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TimeLine Auctions Limited
Lot 104

2nd-3rd century AD. A substantial bronze statuette of a youthful female, possibly a goddess, standing wearing a peplos dress tied beneath the bust and covered by a loose mantle over the left shoulder; diademed and dressed in a chignon; right hand extended holding a patera, left hand absent. 1.66 kg, 23.5cm (9 1/4"). UK art market. Anonymous sale; Sotheby's, New York, 4 June 1998, lot 145. Acquired by the present owner at Sotheby's, New York. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11053-183997. [A video of this lot is available to view on Timeline Auctions Website.] Very fine condition.

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TimeLine Auctions Limited
Lot 109

2nd-3rd century AD. A bronze chariot fitting in the form of a satyr bust with the head turned to the left; the thick hair arranged in undulating locks with large ears protruding between the curls and two small horns emerging from the centre of the forehead, expressive facial detailing with large eyes and incised pupils; a panther skin covering the chest and tied over the right shoulder, leaving the left shoulder exposed in the manner of Greek exomis tunic; a rectangular socket in an angle for attachment to the chariot on the reverse; mounted on a custom-made display stand. See Boucher, S., Inventaire des Collections Publiques Françaises - 17 Vienne: Bronzes Antiques, Paris, 1971; Ratkovi?, D., 'Wagon and Harness Bronzes from the Roman Collection of the National Museum in Belgrade' in Thiasos, Festschrift fur Erwin Pochmarski zum 65. Geburtstag, Wien, 2008, pp.793-815, figs.3-7-8, for similar items; compare also with decorated chariot fittings in Menzel, H., Die römischen Bronzen aus Deutschland III, Mainz am Rhein, 1986, pp.164-177, nos.458-485, especially pls.142-144, for those with the bust of gods; for another possible bust of Bacchus or part of his retainers as a chariot decoration see Humer, F., Kremer, G., Pollhammer, E., Pülz A., AD 313 Von Carnuntum zum Christentum, Bad Voslau, 2014, no.84. 1.1 kg, 16.5cm high (1.1 kg total, 22.5cm including stand) (6 1/2 (9)"). UK private collection before 2000. UK art market. Property of a London gentleman. Accompanied by an archaeological report by Dr. Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11092-184034. Bronze figurative decorations on funerary wagons are very often of Dionysiac character and related to Dionysiac mysteries. Hitherto it was a standard approach for the scholars to consider the decoration of funeral wagons as exclusively associated with the cult of Dionysus and various themes related to this cult, considering that many of the chariot fittings excavated to date were busts of the god himself, Maenads, satyrs, young men with vine-leaf crowns, or animals, like panthers, linked to his cult. One example similar to this sculpture is the bust of a Maenad in the collection of ancient bronzes of Vienne (Boucher, 1971, cat.42) which is most probably a chariot decoration, together with a bust of Dionysus in the same collection (Boucher, 1971, cat.43"). [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.] Fine condition.

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TimeLine Auctions Limited
Lot 110

c.1st-2nd century AD. A bronze bust of god Mercury (Greek Hermes), possibly from a steelyard weight, modelled facing with slender wings emerging from short, wavy hair, semi-naturalistic detailing to the face, and a slashed garment with shallow v-neckline; reverse plain below the neck. Cf. The Portable Antiquities Scheme Database, id. LEIC-DD278D, which dates the bust to between 43-410 AD; cf. WILT-AA5277 and ESS-4E1CC7, for comparable. 3.71 grams, 34mm (1 1/4"). Found whilst searching with a metal detector in Cambridgeshire, UK, by Robert Ward. Accompanied by a copy of Portable Antiquities Scheme (PAS) report number LEIC-DD278D. The lower part of the reverse is flat and plain, suggesting this may have been a handle for a vessel. Very fine condition.

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TimeLine Auctions Limited
Lot 112

2nd-3rd century AD. A hollow-formed bronze balsamarium formed as an African bust with tiered hairstyle, tightly-coiled curls of hair extending to the neck, soft facial features with exaggerated eyes and small mouth, the tunic covering the left shoulder, lateral lugs to the crown of the head for the attachment of a drop handle. Cf. similar balsamarium in Gifty Ako-Adouvno, B.A., Study of iconography of blacks in Roman Art, Hamilton, 1999, fig.10, from Sammanud, Egypt; Musta??, S., ‘The Roman Anthropomorphic bronze vessel from Strâmba (Turceni, Gorj County"). Typological, functional and chronological aspects’ in Oltenia. Studii ?i comunic?ri. Arheologie-Istorie, Muzeum Olteniei Craiova, Vol. XVII, 2010, pp.51-56, Pl.1a-1b. 290 grams, 12cm (5 3/4"). German art market before 2000. European gentleman living in UK. Property of a Surrey gentleman. The iconography of the anthropomorphic vessels displays a quite diverse repertoire. Similar themes can appear on vessels with or without pedestals. There are some categories of themes which generally occur and the most frequent image represented is that of the so called 'ethnographic' types in the literature. Fine condition, cracked, base and lid absent.

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TimeLine Auctions Limited
Lot 129

2nd century AD. A pair of votive terracotta busts comprising: bust of god Serapis, depicted bearded as Zeus and Hades, with a bushel of wheat on his head; a bust of Isis, with spiral curls on the forehead and wearing the Hathoric crown; each mounted on a custom-made display stand. Cf. Savvopoulos, K., 'Popular divine imagery in Hellenistic and Roman Alexandria. The terracotta figurines collection of the Patriarchal Sacristy in Alexandria' in The Annual of the British School at Athens, 2019, pp.1-52, figs.26, 27; for the iconography of Serapis see Milleker, E.J., ‘Three Heads of Sarapis from Corinth’ in Hesperia: The Journal of the American School of Classical Studies at Athens, vol.54, no.2, Apr.-Jun., 1985, pp.121-135. 82 grams total, 69-83mm (145 grams total, 9.5-10.5cm including stands) (2 3/4 - 3 1/4 (3 3/4 - 4)"). North London gentleman, in storage since the 1970s. Property of a West London gentleman. These busts are votive pieces linked to the cult of Egyptian deities, like Serapis, Isis and Harpocrates, inside the Roman Empire, and are probably a product of an Alexandrian workshop. Serapis was known to the Greek and Roman world already in the 3rd century BC in Alexandria, where Ptolemy I built a Serapeum in honour of the god. The name of the god means 'Osiris the bull' since after his death he became the ruler of the Outer world, while it was also believed that Osiris lived in the world through Apis, the bull. Isis is mainly always identifiable by her Hathoric crown, the so-called Basileion, and the typical Isis knot, formed with her garment at the centre of her chest, leaving her breasts uncovered. [2, No Reserve] Fine condition.

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TimeLine Auctions Limited
Lot 131

1st-2nd century AD. A group of votive terracotta figures comprising: the bust of the god Serapis, depicted bearded as Zeus and Hades, with a bushel of wheat on his head; a bust of Isis, with spiral curls on the forehead and the Hathoric crown; a bust of the divine child Harpocrates, with the typical fingertip just below the lips of his mouth, his head covered by his Egyptian Royal Crown; part of a statuette of a female worshipper in orans pose, the right hand raised in prayer, the body covered by a folded cloak and the oval face framed by a rich Graeco-Roman coiffure; each mounted on a custom-made display stand. Cf. Savvopoulos, K., 'Popular divine imagery in Hellenistic and Roman Alexandria. The terracotta figurines collection of the Patriarchal Sacristy in Alexandria' in The Annual of the British School at Athens 2019, pp.1-52, figs.14,15,39,42; for the iconography of Serapis see Milleker, E.J., ‘Three Heads of Sarapis from Corinth’ in Hesperia: The Journal of the American School of Classical Studies at Athens, vol.54, no.2, Apr.-Jun., 1985, pp.121-135. 280 grams total, 80-87mm high (405 grams total, 10-10.5cm including stands) (3 - 3 1/2 (4 - 4 1/4)"). North London gentleman, in storage since the 1970s. Property of a West London gentleman. These statuettes are all votive pieces linked to the cult of Egyptian deities, like Serapis, Isis and Harpokrates, inside the Roman Empire, and are probably a product of an Alexandrian workshop. Harpokrates, son of Sarapis and Isis, the deity-symbol of rebirth and fertility, was perhaps the most popular deity to be represented in terracotta figures. Serapis was known to the Greek and Roman world already in the 3rd century BC in Alexandria, where Ptolemy I built a Serapeum in honour of the god. The name of the god is considered to be composed from the names Osiris and Apis-the bull and means 'Osiris the bull' since after his death he became the ruler of the Outer world, while it was also believed that Osiris lived in the world through Apis. [4, No Reserve] Fine condition.

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TimeLine Auctions Limited
Lot 135

5th-6th century AD. A stone bust edge carved in high relief on a roundel with beaded border, representing an imperial magistrate wearing a mantle (chlamys) fastened at the right shoulder and folded over the left shoulder leaving a long sleeved tunic visible, shaven face with almond-shaped eyes and incised pupils, long parted hair curled with the use of the Roman calamistrum. Cf. Daim, F., Ladstätter, S., Bizans Döneminde Ephesos, Istanbul, 2011, for the typology of sculptures; see Vermeule, C., ‘A Greek Theme and its survivals: the Ruler’s shield (tondo image) in Tomb and Temple’ in Proceedings of the American Philosophical Society, vol.109, No.6 (Dec.10, 1965), pp.361-397; Various, Il Museo delle civilta’ Anatoliche, Ankara, 1988; cf. Scrinari, V.S.N., Sculture Romane di Aquileia, Roma, 1972, figs.606-610. 490 grams, 10.7cm high (4 1/4"). From the late Alison Barker collection, a retired London barrister; from her collection formed 1960s-1990s. The representation of mythological characters and of high officials of the state inscribed in roundels (imagines clipeatae) was well-known in Roman art, originally derived from the Greek theme of the ruler’s shield in the tombs and temples. Splendid funerary imagines clipeatae of Roman Magistrates and citizens are preserved in the Museo Ostiense (Inv. 56), dated to the 1st-2nd centuries AD. Roundels with portrait busts are well known from Palmyra (MFA Boston, inv. no.10.78; Budapest, Fine Arts Museum, inv. no.8431), but wonderful specimens in bronze are also known from Banias (Syria, in Damascus Museum) and from Ankara (Trajanic bronze tondo from Roman Ancyra, see Various, 1988, p.157, fig.224"). These images were even more abundant in the late Empire: it is worth remembering the early Theodosian imago clipeata of a warrior in the Staatlichen Kunstsammlungen Dresden (Hm 305, late 4th century AD) or the 4th century sculptures of gods from Aquileia. Our imago clipeata could come from a sarcophagus or from a public or funerary monument on which the owner was represented, maybe together with his wife or family. Fine condition.

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TimeLine Auctions Limited
Lot 137

1st-3rd century AD. A matched pair of carved jet earrings, each in the form of a Nubian bust with characteristic braided hairstyle; later gold plaque and pin to the reverse to enable them to be worn. 3.23 grams total, 21.3mm (3/4"). From the late Alison Barker collection, a retired London barrister; from her collection formed early 1960s-1990s. [2] Fine condition.

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TimeLine Auctions Limited
Lot 288

Dated 1970 AD. An inked sketch on beige-washed card of a facing male bust with shoulder-length hair and short beard, wearing a smock; the facial features are slim and elongated, the nose and mouth exaggerated while the eyes are set high on the face; radiating lines around the head and minimal detailing to the clothing, in the Art Brut tradition of naïve treatment derived from Dadaism and other 20th century art movements, supplied within a black card reveal; on the top right attributed to F. N. Souza. 118 grams total, 50.8 x 38.8cm including mount (20 x 15 1/4"). Personal collection of Harmadar Singh Thind; thence by descent. Private family collection of a West London gentleman. British Asian artist Francis Newton Souza (12 April 1924–28 March 2002) was a founding member of the Progressive Artists' Group of Bombay. He studied at the Sir J. J. School of Art in Mumbai but was expelled in 1945, having pulled down a Union Flag during a ceremony; he also supported the Quit India Movement of which the aim was to encourage the British authorities to leave the subcontinent, and joined the Communist Party of India. In 1948, some of his paintings were shown in London as part of an exhibition on Indian art while his work was under attack from his own Goan community in Mumbai. Souza emigrated to London the following year after complaints against him were made to the police for obscenity. He is acknowledged to have inspired his protégé, M.F. Husain. Souza's career developed so that he participated in several shows, receiving positive reviews from the art world. [No Reserve] Fine condition.

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TimeLine Auctions Limited
Lot 402

Probably Ferrara, c.1470-1480 AD. An incised slipware sgraffito footed bowl with splashed amber and green colouration, patella-shaped body with broad rim, central profile bust of a lady facing left, wearing an elaborate headdress, landscape with tree enclosed by a wattle fence behind, scrolled leaves to the rim with stylised leaves and buds to the exterior, a flaming tazza to the underside of the foot. 860 grams, 27cm wide (10 1/2"). Collection of John Winter, London, UK. Ex central London gallery. Accompanied by a copy of a detailed academic report. Incised slipware vessels were produced across northern Italy in the late medieval period, with the principal centres of production located at Ferrara and Venice. The example offered here displayed features of Ferrarese slipware, particularly the central motif of bust against landscape. One function of such wares was likely as love gifts between men and women during a period of betrothal or a wedding. The lady portrayed on the bowl has a stern, authoritative air and the appearance of an intended portrait. The motif on the fence has been associated with the imprese of Borso d'Este (duke 1450-1471), it may also be interpreted as an evocation of hortus conclusus (enclosed garden), commonly used to symbolise the purity of the Virgin, a meaning which was refashioned in betrothal or matrimonial contexts to signify a giardino d'amore, or garden of love. The amatory nature of this bowl is made explicit by the flaming tazza hidden from public view on the base. [No Reserve] Fine condition, hairline cracks.

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TimeLine Auctions Limited
Lot 67

3rd-2nd century BC. A marble head of divinity, probably depicting Ceres (Greek Demeter), the physiognomic features of the face still well delineated, with evidence of eyes, eyebrows, nose; the thick hair gathered under the cloak covering the head (capite velato), the head surmounted by a partially preserved diadem; two parallel grooves on the sides of her face, probably intended to house metallic earrings; mounted on a custom-made display stand. 390 grams total, 81mm high (11cm including stand) (3 1/4 (4 1/4)"). From the late Alison Barker collection, a retired London barrister; from her collection formed 1960s-1990s. This marble bust, belonging to a small statue (maybe a domestic lar) apparently belongs to the typologies of the Roman copies of the ‘well garlanded’ Demeter, a Greek original prototype from the 4th century BC, a famous example of which is preserved in the Museo Nazionale Romano, Palazzo Altemps, Rome, Italy. Fair condition.

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TimeLine Auctions Limited
Lot 97

1st-2nd century AD. A sheet silver phalera with repoussé ornament comprising a bust of Diana in three-quarter view with attributes in the field including a deer, a bow and a quiver. 21.7 grams, 73.3mm (3"). From the late Alison Barker collection, a retired London barrister; from her collection formed early 1960s-1990s. Fine condition.

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Thomson Roddick Auctioneers & Valuers
Lot 224

19th century gilt wood mirror, with orbed surmounts above a moulded bust, flanked by two stylised Griffins, with  columned sides modelled as Egyptian Pharaohs, height 77cm, width 131cm.

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Thomson Roddick Auctioneers & Valuers
Lot 225

19th century ebonised seal surmounted with ivory bust of a gentleman, also another with brass seal and a cold painted bronze of a bird. (3).

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Thomson Roddick Auctioneers & Valuers
Lot 357

Victorian Parian ware bust of Apollo, a copy of the marble bust of Apollo Belvedere by C. Delpech, unmarked, 29cm high, with giltwood plinth.

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Mendip Auction Rooms
Lot 166

An assortment of commemorative ceramics and metalware, including 1837-1897 Queen Victoria enamel beaker, Doulton Lambeth 1837-1887 stoneware jug and more Condition Report: The mug with heavy crazing and a crack to the handle. Beakers have light pitting, all have rubbing to the gilt. The Victoria jug has light pitting and a crack to the handle. The Saltglaze jug has a chip to the base. The bust and plaque are in good condition. All items have some light scratches and marks consistent with age.

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Stacey's Auctioneers & Valuers
Lot 1004

A plaster bust of the Venus De Milo plus other figures (5).

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Southgate Auction Rooms
Lot 153

BRONZE BUST OF NAPOLEON - 37 CMS (H) APPROX

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Lots Road Auctions
Lot 412

CONTEMPORARY SCHOOL BUST OF DAVID, gilt finish, 60cm high, 42cm wide, 38cm deep.

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Paul Beighton Auctioneers Ltd.
Lot 153

A quantity of South African items. Including carved hardwood bust of a man, figures, stone bowl, etc.

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Paul Beighton Auctioneers Ltd.
Lot 217

A box of mixed ceramics. To include Wedgwood 'Willow' small teapot, Wedgwood plate, Carltonware toast rack and a large eagle bust etc. Damage to elephant ear.

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Cadmore Auctions Ltd
Lot 337

A French Bronze Bust on a Malachite Base. Signed by the sculptor. 15.5cm tall.

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Cadmore Auctions Ltd
Lot 873

A Miniature Bronze Bust on a Wooden Plinth - Plus a small heavy metal statue - 17cm.

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Gorringes
Lot 273

Michel Millberger, bronze bust of a man, indistinct foundry mark 34cm

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Gorringes
Lot 432

A bronze bust of Octavian, on associated marble socle, 42 cms high including stand.

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David Duggleby Auctioneers & Valuers
Lot 4076

English School (20th century): Bust Length Portrait of a Lady, pastel indistinctly signed 50cm x 34cm; Jean Bloot (British 20th century): Portrait of a 70s Lady and Portrait of an older gentleman, pair oils signed 51cm x 41cm (3)

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Ramsay Cornish Auctioneers & Valuers
Lot 22

A 9ct gold stud (1.2g), a yellow metal ring with polished amethyst stone, markings rubbed (M), a charm with two oxen pulling sleigh marked Madeira and a bar brooch with classical bust shell cameo (4)

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Leighton Hall Auctions
Lot 137

A collection of Royal Doulton to include Dickens figures Micawber and Little Nell, Dickens bust Buzfuz, Toby jug Sairey Gamp, Doultonville Town Crier D6713 and Tigger sign the Rissolution WP6 (6). In good condition with no obvious damage or restoration.

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Keys Fine Art Auctioneers
Lot 395

Tribal/ethnographica interest - a mixed lot comprising a hanging Batak calendar, an Indonesian carved wooden boat with figures and a further hardwood bust (3)

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Biddle & Webb
Lot 120

A hallmarked silver bust of Sir Winston Churchill on marble plinth, signed G. Weil, approx. height of bust 8cm. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 161

A collection dalmatian themed items to include a soft toy, a bust and a variety of different small statues BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 183

A Grand Tour interest head & shoulder portrait bust on base. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 203

A limited edition Michael Sutty bust showing Sir Winston Churchill in ceremonial uniform, approx height 20cm. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 205

A Spode White China bust of Sir Winston Churchill, approx height 18cm. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 281

A bronze coloured China bulldog in a steel helmet wit the words “Hitler’s Terror”, together with a portrait of a bulldog in a suit and bow tie, and a bust of a bulldog with a suit and waistcoat. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 284

One bronze finished bust of Sir Winston Churchill, together with two bronze coloured busts of Sir Winston Churchill all with bow tie and no cigar, and one bronze coloured paper weight of Sir Winston Churchill’s head on a plinth. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 285

Four busts of Sir Winston Churchill, to include one cigar lighter bust, one red bust with no cigar, one on a plinth with a cigar, and one on a plinth with no cigar. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 286

One Wedgwood black basalt bust of Sir Winston Churchill with a bow tie and no cigar, together with a wartime money box bust of Sir Winston Churchill with the words “Save for Victory” to back, and two busts of Sir Winston Churchill with a bow tie and no cigar. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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Biddle & Webb
Lot 287

One Lawton China bust of Sir Winston Churchill on a plinth with a bow tie and no cigar with the words “never in the field of human conflict have so many owed so much to so few”, together with Lawton Studio China bust of Sir Winston Churchill with bow tie and cigar, and two salt cellar busts of Sir Winston Churchill and another bust of Sir Winston Churchill. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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John Nicholson's
Lot 523A

A bust length portrait of Lenin, oil on canvas, unframed.

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John Nicholson's
Lot 531

A bust length portrait of a red headed lady, oil on canvas.

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John Nicholson's
Lot 545

A plaster bust of a young girl.

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Nigel Ward & Company
Lot 1505

A Parian Robinson & Leadbeater Bust of a gentleman a/f. 8" tall.

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David Duggleby Auctioneers & Valuers
Lot 54B

Louis Sosson (fl. 1905 - 1930), French carved ivory bust, modelled as Ariadne wife of Bacchus, or a Bacchante, signed verso L. Sosson, raised upon a marble column with socle top and stepped base, H27cm

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Kinghams Auctioneers
Lot 303

Christian Dior, an Art Deco style advertising plaster bust, designed to promote maker's collection of gloves in Parisian store windows between 1950 and 1953, measuring 12 by 18 by 55cmCondition- Overall fair condition- Chips to plaster around base sides and edges- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

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TW Gaze
Lot 1029

A box containing a brass fireside companion set; dogs, poker, tongs, scuttle (5) together with a jug and bowl and wooden bust

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TW Gaze
Lot 1394

An artist's clay bust - signed to back MB LUGGMO, 17cm tall

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Sheffield Auction Gallery
Lot 1182

Bali Wooden Figure of Seated Maiden, 28cm high. resin Art Nouveau style bust. American riding a dolphin figure, lighter as a Knight, etc:- One Tray.

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East Bristol Auctions
Lot 109

A 19th Century French Art Nouveau bronze bust sculpture in the manner of George Van Der Straeten. The bust moulded in the form of a female wearing a hat and typical garments with all raised on a white marble base. Wear commensurate with age. Measures approx; 17cm x 9cm.   

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East Bristol Auctions
Lot 355

A late 19th Century Victorian mottled red and grey marble urn / jardinière plant / bust stand of simple form having a squared plinth top raised by a single column with brass covers to the top and bottom embossed with classical decoration. Raised on a square stepped marble base. Measures approx; 114cm x 28cm x 28cm.     

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East Bristol Auctions
Lot 383

After Raphaelle Monti - 'The Veiled Virgin' - A 20th Century reconstituted marble head and shoulders bust of a young bride beneath a veil. All raised on a circular grey marble base. Measures approx; 36cm tall.  

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East Bristol Auctions
Lot 419

A 19th Century mahogany pedestal column jardiniere / bust stand having a square stand top with central gadrooned and barley twist column over block and carved edge square base. Measures approx; 113cm x 26cm.

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East Bristol Auctions
Lot 473

A 19th Century Victorian tick jardiniere / plant / bust stand of solid mahogany construction having a octagonal cut top with chunky carved draped leaves below. Applied carved rose decorated panels to each side with lion head masks below to the front with further carved scrolled supports forming an L-shape. Wear commensurate with age with some signs of repairs, overall good condition. Measures approx; 118cm x 37cm x 37cm.

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East Bristol Auctions
Lot 487

A 19th Century Victorian marble bust of a young woman / girl decorated with flowers in her hair and upon her garments. The lady raised on mottled marble pedestal base. Measures approx; 50cm x 32cm x 19cm.

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East Bristol Auctions
Lot 667

A 19th Century Victorian bronze plaque depicting the bust of The Duke of Wellington in profile cast in relief, set under a crown. Makers marks to the verso read 'moulded by Jobsons Patent Process Lt Church Works Derby, 13th November 1854'. Measures approx; 34cm x 28cm.

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East Bristol Auctions
Lot 693

An early 20th Century 1920's / 30's plaster bust of a gentleman's head in white with detailed facial features. Raised on a single stem upon a solid metal base. Measures approx; 58cm x 21cm x 20cm.  

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East Bristol Auctions
Lot 711

A 19th Century Victorian white marble plinth / bust stand having a cylindrical column with ribbed detailing raised on a square plinth base. Measures approx; 18cm x 18cm x 18cm. 

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East Bristol Auctions
Lot 733

A 19th Century French concrete / composite bust depicting King Louis XIV. Modelled in typical attire with curly locks of hair, dress jacket raised on a pedestal base. Painted in a gold finish. Some wear to the base.  Measures approx 3ft

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East Bristol Auctions
Lot 737

A collection of Grand Tour items & artifacts dating from the early 19th Century to include obelisk, William Hogarth bust, bronze urn on marble pedestal base, two plaster cameos, fossil and an alabaster pestle and mortar. Largest measures approx; 21cm tall.

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