an earthenware bust head set with feathers, five carved stone figures, a mother of pearl inlaid wood double figure and a carved wood pestle and mortar; a Papua New Guinea emblem wood wall plaque, carved as a bird of paradise perched on a kundu, 54cm; a Papua New Guinea wood carving, as an eagle attacking a tortoise, 20cm (11)
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